It’s noon already. Pa has left to check on some business related stuff at his computer hardware and peripherals showroom at Lal Chowk. Ma is sitting on the balcony, knitting a sweater for herself, listening to a folk song playing on Radio Kashmir:
czolhoma roshe roshe
you’ve left in a huff, in a huff
I go to my room, open my laptop, and check my work e-mail.
I open my inbox. There are two unread emails from my patients, one unread email from a Physiotherapy conference I attended in Sydney last year (they have mailed me their dates for this year.) There’s also bunch of spam emails about a brand new Viagra pill that I immediately mark as junk. I start typing a new mail to my Head of Department requesting an extension in my leave. I give him a truthful, albeit, surface explanation of my situation and click ‘send’. Then I light a cigarette and look out the window in front of me.
It’s snowing outside.
I go up to the cupboard on the side of the room and open it. It is filled with old clothes of mine. Someone has been wise enough to put naphthalene balls in it, so they’re in good condition. I take out a brown pheran and put it on. I take out my faithful digital camera from my suitcase and head outside.
I walk around the neighborhood, finishing the cigarette in long drags as I feel the falling flakes of snow surround me. A group of college girls walk by me. As if by impulse, I throw away the cigarette quickly. I think I hear some giggling when they pass me.
Are they laughing at me? Oh, grow up, girls.
I sit on the steps of a closed shop for an hour, watching snow gather on the roadside, on the rooftops, on the trees, into an initially thin layer, which starts to grow thicker as snowflakes come down in groups of millions- like pilgrims from the winter sky, draped in white.
I take about a dozen pictures of the view with my camera.
It hasn’t snowed too much this winter, probably because the sky shed its share of precipitation during the floods. But now, all of a sudden- March snow.
Has it ever snowed in March before?
I hear the sound of a sermon coming from the loudspeaker of a nearby mosque, which reminds me that it is Friday.
I enter the mosque just when the congregational prayers are about to start and stand in a corner at the back. A few minutes later, the prayer ends and I leave before everyone else, avoiding any form of eye contact.
Outside, it hasn’t stopped snowing. The sight is surreal, but I’m also worried about what it might mean for the house.
I can’t stop thinking about the morning conversation with Pa, I recall each and every thing he said, as if weighing the words one by one. I realize that I’ve been outside for a couple of hours now. But I have nothing to do either.
I’m getting a little bored.
I take out my cellphone and run my thumb over the touchscreen. I dial Niaz’s number, counting the number of rings.
He picks up after five.
“Hello, Salaam.”
“Wa Alykum As Salaam, hey Niaz, what’s up?”
“Nothing special. I’m at office right now, why did you call?”
“Um, nothing… The snow… did you see it?”
I hear him talking to someone else about some ‘misplaced files.’
I realize that he’s busy so I change my mind, “Hey, I’ll call you later, okay?”
“No, I’m here, I’m here… I was talking to this guy. Anyways, what were you saying?”
“If you’re busy, I’ll call you later.” I repeat.
“No, it’s fine. Just say what you have to.”
“I wanted to talk to you about the old house.”
There’s silence on the line.
“Yes, what about it?” He asks.
“It needs some repairing. There are cracks in the foundation.” I reply.
I can hear his confusion over the phone- a mix of concern and reluctance.
“I know that, Zaid, I know about it… but I can’t talk about this over the phone right now. We’ll talk when we meet, is that okay with you?”
“Yes, we should talk. Why don’t you come over after work?”
“Well… okay, sure, I’ll see you later.”
“Salaam.”
I hang up.
The snow is almost a foot thick now, and it is showing no signs of stopping. I start walking back.
When I reach home, Ma’s preparing a kanger firepot.
She puts the bright red embers on top of the fresh coal, arranged in layers of increasing thickness and texture from the top to the bottom. Leaf-thin coals on top- to pick up the fire quickly- small, softer coals in the middle, hard coals at the bottom, and there you have it- a portable fireplace, an earthen pot covered in intricate, colorful wicker-work. Medieval, but still in fashion.
I grab one and put my hands around it to warm them.
“Has it ever snowed in March before, Ma?”
“Not that I know of.” She says.
Something shiny lying on the table in front of me catches my eye. It is a thick glittery envelope. There’s a red ribbon knot tied to it.
“What’s that?” I ask, picking it up.
I see that it is addressed to Pa, his name written in gold ink on a name-slip pasted right at the middle:
Saadat Ahmed Sahib
Pir Dastageer Colony
“Oh, that’s Malik Sahab’s roqqe, he himself came with it an hour ago, it’s his daughter’s wedding, he has invited us – full family. Do you remember Malik Sahab?” Says Ma.
My heart skips a beat. Malik Sahab. Shirin’s father.
“Yes, he had two daughters, right?” I ask.
“Yes, two… why are you asking?” asks Ma, she looks a little confused at my out-of-the-blue ‘daughter question’.
“Nothing, I just asked… so which one is getting married?”
“The elder one, of course. What was her name, Farah? Yes Farah. The younger one was Shirin, she was in your class, wasn’t she?”
I find myself heaving a sigh of relief when I read the names of the bride and the groom on the card:
Farah weds Naseer
“Yes, she was, she was.”
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Helloooo!


Told ya I'd come back. And here I am for another review.
Aww, not much happened in this chapter. :c He's just all depressed; I know why. And I feel bad, yes, but maybe a tidbit more stuff could've took place here. Or I could probably be being very picky right now.
You set the mood really well though. I could def feel what he was going through; not that I have been through what he's going through. Great job!
Wait. Hold your horses.
Aren't kanger firepots really hot or something? He put his hands around it... :0 He'd be burnt! Or no... if those are portable, wouldn't it be made of something that wouldn't be too hot? Bleh, I is confused. *smacks forehead*
Dammit. No... For real...?
Phew. Thank goodness. Zaid's probably so happy. XP
Alright, so my review is over. I don't think you'll have any questions, but if you do, please do ask. I shall get to the next chapter as soon as I possibly can!
Keep on writing!
~Liberty
Hey there! I'm here to banish this from the Green Room once and for all!
So, the first tiny thing I have to say is that I don't really think the song lyrics, envelope address, or the card need to be in bold. Having them in the middle already labels what they are, and it just makes the reader's eyes jump to them preemptively.
For most of this chapter, the thing I really enjoyed was the mood. Through the description and the actions, you set up this really strong, almost depressed/lethargic mood - it's really very well done. But then, after he heads home, it kind of falls apart. I think the mood is supposed to change, but it doesn't change to anything interesting - it just goes to being bland. So, yeah, it'd be great if you could make that transition a bit smoother.
Also, I think it's really nice that you include the Arabic (I hope it's Arabic) words and terms - it really helps with that sense of culture.
I feel like the kanger firepot would be too hot too "put your hands around," but I could be wrong.
I also felt some of the dialogue, especially the end bit, but also the phone call, was just a bit lackluster. It just all seemed very sterile and what you would expect, and it didn't really convey a lot of sense of his character.
Anyway, that's all I've got for you, sorry it was a bit short. If you have any questions about what I said, just ask!
Hi!
I’m here, finally! If there’s anything that’s not making sense or if it sounds like I’m just furnishing this review with my grumbles, please let me know so I that I can apologise. ;p
First off: I couldn’t help but roll my eyes (I think I tired my eyes in the process) at the last paragraph of this chapter; it’s just that I have spun this nonsensical idea that Syed would no way have/had a romantic/gratifying relationship with anyone, like ever! You can ask me why not? And I’m sorry I do not have an answer for that question. Maybe it has something to do with the fact that I wasn’t expecting a clichéd story of a man coming back home just to be reunited with his childhood sweetheart— no way, please don’t do that for me. We have seen it all! From Devdas to Dev D. Actually, I like Dev D— he comes back home, alright, and meets his childhood sweetheart. But no, he doesn’t end up with her or die in the process; instead he gets a new life and a new girl! Ah, that’s something!
Obviously, I’m only blowing the smoke from what I’ve presumed. Maybe it’s nothing or maybe it is something.
(Or maybe I’m just too excited to see a man get back to his hometown and obviously see the streets he grew up in, with new pair of eyes and get all “Into the wild” kind of philosophy things.)
I had to go back and check if all the chapters were in present tense- they are! And that’s pretty impressive and scary and curious— I can’t wait to see how you are going to unravel the intense scenes. (I know it sounds like a snarky challenge, but I really am curious.)
That “someone” is obviously the mother. I know us south Asians have this unspoken distance that we maintain with our parents- we don’t hug or kiss them unless someone dies or you have made them proud, respectively. But I couldn’t help but notice how you have tip-toped around the “whole family thing” not as a narrator but as a writer. The last time the three characters, the father, the mother and the son ever sat together or spoke was when he first arrived, where they were happy and he was happy- a basic, very usual emotion, but we are now five chapters in and we still don’t know his reputation with his parents or the town. Is it too early talk to about it? Maybe! Is it a necessary quotient? Maybe. But I as a reader want something to cradle him and feel him and empathise with him. Sons are the worst when they come back home, no matter how much of a naughty people they were when they were young, they have this awkwardness pinned up on their sleeves that they mend and iron as their parents and relatives hover over them, if you know what I mean.
While she is at the balcony? What if she smells it or worse, sees him drag? Oh, bother! How about exaggerating on that one a little bit?
Why, though? I understand when you don’t want to linger much on some scenes but if there’s going to be none of the lingering then how am I supposed to connect or empathise with the character?
Also, something I’ve noticed is that you have this windy nature of touching things. You carry as much as you want and leave as much as you want with no linear connection except your destination. Your two main ‘rustle’ were the talk about repairing the house and the invitation, and the other scenes-without the lingering- felt like an adulterate to a rather very straight forward path, if you know what I mean.
I hope I didn’t ramble too much that this whole thing doesn’t make any sense. PM me if you need any clarification, I promise I won’t bore you.
Keep writing!
Cheers!