My granddaughter asked me about the sky today, just like any normal three year old would, bursting with questions about this world. Though this was a question so old that it stunned me.
I’ve almost forgotten what it was like to be young. Old age does that to you blurring out the edge until everything merges into a line.
So I told her a story, not because it never happened but because sometimes things are better off when they’re fictional. This was almost a century ago now, when we had only lost the colours for two decades or so.
-
I moved into Acro two weeks after my tenth birthday. Acro was a small community with orderly birches down the street and weather-board houses painted white. The population mainly consisted of wheelchairs or business suits.
I knew the names of the children in Acro off by heart: Winta, Kaya, Alec, Jaylen and Levi.
It was a sunny Saturday afternoon that I finally saw Winta come out from her house in her wheelchair. Shy ribbons of sun reflected off the wheels, reminding of sharpen knives dancing in the wind as we observed each other in that childish way.
There was very little breeze that day, though I remember clearly the one that picked up one of her wispish curls and blew it across her limpid eyes.
“Good afternoon, Winta.” I broke the silence after a while, walking forward and extended my hand. Still specked with dirt and grass.
“Hello, Ramsey.” Her voice was pleasantly cool, her handshake firm and steady.
“You know my name.” The question came out like a statement, as she tucked a curl behind her head. Regarding me with a smile and nodded.
“Yes, the paper planes tell me things, though they’ve been quieter than usual lately. I think it’s because of you, they stop coming every time someone moves into town.” She poked out her tongue and winked, before flashing me a small grin that brightened up her otherwise austere face like moonlight in a dark woods.
“You don’t believe me?” Her smile faltered, falling and I scrambled to rescued it.
“No, no, it’s not that. I just have no idea of what you’re talking is all.”
“Well, do you want to know a secret?” She whispered, voice low and secretive as she motioned for me to bend down. “They also carry colours!’
‘Colours?” I frowned, “what do you mean? They don’t exist anymore.” They were like the bones of a prehistoric animal buried in the sands of time.
‘But the planes have colours inked into their skin, they said so.” Her voice was adamant with a child’s love. “They told me, I’ve seen a sky so rich it’s like tasting Kal’s ginger brownies. I’ve seen the subtle shades of the evening sky like the silky folds of a chiffon dress.” She took in a sharp breath, pupils wild and diluted.
“I’ve seen things you can’t even begin to imagine, I’ve seen worlds drenched in strange colours. This is how I see the world, I can’t move but my planes bring me stories.’ Her cheeks were flushed as the last word soared and leaped out of her mouth. At that moment, I could almost see it explode and collide against the monotonous grey sky.
I couldn’t tell her what I thought was the truth, nor could I lie, so I choose silence.
“It’s fine, I know what you think.” She said with a blase tone, “we don’t believe things that we aren’t tangible or are meant to be myths.” She paused to finger the hem of her dress, “Imagine this, Ramsey.” Her voice sank into the tell-tale rhythmic beat of a practiced storyteller, "Imagine, you're climbing a tree. A tall tree, perhaps a wattle? The branches are steady and the tree is alive with energy. Your hand follows one branch, another, and another. Your mother's frantic warning becomes a distant hum. You break through the tree top, the soft new leaves brush against your cheek, the warm rays of the sun bathe your face. And for a single moment, you're lost in the current of time, swept away with nature's scents and you feel yourself gliding along with the wind. Or perhaps bursting through the deep, dark soil for the first time.
Except this time, your feet slip on the way down, was the bark always this slippery?
You crash through the heavy branches, your body battered and bruised.
You land on the ground, thinking it was just another fall.
Only this time, you don’t get up.
"That is the sort of dream I have, Ramsey. It goes in a loop. Always death, always the end." A small resigned sigh leaked from her lips. It lay there on the ground, melting into the cement. I stood there; the autumn wind stepped on my hair lightly, pondered and ruffled amidst the strands then went on its path again.
After a considerable amount of time she spoke again, "that's the difference between you and me. That is why you would never see the colours." Her tone was not hostile, merely matter-of-fact. She acknowledged me with a small nod and a smile that could have been a grimace and slowly turned around and went back into her house.
I stood in her courtyard a long time after she had gone in, I looked at the sky that was grey.
I looked at the trees that was grey.
I looked around me and saw only a silence made of silent disapproval.
I saw the planes that Sunday, they were magnificent creations that had the wind for wings and flowed like water through the sky.
And
they were all perfectly white.
-
My granddaughter gave me a very confusing look, which was rather unusual of her. She sat perched on my knee for a good long minute before running off to play outside.
“Are you telling her about that story again?” Nina said, dusting flour and cinnamon off her apron as she came out of the kitchen.
I sighed, suddenly aware of the paperweight sound it made. “She asked.”
“There are something you shouldn’t tell a child, not simply because they are not ready but because it will tarnish them.” She chided gently.
“But sometimes they’ll need it, just like Winta. There are things that should not be said but are said to protect them.”
Nina wrapped her arms around me silently and I leaned my head back against her. We watched as cars drove by, my granddaughter’s carefree laughter mingling with the mundane humdrum of everyday life. And though I’ll never see colours the same way Winta did, it does not take much to make some of my own.
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Hey, Flite! Happy Review Day!
My reviewing's a bit rusty, so apologies in advance for any clunkiness/confusion.
Grammar: "Three year old" should be hyphenated, since it's serving as a singular noun. The only instance you wouldn't hyphenate it is when "years" is plural, as in "three years old."
Old age is common among short stories. Sometimes you'll find children to provide contrast, like Ray Bradbury's "Season of Disbelief," which is about a group of kids denying an elderly hoarder's past until she's accepted she's not young anymore. Another short story of his, "The Swan," concerns a young man meeting a lonely old woman and learning about life and love. There's also old veterans, old people committing suicide, old people's transitions from lively to lifeless--the list stretches on and the recipe never varies: take a nostalgic atmosphere, apply it to an old person, refer to their past, and bake it in a 350-degree oven for thirty minutes.
That's what I receive from the opening paragraph. I'm not expecting originality, but your style is so fluid and your voice is so solid, and I want badly to be sucked in. To make it original, you have to define the characters by some element other than their age/past, flesh them out into a three-dimensional shape.
There's also a bit of redundancy: "bursting with questions about the world." The reader can infer that from "just like any normal three-year-old would." I'm probably nitpicking, but it's especially important with opening sentences to keep things clean and elaborate on unique description.
Comma: separate the independent clause from the dependent.
"I told her a story" is a broad statement, and it doesn't encompass the reason for telling it. So with "not because," the narrator isn't contradicting anything.
The two sides of the "but" also mirror each other: "never happened" is basically the equivalent of "fictional." The reader's left wondering whether the paper-planes story was made-up. It seems like it wasn't, because it's set in first-person and the piece is hinged upon the grandfather's old age, but the reader wants to remain tentative.
Since the narrator's discussing both, "or" should be replaced with "and." I'd also recommend shifting "mainly" to ensue "consisted," to keep consistent with the semi-formal tone.
I'm guessing the names correspond to the region, but there's a distinct lack of variation among them. All the names have unique letters and consist of two syllables, with the stress on the first syllable.
I'd recommend inserting a single- or three-syllable name, and messing with where the stress is placed.
I like the sentence's conclusion, which provides justification for the description's existence. The description itself, though, is cliche, and the imagery jumps around from shy to reflect to knives. When I visualize reflecting, my mind goes to shards and pieces instead of ribbons, which twirl through the air; the sharpened knives further contradict that image. The narrator's also plopping two images side-by-side; "the light reminds me of ribbons, but it also reminds me of knives" is basically what it's implying.
Verb consistency: "and extending my hand" or "walking forward to extend my hand."
I'm being nitpicky, but there's a lot of information packed into this sentence. I'd recommend breaking it up or just lopping some of it off, saving the fat trimmings for later. You don't have to describe all of her face in one go.
So I'm guessing this is the first time Winta and Ramsey are conversing, and Ramsey has a bit of a crush on her (maybe?). I feel like he would be a lot more astounded to know Winta knew his name. There's this part in The Virgin Suicides when the neighborhood boys are invited to the Lisbon girls' party and shocked over the fact the girls had recognized their existence, traced their names in ink onto paper cards. Ramsey's reaction is glossed-over.
There are some small verb-consistency issues; just do a quick sweep over the piece.
A few consistency issues with the dialogue punctuation, as well. Sometimes the narrator uses quotation marks and other times they use apostrophes.
(That aside, though, I love the dialogue; Winta's quirky without being in-your-face, as quirky character sometimes are. She's just such a fun character to read.)
This allusion to the ginger brownies throws me, since Kal's ginger brownies weren't referred to before. Desserts are also a bit cliche, when you're describing richness; maybe do something a bit more generic, and replace "tasting" with a more specific verb.
Also, the conclusion to this memoir is really strong and deep and amazing, but the beginning starts off in a totally different light. Details are skated over and Winta's treated like a full-depth character when we haven't met her before; the reader's expecting some backstory or flashback, and they receive none. It leads you to expect a light tone.
I love how the granddaughter just looked confused and then ran off; that provided a wonderful bit of comic relief.
So I think I put a lot of emphasis on the negatives, but originality stuff besides, I loved this piece.
The paper-planes aspect intrigues me; it reminds me of Sadako and the Paper Cranes, about a girl who was diagnosed with leukemia and sought to fold a thousand paper cranes in the hope that, if she did, she would live. You're amazing when it comes to symbolism. Everything just tied together well, and the pieces set in the present didn't feel out-of-place--they lent to the structure.
And your style's beautiful. It's the level of description writers are always striving to achieve--vivid but natural-flowing, detailed but leaving room for interpretation. Setting, atmosphere, and pace were all strong. The dialogue was varied and easy to read, and it possessed a realistic touch, as well; you could distinguish the characters' voices. Often when the dialogue starts becoming metaphorical, it's pretentious, but you managed to pull it off and create this wonderful, lyrical tone.
(I know this piece is from a while ago, but I enjoyed it too much to leave it alone. Erm. *walks away awkwardly*)
Looking forward to hearing more from you!
Wow. That was amazing and lovely in its own special way. There were some points where spelling was slightly off or a bit of grammar. For example, it would say something when it seemed like it would be some things. Watch out for simple things like that, but otherwise great story. I didn't care how long it was or how short. I just read and it was well worth taking the time to read it. Thank you.
I'm glad you enjoyed it, thanks for reading.
This was a beautiful story. I felt so bad for Winta, but then I didn't so much because I knew that she didn't want pity, nor did she deserve it. She's a special girl, and your a special writer to make a character like that. Well done.
There were some mistakes.
"I’ve almost forgotten what it was like to be young, old age does that to you, it blurs out the edge until everything just blurs into a line."
This is a run-on. Put it in three different sentences. "I've almost forgotten what it was like to be young. Old age does that to you. It blurs out the edge until everything just blurs into a line."
"I knew the names of the children in Acro off by heart, Winta, Kaya, Alec, Jaylen and Levi."
Colon between "heart" and "Winta" instead of a comma.
"There was very little breeze that day, though I remember clearly the one it picked up one of her wispish curls and blew it across her limpid eyes."
The one THAT picked up.
"Regarding me with a smile and nodded."
Fragment. Sometimes I write with fragments, but this one just reads awkward. I'd put "She" before it.
"I think it’s because of you, they stop coming every time someone moves into town.”
Run-on again. Period between "you" and "they" instead of a comma.
You have very good descriptions, and I like your style of writing. Keep doing what you're doing!
Thanks for pointing out those mistakes and thank you for taking your time to read and review this. I'm glad you enjoyed it.
At first I actually thought I would be reading about paper planes. This was a good perspective on life, things aren't always as they seem. Although that saying is very inaccurate. Things are never as they seem. For example a clear sky doesn't look blue or grey too me. I know it's blue, but to me a clear sky is green because I'm color blind to certain shades of blue and green. Another quote to summarize the story in a single sentence. "Don't judge a book by its cover."

You made a very good point with your story.
xD, I'm glad you enjoyed it, thanks for reading.
Your welcome, it was good.