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It's long for a prologue, but who cares!? I really liked it and I loved the choice of names. That really stood out, and the names can explain a lot about the characters, so well done for that. I enjoyed it and can't wait for more to come.
Hey there, here to review as requested! Just thought I'd mention -- I had a chemistry teacher named Zelda, so it was rather amusing to have an image of her going through this (she's older, with white hair).
Now, I'd like to point your attention to the little formatting area under the text box when you go to post a piece; there's an option that says "Story", and if you choose it, your piece will automatically be all spaced out and it will be much easier to read.
Okay, now for the story. I think you've got a good start; the only real "complaint" I have is that you don't differentiate between her flashbacks and what's really happening. Usually, flashbacks are indicated by italics or a space/row of symbols between paragraphs. And then, when you narrate the flashbacks, you usally speak in the past past tense; saying things like "she had done this," and "he had said that," to just really emphasize the fact that what you're saying happened in the past of the story you're telling in the past tense. I hope this makes sense; let me know if you need more clarification. I'd also suggest putting Zelda's direct thoughts into italics; makes it easier to know just what she's thinking.
I was a little lost when it came to her relationships with Genesis and Axel; sounds like she's got a thing for both of them, but Axel's the only one who's shown any interest in her. Why aren't they dating then?
And then the demons. I get the impression that they're slow and a little dull? Because I seriously doubt that three of them would be distracted from the mom to all come lumbering over to Zelda and then take sooo long before killing her that Zelda's mom has time to open a window (second floor, too!) and somehow get a scythe and come back and kill them. Also, you only mentioned the mom killing one demon; what happened to the other two? What were they doing in the meantime?
As for the grammatical aspect of your story, it needs quite a bit of cleaning up. Make sure you read aloud your story; that could help you catch different awkward-sounding phrases or wrong words that you need to fix up. One recurring issue I noticed is that you switch tenses. You go from past to present, sometimes in the same sentence, and it just loses the flow of the story and makes it frustrating for the reader.
Okay, so that's all I've got to say! Please PM me if you've got any questions or whatnot. Cheers! (:
I really don't have a review for this, but I do have a question: are you referring to Cloud Strife from Final Fantasy? Your description of 'blond hair' and 'electric blue eyes' is certainly correct.
Awesome work (again).
Jenth
Spoiler
Okay, much, much better. I'm glad that you edited your work and then contacted me to help you out - that's why there are more notes and corrections in this version. I honestly didn't think the first version of the story had potential, but your latest edits prove that there is a light at the end of the tunnel.
My first concern: spelling. You will make my job much easier if you run your story through a spell checker. The mistakes, while numerous, aren't particularly awful - but they still detract from the overall quality of the piece. That, and being a hardcore Grammar Nazi, I can't just leave them be, so I correct every one I find.
Second: the memories. I know I mentioned you should include something like them in there for character development, and I'm glad you did. However, the way you went about it is more than a little confusing. You start out with Kyrie opening the door to her old home, then she remembers one thing, then another, then a third, and by the time she actually goes inside the house, we forget she was there in the first place. Instead of dumping all three of them at us at once, have quick throw-backs to them. Like...
As for Cloud - If you must have Kyrie drool a bit over Cloud's impossibly sexy six-pack, either do it before she arrives home or after she's had her talk with dear mom. Anywhere else in what you have right now will break the flow.
Now, while those two memories can be formatted simply as throw-backs by virtue of not being that plot-related, obviously the hospital scene with her brothers is more important. There's another problem with how you mentioned the memory in the beginning and her mom bringing it up at the end. The place where you described the memory is too close to the place you used the memory to make it seem "as a matter of fact" and not like Kyrie was remembering it specifically because you wanted her to remember it; and it's too far for the reader to really appreciate the drama that occurred when it happened. My advice is this...
You get the idea. Basically, take the memory and put it in its own separate little "alcove". That way it will neither break the flow, and it will give the readers something to feel when Mom touches the subject of brothers. In programming, we have a rule: "Declare [describe] your variables [set pieces] closest to the code [scene] where you will be using them." It applies beautifully to literature. If you spend a paragraph describing something important, only to forget about it and then suddenly remember it after 10 pages, chances are your readers will have forgotten about it, too, and will have (at best) no emotional connection that the paragraph was supposed to set or (at worst) no idea what you're talking about.
Concern #3: the characters. First of all, who the hell is Nero? If he's Kyrie's boyfriend, then he should definitely be getting a lot more mention. If he's a mysterious character that you will only describe later, he should still be getting more limelight to set the mystery and make the reader wonder. If he's a random dude, then he should not be mentioned at all. If your readers are like me, they will also spend more time thinking who this Nero is and what he has to do with the plot.
While I'm on the topic of character, what's with all these names? You go from normal everyday ones like Annabelle, Chad, and Dexter to fairly unusual ones like Kyrie to whatever-you-were-smoking-when-you-named-your-kid-I-want-ten-pounds-of-it ones like Nero and Cloud. We'll also find out that Kyrie's study buddy is named Aerith, her ex-boyfriend is named Dante, and her current crush is a janitor named Bob. It's up to you, of course, but I highly recommend you settle on a thematic name scheme. Either pick real world names or fairly unusual names. Only use all-out fantasy names if your piece is an all-out fantasy. Given that there's no mention of inns and kingdoms and mages and sorcerers yet, it's probably not an all-out fantasy. Given that action is taking place in the real world, it's definitely not an all-out fantasy.
Overall, a huge improvement. You've given your characters some depth, and it really shows. I think this chapter is just one major edit away before you can start smoothing out kinks and polishing it to a publishable state.
Your servant,
cC
Spoiler
The spoiler above contains my full text critique. My comments are in [red brackets], and my corrections are in
radred.Well then, this here is a very basic action flick. A lot of demons pop out of nowhere, attack two people for no reason whatsoever, an angel saves the day (also for no reason), and... you get the idea. And I'm glad you get it, because I really, really don't. Read on.
The biggest problem here is that you give so much information, yet so little of it matters at the time. The very first sentence is already so packed with information: the main character is at her mother's house, she has a best friend named Cloud with whom she lives, she's twenty-three years old... Now, why do we need to know this so early in the story? Cloud could have made an appearance somewhere, and we'd get information from that. "Cloud is my best friend", you say, while you could have had a scene where the main character interacts with cloud as if he was her best friend. Not only would you be implying that he's the MC's best friend, but you could also indirectly inject a whole bunch of information at the reader. They wouldn't even notice an infodump, but they'd already know so much more about the story.
Question: why did the MC's mom not dispatch the goblins while the MC wasn't looking? It seems like she was hiding some information about her angel-ness from the MC. Why did she choose to angelify herself after the goblins brushed their teeth and started snacking on the MC? Not a very motherly thing to do, especially since she knew the MC was coming to her house. Or was this just some stupid, stupid demonstration orchestrated by the MC's mom that could have (and very nearly did) gone horribly wrong?
It feels like you have a plot in there somewhere, it really does. However, your style itself needs a lot of work. There are places where you forego actual description with big words ("trepidation" and "intrinsic" come to mind), which is a big no-no unless you want to show that you just discovered the dictionary. Repeated words, misspellings, grammar issues, all of these problems can be overcome with several rounds of editing.
Another thing you need to learn to do, purely plot-wise, is pacing. Everything happens so suddenly, so fast. You noticed, I'm sure, that I sounded like a complete douche in my review. That's because I had no emotional connection with the character. When she was being shredded apart by the goblins, there was nothing at stake, making the scene silly rather than emotional. Yes, a person was about to die, the main character - but I didn't know her. I didn't know about her secret crush in high school. I didn't know about how she's struggling to pass Advanced Algebra II in university right now. I didn't know about her uncle dying of cancer. I didn't know that she would never profess her love, never become an astronaut, and never see her uncle recover if she dies. These are the things that give me reason to be stressed and afraid when the heroine's life is in danger, and make me feel immense relief when her mother grows wings.
My final advice: read more, write more, try to imitate your favourite authors at first. Good language and pacing and all those wonderful things don't appear out of vacuum, you have to practice in order to get better. Do you think I sound like a massive pr*ck in my review? Great, now go rip some of my works apart to get back at me.
Your servant,
cC
I loved how full of action it was. I hope you keep writing on it and make it into an official book.
Well, it was an interesting read, most definitely.
I'll just jump in, mostly because I don't like mincing words. 








I like how you give her that urge to live- to grab that scythe and WHAMO!!!


I like how Kyrie has the power inside herself to destroy those demons, and how she helped her mother, or put forth a pretty good effort.
Please keep writing on this. I'm really looking forward to the next part, if you'll write it. I hope I was helpful with my crit.
If you need any more help, ideas, etc, feel free to PM me.
Great story; I truly enjoyed it.
I could feel Cloud's concern for me in my own mind, even though Cloud was driving to work. It was the weirdest thing on the planet- to feel my two best friend's emotions in my own mind. I honestly had no idea how it worked between the three of us, but at least they had no idea that I could feel their emotions.
This seems a little out of place with the rest of your piece. I suggest you add some more details, like, "Cloud knew I had been worried about mom...." or some such thing.
I didn't think there was anything wrong- in the end, I would come to realize that I was dead wrong.
This doesn't fit with the rest of the paragraph. If you turned it into a thought, such as, "Mom is alright, she has to be," I thought, trying to convince myself...." etc.
Their skin was a deep shade of brown- so dark that it looked black and they stood on their haunches, as if they were unable to stand up like normal humans. They had talon-like claws and glowing golden eyes that burned with no emotion except hatred and blood lust
Use description that reflects the MC's emotions. In the first sentence, she (?) seems almost like a nonchalant observer. I suggest you make their description more dynamic, i.e., "These ugly, deformed creatures were swarming around my mother, their claws flashing..." etc.
I blinked, my green eyes focused on my mother's pretty face, on her tanned skin and auburn hair that I had inherited from her.
It would be better to weave the description into the story. "Mom's fiery hair spilled over her shoulder. The demons had left deep cuts in her tan arms..." etc. The second part doesn't fit the situation, unless you have it really hit Kyrie of how they look so much alike.
The explosion in my body was similar to it, but not quite. This one was like my soul was being blown up and morphed into something completely different. It was as if there was this latent power inside of my soul that burst out; all I saw was a woman with one purple wing with her back turned to me.
Again, this sounds almost like an outsider looking in. Try and feel like Kyrie. What would she be feeling and thinking? What would she physically feel?
A Female Warrior came to my mind, somebody who guarded people against unimaginable forces.
I just wanted to say, I really like this.
My mother suddenly stood in front of me, a set of pure white wings flapped soundlessly from her back.
"I realized it was my mother" would be more appropriate, or "the violet wings faded to white, revealing my mother..." etc. It would help with the transition from her vision.
"...mother- 5'6- and..."
At this point in time, unless you include it for humor, you don't need to have her mother's exact height.
"...I raced towards the last demon- my mother killed the other two, my mother had cuts and bite marks on her neck, wings, and face but was still going on strong. I wouldn't let her die- No..."
More dynamics! Kyrie doesn't care if her mother is an angel: she's going to kill that glutenous mass attacking her!!
The demon sure wasn't wasting much time. He began to choke the life out of me, but it was a slow process. I soon got dizzy and my fingertips and toes soon began numb. There was a dizzying fog in my brain and I had to force my eyes to remain open. My eyes slowly traveled to that scythe that was coming towards me: A deep longing suddenly ripped through my heart and soul to weild that scythe. That scythe belonged to me and nobody else; it was as if I was it's true owner.
This is good. Really good.
"Kyrie." My mother's voice snapped me out of my daze. I looked up. "I think it's time that we talked.
A paragraph after this would be nice. The whole, "yeah, I need a pretty good explanation for this."
Overall, I really liked it. I'm quite fond of the "good vs. evil" stories, especially when the good wins.
*Seraph*