Published July 2, 2012
The street was wet, the infinite reflections of the infinite number of city lights diving into the depths of something with a striking straightness, the cars rolling past with their treads hissing sharply through the ¼ inch of water. Everything but the sky was well lit for safety, now fully committed to dark, orange hued light polluted clouds silently, steadily migrating east. They walked at a quickened pace all hunched and forward leaning, a huddle of hand gestures. Tim ambled a few paces back, not exactly having decided to disengage, but not necessarily disappointed about not being included. He was the first candidate to be edged out when the narrowness of a sidewalk only permitted so many shoulder-to-shoulder. Everyone that passed them seemed to wear a vague look of distain, furrow-browed and brazen, their features accentuated by deep cast shadows of city lights; they usually made eye contact with Tim, as he brought up the rear. Despite the group’s failure to ensure his inclusion, his being aware of outsiders’ acknowledgement of the group somehow made him feel like he was the representative member, his posture: protective. His arms were crossed and his eyes forward as the rest of the group peered into one another, Jon, closest to the street, braced and slumped with traps squeezed tight, continuously flinching, evading the low-hanging branches of the teenage trees planted in the little square plots lining the main street and doing his best not to dead-leg himself on the metal benches that face the shops, John’s shirt brushing the opposite brick and stucco store fronts occasionally with a ripping Velcro sound and forcing his right shoulder behind him with a twist of his back.
Josh was between the two, talking only slightly less animatedly than the others. He was nervous, or eager, his attention divided between the conversation and his closing in on the representative fruits of his labor. It was his show that they were walking to, although the others, aside from Tim, had submitted pieces. He had been talking about the show for months, and had organized it with his friend, the lessee of a warehouse space not a mile from his apartment and had spent almost every night of the past two weeks in the space designing the layout and tediously hanging his work on the walls with rationale more meticulous than could probably be appreciated. He intermittently went silent and looked straight ahead and down the street in the direction where the show would be, as if he expected to be able to sense something about what was coming just by way of these momentary detached revelries in his anticipation. At some point, he got stuck in this thought space; it didn’t appear that he was going to resurface in the conversation. His hand-wringing became continuous, and his facial expressions, although slack and lazy, began to morph without his consent as his proximity to the warehouse afforded him imagination and his self-consciousness waned to nothing. His face was all one cheek twitchy half-smiles and brow furrows, alternatingly.
They crossed 5th Street and the warehouse was in view, a brittle looking red brick building on the corner of 6th and Girard. Tim noticed the way the smell of the street rapidly changed, almost with every inhale; the smells’ sources could be discerned if careful enough attention was paid to the direction of the wind. First it was hotdogs, then foul wet trash, that dull and sweet smell of the stale air that hovers over manhole covers, curry, and then cigarettes. A few people were smoking around the corner at the entrance to the warehouse; that accounted for the cigarette smell.
“Josh! You’re here. What’s up?” with arms open, one quickly dropping to his side and the other extended with a hand slightly upturned, subtly indicating he didn’t want a conventional handshake, but rather one of those where the fingers wrap around the other’s wrist and which usually morph into something that passes for a hug. Josh missed the cue and realized it quickly, having to lift his hand above Craig’s and descend awkwardly in a slow swooping motion to get the right angle to grab it the conventional way, looking like he was demonstrating the path of a projectile, his forehead beginning to burn with embarrassment; Craig used his other arm to grab the outside of Josh’s forearm to reinforce the shake, and then after a couple affirming slaps withdrew his hands, knowing subconsciously that when you botch something like a handshake, if you follow it up with something vigorous enough it tends to erase the memory. It would probably be more accurate to call the two acquaintances. “Want to go up?”
“Sorry, uh, yeah, give me a minute; I’m going to have a smoke. How many people are here?”
“Probably about twenty,” to which Josh offered an understanding nod and took a second to himself to decide whether or not that was a good amount. The people smoking didn’t count. They all lived in the warehouse with Craig. Some of them were secretly annoyed that there were people roaming around upstairs in what functions to them as a living room. They all talked almost exclusively to each other (right then and for the rest of the night), which they felt their only incidental attendance gave them the right to do. There were eight of them (including Craig) that lived there, and four of them (including Craig) that were smoking outside.
Sometime before January, when the lease was signed, Craig had the idea to get together a group of his artist peers, most of whom are aspiring film majors, to get a “space” together and form a “collective.” As one would imagine, the idea was appealing to the many artistic friends of the well-networked Craig who actually had to turn down a good many of them as room wouldn’t allow. To the initial delight and eventual dismay of his (ware)housemates, he had followed through on his promise to use the space to host various types of events. Most of the events consisted of the local bands playing for sparse crowds consisting almost entirely of people who knew the band members personally. This was a bit of a break from the usual noise, but still wore on the nerves of the warehouse’s inhabitants.
After a few drags, “How long have they been here?”
“Not long, maybe fifteen, twenty,” at which point one of them emerged from the door, proceeding to weave through the small gathering with a polite smile to suggest a number of excuse-me’s, clutching her bag to her chest and looking through her bangs to make shy and apologetic eye contact to help part them, imperceptibly double-taking at Josh without moving her head as she recognized him from the little picture and blurb posted next to his work upstairs. She took off down the street alone, pretending to be cold.
Without having really decided to do so, but rather as a sort of unconscious impulse Josh threw his cigarette on the ground right then, only having smoked about half of it, stepping on it absently even after it fell on the wet ground and extinguished itself with a small sizzle. It was time to go up and see. He opened the stickered and graffitied side door which you could tell was heavy just by seeing someone open it, almost letting it close on Craig who quickly braced it with his hand and flexed hard to kill its momentum, and then stepped back to hold it for Tim and the Jo(h)ns. They silently climbed the stairs. Josh forced out a preparatory exhale, his chest fluttering all of a sudden; all of his anticipation pooled inside that moment as there would be no more time to feel it, a nervous lump now sitting at the base of his throat, a sort of pleasant nausea swimming behind his sternum, its emanation a warm dizziness that fuzzed up his brain now full of blood, and that dark blue glitter-spangled semi-blindness that comes when you stand up too fast after forgetting to eat. The haze subsided and the impressions gained definition slowly, fading into view were ten or so people, bodies facing art, interrupted looking faces turning toward Josh, who now owns a different kind of their attention. His dazed look gave way to the kind of unnatural smile a kid might offer to his camera wielding mother.
“Everybody, this is Josh, the featured artist of this weekend’s show. He’s going to mingle a little bit, so if you have any questions to ask him about some of the pieces here tonight, I’m sure he’ll be glad to talk with you,” Craig said with a hand around Josh’s shoulder. Craig leaned toward Josh and in a quieter voice told him that there was like coffee and stuff in the big room and that other people had filtered through and are hanging out in there now, but to mingle here for a few. And with a pat on the back, Craig sent Josh into the room, while he and the others walked into the big room.
Josh obediently remained in the room and took a few tentative steps toward its center. He had no intuitive sense of what he should be doing and realizing this, resorted to attempting to see the whole scene in the third person, delegating all executive power to the slice of his consciousness that he had thrown to the ceiling just to the right of him and back toward the wall, the spot which he reckoned would be the best vantage point from which to take it all in. The effect was not as desired; he ended up taking a few very mechanical looking steps to his left and staring for about eight solid seconds at the side of the head of a girl who looked to be examining one of his pieces very intently.
“You’re a weird one, aren’t you? I like that.” With a jolt Josh’s attention snapped back to him like a rubber band from the ceiling space behind him, reunifying and fixing itself on the girl’s face, heavily made-up to cover the acne that she seemed too old to have, which Josh thought probably caused more epidermal issues than it solved. He instinctively did not like her; she seemed too comfortable to have any serious investment in their conversation, but he tried to give her the benefit of the doubt.
“I really like this one,” she said, crossing her arms and giving her breasts a forearm shelf to rest on, seeming to concentrate on the piece, although Josh wondered if she was rather concentrating on whether she could get him to look at her breasts or not. He did not look, as he was too busy searching her expression to decipher intent.
“What about it?” he asked with intermingled skepticism and genuine interest.
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Hi Andsoonandso,

Mailice here with a short review!
I am very amazed and also a little surprised at the development of this short story, because I had the impression that we were getting more of a "documentary" narrative here, but you have created a stand-alone story with an interesting character.
What is noticeable, and I think this is my only criticism, is that your paragraphs are a bit long. The more you read, the more you realise that these longer sections are partly dialogues where Josh is being questioned, but I think that these could also be split a little by inserting "a pause" in between, where the characters pause for a moment or something.
Otherwise, I really like the structure and the development. The beginning (at least the first sentence) was a bit hard to understand, but it was worth reading on. I like how the narrative starts with a bit of description and then builds up a bit with the development of the characters like Josh. I think you used a good method of showing a bit more character through the dialogue. I was just surprised because the ending was still a bit open and I think you can definitely see a sequel.
Other points I noticed while reading:
I am a little confused with this first sentence because it is so long. You open well and it seems poetic, but at the same time I feel like something is missing, because the beginning seems much better than the second half. I think it will help to maybe look a little bit at splitting the sentence and showing a different representation.
I see this very rarely and that's why I just want to note here that you write the th in a high position, which I like very much.
In summary, it's an interesting short story, but it also feels like it's only the beginning that we get to see here.
Have fun writing!
Mailice
Hello there, Show! I'm Rosie, and I'm here to give you the review you requested.

Before I start, I'd like to welcome you to YWS! I absolutely love it here, and I sincerely hope that you will as well. There are an amazing amount of talented writers on this site who are always willing to offer any help they can give; with their help, I've grown as a writer and as a person. If you have any questions about the site or simply want someone to talk to, feel free to ask me or anyone else, and we'll help you as much as we can. Now, on to the review.
You definitely have talent. There's quite a bit of vibrant, interesting writing here; you have a way of describing your characters that allows me to see them quite clearly in my mind. You made me like your characters, and that's the mark of a good writer. Great job there!
I have one main criticism of this piece, and that's how it's organized. I cannot express how important a reader's first impression of your work is, especially on a site like this. If you don't immediately grab the reader's attention, they will press the little red x in the corner and move on to something else without ado. Aside from the title, the first sentence of your piece will be the reader's initial impression of what the piece will be like.
While your work is exceptional, it isn't organized well. By grouping so many of your sentences into such ample paragraphs, it's difficult for me to keep track of what's happening in the story. In addition, your first paragraph is too length for me to 'test the waters', per se, and get an idea of what the story's going to be about, your writing style, etc.
Since I've pointed out an issue, I feel it's essential that I give you my opinion of a solution. Basically, my opinion is this: divvy your writing up into smaller paragraphs. Instead of the first paragraph you have now, try editing it so the following is your entire first paragraph.
"The street was wet, the infinite reflections of the infinite number of city lights diving into the depths of something with a striking straightness, the cars rolling past with their treads hissing sharply through the ¼ inch of water. Everything but the sky was well lit for safety, now fully committed to dark, orange hued light polluted clouds silently, steadily migrating east."
After that, move on into the next paragraph. Oh, and one little nitpick: watch how many times you repeat words. You used the word 'infinite' twice in one sentence; when you overuse words like that, readers focus on the amount of times a word is used instead of the meaning of that word.
Your problem is not the way you write; you're an amazing writer. What you need to do is focus on editing and learning how to organize your work so each paragraph, each sentence, and each word stands out for how truly awesome it is.
All in all, great work! I look forward to reading more from you.
Always keep writing!
-Rosie