chapter oneTamaka’s low jazz music floated out of the window and onto the street below the dorms. Someone needs to tell her that everyone can hear her bath time jazz every night; or at least, all of the students here can. Two girls start giggling behind me, pointing to the third floor window, where Cho is singing along to the lofi jazz music, braiding her waist-length black hair. “Everyone is falling in looooove…”
“You’re in that dorm, right, Mika?” says Ken, tapping me on the shoulder.
I reluctantly nod, and Ken and Minato laugh.
At Kei Ito University, singing isn’t really considered normal. Well, not for robotics and engineering majors like me, Ken, and Minato.
The singing and jazz get louder and louder until I’ve reached the third floor, unlocked the door with my face ID, and kicked off my shoes by the door. “I wish I could have had an autokura,” I say, leaning against the wall. The stairs seemed to get lengthier and lengthier each walk back from the school at night.
“You could have sent a comm,” Emi says, lying stomach-down on her bed and drawing a star chart. “We all have the line programmed into our autogeitas.”
“You know, Professor Sato was talking about how one day we might program things into our fingertips one day,” I say. “Phone numbers, addresses, credit cards, and even the previous illness of someone.”
Cho’s low singing stops and she turns around. “Program IDs into our fingertips? You engineers are crazy.”
Tamaka steps out of the bathtub with her silk robe and her hair wrapped in a towel. “How does that even work, Mika?”
“Well, Sato thinks if the information is in a physical chip, we can insert it into any body part,” I explain, setting my bookbag on my desk.
“But what if there was a glitch? What if you put the wrong—”
“Nothing is for sure yet, Emi,” I interrupt. “Nothing is ever for sure in the engineering world.”
“Or the medical world,” says Tamaka. “They haven’t found a cure for quenxis.”
Quenxis. My stomach feels raw just thinking about it. The disease that kills one slowly, not painfully. You couldn’t tell by looking at someone if they had quenxis; the cells are only found within the bloodstream, where they slowly stop the blood from circulating, until one day, the heart stops beating. And there is no cure.
“I’m sure they’ll find one some day,” Emi says, waving a hand. She turns back to her chart. “Where is the planet Edrema 6 again?”
“Next to Barvine IM1U,” I say, sinking down into my desk chair. I look around my desk, brushing through some old papers, pens, books, and my red origami crane. “Wait, where is Zoombo?”
A twelve-inch, self-programmed android sputters to life next to Tamaka’s bed. “How can I assist you, Takahashi Mika?” it recites.
“I still think he deserves a better name,” Tamaka says, taking the towel off of her head and shaking her hair out.
“Time to recharge, Zoombo,” I say, ignoring her. Zoombo obediently rolls over to my desk and steps inside the charging outlet, first saying, “Good night,” before entering Sleep Mode, his sensors shut down and he folded himself closed.
I take a screwdriver from my desk and start to take Zoombo’s back apart. “I need to change that,” I say, sighing, and a hologram screen materializes in front of my eyes.
“You engineers are crazy,” Emi says again as I start typing on the screen.
“Like you techno musicians aren’t,” Cho says, and Tamaka laughs.
I don’t finish reprogramming Zoombo until close to midnight. I do more than fix the “good night”; I fix some bugs and get rid of any possible viruses. Zoombo is my favorite creation, after all.
“Go to sleep, Mika,” Cho murmurs. “It’s a weeknight.”
“Shh, go back to sleep,” I whisper.
“Go back to sleep, Cho,” Zoombo whispers, matching my tone.
“Shut up, Zoombo,” Cho whispers back, turning over in her bed.
I smile and put on my headphones. Since I was a child, I always wanted to make my own android. Back when I lived in what was once First Tokyo, with my mom in our old condo next to my best friend’s house. Before Japan remodeled after the third world war; before the government forced everyone not of Japanese descent to leave. I haven’t seen my oldest friend in over five years.
Thinking of him makes me nostalgic. I flip open my autogeita, and a hologram of my saved contacts popped up. In Second Tokyo, you can’t call international phone numbers, which means I have no way of getting to New Seoul, where he lives. But I still have his contact saved. Just in case I ever leave and get to call him again.
Just in case he would remember me.
Points:
Time spent:
Canary word: Present
Possible AI signals:
Original Text:
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Hey there Amber, Icy here for a quick review today! I like that you've used an image at the top of your chapter. That makes it a bit different for me when I click into the work - are you planning on using different images at the start of every chapter?
Be careful with introducing too many characters right off the bat. These all occur in the first three paragraphs and I find myself worrying how I'm going to keep track of them all. It's pretty overwhelming as a reader, given that I have very little to go off about them at this time. I'd be more comfortable having one or two characters, and then slowly introducing the others.
Consider also whether you need this many characters. Do they all serve a different role in the plot? Could two be combined into one? You may need them all and if it's justified then I don't think there are necessarily too many of them, but make sure they aren't just there for the sake of making the world feel busy. You have time to introduce us to characters like that later - or don't name the ones who aren't going to be important.
I like the worldbuilding you're doing here. I can already feel like this is going to be a key thing to remember in future chapters.
I couldn't quite follow the updates that were being made to Zoombo, or at least, the reason for them. This line didn't make sense to me:
Which bit needs changing?
I like the mystery you add in at the end of the chapter. It's the bit that will hook your reader and get them to keep turning the pages. I think a hint of that earlier in the chapter might be a good idea too.
Looking forward to seeing more of this world and the characters but for now I hope this was helpful!
Icy
Hello AmberMelanie! Incoming review!
Is this a laufey reference? Apologies if not, but it reminds me of her song "Falling Behind".You have an interesting and complex world here. I can already see how much you love it from the way you already give us all you have. I enjoy your idea of these new places that were rebuilt from the ashes of old countries. A very robust idea. With that said lets move on with the review!
I'll start with what critiques I have. This is your first chapter of an intricate and complex world. I saw, though, you kind of threw everything you already have at us. I'm introduced to six brand new names right off the bat and it is overwhelming. That's a difficult thing to realize as an author: You have spent so much time developing and creating these characters that it's hard to realize that not everyone is as engrossed in their lives as you are. And I want to be engrossed in them, it takes time and slow introductions, though. What I would suggest is to let me have a few paragraphs of solitude with the narrator. I want to know what she thinks, how she feels, what her fears are. I almost think the ending paragraphs would work well as an introduction and then you can slowly introduce everyone else.
One other thing is, while I know this is a brand new world, your use of their new technological advancements and locations is a bit heavy handed. Something to be done about it could be to use them more in internal dialogue or descriptions and less in character dialogue. This is all brand new for your readers, so keeping in mind what might need to be explained helps a ton. In general this chapter feels very dialogue heavy to the point I'm missing the other elements of the story. I want to see the setting like I'm looking out the window and hear the inners of daily life like I live there.
Okay, that gets my critiques out of the way, let me praise your work!
My favorite part by far had to be the last few paragraphs. I get to see the life of the narrator and now Second Tokyo came to be. The plot point of the lost friend is something I'd love to explore. I just want MORE!! It gives me a sliver of what world you've created and it has me craving it.
Your banter between the character is also enjoyable.
I just also have to ask
That's all I have for you today. I hope you enjoyed. You have a robust and bustling world here and I can't wait to see you flesh it out in the future. keep writing and I'll see you next time. Anyway byeeeeeeeee<3
Hello!
Thank you for your comments! Yes, I did reference Laufey!! Since it's in the future, I think she will still be listened to as a "vintage artist" because her music is timeless.
AmberMelanie