Hi there, UrbanCastle.
Hmm. An interesting idea. I like some of your images, and I definitely dig your ideas.
However, you have a serious issue with meandering around and not getting to the point. The point is in the last stanza, and it's a good stanza. But much of the rest of the poem is gunk that needs to be cleaned out of the oven before your cake can really bake.
Here are the parts you should keep (I'll be critiquing these parts, too):
The Dark suffocates me.
Literally, comes alive.
Shadows peel off the wall,
fingers Bent like branches,
Legion like leaves,
Stealing my breath,
until there’s Nothing.
This is good exposition, and pretty good images, too. I like your "legion like leaves" but I think you can change it to "legion of leaves" to make the image even stronger. The one line that really irks me here is the second. It's totally unnecessary, and "literally" bugs me. Because the shadows aren't "literally" coming off the wall to strangle you. It's figurative no matter how you look at it. You can take out that line without hurting the rest of your stanza.
My eyes Blind,
but I can Hear them.
I can Feel them.
Wet on my ears,
Statues on my back,
Lumps in my brain,
Incessant Leeches.
I like the idea of these leeches. I think, though, that you should say in the first line "the darkness blinds me" or "the shadows blind me" instead of simply saying you are blind. It would connect this stanza more clearly to the others.
Inception.
Dream buried under Dream,
Six feet under,
arms left over right,
trapped under pressure,
coffin nailed shut,
screaming silence.
Okay, this stanza has a nice rhythm and images. But DO NOT mention Inception. It only brings up images of Leonardo DiCaprio and revolving hallways that don't belong in your poem.
My lids grow Heavy,
hope fades,
and then I’m Gone,
left the shore,
to face cold stone,
from crypt to cave,
One is One.
this stanza is needed because it chronicles your descent into this terrible place. So leave that in.
None dare make a move.
Yellow slits for eyes,
teeth gleam like Ice.
Pressure builds,
Suddenly their upon me,
pushing me inside myself,
into the pit that lies within.
Okay, "their" should be "they're." Otherwise, not bad.
And it is there,
in the darkness,
that I see myself.
but different,
a relic of a union,
plucked,
and destroyed.
a little piece of me.
gone forever.
Dark skies and lullabies,
peace Forget Me tonight.
The Bed I make,
those who Come,
I welcome.
Suffocation is Liberation,
oh the dreams yet to come.
This is the part where all your ideas come together. It's good. "a relic of a union" has a lovely sound to it. It's my favorite line.
But really, the only things you absolutely need in your poem are the stanzas I spoke about above. the rest are fluff. And you don't want fluff in poems.
I know it's been addressed, but the weird, random capitalization should go. In fact, for this poem, I suggest no capitals at all, not even I. It would give an interesting look to the poem (but that's your choice; you're the poet).
This has potential. I hope this review was helpful to you. Happy poeting!
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