Hi! Sorry this has taken me so long to get to, but here I am now
Specifics
1.
Oh second person, excellent! That's not something you see every day, I'm looking forward to this. However, you need to make the transition between these two sentences more smooth. There are two ways you could do this, either by linking them with a comma, or by rephrasing the beginning of that second sentence.You’re riding on endless trails and endless fields. Seeing nothing but the turning, twisting, and winding of the dirt path through the evergreen forest ahead of you.
I would suggest something like: '...trails and endless fields. You see nothing but the turning...' which would flow much better. The repetition of you're/ you would also help to further engage the reader.
2. Normally I'd say don't change perspective, but you make the change so smoothly that I actually enjoyed it. Very nicely done!
3. The flash-back was dull to be honest with you. It was over dramatic, the dialogue could have been better and it was sloppy. The typos also tell me you didn't spend long on editing this. Don't throw away a good beginning like that. Instead, take some time to read this through and to think about what you're writing. It might be more interesting to make the flash back a series of disconnected memories. Keep this in the present tense and then have her thinking some of the lines of dialogue and show her getting angrier and revving the bike more the more she thinks about it. We don't want the full story, just a glimpse of it because that way you'll build intrigue and actually make us want to know what happened. It's better to not tell us and for us to want to know, than to tell us and make us feel we'd have rather not known.
4. I like the flashback with the family better. That one feels much more smooth and I'm interested in it because you're introducing a new element to the plot: the baby. The other two aren't interesting enough for me. They don't feel dynamic or important enough. I can see why you have them now and I like the idea of integrating the brief flash-backs and the present. But you need to work on the first two.
5. Be careful about repeating an uncommon phrase too many times. You've said drunken stupor at least twice now, maybe even three times and it's too much. It's an awkward phrase already so to have it in even once is enough. Instead, describe him being drunk. Describe his bleary eyes, the smell of alcohol on his breath or congealing in his beard. Describe him stumbling or walking into objects.
6. Careful with the cop - it's not realistic for them to say drunk driving accident. They would more likely say a car accident because they don't reveal those kinds of details right away and they have more tact than that.
Overall
I really like the themes you're working with here and I actually found the ending unexpected. I thought this was going in an entirely different direction so great work there! You need to take more care on your dialogue and with some of the sections in general - there's a huge difference between that really strong opening and that first flash-back. But if you put as much time into ironing out the weaker sections as you have the strongest, I think you'll have a powerful story.
Good luck!
Heather xx
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