The Concept of Infanity

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The story is for a contest and basically it examines the mental illness: compulsive obsessive disorder. However, instead of simply showing the mental illness through the character's action, I tried to show it in the style. I often gave my works a sense of weirdness to it, and in here it is the repetition of the ending and the beginning. Alongside are the imagery to indicate the character's mentality.



A thin-faced dirty blonde woman cried, rubbing the tears that weren't hers. He had told Arissa to cry for him because he wouldn't be there when she woke up.

She wiped her tears until she was able to see past her bedroom window to where a boy pushing a wheelbarrow on the street. On it was a girl, carrying a fat blue bear in her arms, facing its back against her?

At quarter past ten the phone rang an intervention to her brunch. As it got louder, it felt like one of those sudden sensations of falling in a dream: unpredictable and at the same time, unnerving.

Arissa held the spoon tightly in her hand. Where was Tom when she needed him? Where was he to answer the phone? He had always remained calm when he approached the phone.

The phone was located across the kitchen, blocked by three chairs and the dining table positioned upside down. She had always wanted to do this to find out the type of eating routine with this kind of design. She also considered redecorating the living room, and had already started to plan only if the phone's ringing had not butted in to her thoughts.

She fumed, fingernails biting the soft flesh into her palms. The phone was already at its fifth ring, and she had asked herself whether or not to answer it.

“Should I answer the phone? Tom would appreciate it.” She asked herself.
“But what if it was a stranger?” She replied.
“It couldn't be, could it? It’s Tom.”
“But I don't even know if it Tom. It’s a stranger. Yes.”
“What do they want from me? What shall I answer? What if it was the police? Had I done something wrong or what if Tom was in trouble?”
“But I don't even know where Tom went.”
“Then who is it. Shall I answer it?”
“No.”
“But it could be Tom.”
“No.”
“Yes.”
“Decide already please!”
“No.”
“Yes.”

At the twelfth ring, the ringing stopped. She sensed a sudden surge of relief entering her mind- but there was something wrong. Her nails continued to dig into her flesh. Tom was gone. That was it. The identity of the caller had not been found. Arissa held her head, asking herself once more whether or not the caller was Tom.

“It was Tom. I knew it.” She pondered.
“How do you know?” She replied, confused.
“Maybe he wanted to see how I was doing. It was him. It was him.”
“But what if it wasn't?”

Arissa counted to seventeen, waiting for the phone to ring again, repeating it whenever the phone had not responded. By the twelfth time, there was a knock on the door. It wasn't coincidence, she thought, because it was at the same number that both the ringing and her counting had stopped. What was going on? Was Tom playing a game? He couldn't because... because he was Tom. Then if it wasn't him, who was it?

She brushed her thoughts away, walking to the front door that was block by a coffee table, four stools and a large portrait.

“Tom, you're back. I knew you came back for me.”
“Arissa, I'm not Tom.”

She stepped back, looking at the intruder standing by the doorway. It was her, Arissa thought, Tomato Head. She knew her when Tom introduced her a couple years ago. She heard that the three of them had been childhood friends along with two other people she knew little about. She didn't knew much of Tomato Head herself or whether she was indeed friends with her. Her red hair bore some familiarity, however.

Arissa looked at the intruder, pulling her cheek in case it was a mask, “You're not Tom, are you?”
“I'm your Mom.” She brushed away her hand.
“Really….”
Tomato Head snickered, “This might be fun, but no. I'm not your mom.”
“Then who are you?”
“You've got to be kiddin' me, Arissa.” She lowered her head before patting Arissa's shoulder. “Let me tell you slowly. My. Name. Is. Maya. Don't tell me you forgot your best friend. You have taken your medicine, right?”

Tomato Head was acting a little weird almost as if she had done something wrong. Mom would have never done that which meant that she lied. She was trying to trick her, possibly a part of her ploy to separate her and Tom- but why? she thought.

“So can I come in or what, Arissa? You don't want your guest waiting.”
Arissa looked at her. “Had Tom invited you to come in?”
“Like everything else, yes.” She began to laugh. What was her problem? “So don't stare at me like a loony and take your medicine while I fixed the mess you made.”

Without a moment thought, Arissa spun around and stretched her arm to welcome her inside.

What was going on? Had Tom actually sent her here or had she come in on her own? Tom told Arissa that Tomato Head was her best friend until she moved town eight years ago, but that was ages ago. A lot had happened, and the Tomato Head she may have known couldn't be the same person within her household.

Arissa gazed at her intently as she watched a cooking show. It featured a couple: a large woman with side curls and a bald man in his early fifties. They were pointing to a fresh snapper, and told their viewers that they were preparing some sort of dish that she couldn't pronounce.

“When Tom comes back, you should tell him to watch this show. It will improve his cooking skills.”
“What Tom makes is fine. He makes delicious food.”
“Like what? Baked beans and corned beef? He seriously needs to cook. He's just lucky that I cooked for him so that he wouldn't have to worry when he came back from work.”
“You cooked for him?!” Arissa sat up straight, facing Tomato Head.
“We're buddies anyway.” She pushed Arissa back to the sofa. “Don't worry; I'm not starting an affair,and neither is he.”

It was a shock, a poke in the eye, to realize that most of the food she had eaten were made by Tomato Head. No, that couldn't be right. Tom could cook. She had seen him do it a few times before. Tomato was lying, trying to deceive her so that she could have Tom for herself.

She watched as the large woman lifted the snapper into a chopping board. The man grabbed a knife, and glided it gently against it scales. She watched intently as he lifted the blade on its head before he beheaded the poor creature.

Arissa jerked back, closing her eyes, and avoided any thought of the fish being chopped into pieces. When Arissa opened her eyes, moments later, she stared at Tomato Head. There was a grin on her face, teeth revealing, when she witnessed the fish turned into squares. When she looked back at the screen and saw the same expression on the couple, she knew now what was her true intent was.

“She's going to kill me,” she whispered. There was no way that she was sitting with her killer.
“She's going to kill me,” she repeated faster, an arm intently searched the floor for any weapon. When Tomato Head laughed after the TV host had said something, Arissa followed suit because she wanted to avoid any suspicion from her killer.

Arissa couldn't simply stand up or move away from her because Tomato Head might suspect that she would defend herself. No! Arissa must stay calm and follow anything what Tomato Head was doing until.... She found it. She found something to defend herself. A pen might not be the best weapon but still a tool to injure someone.

“You're going to kill me! I know now what you are plotting!” She stood up, and held the pen with both hands before her.
“Kill?” Tomato Head turned her around, arching a brow.
“You heard me. You're going to kill me.”
“Kill you? You have taken your medicines, haven't you?” She stood up, and tried to walk to her. Arissa jerked back pointing the pen at Tomato Head.
“No. I have seen through your plot Tomato Head. You are going to drug me, and behead me like that fish in the show.”
“Tomato Head, that's a classic.” She began to chuckle, taking off her hat.
“Listen to me, Tomato Head!” Arissa demanded, moving closer to the other girl.
She continued to laugh, holding her belly. “That was far better than the nickname, 'Pepper girl', you gave me last summer.”
“Shut up! I will kill you. I will if you keep doing this. I don't want to do this but it is for my and Tom's own good.”
“Where do you get your ideas from, Arissa?” Tomato Head continued to laugh.
She's scared. Arissa knew it because she had found herself laughing after she woke up from a nightmare once. She gulped, walking to Tomato Head and pressing the pen against her throat. “Shut up, Maya! I'm serious!”


Arissa woke up, her mind in utter chaos, as she sat on her bed facing the window. It was night; she could tell by the fluorescent light of the room, and the lamp post illuminating outside. Out on the street, a boy was pushing a wheelbarrow. On it was a girl carrying a teddy bear that was pointing to her bedroom window.

“How is she, Tom?” She heard a few murmurs from outside. Her eyes felt heavy, even after she had slept for a number of hours but it had not mattered. Tom had told her to take some medicines, and she did so. He was back. Arissa could not help but smile. He was back.

“She’s asleep. How about you? I'm sorry if things went this drastically.” His voice was almost dreamlike.
“Drastic? She almost killed me! I thought she was joking, but no. She bloody threatened me with a pen, of all things! Lucky you came before things got dirty.”
“You intimidated her again didn't you, Maya?”
“Intimidated? I haven't intimidated her one bit?”
“Are you sure?”
“You know what, Tom? You almost sound a bit like her. No wonder you two make a pair.”

All alone in her room, she kept her face near the window, watching as the wheelbarrow faded from her sight. She smiled gently now that Tom was here and he could take care of Tomato Head. There was nothing to worry- except to express her disappointment on not completing her redecoration but there would be more chances. She could do it tomorrow, she pondered, yawning. Her eyes were getting heavier by the second. When she finally laid her head on the pillow, she caught one last sight of him before she slept: a square-faced man wearing a cap over his short black hair.
Last edited by cannoncomplex on Thu Feb 10, 2011 10:31 am, edited 3 times in total.
Lain Iwakura: If you're not remembered, then you never existed.




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Hi there, cannon!

So, right off the bad (and I haven’t read any of this yet but the spoiler and the title but is it meant to be “The Concept of Insanity” and in the spoiler, isn’t it supposed to be “obsessive compulsive disorder”? Maybe I’m wrong…I should probably just read.

Opening Line:
A thin-faced woman with dark blonde hair and two dimples, she held both ears, and rubbed the tears with her arm but these were his tears, she thought, not his.


One really key thing, even if it’s just in a short story, is to open with a hook. Something short that snaps up your attention. This is a bit long and even a little muddled. Openings are important. They’re the first impression of your story.

unpredictable and at the same time scary.


Usually, “unpredictable” would lead a reader to believe that she’s already scared. “and at the same time scary” seems off.

She wondered the type of eating routine


Huh? Wondered seems like an odd choice of words here.

Grammar
Okay, there are a lot of places in this where the wording feels very clumsy like in that quoted piece with the word “wondered” in it. It feels, uncomfortable sometimes. Honestly, this is a go-to recommendation I give when wording is awkward: Read it out loud. Slowly and word for word, exactly as it sounds and listen for the mistakes. Or ask someone else to read it to you.

Characters
I definitely understand the crazy of all of this, with her character and such but something gets me about the name. As’ka is odd in comparison with the name while Maya and Tom are rather normal. I remember once when reading a good about a more than crazy, crazy-lady. And when she spoke about herself, her name was something funky. But to everyone else, her name was Sara I think. Maybe clarify this because the name had me wondering for a long time.

Dialogue
I’m a little lost with the dialogue. There should be some way of figuring out who is saying what. Without that, it’s hard to figure out who is saying what. Check out this article on setting up dialogue with punctuation and such. It would be a good thing to consider.

If you have any questions about anything, otherwise, please let me know.

~lilymoore
Never forget who you are, for surely the world will not. Make it your strength. Then it can never be your weakness. Armor yourself in it, and it will never be used to hurt you.




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Hi, Cannon! I'm here.

So, this story has some nice parts to it, and I love how you wrote this story with a character who is mentally unstable -- that's hard to tackle! I think you have some interesting character development here, and although the plot is minimal, that's okay because this piece is about characters and you really seem to understand them. With some editing, I think that you can make this into something great. Right now, however, there were a few issues I saw.

First, like Lily said, I would work on your hook. It's weakly worded and doesn't get me invested or interested in the story. Maybe you can start with the phone call or just simply say that she is crying. Sometimes the simple descriptions work the best! Another thing -- you refer to your main character as 'she' in the first couple of sentences and then you drop in her name without any kind of build-up. Either have it occur naturally to the story (ie someone calls her name) or I would drop in right at the beginning. Once you have her name, you'll be able to interchange it with 'she' and we'll know who you're talking about.

My main issue with this piece as a whole is that it was incredibly hard to follow. You move at such a quick pace that it's hard to keep up -- there's no breathing room to relax and process what is going on the story. Part of this is due to the way you format your dialogue. You should use quotes with appropriate punctuation (in the article Lily linked to). Although a lot of what is going on is through the phone, there are still so many physical things that are going on when two people speak to each other. Does her voice grow faster when she gets nervous? Does she notice how oddly at ease things seem? Also, say who said what once it a while! Although you can get away without doing it for small bits, long conversations without any tags can get confusing and hard to follow. In addition to your dialogue, your grammar and the way you structure your sentences could use work. Not that the way you word your sentences is wrong, but it just gets a confusing the way it is now and changing it, I think, would help the flow.

Dialogue aside, I still have many questions about this piece. Why does As'ka call Maya Tomato Head? Who is Tom to her? Her brother, her boyfriend? Why does she need him to come over so desperately? I would like to see more of a transition into the state of mind that she's convinced Maya will kill her. The ending also feels a bit weak and forced -- I would like to see more expansion on it.

Overall, I think this could be really good once you shine it up a bit. You've got some good stuff going for you here! Hope this helps, and good luck with the contest! Let me know if you have any questions or concerns regarding this review.

~ Elinor

All our dreams can come true — if we have the courage to pursue them.

-- Walt Disney




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cannoncomplex,

Hello! I'm here to review as you requested. :) First off, let me tell you thank you for being my first request! Okay, anyway... I'll be quoting some things here and there as I read. Whatever I find odd or cool, I'll underline. Next to that, I'll include my thoughts on it in bold. Alright, let's get started!

The first thing that caught my attention was the title and the spoiler note. I believe that lilymoore is right about that. (Good luck with your contest, by the way!)

The next thing was this:
A thin-faced dark blonde woman I like the description here... However, I'm a bit confused. Is her skin dark? Or is it that her hair is a dark (dirty) blonde color? Commas could really save you here... cried You should have a comma after "cried". rubbing the tears that wasn't Shouldn't this be "weren't"? hers. Now, for a review of the sentence as a whole... It's quite long - but interesting. But how can she cry tears that aren't hers? He had told her to cry for him because he wouldn't be there when Arissa woke up. I like this. It makes me wonder who Arissa is.


"Cry for me because you're tears never washed anything.” First of all, "you're" is a contraction of "you are". "Your" is possessive. "Your" would be the correct word here. And also, the sentence doesn't make much sense to me in general... Also, I believe that you should skip the next part down a line. She wiped them until she was able to see past her bedroom window, a boy pushing a wheelbarrow on the street. Okay, first: What's/who's "them"? Are you talking about her tears? If you are, instead you should say something like, "She wiped her tears away until ..." blah blah blah. Second: After the comma, this sentence doesn't flow right. You could say something like, "... window to where a boy was pushing ..." blah blah blah. On it was a girl, carrying a fat blue bear on her arms, facing its back against her. "On" should be "in". Simple mistaking of keys. =]


At quarter past ten, the phone rang, an intervention to her brunch. I like this. But erase the comma I underlined. It was located As it got louder, it felt like one of those sudden sensation of falling in a dream: unpredictable and at the same time, unnerving. The "A" shouldn't be capitalized. Also, this sentence confuses me.


Arissa held the spoon tightly on her hand. 1. Wait, Arissa is the girl..? Okay, remember when I underlined "Arissa"? Change that to "she". 2. Change this to "in" - you mistook the keys again.


He had always remained calm when he approached the phone but not her. You could either erase that bit altogether or change up the wording a bit.


The phone was located across the kitchen, blocked by three chairs and a the dining table positioned upside down. Good sentence, but use either "a" or "the" but not both.


She also considered redecorating the living room, and had already started to plan only if the ring had not butt in to her thoughts. Okay... At first, I didn't understand the ring part. I was thinking ... wait, ring? What ring? Then I realized you meant the phone... XD Anyway, what I suggest you do here is this: "She also considered redecorating the living room, and had already started to plan- Suddenly the phone's ringing butt into her thoughts, interrupting her string of ideas."


She fumed, fingernails biting .... the soft flesh of her palms. Add an "into" where the dots are.


“Should I answer the phone? Tom would appreciate it.”
“But what if it was a stranger.”
“It couldn't be, could it? It’s Tom.”
“But I don't even know if it Tom. It’s a stranger. Yes.”
“What do they want from me? What shall I answer? What if it was the police? Had I done something wrong or what if Tom was in trouble?”
“But I don't even know where Tom went.”
“Then who is it. Shall I answer it?”
“No.”
“But it could be Tom.”
“No”
“Yes”
“Decide already please!”
“No”
“Yes”
Okay... Is she talking to herself? Or is she thinking? I need some indication here... Also, remember your ending punctuation.


At the twelfth ring, the ringing stopped ringing. Erase that. She sense a sudden surge of relief entering her mind . but there was something wrong. 1. That should be "sensed". 2. Add this "-" where the dot is. Her nails continued to dig .... her flesh. The dots should hold the word "into".


Arissa held her head asking herself once more whether or not the caller was Tom. Add a comma after that.


“It was Tom. I knew it.”
“How do you know?”
“Maybe he wanted to see how I was doing. It was him. It was him.”
“But what if it wasn't.1. That should be a question mark. 2. Okay, I can now see that there are two hers talking... I think. But please remember the indication! For example, "Blah blah blah," she said. "Blah blah blah?" she replied, confused.


Arissa counted to seventeen waiting for the phone to ring again, repeating it whenever the phone had not responded. By the twelfth time, there was a knock on the door. It wasn't coincidence, she thought because it was at the same number that both the ringing and her counting had stopped. Both of those underlined words need commas after them. Other than that, I really like this bit. :)


He couldn't because...because he was Tom. You need a space on both ends of your "...".


She brushed her thoughts away, and reached to the front door passing a coffee table, four stools and a large portrait of her that acted as wall between the door and the living room. This sentence is extremely confusing. Try to rearrange it...


“Tom, you're back. I knew you came back for you.Wait, what..?


She doesn't knew much of Tomato Head herself or whether she was indeed friends with her but her red hair bore some familarity. 1. That should be "didn't know". 2. After "her" add a period. Then erase the "but", capitalize the 'h' in "her", correct your spelling of "familiarity" as such, add a comma after it, and finally add in a "however" and a period. Phew! That was a lot to write. :)


Arissa looked at the intruder pulling the cheek in case it was a mask, Okay... After "intruder" add a comma. The "the" should be "her". And finally, change the comma to a period.


“I'm your MomAdd a period after "Mom".


Tomato Head snickered, “This might be fun but no. I'm not your mom.” After "fun" add a comma.


“Let me tell you slowly. My-name-is-Maya. Don't tell me you forgot your best friend. You did took your medicine, right?” 1. Change this to "My. Name. Is. Maya." If you wish... 2. "Took" should be "take".


Tomato Head was a little weird acting as if I had done something wrong. Mom would never .... done that . which meant that she lied. She was trying to trick her, possibly a part of her ploy to separate her and Tom. But why, she thought. 1. You should probably change this sentence to "Tomato Head was acting a little weird, almost as if she had done something wrong." 2. Change the dots to "have". 3. That one dot is a "-". 4. The comma should be a question mark.


“Did Tom told you invited you to come in?” That sentence is very confusing... Mix it up.


“So don't stare at me like a loony and take your medicine while I fixed the mess you made.” Should be "fix".


Without a moment thought, Arissa spun around and stretched her arm ... to welcome her inside. 1. This should be "moment's" or "moment of". 2. The dots should be "out".


A lot had happened and the Tomato Head she may had known couldn't be the same person within her household. This seems as if it needs some commas here and there... Also, the "had" should be a "have".


Arissa gazed .. her intently as she watched a cooking show. It featured a couple: a large woman with side curls and a bald man in his early fifties. They were pointing to a fresh snapper, and told their viewers that they were preparing some sort of dish that she couldn't pronounced. 1. The dots should be "at". 2. Take out the 'd'.


“Like what: baked beans, and fried corned beef. He seriously needs to cook. more than that. He's just lucky that I cooked for him so that he wouldn't have to worry when he comes home from work.”
“You cooked for him!”Arissa sat up straight facing Tomato Head.
“We're buddies anyway.” She pushed Arissa back to the sofa. “Don't worry, I'm not starting an affair ... neither does he.” 1. Change it to a question mark. 2. Capitalize the 'b'. 3. Erase the comma. 4. Change the period to a question mark. 5. Erase the period. 6. Change that to "came". 7. Change that to "?!". 8. After "straight", add a comma. 9. Add an "and". 10. Change it to "is".


It was a shock, a poke in the eye, to realized that most of the food she had eaten were made by Tomato Head. 1. Erase the 'd'. 2. Change that to "was".


Tom could cooked. This should be "cook".


She watched , calming her thoughts, as the large woman lifted the snapper into a chopping board. 1. Erase the space. 2. That should be "onto".


Arissa jerked back, closing her eyes, and avoiding any thought of the fish being chopped into pieces. When she opened her eyes, moments later, she stared at Tomato Head. There was a grin on her face, teeth revealing, when she witnessed the fish turned into squares. When she looked back at the screen and saw the same expression on the couple, she knew now what was her true intent was. 1. It should be "avoided". 2. You should probably change this to "Arissa" so that we know who you're talking about.


“She's going to kill me” She pushed herself at the edge of the couch rocking her body. 1. Add a comma and "she whispered." so it reads as such: "She's going to kill me," she whispered. 2. Add a comma.


“She's going to kill me.She repeated faster, one arm intently searching the floor for any weapon. When Tomato Head laughed after the TV host had said something, Arissa followed .... because she wanted to avoid any suspiscion from her killer. 1. Change the period to a comma. 2. Uncapitalize the 's' in "she". 3. Change the comma to a period. 4. Capitalize the 'o' in "one". 5. Change "searching" to "searched". 6. Change the dots to the word "suit".


“She's going to kill me.She repeated again, heart rushing, covering her mouth to avoid the word to reach Tomato Head's ears. Arissa couldn't simply stand up or move away from her because Tomato Head might suspect that she would defend herself. No! Arissa must stay calm and follow anything what Tomato Head was doing until.... She found it. She found something to defend herself. A pen, might not be the best weapon but still a tool to injure someone. Sorry, I'm getting really tired and I'm trying to finish up this review, so I'm just gonna be really brief now... Please forgive my unfinished sentences... 1. Comma. 2. Uncapitalize. 3. "racing" 4. "from reaching" 5. "that" 6. Period. 7. Capitalize. 8. Comma.


“You're going to kill me! I know now what you are plotting!” She stood up, and held the pen with both hands before her. 1. Switch the words around. 2. Erase it.


“Kill?” Tomato head turned her around, arching a brow. You forgot to capitalize "Head".


“You heard me. You're going to kill me.” To some, these words might seem ... over-used. But me? I love it. XD


“Kill you? Arissa, you took your medicines have you?” She stood up, and tried to walk to her. Arissa jerked back pointing the pen at Tomato Head. 1. "you have taken your medicines, haven't you" 2. Comma.


“No. I had seen through you're plot Tomato Head. You are going to drug me, and behead me like that fish in the show.” 1. "have" 2. "your plot,"


She began to chuckle taking off her hat to the couch. 1. Comma. 2. I don't get it...


“Listen to me, Tomato Head!” Arissa demanded moving closer to Tomato Head. 1. Comma. 2. "the other girl"


“That was far better than Pepper girl.” Eh?


“Where do you get your ideas from, Arissa?” Tomato Head continued to laugh. Bring the rest down a line. She's scared, Arissa knew it because she had found herself laughing after she woke up from a nightmare ..... She gulped, walking to Tomato Head and pressed the pen against her throat. “Shut up, Maya! I'm serious!” 1. Period. 2. Change the first four dots to "once". 3. "pressing"


Arissa woke up, her mind in utter chaos, as she sat on her bedroom facing the window. It was night, she could tell by the fluorescent light at the room, and the lamp post illuminating outside. Outside,a boy was pushing a wheelbarrow. On it was a girl carrying a teddy bear that was pointing to her bedroom window. 1. Erase. 2. Replace with a comma. 3. ";" 4. "of" 5. "Out on the street, a"


Her eyes felt heavy even after she had slept for a number of hours . but it had not mattered. Tom had told her to take these medicine, and she followed him. 1. Comma. 2. "-" 3. "some" 4. "did so"


“She's asleep. How about you? I'm sorry if things went this drastic.” His voice was almost dreamlike. "drastically"
“Drastic? She almost killed me! I thought she was joking but no. She bloody threatened me with a pen, of all things! Lucky, you came before things gets dirty.” 1. Comma. 2. Erase. 3. "got"
“You intimated her again haven't you, Maya?” 1. "intimidated" 2. "again, didn't"
Intimated? I haven't intimated her one bit?1. "Intimidated" 2. Same as before but without capitalization. 3. "!"


All alone on her room, she kept her face near the window watching as the wheelbarrow faded from her sight. She smiled gently now .... Tom was here and that he could take care of Tomato Head. There was nothing to worry ..... except to express her disappointment on not completing her redecoration . but there would be more chances. 1. "in" 2. Comma. 3. "that" 4. Erase. 5. "about" 6. "-"


Alright! Now that all that is finally over with... I like this story in general, but it needs to be edited heavily. I gave you solutions to everything I caught... So! Please, please edit this and make it shine! :D Again, good luck on your contest!

Hope I helped!

~ Moonlight
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So I was all like "Yessss awesome review almost complete, everything's all quoted and formatted and it's almost done."
Aaaaand then my computer crashes, and since I don't feel like doing it ALL over again, I'm just going to do a quicker version.
Thanks for requesting CC, feel free to do that often, and PM me if you need anything! Lets get started shall we?

Okay so first off, your title. I'm assuming it's supposed to be The Concept of Insanity? But there's an F in there.

Now this story is a bit confusing, and that may be because of the mental illness part...But I would really like for us to be able to tell the difference between the things she makes up in her mind, and the real world. Make the difference be a little more noticeable.

I would also like to see more of the OCD symptoms, repetitive actions type thing, because that's what most people think of when you say Obsessive Compulsive Disorder.

Oh and
She wiped her tears until she was able to see past her bedroom window to where a boy pushing a wheelbarrow on the street. On it was a girl, carrying a fat blue bear in her arms, facing its back against her?

This whoooole sentence is filled with awkwardness. Try rewriting it a little differently.

You have some really great reviews already, so there's not much left for me to say but good luck, and keep writing!

~Hope
"I'd rather be hated for being who I am, then loved for who I'm not."




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Hey Cannon, here for a review as requested! And since you wanted me to focus on plot/style/characters, that's what I'm going to do. Except to mention one thing, which I believe others have already said -- it's Obsessive Compulsive Disorder, OCD.

Okay, so first off I'd say that for a story about someone with OCD, it didn't feel like it. If I hadn't read the spoiler, I wouldn't have guessed that she was supposed to be OCD -- I was actually thinking she had some kind of paranoia-related issue, like paranoid schizophrenia, with the way she kept talking to herself. If I'm reading a story about someone with OCD, I expect to see more counting, perfectionism, repeated activities, and an anxiety if something's "out of place" (this could be both literally out of place, such as a napkin, or figuratively, such as something not falling into its usual set, strict routine). You had a bit of that -- such as when she counted the phone's rings -- but overall, it felt far more like she was extremely paranoid. She was worrying about Tom's fidelity, she was worrying that Tomato Head was going to kill her, she didn't even recognize Tomato Head -- it just doesn't have a very OCD-ish feel.

The way you told the story is rather confusing; there was a lot that I felt was unexplained, and I'm not really sure what was going on until close to the end. The whole deal with Arissa and Tomato Head had sort of a dream-like quality to it, making me question whether it was really happening or not, and the ending felt a bit abrupt, like we were missing something about the man -- was he really Tom? It just felt like it was cut off and needed to be continued.

Just a side note: make sure you use those dialogue tags ("she said," "Arissa said," etc.), because there were times where I didn't know who was talking and it slowed down my reading and hindered the pacing.

I think it's great that you're wanting to write something like this; however, I think if you haven't already, or if you don't actually have OCD, then you need to do some research on it. The story just didn't feel like it was geared towards that topic, and some of the "symptoms" were wrong. Trust me, I have it, I have family that has it, and I've read up about it. I know it because I live it and live with it. That makes it very easy to write about for me, because I've got so many experiences to draw from. If you're writing about something you don't have or haven't experienced, then that's where research comes in, to give you that information and insight into the syndrome and its challenges. You want it to feel real to the reader.

Okay, so that's all I've got to say. I'm sorry if I came across as really harsh; I'm honestly just trying to help by pointing out everything that came to my mind. Please PM me if you've got any questions or whatnot. Best of wishes to you in the contest! (:
There are two kinds of folks who sit around thinking about how to kill people:
psychopaths and mystery writers.

I'm the kind that pays better.
~Rick Castle




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Hi! I'm here from the contest. ^_^ You got Honorable Mention, by the way. It was tremendously difficult to judge, though, and I have to say that all the placings were really close. The prize for Honorable Mention was never officially decided, but I think I probably owe you two or three reviews (not including this one) so let me know which pieces you'd like me to look at!

Anyhow, onto the review. First off, I'm not going to do too much nit-picking (I'm not going to focus on, like, missing commas or anything like that), but there are a few sentences I'd like you to look at.

A thin-faced dirty blonde woman cried, rubbing the tears that weren't hers. He had told Arissa to cry for him because he wouldn't be there when she woke up.
Okay. I know other people have beaten you up about this--but I have to agree with them that your opening isn't that strong. Even after reading it a bunch of times, I'm not exactly sure what you're trying to say and it doesn't really stick in my memory very well. For one thing, mentioning her name when you do is a little confusing since it makes it seem like Arissa isn't the same person as the girl you referred to in the first sentence. Also, I assume "he" is Tom--but why would Tom want Arissa to cry for him? Isn't that, you know, kind of mean? I'm confused.

She wiped her tears until she was able to see past her bedroom window to where a boy pushing a wheelbarrow on the street.
I think you mean to say "where a boy was pushing a wheelbarrow on the street."

On it was a girl, carrying a fat blue bear in her arms, facing its back against her?
You can't just end normal sentences with question marks? Because I think it sounds kind of strange? And I'm not even sure what you're trying to accomplish with it?

It wasn't coincidence, she thought, because it was at the same number that both the ringing and her counting had stopped.
I like this part.

She brushed her thoughts away, walking to the front door that was block by a coffee table, four stools and a large portrait.
I think you mean to say "blocked."

She didn't knew much of Tomato Head herself or whether she was indeed friends with her.
That should be "know."

Without a moment thought, Arissa spun around and stretched her arm to welcome her inside.
I believe that should either be "a moment's thought" or "a moment of thought."

When she looked back at the screen and saw the same expression on the couple, she knew now what was her true intent was.
You only need to say "was" once. ^_~
------------------------------------

Nice, Cannon! I really like the way you have portrayed Arissa. She feels very realistic and believable, and even though she is obviously insane I find it really easy to relate to her. You've done an excellent job of portraying a person whose life is completely changed by her disability--and even though it is, virtually, a story about her disability, it doesn't feel like it is. It feels like a story about a girl and the girl just happens to be mentally disabled, so the story seems dramatic and drastic and emotional even though it's actually not that big of a deal. Really, she was just at home with her friend waiting for her other friend to come back, but to her it was a life-and-death situation. And even though I knew all the paranoia was just in her head, I found it very believable and felt myself empathizing with it. I also like the ending. A lot. I like that we finally get to glimpse Tom, even if just for a moment. And I really do like him, even just from that little bit I've seen of him. The ending made me smile. Good job!

The main thing I'd like to see you working on here is consistency. See, you did a good job of making Arissa seem crazy, but the way in which she's crazy changes a lot throughout the piece. Mainly, she seems like someone who's just way to paranoid and clingy about everything. That explains why she's afraid about the telephone, why she's wary of Tomato Head, and why she thinks her life is in danger. But then there are other things, which imply that she's crazy in a very different way. For example, the part in the beginning and the end, where she notices the wheelchair and the teddy bear. What does that have to do with... anything? Just because you're writing about a mentally disabled person doesn't mean that anything goes--you can't just write about any random thing and say it's okay because your main character is insane. Really, what I'm trying to say is that you need to keep your purpose in mind while writing. Here, I assume that your purpose is to portray a girl with a mental disability. It should be a certain mental disability, though, not just mental disability in general. I think you need to think about what, exactly is/are her problem(s) and then you need to really focus on sticking to it/them.

Along those same lines, I the way it's written right now doesn't seem like she has OCD (Obsessive Compulsive Disorder). I'm not going to dwell on this, because Ranger Hawk and BondGirl007 have already mentioned it, but from what I know Arissa doesn't sound anything like someone who has OCD. I don't know much about these things but she sounds more like someone who's paranoid or maybe bipolar/schizophrenic, to me. You don't have to pick an official disorder for her to have, but if you do I think you should stick to it, and not make up symptoms to fit your fancy. ^_~

Okay. Now about the Insanity/Infanity thing. I gather from what you said in the PM that you intended it to be Infanity, implying a connection to Arissa being an "infant." That's a cool idea, I admit, but it's got one big problem with it: it really seems like a typo. The F and S keys are pretty close on a keyboard, and it's just one letter, so it seems like you just made a mistake. I'm all for making up words (really, I am! Jabberwocky is quite possible my favorite poem ever!) but you have to be obvious about it so it doesn't seem like carelessness.

Well, that's about it. I think this has a lot of potential, but there are some things that need to be cleaned up. Thanks so much for entering the contest and congratulations on Honorable Mention! ^_^ Let me know if you've got any questions or anything... or if you want me to give you your prize reviews.

I hope this helps!

a




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[Edit] Grr... Half my review got cut off. It keeps happening no matter how many times I try to post it, so I'm going to try posting only a section.

Hi there! Here for the same reasons as Azila. :D First of all, congratulations! I really liked this piece. It's also really hard to decide--I tend to like whichever piece I'm reading at the moment, haha. Anyway, your piece has already been rather saturated by really good reviews, so I'll try not to repeat anything, and keep this short, so you can spend time revising. ;)

1. Character. Like others have said, the best thing about this piece is the character. She's entertaining, believable, and real. I really found myself feeling everything she was, even when I knew it was just her disease. I really hated Tomato head, and it didn't feel like you were forcing me to feel that way. So, overall, I liked it. But, again as others have said, you do need to work on consistency. For example, the switch to being cautious with TH to thinking she's going to kill her is very abrupt--we don't get much explanation. Later, she's noticing weird things (again, without explanation, though if it was from the medicine, it might make sense).

This is also not OCD. People with OCD tend to be super organized, obsessed (duh) with certain things. For example, I knew someone who couldn't stop washing her hands. All the time, she did that. And fixed all her books a certain way, and the curtain, and her closet door, and her shoes. It had more to do with her environment than the people around her. I think what you were going for is probably something more like a paranoid schizophrenic.

Either way, what I'd suggest is going online to a medical or self-diagnosis website to find out exactly what the typical symptoms are. I do it for fun, actually, since it's nearly always inspiring. I think it would also help with your inconsistencies.




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And... Part 2! Sorry about this, but I can't figure out why it isn't working. Mods, if you feel like it, feel free to merge.

2. Plot. Don't get me wrong, I loved the ending (sweet!) and thought the whole thing flowed rather nicely. Like Ellie said, though, there were some problems with confusion. For example, the conversation she has with herself in the beginning. It's funny, and goes far to introduce the character, but it's hard to follow. It wasn't so much that I didn't get what was happening as that I had to work to understand, which isn't what you want, especially in the beginning when it's essential that you get our attention. Make sense?

My other suggestion would be to add a little more of an arc leading up to the part when she tries to kill TH. As it is, it's rather abrupt, and there isn't much tension because of that. IMO, it might work better if you started setting up her suspicions as soon as she walks in the door. (I know you have a little of that now--I just think it might be nice if you added a little bit more foreshadowing specifically leading up to that event.)

3. Writing style. Lies! I have nothing to critique. Actually, what I want to say is that I loved the way you changed the style to fit the idea/mood. Even if we didn't know she was crazy, the prose would reflect that. I think that's a great idea, and might even suggest strengthening that impression a little.

Alright! This is the second time I've typed this review, so I hope it works. :D *cuts and pastes into Word* Like we keep saying, part of the reason this took so long to judge was how good all the pieces were, and it was really close. Anyway, I loved reading your piece, and wish you the best of luck with revision and future writing. Also, like Zils said, there wasn't an official prize, but I'm happy to take a look at anything anytime.

See you around!

Lupis




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The characters are not so well developed i guess. There's nothing for me to be close to the characters. You should add some background story perhaps to develop that intimate relationship between reader and characters. The dialoque was a bit messy and clunky. I got confused a couple of times in fact.

What are trying to tell here in your story actually? Love? Craziness? What? Try to tell your story with an obvious direction and don't be distracted.

All in all, its pretty good and I liked the crazy girl setting you put here. Looking forward to your next work.

Tomato head?
Where you got that idea??
When you look into the abyss, the abyss also looks into you -Friedrich Nietzsche



There is no greater agony than bearing an untold story inside of you.
— Maya Angelou