Nitpicks
It seemsasonly moments ago I had laid my head down on my pillow.
The different tenses in this sentence are really confusing, and it stilts the flow. Consider revising.
says Sarah impatiently, ‘Isis
Harris did have somewhat of a busy schedule
Here, do you mean "did" or "does"? I'm under the impression he still has a busy schedule.
I yawn and arise out of bed when hunger strikes me.
I would replace "arise" with just "rise". Don't overcomplicate when you don't need to.
I twirl around; it’s been a while since I’ve worn this dress.
If it's her favourite, why has it been a while since she's worn it? Or is it just a treasured favourite? I know, I'm being really picky, but I suppose it's worth pointing out.
‘That’s alright,’ he says, quite calmly. ‘You’re his daughter?’
‘That’s quite a lovely name.’
Repetition of "quite" stood out to me here. I'd keep the second of the two, as it establishes Murtagh's character further than the first.
He laughs again. ‘Thank you. I’ve been told that—’
‘Bye,’ I say.
This is very abrupt, and stands out against the rest of the conversation, which is awkward throughout due to the relative shyness of the two characters, but flows quite nicely. I'd elaborate slightly here, just so it's not a flat out "bye". It sounds like Madeleine's about to slam the door in his face.
‘I don’t know. What about the beach, tomorrow at sunset?’
I think Madeleine's reaction to this needs to be established before she agrees. At the moment, she doesn't even seem to think about it, and it comes completely out of the blue. More on that later.
Characterisation
This is a replacement for plot at the moment, as nothing seems to have happened yet, but I think you've got some nice characterisation in this chapter, especially of Madeleine and her relationship with Sarah.
However, Murtagh needs some more development before Madeleine agrees to meet with him. Is she even permitted to make that kind of decision alone? I note that her father is an Admiral and her sister's husband is an Admiral; would a delivery boy be fitting for her to be seen with? She might be making the decision independently, but in that case we need to see her thought process. There has to be some kind of analysis and consideration of the question before she accepts. If anything, you could elaborate throughout the dialogue, because as the previous reviewer said, it is a little simplistic right now. We don't really get to see what Madeleine makes of him.
The dialogue itself is lovely and their interaction is wonderful, but it's the characters as individuals that I think we're missing out on.
Style
It's easy to read and quite quaint: suited to your narrator, actually. Keep an eye on the vocabulary you're using and don't let it run away with you, as it did a couple of times here. Have you read this aloud? You might catch a few of the more awkward phrases. There isn't much else to say here, because it's very readable and your grammar's pretty much entirely correct. I think it's just thorough proof-reading you need to work on.
Overall
I liked this, as an opening chapter. We're eased into the characters and it's not difficult to like them, either, which is often a problem with first chapters. I'm left feeling a little dissatified with the actual events, and if the chapter was simply to break off like that in a novel, I'd wonder what had been achieved. That's your call though, on the purpose and intent of chapters; I can only comment on what's here. This works nicely as an introduction.
I hope my review was helpful. This was honestly a pleasure to read.
- Jet.
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Reviews: 197