Ties and Nooses - Chapter 1: Part 1

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A/N: I decided to use a short story I wrote as a prologue to a vaster piece (this one). If you want to check that out, the link will be right underneath this block of text. I might have to tone down the style used in the story, but for now it'll stay as it is. And yes, this is duely appointed the rating of 18+, so you younger folk think twice before succumbing to your rebellious nature.


Prologue: viewtopic.php?t=81274

Part 2: post915843.html#p915843 (I accidentally posted it in the Short Stories section; I'll clear it up after some intense reviewing.)
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The bones of Sully Kale, however, were frozen to the marrow. He jabbed at the heating system with a sullen finger, invoking a rattle that sounded like the wheezing cough of an old man – his last one to be precise. It was a relief that he didn't believe in God, for it would have been extremely unpleasant to imagine where the wet, clumpy snow was falling from otherwise. The groaning wipers of his purple Cadillac smeared the thick, white substance in a thick, white arc on his windshield, obscuring the blaring red light into a dull orb.

Releasing his other hand from the wheel, Sully cupped his hands and breathed in them, rubbing them together to preserve the heat. The light naturally took that opportunity to flicker first orange, then green. The wipers tried to erase the light in vain as he urged them on; to both of their dismay, the green orb persisted on staying just where it was.

Sully pressed his foot to the peddle, his car – or rather machine, as calling it a car would be a grave insult to others of its kind – awkwardly lurching forward to a chorus of horns. He wrenched the wheel to the left, the wheels locking for an instant before swerving through the slush and into the lane set out for them. Sully willed the machine on, murmuring words of encouragment to it.

”That's it. Just a little more. Nicely round this bend. Well, sort of like that, but watch out for that mailbox next time around. Come on. Don't die on me now. Don't you dare die on me. Don't you – fuck!”

The engine decided to take its pension smack dab in the middle of a crowded street. It signed its note of leave with a steamy hiss, much like a snake. A very pathetic little worm of a snake. Sully closed his eyes and rested his forehead on the wheel, releasing an undulating howl from the carcass of his late means of transport.

Brilliant. Abso-fucking-lutely brilliant, he thought, Don't you just love Magnificent Mondays?

To which he himself answered yes, he did indeed. Someone tapped on his window, a hollow sound heard through the beast's final roar. Groaning, Sully reached over to the door and manually rolled down the window, almost half-way.

The someone was dressed in blue and seemed highly irritated. Her lips moved but no sound left them. The police-woman's hands, on the other hand, indicated that she would snap off his penis and feed it to alligators if he didn't lay off the horn. Sully sighed and lifted his head off the wheel. The police-woman jumped to the opportunity.

”Sir, if you'd please step out of the vehicle.”

It wasn't a question, hence the lack of a question mark. Sully wondered why all police-officers seemed to have the same robotic quality to their voice. To him, they all sounded the same, with their ”pleases” and ”sirs”. Pretentious pricks the whole lot of them.

”Tits or GTFO,” came Sully's half-hearted answer.

”Excuse me?” All roboticness had fled the voice; it had adopted a cold and I-fucking-dare-you-to-repeat-that quality.

Sully, feeling extraordinarily smart that day, just got out of the vehicle and stood with his hands in his pockets. The ankle-deep slush poured into his shoes and the friendly airborne flakes hugged his naked head.

The police-woman – Lyra, her badge suggested – gave him a quick look-over before deeming he wasn't worth her time. ”Licence and registration, please.”

”I don't believe that 'please' part plays any significant role in the meaning of that sentence, am I wrong?”

A mirthless smile. ”Hand over the bloody papers.”

Sully reached through the window and popped open the glove-compartment. He took out a paper that had been crumpled two times too many, smoothed a few wrinkles and shoved it into Lyra the Police-woman's outstretched hand. She poured over it within a few seconds, wrinkling her nose in cute disgust. ”What's that odd smell?”

Sully scratched his beard. ”Can't say, to be honest. A mix of decaying human parts and the carcass of the Black Rhino in my trunk, by all odds. Oh, and Burger King.”

A cold look and he got his crumpled paper back. ”And the licence, wise guy.”

Running a hand through his sandy hair, Sully handed over his driving's licence. The officer brought the plastic card up to the height of his head, assumingly verifying its validity. Sully gave her a wide smile, so that the photograph would bear as little resemblance to him as possible. Grunting in resignition, Lyra gave him back his card and brought out her check-book.

”Disrupting traffic, 64 dollars. Severe noise pollution, 32 dollars. Towing, 71 dollars. Destruction of public property, 121 dollars.” She ticked off the items as she wrote them down.

”Aww, c'mon. It was only one stupid mail-box.”

”Resistance, an additional 30 bucks.” Lyra smiled at Sully. ”Just for you, darling.”

”Shucks, I might just blush. Thanks, tuts.” Sully snatched the check from the officer's hand. He climbed back into his Cadillac, fished out his briefcase from the backseat and got out. He also took with him the bulky flashlight from the trunk. Giving the Cadillac a farewell kick, he started walking away from the officer and her smug smile, weaving through rush-time traffic. He stopped and frowned, sure he was forgetting something, inviting a few unfriendly blasts of horns. Then it hit him. He turned back to the site of his misfortune and cupped his hands around his mouth.

”Hey Lyra! So how about them titties?”

Spoiler
So, I'd like some feedback on the general construction of the main character, i.e. is he believable, is he boring, etc. Oh, and the fees for the different 'crimes' I just made up off the top of my head, so no big wonder if they're not similiar to the ones in actual countries. :D As always, any other feedback is welcome too.
Last edited by WaitingForLife on Sun Sep 25, 2011 7:53 pm, edited 1 time in total.
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Well, if you wanted to portray your character as an asshole, you suceeded in that regard. I enjoyed the complete utter disrespect he showed to everything around him, as if he wasn't really a part of it. The only thing I'm seeing that might be considered off is the lack of detail you presented about him. Other then his personality, which was a refreshing read, I'm not sure of anything else about him. I'm imagining him as a twenty something who his beyond down on his luck and is taking it out on the world, but I'm probably wrong. I don't know. If he is going to be featured again, you might try revealing a little more about him, just so we can picture the character better. The only thing I'm really finding unbelievable is the interaction between Lyra and Sully. But then I'm used to seeing only the tremendously stupid or drunk(What's the difference?) purposly antagonize the police. Otherwise great job, can't wait to read more.
"If beauty could be done without the pain, well I'd rather never see life's beauty again"-Modest Mouse.

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Hello again WaitingForLife. This was the piece I was originally going to review before I got distracted by the link at the top. :wink:

Sully Kale

Like Captaindomdude said, he's an asshole. Funnily enough he didn't start off that way -- he's quite likeable as an underdog character, but that changes as he gets more and more pissed off with things. He's believable in the sense that I believe there are people out there who would get angry, but Sully take it a lot further than I imagine you could get away with in real life. Not that that is a problem. In fact, to keep the humorous tone it is good to have the characters slightly larger than life!

Maybe it will be easier for you when you read over this again after a break from writing it -- but try to see whether you're developing him into the right sort of character for your story over all. If so, then stick with it! He works, even if he's not so likeable when he's rude.

Narration

I think this was done with a lot more humour than in your "prologue". There seemed less originality in terms of creatures or characters, but I found myself laughing aloud at parts which is always a good sign. The difficulty is, however, that in order for things to be funny you have to have sufficient breaks and rests for the reader so they'll be primed to laugh again at the next cynical comment.

If you haven't read any Douglas Adams already then I suggest you do -- he wrote the excellent "Hitchhiker's Guide to the Galaxy" series and also the "Dirk Gently" novels. You have quite a distinctive voice and, while you might not be trying to go the same way as Adams, I think it would be good to look in detail at his style of narration to see other ways it can be done.

It was good. But it's very different to the prologue, and I'm not entirely sure which tone I prefer.

Direction

I feel a bit bad repeating this, but I'm still not seeing any overarching direction for this piece. Not that there *has* to be any in the opening chapter, but it would be nice to know that you've got something planned for your characters some semblance of a plot.

Though, I must admit, this was handled better in terms of conflict than the prologue -- perhaps because Sully is a standard human being with flaws and all. I thought you characterised both Sully and the police officer very well, and I liked even more the way you slipped in some cheeky comments about the nature of the police system as well. :D

Overall

Again this was good, but as before it could do with more polish. See how other reviewers find it and maybe that'll give you a better idea on how to improve. I'd also suggest looking hard at Sully and asking yourself whether this is the sort of character you want to make him. First impressions are important, and it's likely that readers will keep that initial judgement with them throughout the course of the story.

Finally, let us see where this is going! I'd like to think that you've got some plot sketched out for this, and if so then give us some more! :wink:


Charlie
I am thankful for laughter, except when milk comes out of my nose.
-- Woody Allen




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Hahaha, I liked this. The poor guy, though.
Loved the interaction between him and the cop, lol. xD It's a pretty cute beginning to a story, really casual and entertaining, but keeps the book a bit of a mystery at the same time.

”Tits or GTFO,” came Sully's half-hearted answer.


Favorite part, in that interaction.
Good job, really nice. cx
"I am enough of an artist to draw freely upon my imagination. Imagination is more important than knowledge. Knowledge is limited. Imagination encircles the world." -Albert Einstein



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