The Space Between Infinity- 1.5

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~*~



Spoiler
Hello! I really wanted to post this as my end-of-summer chapter. So I did. :) This is supposed to be a letter of sorts and not as a continuation of the last chapter, so it's being narrated by someone else. Btw, for those who read the last chapter, Chloe is the dead girl. I'll find a way to incorporate her name in the last chapter somehow. Thanks for reading!


~*~


Chloe,

Do you remember the first time we met?

I was eight and irritated that my mother wouldn't let me go to Daniel's birthday party because we had to visit your mom at the hospital. She had been described as 'my best friend from high school' by my mother but was 'this stupid pregnant lady' to me. I held a fit at home and my mother told me I had three minutes to change into my sweater because I was going and that was final.

I went to my room, threw my clothes on the floor and watched Transformers instead, my version of a rebellion. My mother came in, surveyed the scene and told me if I didn't get dressed within the next two minutes, she'd take away my Game Boy Advance. That scared the living shit out of me, as video games were my life and I grabbed anything from the floor, tossed it on and ran out, grabbing my jacket and shoes and going to the car barefoot. I was still mad at my mother but I guess the fear had outweighed the anger.

We drove to the hospital and I think of how even then, I always hated the smell of hospitals. It has the scent of Lysol and rubbing alcohol, like they have to clean not only the blood and disease from the place, but the emotions and humanity too. And everything so fucking white like a asylum, like they used a nice, clean needle to extract the color, until nothing but mind-numbing blankness is left.

My mother was pulling me along, her manicured fingers gripping my wrist tight, yanking my arm when she felt I was moving too slow, while muttering about traffic and ungrateful children. I knew she was in one of her moods, because it was nearing the end of December and I stayed quiet and faintly angry, stumbling along, counting the cracks in the linoneuom floor, stepping over each one to make sure the childhood rhyme-step on a crack, break your mother's back- wouldn't come true.

She looked perfect, as usual, her black hair, cut in long, jagged layers, her bold features stark against her pale Winter skin, looking nothing like the suburban moms we saw glaring with disapproval and envy at the supermarket, or the mall or the post office or the PTA meetings. Everywhere we went, people stared; women, glancing once, twice, three four five six seven times, a forced, awkward smile on their lips, jealousy clear in their eyes.

The thing about my mother is that, regardless of how much you hate her, how much you truly despise her, you want her to like you, because she is beautiful and beauty is the sweetest poison in the world.

We kept walking down the white halls, a scowl still on my mother's face until we turned and suddenly a flash of bright, child-friendly colors, clowns and ballerinas painted on the walls and I knew we had reached the children's room. It was empty other than a teenager dozing on a bench against the wall and you.

You were sitting down in one of those stupid red kiddy chairs, intently drawing something, with your crayons lined up like little soldiers and your shoulders hunched in determination. My mother called you with this bright smile on her face, asking how you were and whether you had eaten and it was the first time I had ever seen her smile all month. You kept up with the cute small talk for a few minutes and then said she would leave us two to play while she checked on your mom.

I begrudgingly sat next to you and it was silent for a couple of minutes, you coloring and me thinking about how dumb it was that I had to sit next to some stupid girl who still played with crayons like a baby while Daniel and Aiden and everyone else were probably having a snowball fight or eating cake or something. I was actually so lost in thought, I almost didn't hear you when you spoke to me.

"Well, are you going to sit there and look dumb or are you going to help me?"

I blanched; no girl had ever called me dumb before and I was readying my arsenal of playground insults when you looked at me, lips pursed, eyes glinting, as if daring to say anything.

"What are you doing?" I said, changing my mind last second on calling you a stupid poopface.

"I'm fixing the card for my sister. She was supposed to be a boy, so I'm making the dragon into a girl and I need help." you replied, biting your lip nervously as you looked over the paper you had been drawing on. It had a big green blob, next to a big orange blob that was burning the big brown blob next to the words, 'Welcome Home Lucas' in fourth grade penmanship.

"I don't even know your name." I said.

"So ask."

I was confused by you, this loud, weird girl with her caramel hair in cutesy pigtails and the greenest eyes I had ever seen. I stared for a couple seconds before asking.

"What's your name?"

"Chloe. I'm nine and my mom said that I'm older than you by a six months, so that means you're eight. I already know your name. Tyler. I like it."

"Well. I...like your name too and even though you're older than me, I bet I could still beat you up"

"I bet I'm smarter though."

We both nodded with reluctant agreement and then bent over the card. I drew a pink blob over the green dragon blob, effectively changing its gender and you tried to change Lucas to Lucy, giggling when it turned into Lucays.

About ten minutes later, your father came to get us; dressed in a starched dress shirt and long black pants, his shoes so shiny, you could almost see your reflection in them. He held both our hands and took us to the maternity ward, where the walls were painted pastel pinks and blues and the nurses seemed less tired, less upset, with a joyful step in their walk and soft smiles on their faces.

The hospital was different here, not so white and clean and perfect. It was full of antsy soon-to-be fathers pacing the halls and other new fathers on the phones or smiling so wide, I wondered how their faces didn't crack.

We reached the hall where the newborns were, the guttural screams from the women in-labor subdued by the thick door we went through. We stood behind the glass window, staring in at the dozen or so babies, sleeping or crying or just looking around, curious about this new world and happy to be alive.

Your father pointed out Lucy and you concentrated on her, as if etching every inch of her to memory. We looked a little while longer, not speaking, just staring at this tiny creature, that wasn't here yesterday, breathing and cooing and using little pudgy feet to kick up in the air, like she was bored with the light pink incubator she was in, like she was ready for the world.

We had play dates almost every other day, mostly at my house, because your parents didn't want two children running and jumping around like banshees around newborn Lucy. We collected bugs and played pirates and one time, I even went through a tea party. It was the only time I could remember waking up and feeling excited and safe and happy.

God. I wish I was eight again. I wish I could rewind nine years, spin a time turner, travel back to when we ate toast and orange juice for breakfast, not Advils and Ginger Ale to ease away the hangovers, to when the biggest problem was who took the last popsicle and we were always asleep by nightfall, no matter how hard we tried to stay awake.

These days I stay awake, no matter how hard I try to sleep.


Tyler.

~*~


Spoiler
Reviews and likes are appreciated and most of the time returned. If you want to be notified for upcoming chapters, please let me know somehow in your review or something, so I don't randomly bother you if you're not interested. :]


Next chapter is right here. :}
Last edited by Jas on Sun Dec 04, 2011 8:30 am, edited 7 times in total.
I am nothing
but a mouthful of 'sorry's, half-hearted
apologies that roll of my tongue, smoothquick, like 'r's
or maybe like pocket candy
that's just a bit too sweet.

~*~




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Hey Jasmine! :)

Since I had time, I thought I might as well do reviews on the second installation too. :)

It has the scent of Lysol and rubbing alcohol, like they have to clean not only the blood and disease from the place, but the emotions and humanity too.
I so much like this thought. :)

beauty is the sweetest posion(poison) in the world.
A typo, but a beautiful thought yet again.

I wish I could rewind nine years, spin a time turner, travel back to when we ate toast and orange juice for breakfast, not Advils and warm water to ease away the hangovers, to when the biggest problem was who took the last popsicle and we were always asleep by nightfall, no matter how hard we tried to stay awake.



Thanks for clarifying who Chloe is. I was beginning to read this, and was actually getting confused. Then it struck me that probably checking out the spoiler would be helpful. And it was. :) As for incorporating the MC's name, I think you should seriously work out on it. In a way I like her name being a mystery to us in the first chapter, but then if this chapter follows, not knowing her name would make this confusing.

Awesome chapter yet again. I don't think I can seriously point out anything. It was actually perfect. You had everything. Emotions, descriptions, thoughts, and dialog. All in all, a perfectly well balanced chapter. I don't know how you can muster such a beautiful chappy, all so nice and perfect. I have always loved reading your works, but as I said in my last review, by far this is the best work of yours.

After I read this chapter, I got an idea of what possibly was lacking in the previous one. I knew what was the thing, but I couldn't very well express myself. But now that I've read this one, I have the exact thing clear on my mind. So, in the last chapter you had a lot of stuff. But I gave you some suggestions. But what, according to me, lacked were the thoughts. Like here, I quoted some which I really liked, but there nothing of that sort was there. When a person dies, they mostly have a broader outlook of life. You do have an entire novel to show that, but I still think you can add bits of it in the first chapter, too.


I hope this review helped. :)
"Next time you point a finger
I might have to bend it back
Or break it, break it off
Next time you point a finger
I'll point you to the mirror"

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Hey Jas, Stella here!

I. NITPICKS

I was eight and irritated that my mom wouldn't let me go to Daniel's birthday party because we had to visit your mom at the hospital., who had been described as 'my best friend from high school' by my mom but was 'this stupid pregnant lady' to me.


What's up with the punctuation at "hospital"?

We went and I think of how even then, I always hated the smell of hospitals. It has the scent of Lysol and rubbing alcohol,


They have the scent? Maybe?

woman, glancing once, twice, three four five six seven times, a forced, awkward smile on their lips, jealousy clear in their eyes.


women.

it was the first time I ever thought of her as fake.


This strikes me as a big moment in his life. Why has he never seen it before? Why suddenly now? Whatever the reasons, I think you need to expand on it.

I begrudgingly sat next you


next to you.

Daniel and Aiden and everyone else was probably playing cops and robbers or eating cake or something.


were and also, "eating cake" just seems so totally random xD
"I'm fixing the card for my sister. She was supposed to be a boy, so I'm making the dragon into a girl and I need help." You replied,


Clean up your dialogue punctuation with this article.

effectively changing it's gender and we even tried to change Lucas to Lucy, giggling when it turned into Lucays.


its.

II. OVERALL

Again, this is beautifully powerful. Seriously. That ending was lovely. I do have a couple of things I think you could work on. Firstly- you mention that one time his relationship with his mother and how beautiful she is, but when you look at the future- at their relationship carrying on from this moment, you don't mention her at all. It strikes me as something of a continuity flaw rather than anything else- of course you don't have to mention her again but I feel like the chapter's a little incomplete without returning to that theme again.

Secondly, and remaining with continuity, I'm worried about how this ties in with the first chapter. Yes, it's lovely. Yes, we see Tyler's feelings now that Chloe is gone. But... it's a letter. Is it? It feels like it. But how does that tie in, format wise, storyline wise, character wise with your first chapter? The two as separate entities are brilliantly creative- first dead Chloe watching her family, then Tyler writing to her, but how do they tie together? Are there going to be more letters? Should you consider changing the format of one or the other? The very fact we're switching protagonist so early on is a little disconcerting for the reader- I don't mind it, but I think you need to ease us into it more.

Apart from that, not a whole lot to say! Lovely job!

Hope I helped, drop me a note if you have any questions!

-Stella x
"Stella. You were in my dream the other night. And everyone called you Princess." -Lauren2010




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Hello! I like the switch in perspective here because we get to learn more about Chloe, Tyler, and their relationship. I also liked how the reader is left wondering who the letter is from before Tyler introduces himself. It works well with all the various characters that were mentioned mourning Chloe in the previous chapter. I'm curious about how you're going to continue here, whether you're going to go back and forth with Chloe's narrative and Tyler's letters, or if you're planning on introducing another perspective/style. I think I'd advise against the latter unless it's really crucial to the plot that at this point I know not of. Which reminds me, I like all the little threads (for lack of a better word) in this chapter and the first, the small descriptions that could lead to a lot more. In particular, I'm curious about Chloe's relationship with Angelina and Tyler's with his mother.
The part about how Lucy was originally intended to be named Lucas was cute. As was Tyler and Chloe's initial dialogue. Sorry I don't have more useful critique, but I'm mainly just interested in where this is going. I'm excited. :D Could I be notified of updates please?
-- CC




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Okay, so I've commented on your style and technique, and your pacing and flow isn't an issue, so I'll get on with some nitpicks for you!

Jas wrote:Chloe,


Dash " - " instead of a comma.

Jas wrote:.,


Obvious mistake here.

Jas wrote:I blanched, no girl had ever called me dumb before and I was readying my arsenal of playground insults when you looked at me, lips pursed, eyes glinting, as if daring to say anything.


Most of your mistakes seem to be punctuation errors. Between "blanched" and "no", I think a full-stop and the start of a new sentence would be more dramatic and effective. Either that or a colon " : " or a dash " - ". Which brings me to my next point. Blanched? You blanch vegetables. Can a face blanch? It sounds odd to me...try paled or 'colour drained from my face' or something similar.

Jas wrote: obscenity-filled


More strange phasing. I don't get it and it doesn't sound too good. I'm not exactly sure if it makes sense.

Jas wrote:in-labor subdued by the thick door


"In Labour" doesn't need a dash. "Thick" door? I don't like the way that reads. Try soundproofed doors.

And that's it. I hope I helped. Happy writing.




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Hey Jas!

First, the only real nitpick I had:
"What are you doing?" I said, changing my mind last second on calling her a stupid poopface.

It should be "you" rather than "her" since it's Tyler writing a letter to Chloe, and he refers to her as "you" in the rest of the letter. A continuity thing ;)

Overall, I really, really liked this chapter. The whole letter was sweet and powerful and full of emotion, the end particularly got me. Now, with that in mind, I don't see how this ties in format-wise with the first chapter. It's disconcerting to the reader to see format and focus character switched so abruptly, with no hint as to why. (Remember, if it were a published book, you couldn't stick an authors note at the start of each chapter ;)). This could be just fine, of course, if a set pattern was introduced and followed through the rest of the story. Maybe the chapters alternate between Chloe now, and letters to her from people who knew her. That would actually be really interesting. Problems only arise when you start throwing characters and points of view and formats around willy-nilly without any pattern to it. Again, continuity is important to a reader.

Lovely job with this chapter as it's own entity, just don't forget to think of the whole work as one piece as well. ;)

Keep writing!

-Lauren-

PS Keep me updated when you post more, I'd love to follow this ^^
Got YWS?




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Hi Jas!

Well... what can I say?

Actually I have a lot to say. When I read this, there's a Deja vu feeling that comes to me. I don't remember reading this but I remember reading something which reminded me of it. I just flicked through your first chapter and I definitely didn't read that... This is so weird.

I have to say however, this seems really really interesting. I can't wait to see more. Anyway... on to the review.

Description
I felt like I had to add this section because your decisions are truly amazing! I really need to learn from you. I have a bit of a problem in trying to add description and blending it in naturally, usually when I rewrite something.

Jas wrote:She looked perfect, as usual, blush accenting her high cheekbones and her black hair, cut in long, jagged layers, looking nothing like the suburban moms we saw glaring with disapproval and envy at the supermarket, or the mall or the post office or the PTA meetings.

Amazing description! You fit it so well here. It's really good :)

Jas wrote:a flash of bright, child-friendly colors, clowns and ballerinas painted on the walls

I don't know why but I love this too!

You're a natural at this... definitely.

Things I liked
I'm not going to quote certain sections I enjoyed because I'll end up quoting the whole thing XD

1. Apart from the amazing descriptions, I really enjoyed how it was a sort of letter. It was in first person and yet the narrator was talking to the reader and yet he was talking to another character (is she dead? I need to go and check out the first chapter when I'm done). It was really clever. Normally, you wouldn't find many 'you's in a novel but you did here and it was really clever.

2. I loved the emotion in this! The little comments like the one about the stupid pregnant woman and stuff made it funny to something that might've been a lot sadder. I could feel everything and all the emotions that the MC had.

3. I also really liked how you kept the whole style of it how Tyler at 17 would speak and yet you also put in some things which he'd probably have said when he was young. You might've done it subconsciously but it made it really good.

Improvements
I couldn't see any! Everyone said pretty much what I was going to say. It's really good though, I can see you've put in loads of effort. Well done! :D

Keep Writing!
Mac

Off to chapter one now!




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Hi again!

Specifics

1. Some beautiful descriptions of how he felt and feels about hospitals, nice work there.

2. Loving the dialogue. I should really find something constructive to say in these but currently I'm far too charmed by the meeting between your characters. Chloe especially is a little darling.

Overall

Okay you win, so I don't have anything to poke and pry at for this. It's very nicely written. A little slow in those first few lines and I wasn't sure what you were up to, but then it picked up momentum and the ending was particularly well written, very touching, very dramatic. The only iddue I have is that I don't see how you're going to tie this in with the rest of the novel. If it's a one off, perhaps you can add some prose around it and have him actually sit down to write it and bring it in that way. The better idea though, might be to write more. I'd love to see other flash-backs through letter format and the idea of writing to the dead is intriguing and pretty chilling at the same time.

Whichever you decide though, I have a feeling you'll make it work and I really want you to because it would be a shame to not include things like this in your novel. I liked it much better than the first chapter. Your description, your characters, your dialogue. Everything about it was stronger and flowed better.

Well that's all I have to say for now, will read the next part in a day or two,

Heather xxx
Writing Gooder

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The light shines brightest in the darkest places.




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Jas,

At first I was confused about the chapter numbers, but now I get it :) What a neat idea to switch perspectives with every "half chapter" ^-^ At least, that's what I'm assuming the pattern is. I've yet to look at the rest of it.

We went and I think of how even then, I always hated the smell of hospitals. It has the scent of Lysol and rubbing alcohol, like they have to clean not only the blood and disease from the place, but the emotions and humanity too. And everything so fucking white like a asylum, like they used a nice, clean needle to extract the color, until nothing but mind-numbing blankness is left.


I'll be honest, at first, when I read the whole "I hate the smell of hospitals" bit, I was internally cringing. It just seems cliche, like what every protagonist comments on in all YA novels that have hospitals in them. But I must say, you took it in directions that was pretty unique and original ^-^ The description and imagery - absolutely beautiful :D

women, glancing once, twice, three four five six seven times, a forced, awkward smile on their lips, jealousy clear in their eyes.


Oh come on! >:/ Not all women are jealous of other women for their looks. ::is slightly offended::
I think I feel this way because there was a similar line in chapter 1.0 and they're supposed to be two different characters, two different perspectives ;)

Would a boy be thinking this? Or would he be more put off that everyone is looking at his mother in some kind of way?

because she is beautiful and beauty is the sweetest poison in the world


Looks like beauty is going to be a common theme throughout your novel. If that is the case, then I will forgive you for offending me before ^_^ <3

until we turned and suddenly comma a flash of bright, child-friendly colors, clowns and ballerinas were painted on the walls and


You were sitting down in one of those stupid red kiddy chairs, intently drawing something, with your crayons lined up like little soldiers and your shoulders hunched in determination.


CUTE! <3 Can definitely see that in my head xD I luff children. The little soldiers was a nice touch.

asking how you were and whether you had eaten and it was the first time I ever thought of her as fake.


Woah. How old are these characters? I imagine they are little kids - would they really be so perceptive as to think their own parents were "fake"? I don't think that's a concept little kids can really grasp - afterall - think of all the millions of parents "baby talking" their child. It's not until they're a bit older that they even realize this.

Tyler and Chloe seem old enough to discern what is, or what is not baby-talk. But to discern when an adult is not being sincere/"fake"? I think the word "fake" is used by teenagers, anyway.

I could understand if Tyler is looking back. He seems to be looking back as he's writing the letter. But in that case, the wording here is confusing. Tyler seems to be saying that at that moment in time was the first time he realized (as a kid) that his mother was fake.

I was confused by you, this loud, weird girl with her caramel hair in cutesy pigtails and the greenest eyes I had ever seen. I stared for a couple seconds before asking.


Aw, puppy luuuv <3

"Chloe. I'm nine and my mom said that I'm older than you by a six months, so that means you're eight. I already know your name. Tyler. I like it."


*squeals* I absolutely adore the interaction between them xD

I wondered how their faces didn't crack.


Another example of a thought that doesn't seem to be coming from an 8 year old xD I dunno, it's just hard to see a cynic in an 8 year old. If you meant this as a reflection of past events, watch your tenses. Wondered should be wonder, etc.


Overall, I loved this chapter ^-^ It was really cute and made me squeal in a few places, certainly got to know your characters a lot more.

Improvements? One thing I was trying to keep in mind as I read this, was that it was a letter written to Chloe. The beginning bit about the mom and the people that were looking at her down the street - I dunno. Just didn't seem like something you'd write in a letter. Everything else was perfect though!

Going on to the next chapter!

~ As always Audy




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I seem to be the only one with a problem (two), so take everything I have to say with a grain of salt.

First, this doesn't sound like a letter. It sounds like you took a short story and put it in the form of a letter. For example:

She looked perfect, as usual, blush accenting her high cheekbones and her black hair, cut in long, jagged layers, looking nothing like the suburban moms we saw glaring with disapproval and envy at the supermarket, or the mall or the post office or the PTA meetings. Everywhere we went, people stared; men, staring, their eyes flitting up and down, taking long strides towards her, until they noticed I was by her side; women, glancing once, twice, three four five six seven times, a forced, awkward smile on their lips, jealousy clear in their eyes.


This sounds like a writer describing. It doesn't sound like a normal person relating events to another.

Let's say you're telling one of your friends about this guy that took you somewhere on a date. And, on said date, you notice that nearly every girl you pass gives him a little "hey, babe" sort of look. Now, maybe you want to create some suspense, so you begin by telling your friend what he looked like on that day, and then you tell them about all the poor losers that don't have as much game as you. Or, you could start by telling them how attractive he looked, and then go on to say, "And he was actually so cute that every girl we passed was giving him the look," and then, for comedic effect, you would mimic "the look." In either case, you tell one part while keeping in mind the other. They're not separate, and they're both in the moment. What you have here is a description and then an infinitive sort of phrase; he's talking about his mother on that day, so only talk about that day.

Remember, this letter has a point. Don't have him go back in time--people might get sidetracked in everyday conversation, but this is a letter. He's not going to write any more than he has to. Also, it's his mother. No male would describe their mother like that. Just... no.

If you need further convincing, let's take a look at a different excerpt:

God. I wish I was eight again. I wish I could rewind nine years, spin a time turner, travel back to when we ate toast and orange juice for breakfast, not Advils and Ginger Ale to ease away the hangovers, to when the biggest problem was who took the last popsicle and we were always asleep by nightfall, no matter how hard we tried to stay awake.


Now, relative to that last excerpt, how many adjectives do you see there? Not many, right? This is arguably the best paragraph in this letter. The reason why is that it's natural. That's how people talk. If you want to continue writing in this format, you're going to have to stop relying on adjectives to set your scene and create emotion. And that's obviously possible; you did it right there. You need that feeling of authenticity to make this effective.

Second, your narrator sounds like a girl.

I'm going to suggest you read this (yes, all of it). It's undoubtedly the best thing I've ever read on the difference between male and female characters. Because there's no one spot where your character sounds like a girl, it will help way more than I ever could.

Now, for the good stuff. I loved the interaction between Chloe and Tyler (though his voice made me enjoy it a bit less). I thought the general plot was interesting as well as engaging, and it mostly stayed true to the content of a letter, though not the manner in which one would be written. And a wonderful ending to top it off.

All in all, awesome job.



Keep your face always toward the sunshine - and the shadows will fall beyond you.
— Walt Whitman