Changing Shadows, Chapter Three

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Ellie often ran away from the children’s home. Her freedom was always short lived, but the sense of control and adrenalin always lasted. Besides, there was always the hope that she wouldn’t be found.
Sometimes it took the matrons only a few hours to find her, sometimes a few days. It didn’t matter to Ellie. Finding new and different ways to escape filled the endless hours of which she had nothing else to fill them with.
That same night, after the girl had gone and after Ellie had woken in her sleep for the fifth time, tossing and turning with frustration, she swung her legs over the side of the bed and got out. Her frustration was nameless, it had no reason. Ellie thought the fact that the girl was late was of no importance to her. But it bothered her more than she realised.
Ellie knelt and silently opened one of the drawers under her bed. She pulled out a t-shirt, a pair of jeans and a hoodie. Taking them to the bathroom along the corridor, she changed quickly. She didn’t dare turn a light on. A familiar thrill of excitement ran through her and she grinned. Maybe this time they wouldn’t catch her.
Then, grabbing her sneakers from under the coat stand in the hall, she wrenched them on and opened the front door to the outside world.
Thankfully the door didn’t make a sound and Ellie slipped out undetected. She jogged down the garden path and vaulted over the fence. Once free, she broke into a run. But her gait was nowhere near as smooth as the girl’s.
Ellie passed dead fields of mobile homes, enjoying the air on her face. She reached the town centre in less than two minutes, where hoards of crowded, red brick buildings towered above her. The town centre was riddled with alleyways and hiding places. Unfortunately those alleyways and hiding places were strewn with crime and dingy basements, but even the drug barons working in the flats above the police station were well accustomed to her wanderings.
Now though, she headed for her favourite hiding place and a little smile crept onto her face. The last time she’d been here was a week ago. She hurried down the dry streets, racing the red moon, lithely dodging roving street-cams.
The alley she’d picked was a cul-de-sac of sorts, fenced by a pair of ten storey Victorian style red brick buildings. She assumed they were offices. Most of the town centre’s buildings were little more than that. The dead end was marked by a large red wall, the colour of the bloody moon. If you were to climb to the top, all you’d find was a three-foot drop onto a parking lot.
Ellie stopped running and slowed to a walk. Then she slowed to a stop, her heart thudding wildly. Whether it was from exertion or sudden dread, she couldn’t tell. Someone was there, standing by the place she slept while the matrons raised the alarm.
The figure was shrouded in a dark cloak, the hood shadowing his face. All Ellie could see was a nose and a mouth and a mess of shaggy hair that reached the figure’s rounded jawbone.
‘What are you doing here?’ Ellie called out as she approached the figure guardedly. ‘This is my alley.’
The figure turned to her, but offered no sign that he’d seen her.
‘Your alley?’ he asked in surprise. ‘This is my alley.’
‘No it’s not,’ Ellie argued back. At being challenged so casually, Ellie’s confidence came roaring back into life. ‘I’ve never seen you here before.’
‘Well, I haven’t ever seen you here either. Go away,’ he said in annoyance. ‘My alleyway.’
‘I come here at least once a week,’ Ellie said.
‘I’m here everyday. I’ve never seen you here before.’
Ellie didn’t say anything for a while, as she frowned thought about the stranger’s untruths.
‘You have the ears of a cat,’ the figure finally noted. Ellie retreated into herself suddenly, stroking her cat ears self-consciously. She nodded slowly, wondering cautiously about the figure’s sudden change of tact.
‘Tortoiseshell,’ the figure continued. Ellie nodded again, taking her hand away. ‘Where did you get them?’ Ellie just stared. She’d had the ears of a cat ever since she could remember. They poked out through the folds of her hair, but she was unable to conceal them. She wondered what the stranger meant; did he not think they were real?
‘My ears are real,’ Ellie explained. The conversation was becoming far too unpredictable for her liking.
‘Yes, I know,’ the figure said impatiently. ‘I would like to know what side of the family they came from.’ Ellie noticed that the figure had taken a step forward. Ellie slithered backwards, only to find that the stranger was matching her paces. The figure sent bad chills racing down her spine, despite his obvious efforts to be chivalrous. She didn’t even wonder how he could see her under the low hood.
‘Why do you want to know?’ Ellie asked, taking another step back. The figure didn’t reply, but yet again matched her steps.
‘Can we share the alley?’ she ventured, changing tact, wondering whether the strange figure would respond.
‘No,’ came the immediate answer.
‘Who are you?’ Ellie asked at length.
‘My name is Bunce,’ said Bunce.
‘That’s a weird name.’
‘Not where I come from.’
‘And where do you come from?’
‘That’s enough questions,’ Bunce said suddenly. An arm snaked out from under his dark cloak, an arm with skin as pale as the moon used to be. So pale, it was almost blue. ‘If you won’t answer my questions, then go.’ The arm pointed to the entrance to the alley.
‘No,’ Ellie said defiantly. She felt as if her refuge had been taken from her. She stalked off a little and found that the figure didn’t follow her. She went to the entrance to the alley, to a familiar basement door that she often used. She went down the three little steps and knocked sharply on the door. While she waited, she saw Bunce turn to face at her. The door opened and Ellie dived in.
Last edited by hazellgreene on Sat Aug 13, 2011 4:54 pm, edited 1 time in total.
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Hey, Apple here!

I don't believe I've seen you around YWS before. Welcome, from me! :D It's review day today and your story will be my fifth review. Exciting, isn't it? (Nope, not really.) So I am going to go headlong into this and start with the critique and end on a lighter note. So in other words: what I thought could be fixed and then end with what I liked. Alright, let us go!!

Your biggest problem is that you tell and not show. Now let me tell you, this has to be one of the most common problems of writers these days. Not only on this site but in the publishing world also. Sure, it's hard to find an editor, publisher, or even agent that will take you on if you have this problem, though telling and not showing still manages to find its way into my life. Annoying? Definitely.

What it means is that instead of explaining the events in a story with side thoughts, explanations and other things that pull away from the actions of the character, you are continuously splurting out action after action. So instead of the reader absorbing anything of what you're saying, they will stare blankly at the book trying to peice together everything. How do I know? Because whenever I find a short story, novel, picture book or script that has this kind to trait, I stare at it blankly till my eyes start to water.

Now, I am being a little to harsh. You didn't tell all the way through the story, though you did for quite a lot of it. The only way really to combat this problem is to go back and confront it head on. Using a trusty red pen of course. Reading through it, add as many side notes as you can as to what you think your character is feeling. Who is this girl? Why is Ellie suddenly running away? Why did she runaway in the first place? When she is going on another escapade, what does she see? In other words: what does the sceneary around her look like? Is the place big? Is it small? Does it look like it was pulled out of a horror story or from the victorian era? Or am I just being ludicrous, and it looks like any ordinary house?

Already I have so many questions that could completely banish the demons that sit in your story. Sorry for being so weird it's just that I just watched this Witch/Wizard show, and I am feeling a very strong feeling that makes me sound like I was pulled out of Authur and the Knights of the Round Table era. In saying all that, that was your only problem. Don't worry, I suffer from it and so does many other writers just like you. So don't worry that much that you lose sleep over it.

Now onto a lighter note.

Your characters have depth and personality (overall I could fall into their shoes, and not feel weird), they were also different from what I usually find, and your plot was clear and kept me on the edge of my seat which is not easy to do. I don't do grammar/spelling reviews as I find they don't teach the writer the ways of grammar but I do suggest you check out the tutorial threads as they will help improve the little mistakes you have. Good luck with the next installements, I can't wait to see what happens.

Oh, and I also thought that I'd point this out. I like the way you implicated there cat ears. If there is any kind of ears I like it would have to be cat ears. So thank you so much for adding that in. By doing this it changes the way I see your world, so obviously this is not your ordinary orphan child story. Another thing that I adored was Bunce. For some reason he was so cute to me, even though he had blue skin. One thing I will point out is though I thought that his sudden change in attitude not eerie as it probably was supposed to be, but it felt more as if you just slapped it in there. If you're going to stick with that then you're going to have to be prepared to work on that end part. Smooth out the edges so that him banishing Ellie from the alley way is more clear, and more defined. Another thing: I don't know if you intended them to seem young (I don't know their age), but to me they seem around nine, ten or eleven. If you're going to keep them young then their attitudes are brilliant, though if they're supposed to be older then you're going to have to fix your dialogue and mature it a bit more. Other then that, I love it!

-Good luck!
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Hello there. I shall be reviewing you this fine Review Day, and though I have not read the previous chapters, I hope I can still be helpful.

That said, my one quibble has nothing to do with the chapter's content. The content was quite interesting. However the pacing of this chapter needs a fair bit of work near the end. You were doing so well with the pacing starting out, and the tension kept building up nicely to the confrontation with the cloaked man, but then, rather than draw the confrontation out a bit more, it was over in practically the blink of an eye especially the last paragraphs.

Try and draw things out a bit more. You can do so by incorporating more description of the characters expressions and postures, as well as some more of Ellie's thoughts and musings. She refuses to leave, yet she does without really putting up a fight in the last paragraph, so show us how she resists just a little bit longer before deciding that she may have pushed the stranger a little too far and that now would be a good time to retreat.

You've got the winding up down pat, but the winding down is missing, and scenes need a bit of winding down to feel like they've come to a natural pause in the action rather than an abrupt end.
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There is only one success: to be able to spend your life in your own way, and not to give others absurd maddening claims upon it.
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