The frog, the dog and the prince

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These three mini-chapters are how I intend to start a novel I've been planning to write. I want to get off to a good start so I would love suggestions on how I could Improve them. I've written and rewritten this part at least five times and I'm still not quite happy with it, so I thought I'll get your opinion. THANKS!


[1]
Today morning you would find her squatting in the corner of what that used to be her room, sobbing. There had always been something about an empty house that haunted her. Empty, as in, devoid not only of people, but of everything. No furniture, no curtains, no refrigerator or TV… nothing except stark white walls and a roof.
The house hadn’t always been empty. Only five days ago, it had been a typical home, her home. But then all of its contents were carelessly stuffed into large wooden boxes and were sent hundreds of kilometres away via big bulky trucks. They would have reached their destination by now, and tomorrow she and her family would join them. Then, they would have to start all over again.

She looked up to where all her stuff had been only days ago, although, to her, it seemed like a century … another birth perhaps, another life. She had watched with a lump in her throat while the components of her everyday life were being treated as expendable luggage. Her parents never understood why moving was so traumatic for her. It wasn’t even as if this was the first time, they had moved eight times in her lifetime of fifteen years. This was normal for the daughter of an officer of the Indian Army; for God’s sake, she was born while they were shifting, from Amritsar to Kolkata. This nomadic lifestyle shouldn’t have been such a big deal for her, she should have got used to it by now. And yet, she stayed transfixed tenaciously in the corner, weeping with her head between her knees.

You see, while she had become used to this nomadic lifestyle, she hadn’t become indifferent to it yet. It caused her unimaginable pain to leave everything behind. She had always been the kind of person who fell in love with the people around her within days of knowing them, the kind of person who never forgot how dearly she loved her friends, the kind of person who found it extremely painful to part with them. No matter how much she tried she couldn’t be the emotionally detached person this lifestyle required her to be.

And so she cried, fully aware that she could not stay in that corner forever, no matter how much she wanted to. Her parents were waiting outside, ready to go to the railway station as soon as she came out. They were trying to be supportive and understanding, they were trying to give her as much time as they could, but after a while, they decided that they had waited long enough. Quiet footsteps traversed the lobby, a tender hand opened the door slowly and the cautious voice of her mother said, “Riya, beta, it’s time to go.”

[2]
Sitting in the back of the olive green gypsy, while the wind swept her long hair across and away from her tear streaked face, Riya tried not to look at all the places they were driving past, places she would be seeing for the last time. However, she couldn’t help herself. She saw her school, Army School Siagunj, as its buildings whirred in and out of sight. On any normal day, she, like any normal student, would not have felt any particular fondness for her school; but you could call it one of life’s cruel ironies that Riya’s school had become incredibly dear to her the day she found out that she would have to leave it soon. It wasn’t the best school in the world, but it was the place that had given her priceless memories over the past three years. She caught a fleeting glimpse of her classroom. Today IX A lacked its usual hustle bustle, its excitement and its boisterous pin-drop silence. The school was closed for summer vacation, so today the classroom was just a lifeless and bleak structure. Today, as Riya bid farewell to it, it looked almost as despondent as her. The wind was whipping her hair across her face frantically now, as if trying to wipe away the tear marks. Riya forced herself to turn away.

“Riya, roll up the window, your hair is going to get all tangled,” said her mother sitting beside her on the backseat.

As the tinted glass replaced the view outside, Riya could see her reflection in the window. She almost smiled at her blue denim jeans and black T-shirt. When her mother had asked her to get dressed today, she instinctively reached to the oldest clothes her closet had. She knew she would need old friends to get through this day. These ones had gone through thick and thin with her. Riya felt comfortable in them and in them, she found solace.

Driver bhaiya drove past the officers’ club. Riya remembered how she used to go swimming and to play badminton there with her friends. Friends, friends I would never meet again. The tears came back and began to stream quietly down her cheeks. As the droplets appeared in her reflection on one side of the glass, the sky sent down droplets on the other side as well, as if on cue. Today, she and the sky wept together.

“What a sudden downpour! I hope the train isn’t delayed,” said Riya’s mother.

“It won’t be,” came her father’s answer, “I called the railway station half an hour ago, the train’s on time.”

Riya’s father was sitting in the passenger seat wearing the uniform and the austere expression that were customary with him. Colonel Rakesh Sharma was born to be an Army Officer. He fit the cliché too perfectly. A neat black moustache always adorned his stern face and Ray Ban aviators accompanied it whenever he went outside. He dealt with all situations methodically, whether they were at home or in the battle field. Today he wished he could console his daughter who had started crying again, but he knew he lacked the emotional skills. Therefore, he let his wife handle it. By a single look through the rear view mirror, Col. Sharma signalled his wife to try to cheer Riya up.

Riya’s mother acknowledged the prompt and said, “Oh come on Riya, stop crying now. Siagunj isn’t that a great place, it’s just a small town and the closest city is Dehradun. You’ve only been here for three years, your friends can’t be that close to you. And besides, Banoli is a wonderful city. You’re going to love it. It’s so beautiful and it’s near the coast, so there are beaches and coves. And you’ll go to a new school and make new friends. You’re not going to miss Siagunj one bit.”

Riya’s mother’s comments did nothing but hurt her even more, but she wiped her tears and gave her a little smile nonetheless. She knew she couldn’t be mad at her parents for being insensitive. Riya didn’t really mind that her mother didn’t know how much she loved her friends even though she didn’t know them since the day she was born. It didn’t bother her that her mother was unaware of the fact that a place doesn’t have to be a metro for someone to love it dearly. There are some things that parents never get, things that they will never understand and things you have to forgive them for.

The gypsy pulled into the parking lot of the railway station. The rain had stopped along with Riya’s tears. Arriving on the platform they were greeted by many of Col. Sharma’s colleagues and their families. All of them had come to bid the Sharmas farewell. Walking through the crowd and wishing all the uncles and aunties she met a good afternoon, she finally saw Nikita. Riya smiled genuinely for the first time today. She rushed up to her best friend in the whole wide world.

Nikita was looking in her direction too now. She was smartest person Riya knew. She was tall as Riya at 5’2” and two months elder to her. Their fathers were in the same unit so she had known Riya her entire life. This had been the second time they had been posted together in one place; the last one being in Amritsar for two years when the girls were in 3rd. Nikita could take one look at Riya and know what was up with her. Today was no different.

“Why the hell have you been crying? I told you that there was no reason to,” said Nikita even when Riya was still two meters away.

“Ummm... Hi?” replied Riya with a heart that had instantly warmed up. Nikita always made her smile, especially when she was trying to be patronizing.

“Yeah whatever,” said Nikita turning away from Riya.

“Fine I’m sorry for being so sad. Excuse me for weeping because I’ve lost the right to call my home, home. Forgive me for loving my friends and school and for thinking about how much I’ll miss them,” said Riya, feigning anger too.

“Fine!”

“Fine!”

Nikita was trying hard to maintain the pretence but a grin had already eluded her. Facing Riya again she said, “But you still don’t need to cry. You know that the friends who really are your true friends will remain your friends forever, and the friends who don’t remain your friends just because of physical distance were never really your friends at all.”

“Okay now you’re just confusing me,” said Riya grinning too.

“Look at you, you’re such a mess. Tell me Riya, when will that day come when you throw away these clothes? You’ve had them for three years! And why is your hair down? You know you have to travel today, the wind will ruin them. Here, take this,” said Nikita handing Riya a rubber band from her pocket.

“You’ve let your hair down too and even you are leaving for Nagpur today,” said Riya indignantly as she tied her hair in a loose pony.

“Can you see the length of my hair? They barely reach my shoulder unlike your elbow-kissing never ending tresses.

"Besides, our train will arrive in the evening and we’re not leaving until then. My pesky little brother is so excited about us getting posted to Nagpur because there will be McDonalds and Pizza Hut there. Urgh!! Can you believe how MNCs are encouraging the contagion of consumerism amongst the younger generation?”

“Ah....” Riya sighed. Typical Nikita. If you ever asked Riya to describe her best friend in three words, she would instantly say the words erudite, fanatical and loquacious. “I’m going to miss you. Promise we’ll keep in touch?”

“What?! How could even doubt something like that? I’m affronted Riya Sharma, thoroughly affronted. You’re talking as if this is the first time we’re getting posted, heck, this isn’t even the first time we’re getting posted away from each other after staying in one city together.”

“Ya...” Riya conceded, “But that was like four years ago, we were little kids then and we hardly ever called each other.”

“And yet, when we met for the first time in Siagunj we remembered each other perfectly. We were best friends before we even said ‘Hi’”

“Riya!! Come on, let’s go!” It was Riya’s father, waving to her to go and board the train. Riya and Nikita hadn’t even noticed that while they were talking, the train had arrived on the platform and her parents were already loading their luggage onto it.

Nikita hugged Riya. “We’ll be fine. I promise I’ll call you. Email me your mother’s new mobile phone number when you reach Banoli.”

“Okay,” replied Riya, “Are you sure you don’t want to join Facebook? I mean, I know about your viewpoint on social networking sites, but it is a convenient way to keep in touch...”

Nikita smiled. “Yes, I’m sure. I’ll call you na, or I’ll send you Emails.”

“Okay, fine, done.”

They walked together till the train and Riya got on it.

Nikita smiled at her and said, “Bye for now, Bubbles.”

Riya laughed. One of the very few things that Nikita and Riya had ever agreed on was that Powerpuff Girls was the best cartoon ever. They had watched each episode repeatedly since they were three; and when its timings got shifted to the wee hours of the night, they had stayed up till three during sleepovers just to watch it. They had even nicknamed each other after the characters. Riya was Bubbles because her favourite colour was blue, and Nikita was the Powerpuff girl whose nature was just like her.

“Bye, Blossoms.”



[3]
Once the Sharmas had settled into their berths and put away their luggage in the AC sleeping class compartment of the train Riya had forgotten to notice the name of, she climbed onto the upper berth to spend some time with her iPod. She had always preferred the upper berth to the lower one. You could have it all to yourself, even in the morning, and it ensured so much more privacy. Listening to Avril Lavigne and Atif Aslam, she started thinking about how life in Banoli would be. She hadn’t even heard its name until her father had come home one day and told them where they were getting posted. All she knew about it was that it was a very small town near the western coast somewhere and it had a large secluded cantonment which made up at least four-fifths of the town. Thinking of all the stuff that lay ahead of her made her want to throw up and jump out of the window at the same time. Going to a place where she didn’t know anyone and going to a new school were not her favourite pastimes. It wasn’t meeting unknown people that intimidated her, she had become accustomed to making new friends by now, and even become good at it; it was the sheer awkwardness of it all. It was so cumbersome saying, “Hi, I’m Riya, what’s your name?” over and over again, having to introduce yourself repeatedly, having to remember everyone’s names and having to ask them again what they were when you forgot them. And then there was unpacking, the large wooden boxes would be opened and the family would have to find a place for the all the things they had accumulated over the years. Riya groaned at the very thought.

A pat on the shoulder brought her back from the arms of her thoughts. It was her mom. Riya took off her earphones to hear her say, “Riya, come down and have something to eat.”

Riya went to sit with her parents on the lower berth and started munching on the cucumber sandwiches her mother had packed in a lunchbox before leaving. Her father was having aloo puri while reading the newspaper. Looking up, he said to Riya’s mom, “You know Rekha, Jassu’s posted in Banoli. You remember Jaswinder Mahani? From Hisar? He’s going to be there.”

“Major Mahani? Yes, I remember him, and his wife Anita. Good, at least we’ll know someone there.”

“Well, he’s Col. Mahani now. He’s commanding his unit there.”Riya’s dad turned to her, “Do you remember Mahani uncle and aunty, Riya? We were posted together in Hisar.” Then lookin at Riya’s mom again, he asked, “How old was Riya in Hisar?”

“She was two when we got there, turned four just before we left. I don’t think she would remember them, do you Riya?”

“Not really,” replied Riya.

“Wasn’t their son her classmate in nursery?” asked her dad.

“Yaaa... Arre, what was his name? Starts with an A I think... umm... yes! You remember Angad, Riya?”

Riya thought hard. Then, it came back to her. “You mean, Chunnu?”

Riya’s mom chuckled, “Yes, that was his nickname then.”

“Hmmm... I don’t remember much, we used to play in the sandbox in the park, right?”

“Oh, for hours. You would refuse to come home and I had to drag you home sometimes. And you would be so dirty, I had to lay down newspapers on the floor before you entered the house and I would bathe you for hours. Some days, I would hose you down in the lawn...”

Sensing her mother getting lost in reminiscence and her father in the newspaper, Riya took two more sandwiches and clambered onto the upper berth again. After finishing them up, she started listening to music again. After a while though, she felt fatigued and switched it off. She lay down to rest for a minute or two. Next thing she knew, her mom was patting her on the shoulder again, saying, “Riya! Riya! Wake up, come on. We’re here.”

If you feel like it, please answer these questions along with your review/comment:
1. Were you bored? Is it too stretched? Do you feel like you can read more? Do you wanna read more?
2. Are my dialogues realistic? Is the grammar correct?
3. Have I used the tense correctly? Are there any grammatical mistakes?

Thanks for reading and sorry for wasting your time if you didn't like it.
You say you like it, but do you like it enough to 'like' it?




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Allo there. (:
I'm Incognito and am going to review your story so far for you.

Overall, I find it a very interesting concept. I am from a whole different culture so I found it very fascinating. It kind of reminded me of Khaled Hosseini at some points with his Kiterunner and the Afghan culture displayed there. It was over all well written. There is a couple things that I will comment on, mainly the stuff you asked for.

Big Things

I noticed through out your writing you tended to splice your sentences with commas, breaking the flow of the sentences. A good example was this:
Sitting in the back of the olive green gypsy, while the wind swept her long hair across and away from her tear streaked face, Riya tried not to look at all the places they were driving past, places she would be seeing for the last time.

Yes it is grammatically correct though it breaks up the flow of the reading and makes it choppy to the reader. For every comma there is a pause. And having that many pauses in one sentence is kind of not very liked. The flow of a read is very important for it is one of the aspects that keeps the reader reading. If there is so many pauses, it gives them the opportunity to lose interest and that is not what the writer wants to accomplish obviously. So minimize your comma uses and stop run-on sentences. You can easy fix that by starting new sentences.

The other thing I want to talk to you about is descriptions of the characters. In this story, there was more for some then others, but mainly it was very minimal. The reader likes to know what the characters look like so that it isn't as much of a stretch of imagination. So descriptions of the characters is needed. Though you have to stay away from info-dumping. You have to incorporate them amongst your story through describing actions and such things like that. You did it here in your story:
As the tinted glass replaced the view outside, Riya could see her reflection in the window. She almost smiled at her blue denim jeans and black T-shirt.

The only problem about this is that is was almost info-dumping. The mirror or reflection trick of describing things is the uncreative way and leads to blandness and over doing things. It is unrealistic, for how many times do you look in a mirror and then describe yourself. I don't know. I would just work with integrating more details and descriptions into your work. It is fairly good at the moment but it could be twice as better.

Little Things:

Today morning you would find her squatting in the corner of what that used to be her room, sobbing.


Yah, this phrasing is a bit off I think. It doesn't necessarily make much sense to me, but it might make perfect sense to someone else. I tend to be not that bright. But maybe you can rephrase it a little, like with something like: 'this morning'. It might make it easier on people like me.

She looked up to where all her stuff had been only days ago, although, to her, it seemed like a century … another birth perhaps, another life.

I don't necessarily like the use of the ellipsis in this sentence. You don't have to change it, but to me an ellipsis is used when the narrator or character is going off in a train of thought. In this case it was used merely in the sake of adding to the sentence. You don't have to change the use of punctuation here though, for its only a personal preference.

This nomadic lifestyle shouldn’t have been such a big deal for her, she should have got used to it by now.

and:
You see, while she had become used to this nomadic lifestyle,

These two sentences are relatively close together, the first in the end of a paragraph, the second in the beginning of the paragraph next. And they obviously contradict each other. Contradictions are never good. Fixing that up is recommended. (:

Riya felt comfortable in them and in them, she found solace.

You don't have to fix this sentence if you don't want to, it just seems odd to me. Maybe rephrase it. It is obvious she finds solace in her clothing and is comfortable in them as described in the paragraph it is a part of, but I kind of understand why you are trying to emphasize it. I just don't necessarily like the phrasing.

Siagunj isn’t that a great place, it’s just a small town and the closest city is Dehradun. You’ve only been here for three years, your friends can’t be that close to you.

The first thing with this part is the bolded words. They don't make sense the order that they are in. It probably should be something along the lines of; 'is not that great of a place'.

The second thing is that it is three years she has been there. I think that is plenty of time for the main character to make close friends. After all, she had been there for a while. Maybe shorten the time, but not short enough it to make the character not miss it. Her not wanting to move after three years is rational thinking, and cause to be upset. Which contradicts your whole first part.

Urgh!!

This is another personal preference, but I do not necessarily like double punctuation. You can keep it if you want.

If you ever asked Riya to describe her best friend in three words, she would instantly say the words erudite, fanatical and loquacious

Large vocabulary for a fifteen year-old. I had to look up what those words meant.

Storyline

It does seem a little bit stretched to me unfortunately, but there isn't much you can do about that. I'm a dramatic writer, I write for the action, the emotion, the events. Its hard for me to write the necessary parts like this. I think you did fairly well for writing a pretty boring part. You made it somewhat interesting in some places though.

One thing I like is the connection between the two best friends. That was very realistic to me, and I could relate to it very well, after all, I myself am a fifteen year old girl. The dialogue was fairly believable which is a good thing, and you worked well with the characterization of the father. He was the most believable for me.

The other thing I look at when I read stories is character. In this case I didn't see any defining qualities of Riya that made her different from anyone else. She just seemed the very generic character. But this is a novel, am I correct? So you have lots of time to work on character development. Just at the moment she is fairly bland and remote.

The other thing I kind of got bored of was her dribbling about the move. Yes that is what these chapters were about and how horrible it was for her, but you kept just telling us how she felt. You should work more with showing. Talk about her slow walk, her hunched shoulders. How it all is affecting her physically. There is more to emotion then just the actual thought processes, for sadness affects the whole person.

Also in that depressing state, you tended to repeat yourself but in different words. I do that too. I recommend reading it over and looking through judging what you do and don't need.

Lastly, I would recommend trying to add happier moments as breaks. Maybe flash backs or something of her life there. That way you could get quite the contrast of the situations and gain more sympathy for Riya. It helps the reader grasp the situation of what she has lost.

Overall
It has lots of potential and I would love to read more.
'Everyone is entitled to be stupid, some just abuse the priviledge.'




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I don't think this is boring. It could use a bit of explanation, though.

Her father was having aloo puri while reading the newspaper.


You might know what this is, but a lot of readers won't. A little bit of description would do wonders.




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Hey Priya!
I liked this before when I didn't have time for a review and now, here I am.
So, pretty much immediately, I gathered he father was in Defence. A couple of my friends parents are in Defence and they've told me about the travails and joys of shifting.
And at 15, after 3 years of one place, I know how hard it must be for her, and you showed her emotions pretty well. But what I would suggest is spice her emotions with maybe how she remembers the fun times, or something special that happened in that place. That will strengthen this bit.

As for desrciption, like Incog said, stay away from info-dumps. And try not to use the mirror/window for description. This was one very important thnig I learnt on YWS. And you could've skipped this bit and still, we'll have a good picture of her, becuase of that scene with her friend and the hair and her mentioning the old clothes. However, I would like more description, show us some little quips.. use all five senses. You'll figure it out!

Today morning you would find her squatting in the corner of what that used to be her room, sobbing
Today morning is actually wrong grammar. I used to say it, but then, I relaized it's wrong and it's becuase of literal translation. This morning is the correct term.

“What a sudden downpour! I hope the train isn’t delayed,” said Riya’s mother.
I found this a little awkward in the sense that the dialogue seems a little stiff. Not all natural. Try rephrasing here.

Bye, Blossoms
Nitpivking here : It's Blossom; no 's'. Heh, I used to love PPG.

If you ever asked Riya to describe her best friend in three words, she would instantly say the words erudite, fanatical and loquacious.
Here, Riya doesn't come off as a loquacious girl to use these words. It would've been fine if Nikita said it, but with Riya, it seems to smudge her character you've built.

Besides this, I would think if you added some more contrast and a little more other things; this will be a good chunk f writing. You managed to make this an interesting read, so I'm sure you can make it better.

PM me if the next parts is up.
Cheers,
~Lava
~
Pretending in words was too tentative, too vulnerable, too embarrassing to let anyone know.
- Ian McEwan in Atonement

sachi: influencing others since GOD KNOWS WHEN.





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Hey Priya! Shrubs here to review since I saw you asked for a review somewhere. :)

Spoiler
She knew she would need old friends to get through this day.
Good friends aren't equivalent to clothes. You were talking about clothes so how come did we get to the friends part?

There are some things that parents never get, things that they will never understand and things you have to forgive them for.
lol. True! #_#
First of all the title should not be written the way it is. Here we go:
The Frog, the Dog and the Prince
Whenever you have some title, every letter of the start is in capitals apart from articles like a, the, an.

Nice start. The first paragraph was actually intriguing and I was glued to it, the flow of your story, the way you started actually seemed something from hit Indian English novels. I think that's a good point, though, huh? :)

I wanted to ask that are the letters in the brackets chapter numbers? If so, I think your chapters are quite short, maybe you shouldn't divide your writing into so many short chapters. Sometimes, even though the length of the chapters is short, the readers get scared away by looking at the bulk of chapters you have. The number scares them in the first look, and that might decide if they'd want to read the whole book or not. So make your story as alluring as possible; also dividing a novel into chapters is also a process. You can't just stop whenever you like. Each chapter should have a purpose, some slow progression towards the plot and if it is not yet achieved, you can't end the chapter.

Sitting in the back of the olive green gypsy, while the wind swept her long hair across and away from her tear streaked face, Riya tried not to look at all the places they were driving past, places she would be seeing for the last time.
Your sentences are too long. I thought maybe it would be sometimes you'd have such sentences but you have a load full of them, and even long sentences can send your readers away. So, watch out for such long sentences. Don't try and squeeze action, verbs, everything in one sentence itself. You have to be careful with your sentences also.


Your questions:
Actually, yes it was quite stretched. But as Incog said there is not much you can do about it. There are some stories that take about two chapters to get their story in position and the thrill set. You've taken your own sweet time to note down points and create an atmosphere of the MC's life, which I think is not such a bad thing. But from the next time, if your chapters are that long, then maybe you could split them into parts. Maybe not post so many chapters at a go.

Dialog:
Yes, I find your dialog are sometimes very dramatic. They seem like people are from other planets who are speaking them. What I mean is that what your dialog sometimes lack are realistic point of view, and if you work hard on that, I think you can make a difference. Don't clog your dialog with words that people don't use in normal conversation. That just makes your characters sound lunatic, no offence. :)
Like for example:
“What a sudden downpour! I hope the train isn’t delayed,” said Riya’s mother.
Have you heard someone say in regular life 'what a sudden downpour!'? I doubt. People would say 'oh my' or something like that, but such kind of cases are rare. Keep your dialog simple. Ever heard of KISS(Keep it simple, silly) Huh? :D

There are not many grammatical errors so I think your writing is fine on that point. But just watch out for some silly phrases. Not much, mind you. Don't panic.



Overall:
I don't mind this story a bit, and even though it's not my type of writing, I still liked it. There's a gentle flow to your writing which is quite good for the start. You've taken good amount of time to set the atmosphere, and I actually loved some Indian elements you had. Atif Aslam is amazing, isn't he? Also there is a sense of maturity you showed by italicizing the words which are Indian. Good job.

Even though everything I said is true, you lack with your descriptions. Don't totally follow me, because I am a description lunatic, but still you need to show and stop telling. You could have showed how the station looked like, or how her house appeared to be like. How her friend looked, and what not. You need to start describing or else there would be slim chances of it getting published. You should have it all, and working on your descriptions would make this piece even better.

Hope this helps,
Shrubs
"Next time you point a finger
I might have to bend it back
Or break it, break it off
Next time you point a finger
I'll point you to the mirror"

— Paramore




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Congratulations, you've managed to create a good beginning, which is probably one of the most important things to keep in mind while writing ANYTHING. It's the very first sentence sometimes that's enough to get a hook inside the reader, and if you've done that, it's hard to let go.

I also liked it a lot because I could connect to it. Emotions are not always easy to express in writing, you do a pretty good job at that.

I only want to give one suggestion, open to ignorance ;)

In the last part, when the train leaves, that last moment in her town, you could maybe add something to give that moment a little depth, maybe at the time when she goes to sleep, or when the train leaves the station.

Keep up the good work.



here is the deepest secret nobody knows (here is the root of the root and the bud of the bud and the sky of the sky of a tree called life; which grows higher than the soul can home or mind can hide) and this is the wonder that's keeping the stars apart i carry your heart (i carry it in my heart)
— e.e. cummings