Away

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If you actually HAVE a disability, pick a different one. We want you to use your imagination.

I cannot justify if I do, or do not have said disability, but I’m sure every writer feels said way from time-to-time; I’ll let you use your imagination to guess what this may be about.

This short story is the first I’ve written in a while, but I’m definitely happy by the idea of it. I’ve been in a sombre mood every since watching The Lovely Bones last night – such a lovely read, and a lovely movie. So please do send your criticisms my way, I’d love to polish this off before I submit it. This is for Azila and Canislupis’s contest “None So Blind”. Enjoy ... I hope.

AWAY

She spoke before about wanting to escape such an ugly place; such an ugly fate. I didn’t know much about her, but I knew something about her made my eyes watch as she moved. Was it the spark in her eyes? – Or maybe it was the rose in her cheeks? Whatever it was, I watched her with intent as she moved from bookshelf to bookshelf, climbing up ladders and flipping through the pages of old books.

I hadn’t been much of a reader until I discovered her, the enigma. She was attendant to the desk at the library, always wearing the same crimson lipstick that made her pale skin seem white as snow. She had thick dark auburn hair that fell around her shoulders in soft, tousled waves. She was perfection in the finest form, a work of real art. She was a relic to this city – a city cloaked in cigarette smoke and the pollution of sound.

Before her, the library was a drab place with which the lonely old men and women would traverse, grabbing for the old westerns or classic romances. I tended to drift towards the action section, until I realized the copy of Othello she poured over for most of the day. I took a quick gander through the Classic Literature section, pulling out an old, hardcover copy of “Pride and Prejudice”. I flipped through the pages, breathing in the scent of mothballs. I let out a long sigh.

“I like the smell of old books, too.”

I whirled around. I wasn’t even aware of another presence. She’d swept up behind me, quiet as drifting snow through an open field. She wore a flowing white blouse with ruffles around her v-neck collar. It was held down by a thick brown belt, and completed by her navy floral skirt. She tucked a strand of hair behind her ear, holding Othello in her dainty hand.

I tried to remove the stupid expression from my face, attempting to flash her my most charming of smiles. “Charles Hansen,” I said, sticking out my hand.

“Hello mister,” she said, grasping my hand with her tiny fingers, “nice to meet you.”

What I didn’t notice that first time was the diamond ring that perched precariously on her left finger. It was a lovely little thing, surrounded by a silvery band. I did, however, notice her lovely, mint-green eyes, and the distant look in them. The way they seemed so far away, as though she could see through to another world; see through to the horizon.

“I once was haunted by a ghost named Mr. Hansen,” she said, whisper-quiet. “Franklin Charles Hansen.”

I blanched, alarmed by this comment. “Funny,” I said with a dry chuckle, “my middle name’s Franklin.”

She looked down at me, standing on her tip-toes as she attempted to slide Othello neatly back into its proper place in the shelf. “It must’ve been you, then.” She offered up a timid smile. The gentle nature of it made me smile as well. She was a beautiful creature.

It was after closing; long after the flickering lights were turned off that we two did stay. I learned that there was a whole different side to her – a whole different texture beneath her soft, silky surface. She had a scent about her, almost like the smell of the books: the scent of old wisdom, of the wisdom of a whole different place that was buried far away in my dreams. She seemed totally lost in her own world – A world I remember creating as a child.

She spoke calmly, reverently of the sea. She told me of her wishes, and her plans to escape the suffocating jail of the city, and go to a place so wide open that she could breathe. She liked the scent of ocean brine, and the sound of the way water churned against towering sea cliffs. I could feel it as we talked – feel the lap of the ocean water against my bare feet, and the spray of mist against my face. I was falling quickly, so quickly, and before I knew it, I was engulfed, floating beneath the surface of the ocean. Through shipwrecks we swam, her and I, until finally a shark came to chase us.

His wide jaws caught her tiny torso between the layers of tiny serrated blades. With a look of disappointed desperation, she allowed herself to be carried off into the dark – all without a struggle, without a cry. I watched her disappear into the dark, reaching out for her, but quickly drawing back.

I blinked, my dry eyes tearing up with the stimulation. I drew in a well-needed breath, and looked around me. The white room – that is what I called my apartment. It was a tiny, one-room place. I had an old mattress tucked up in the corner on a spindly white metal frame. It whined and shrieked when you sat and moved, but I almost didn’t mind. There was a chest of drawers shoved in the opposite corner, burly and out of place. The drawers never hung open though; no sleeves ever sticking out.

“Hello Meredith,” I said, noticing the teary, blue-eyed woman just coming in the door. Meredith was a nurse, but she insisted upon taking care of me. In her hands she carried a tray of TV dinner that still steamed. She handed it to me, my stomach growling greedily. I shovelled forkfuls into my mouth.

Before long, Meredith was gone, and I was left to have another lonely night, filled with my dreams. But my dreams would never be as magnificent as those that Lily told me about. I felt my eyelids grow heavy, felt the walls closing in on me, and soon I was pulled under the full lull of sleep.

I dreamt of strange shadows that crept across the walls, holding blades and books. Soon I sat back in the library, with Lily sitting at her usual post. I approached her with a spring in my step, carrying the copy of Othello beneath my arm. She looked up, scepticism in her eyes.

“You’re back?” I asked.

She surveyed me with a look of confusion. “I’ve not left.”

I gave her a grin. “I was wondering ...” my voice trailed off, noticing the gleam of her lovely diamond ring. She was engaged. I didn’t notice that yesterday. “Did you just get engaged?”

“Oh,” Lily said, gazing down at her ring with a smile. “A month ago.”

I nodded, and slid Othello onto the counter. “It was good,” I told her quietly, feeling a pang a jealousy overcome me. With a curt, half-hearted nod, she put down her book, and slid Othello back under the counter. I turned on my heel, and went back to the Classic Literature section, where I’d first met Lily.

She didn’t come that day. Instead, I stayed and struggled through the readings of Pride and Prejudice, feeling the boring eyes of a fanged old man in my back. When I turned, he was gone. In fact, everyone was gone. Lily approached me, wheeling a cart full of books in front of her.

“Are you enjoying that?” She gazed down at me beneath her long, dark lashes, her mint green eyes blazing mischievously. Lily leaned against the cart, her hair falling into her face. I quickly admired her beauty, but I didn’t keep my eyes on her too long. She seemed sceptical of me today ... Maybe it was because of her engagement.

“I’m trying,” I admitted in a dry tone, closing the book. She gave a wide grin.

Still leaning against the cart, she looked up at the ceiling, gazing all around the building. “I wish I could get out of this place. I hate it here.”

I nodded stiffly.

“I’d always wished I could live by the ocean. Andrew promises we can but ... I don’t think he likes that idea too much.” Catching wind of my bewildered expression, she explained, “Andrew’s my fiancé.”

She told me about Andrew with a swoony air. She seemed lost in her thoughts of him, but not with that same, distant look she’d had before.

“I like the ocean,” I chimed in, keeping my eyes on the space in front of me. They traced the grooves in the wood, the strange, twisting patterns that reminded me of curling fingers. She continued talking, but increasingly I found it hard to listen to her – until the door banged open, and in walked a man.

He had scruffy brown hair, and piercing gray eyes; I could tell as he approached. He walked with an air of importance, and carried a black leather briefcase at his side. I didn’t trust his eyes, though – not with those slits in them, and they way they darted back and forth distrustfully. The shadows crept up around him, bringing the walls in close, boxing me in.

Closer, closer they came. Lily’s voice broke the silence.

“The library is closed –!” She broke off abruptly, pushing away from the cart. She stopped before the man, tugging him in close for a hug. They met, breaking after a brief second.

In my ear, a voice whispered: “I hate her.” I looked up, finding the man’s eyes staring me down.

I want to hurt her.

Lily turned to me. “Andrew, this is Charles. He’s quite the avid reader.”

I peeled my eyes from the table long enough to catch the steely look in his eyes. I forced them back down, hearing the whispers in my ear still. “He’s going to kill her, Charles. Tonight.” I tried to force those words away, but I could feel the walls closing in, smaller, smaller, smaller, until it was just Lily and Andrew.

I saw Andrew grab her hand.

I saw Andrew grab her throat.

I saw Andrew stab her heart.

Abruptly I stood, knocking the chair from behind me. “Oh, Lily!” I cried, looking desperately at her. Both Andrew’s and Lily’s expressions registered confusion – even fear. Do I scare them? Do I scare you, Lily? I hurried from the library as quickly as my feet would carry me. He was going to kill her – he had killed her! She’d never be able to see the ocean, never be able to escape!

So many thought spinning through my head – it was hard to keep track of them. I heard voices, heard noises, heard clocks and chimes, music, rhymes – everything. Lines from Othello kept weaving their way through the flurry of my thoughts, fighting to be heard over the loud din in my head. I hurried back through the labyrinth of hallways to my room, my feet padding against the uneven tiles. I pressed my back against the door after I slammed it closed. Upon hearing the click, a voice interrupted my thoughts.

“Charles.”

I dragged my eyes up from the ground – from my dirty sock-covered feet – to the body that stood before me. She wore a flowing white blouse with ruffles around her v-cut collar. It was held down by a thick brown belt, and completed by her navy floral skirt. She had crimson lipstick on, making her skin white as pearls. Her auburn hair was tucked behind her ears, and cascaded over her shoulders in gentle waves.

“Lily!” I rushed forward, stopping in front of her, afraid to touch. She brought my hands in hers, and held me with her belittling gaze. I couldn’t peel my eyes off of them, but I felt insignificant beneath the otherworldly stare. “I-I thought Andrew killed you!”

She shook her head. “No, not yet – tonight, though! You must take me away from here!”

Away: It was the clearest thought in my head. “Yes, yes!” I nodded my head desperately. “To the sea, where you’ve always wanted to be.”

“Oh, please!” She said, grasping my hands harder in hers. I noticed that there was no longer a ring perched on her left finger. I smoothed my thumb over the spot, relieved to find it wasn’t just an illusion, a trick of my mind. She bit down on her lip, thinking quite hard. I squeezed her hands in mine, and she looked up. “I have to tell you something,” she said, breathlessly, leaning closer. “Please don’t hurt me.”

“I never would.”

She took in a deep breath, looking all around her. She seemed scared. “I’m schizophrenic!” She wailed, tears pouring over her eyelids. I wrapped my arm around her, pulling her into me.

“Does Andrew know this?”

Lily nodded weakly. “He just ... doesn’t understand sometimes,” she said, her voice gaining with her anger. “He tries to feed me these things – he says they’ll help. They don’t help though – sometimes they only make things worse!”

I touched her smooth cheek, where the warm tears had drawn a path. “Me too.”

“I-I see these ... things,” she hissed, sniffing, “These shadows. They all try to hurt me ... every single –!” She flinched nervously, her head darting up towards the ceiling. I saw it too. The ceiling was going to crush us. “See?” She cried. “See? He’s going to kill me! They’re trying to kill me!”

“Oh, calm down Mr. Hansen!” They were force fed to me. I swallowed them fitfully, and fell into a drowsy state. As my eyes fluttered closed, I could see Lily’s face floating beyond. I saw her blood-spattered state. I saw her lay down in the ground. The earth caved around her, crumbling in. She was trapped – gone. All the while, her voice still echoed to me, crying desperately. “You must take me away from here!” Over and over again, the words echoed, first in her sweet voice. But suddenly they became tainted, tainted by pain, suffering, and anger. Her eyes, once beautiful, became surrounded by a thick band of smoke-coloured rings, like that of a cigarette. Her teeth were rotting, her lips cracked. She no longer smiled like an angel, but that of the demons looming over my shoulder, breathing down my neck. Her green eyes held a look of anguish. I’d hurt her, hadn’t I?

She descended upon me, opening wide her jaw, revealing a set of nasty, serrated teeth – like the shark. She went to clamp them down around me. I came to with a start.

I woke in the white room. The walls were white-washed, with very little attempt at colour added to them. A nurse in white scrubs stood with her back to me, bustling about the room. She folded clothing and slung it over a chair that waited beside a desk, scraped up knick-knacks and crumbs, and swept the too-clean floor of any dirt. She must know I hate stepping onto grime in my bare feet, or tracking mud into my covers from my socks. But how does she know? I wondered.

“Where’s Lily?” I asked her, sitting up. My back felt stiff, my neck sore. I massaged it with the heel of my hand.

“Not here,” the nurse replied quietly, continuing about her duties.

“She’s all right then?” I grunted impatiently, my eager eyes widening in worry with each passing second.

“I’m not sure,” the nurse replied in her quiet tones, “I’ve never met this Lily.”

“B-but,” I stammered, looking around. My eyes caught sight of the familiar strands of deep, auburn hair and crimson lips. Her smiling green eyes caught my attention, and I felt little beneath their stare. “Andrew killed you.” My voice was a hoarse whisper, uttered from my cracked, dried lips. Lily pressed her lips together in a kind smile – one that still gave me goose bumps, and made me feel like nothing was wrong ... nothing at all.

“Pardon me?” The nurse whipped around, her blue eyes widened in slight terror.

“Li-Lillian,” I stammered out. I tried to clear the catch in my throat. I shifted my blankets off of me, standing beside the bed on shaky knees. She’s dead, I told myself, feeling beads of cold sweat on my back, Andrew killed her. “Andrew killed Lillian ... last night. Did you not know?”

The nurse shook her head slowly, a look of horrified confusion distorting her features. She opened her mouth to speak; All that came out was a hushed, “Tick, tock, tick tock.

I looked away, my eyes taking in the sight of the room, the sight of the shadows descending upon the room, and how the pale walls slowly began to melt like wax. I could tell how trapped Lily felt as she took in the terrible sight. Her terrified eyes met mine, and I hurried towards the window where she stood. I heard Lily’s voice, as though I were swimming under water. “I’m scared, Charles,” her voice quivered. I pressed my hand to hers, felt her warm breath once again.

“Mr. Hansen, what are you doing?” The nurse stood beside me, Lily suddenly gone.

“She-She’s dead, Meredith,” I said, on the verge of tears. I sniffed. “Andrew killed Lillian ... last night. Did you not know?”

Meredith shook her head slowly, but her confusion was replaced by a look of ... pity? “Charles, I’m sorry, but there is no Lily.”
I blinked at her, not feeling any pang of hurt like I’d expected. I didn’t understand. I could see the halo of light surrounding Lily’s thick hair; could feel the weight of her green-eyed stare upon me.

“I don’t know what you’re talking about,” I told Meredith, shaking my head. “Lily’s right there.”
* * * * *

So, I hope you kinda got an idea of what's going on here! Sorry for making this so long (well, it was only about 6 pages on Word) -- I don't expect a super-detailed review ... but if you want to rip it apart, that would be appreciated! Tell me if it's crap -- I haven't posted something in a while!
"Man is least himself when he talks in his own person.

Give him a mask and he will tell you the truth."

-- Oscar Wilde




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Hey Flux.

This is quite an emotional -If that is the word I'm looking for- story. Your MC has a problem, most likely the fact that he's delusional and that makes it a delightful read for me. The basis/plot of this story is something I don't think I've read here for a while. The way you gently ease the reader into the fact that Lily might not the real, and your main character might not be in tip-top shape mentally is a bit abrupt with the shark scene, I think you should revise that but not scrap it, it's got incredible potential.

Your character's voice is very captivating, and quite interesting, something I've been rambling on in my past reviews for a while. I only feel like we never really find out about the real him outside of Lily, I think you should develop a bit more on that. This story is in no way too long, I don't think it's long enough. There are still some unanswered questions hanging in the air like: How did he get into the home? What sparked off his delusions? etc

I don't think the space between happy lily and terrified I'm schizophrenic, is long enough. I mean you put up this girl that might possibly be the MC love interest, give her a sunny disposition, and then voila, she's schizophrenic. Really? Where are the signs? A nervous twitch maybe?

The character that I am most disappointed in is Andrew. He's meant to be the villain, so he's the star of the show. He's should be completely outrageous- in the sense that you should make us hate him and love him at the same time -see Joker in batman-.

I love this story, very well written, lovely writing style.

Hope this helped,

Anger :D
Dont tell me the moon is shining, show me the glint of light on broken glass.

Anton Chekov




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Hey! I'm back here, as promised. :)

This might be a bit long... I'm a nitpicker :)
So here I go!

Whatever it was, I watched her with intent as she moved from bookshelf to bookshelf, climbing up ladders and flipping through the pages of old books.

Personnaly, I would take the 'her' in there, it's just some unessacery repetition.

I hadn’t been much of a reader until I discovered her, the enigma.

Is 'enigma' here used as a name for her? If yes, it should be capitalized.

She had thick, comma dark, comma auburn hair that fell around her shoulders in soft, tousled waves. She was perfection in the finest form, a work of real art. She was a relic to this city – a city cloaked in cigarette smoke and the pollution of sound.

I absolutly love the description in this :) Beautiful.

What I hadn’t notice that first time, comma was the diamond ring that perched precariously on her left finger.

I changed 'didn't' for 'hadn't' here... I'm not sure which is right but I think 'hadn't' sounds better there. Oh, and you talk about a left finger... From what I know, we have more than one figer on the left hand, which one is it? It is understood that you are talking about the ring finger but you should maybe be a bit clearer, just in case.

She looked down at me, standing on her tip-toes as she attempted to slide Othello neatly back into its proper place on the shelf.

'On' the shelf?

There was a scent to her, almost like the smell of the books: the scent of old wisdom, of the wisdom of a whole different place that was buried far away in my dreams.

Is that what you meant?

She spoke calmly, reverently of the sea. She told me of her wishes, and her plans to escape the suffocating jail of the city, and go to a place so wide open that she could breathe. She liked the scent of ocean brine, and the sound of the way water churned against towering sea cliffs. I could feel it as we talked – feel the lap of the ocean water against my bare feet, and the spray of mist against my face. I was falling quickly, so quickly, and before I knew it, I was engulfed, floating beneath the surface of the ocean. Through shipwrecks we swam, her and I, until finally a shark came to chase us.

LOVE this :)

I watched her disappear into the dark, reaching out for her, but quickly drawing back.

I don't feel like repeating 'into the dark' does anything here.

“Hello Meredith,” I said, noticing the teary, blue-eyed woman just coming through the door.


Meredith was a nurse, but she insisted upon taking care of me.

If she is a nurse, then wouldn't it be her job? Therefore, shouldn't 'but' be 'and'?

I gave her a grin. “I was wondering ...” my voice trailed off, noticing the gleam of her lovely diamond ring. She was engaged. I didn’t notice that yesterday. “Did you just get engaged?”

Oh, nevermind that thing earlier.. he did not notice.

I turned on my heels, and went back to the Classic Literature section, where I’d first met Lily.

'Heels', or he would be standing on one foot.

I didn’t trust his eyes, though – not with those slits in them, and the way they darted back and forth distrustfully

'The', not 'they', just a small typo :)

Abruptly I stood, knocking the chair from behind me. “Oh, Lily!” I cried, looking desperately at her. Both Andrew’s and Lily’s expressions registered confusion – even fear. Do I scare them? Do I scare you, Lily? I hurried from the library as quickly as my feet would carry me. He was going to kill her – he had killed her! She’d never be able to see the ocean, never be able to escape!

She looks back at him, yet she is dead?

She took my hands in hers, and held me with her belittling gaze.

She can 'bring' his hands in 'hers'.. but she can 'take' or 'hold'

I touched her smooth cheek, where the warm tears had drawn a path. “Me too.”

'Me too' what?

“I-I see these ... things,” she hissed, sniffing, “These shadows. They all try to hurt me ... every single –!” She flinched nervously, her head darting up towards the ceiling. I saw it too. The ceiling was going to crush us. “See?” She cried. “See? He’s going to kill me! They’re trying to kill me!”
***
“Oh, calm down Mr. Hansen!” They were force fed to me. I swallowed them fitfully, and fell into a drowsy state. As my eyes fluttered closed, I could see Lily’s face floating beyond. I saw her blood-spattered state.

I suggest you use something here to create seperation between these two parts, though I would understand why you wouldn't, I think it would be less confusing for the reader.

I saw her lay down on the ground


Over and over again, the words echoed, first in her sweet voice, but suddenly they became tainted, tainted by pain, suffering, and anger.

Keep this here as one sentence.

She descended upon me, opening her jaw wide, revealing a set of nasty, serrated teeth – like the shark.

'Opening her jaw wide', in that order, it sounds better :)

She must have known I hated stepping onto grime in my bare feet, or tracking mud into my covers from my socks. But how did she know? I wondered

Be sure to keep it all in the past tense!

I shifted my blankets off of me, standing beside the bed with shaky knees.

He is not kneeling, therefore, it should be 'with' and not 'on'

Overall, this was GREAT! Love the overall, freaky, uncomfortable feeling of it. Love the description, even if it was a bit long. You did a great job with setting the mood, sliping the punch slowly in, so we knew it was coming. I don't have any critism for you. I loved it :)
PM me if you have any questions on any of the things above.
Keep on writing!

-Truth-
.- <3 -.




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Maybe I shouldn't review this since I'm considering entering as well...
But such an amazing piece, and only two reviews?! :'(

First, let me get this out of the way:
I loved this. Loved it, loved it, loved it. Your writing style is very nice, and the story is interesting too. I started reading, and couldn't stop.

With that being said, there's always room for improvement.

Okay. Lily. I enjoyed reading it because Lily actually had a tangible character. But that also created problems, because the 'I'm schizophrenic!' was just really abrupt and jarring. I think you needed to build up to it, because that kind of surprise just didn't sit well.

For example, here are (according to the DSM-IV, well I think it's IV xD) the main three criteria for schizophrenia:
Two of the following: delusions, hallucinations, disorganized speech, disorganized behaviour, lack or decline in speech/motivation/emotional response.
Disturbance in one more areas of functioning.
That the symptoms last long enough.

Obviously you can't show Lily having delusions or hallucinations, especially because she's a delusion in the first place. xD But she could seem a little flat or her speech could be odd. You could also have her dressing oddly or something, just to show that something weird's going on.

Also, while I recognize that Lily is a central point in this story, I think we need to know a bit about the MC's history separate from Lily. The parts where we see his actual reality are very brief; too brief. I think a bit of backstory, scattered here and there while he's in touch with reality, would add an interest to the story, as well as help the reader connect a bit more to him. Not too much though, otherwise it'll feel like an infodump.

I really enjoyed your ending. What a powerful, poignant way to end the piece. :) Overall, I think those are the only two complaints I have; like I said before I even started critiquing, I loved this piece. The character voice is interesting and your writing style is amazing.

Thank you for a great read,
Hope this [lame] review helped,
Pari!

PS. I also have a question - is your MC schizophrenic or is he just delusional/having psychotic episodes? Sorry, this is just my science nerd curiosity rearing its head. :3




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Ahoy, Minister! I'm here to give you your long-overdue contest review (which happens to rhyme, too!). ^_^

Before her, the library was a drab place with which the lonely old men and women would traverse, grabbing for the old westerns or classic romances.
This is a little confusing. I don't think you need the "with" at all, thought you could maybe change it to "in" or "through."

I tended to drift towards the action section, until I realized the copy of Othello she poured over for most of the day. I took a quick gander through the Classic Literature section, pulling out an old, hardcover copy of “Pride and Prejudice”. I flipped through the pages, breathing in the scent of mothballs. I let out a long sigh.
This is going to sound rather nit-picky, but this section feels awkward to me. I think it's because you start each sentence with "I," which gives a bland, choppy feeling. Do you see what I'm seeing? Maybe try joining some sentences or mixing them up a little bit?

What I didn’t notice that first time was the diamond ring that perched precariously on her left finger. It was a lovely little thing, surrounded by a silvery band.
Hm. I'm torn about this part. On the one hand, I like it because it's sort of like foreshadowing... but on the other hand, it made the part later (where he first realizes the ring) a little awkward because I already knew about it. Obviously, you don't want it to come as a surprise, because you have this foreshadowing, but the way it's written later sort of seemed to me like you did want it to be a surprise... anyway. Something to think about anyway, no?

She seemed totally lost in her own world – A world I remember creating as a child.
I really love this bit.

She spoke calmly, reverently of the sea. She told me of her wishes, and her plans to escape the suffocating jail of the city, and go to a place so wide open that she could breathe. She liked the scent of ocean brine, and the sound of the way water churned against towering sea cliffs. I could feel it as we talked – feel the lap of the ocean water against my bare feet, and the spray of mist against my face. I was falling quickly, so quickly, and before I knew it, I was engulfed, floating beneath the surface of the ocean. Through shipwrecks we swam, her and I, until finally a shark came to chase us.
...And this bit. ^_^ Although that should be "she and I" there, not "her and I." Not that you have to be grammatically correct in fiction (especially first person) but since you are for the rest of the piece, this stuck out to me.

Instead, I stayed and struggled through the readings of Pride and Prejudice, feeling the boring eyes of a fanged old man in my back.
Um. What? O.O Where did this come from? Is this here because you're trying to make Charles seem delusional? Because he feels delusional already... I don't think you need to add in fanged old men to make him seem crazier. In fact, it's just confusing because that feels like a different kind of craziness than what you develop throughout the rest of the piece. Maybe if you added in other things like this around the piece then it would make sense, but right now I'm leaning towards thinking you should take it out.

She seemed sceptical of me today ... Maybe it was because of her engagement.
I'm pretty that be "skeptical," since I've never seen it spelled with a C before. Also, the "m" in "maybe" needn't be capitalized.

Catching wind of my bewildered expression, she explained, “Andrew’s my fiancé.”
I actually thought it was pretty obvious who Andrew was. And especially because her engagement is on his mind right now, I think he would too. And if any readers are confused about it, then they'll figure it out soon enough. This part felt unnecessary to me.

The shadows crept up around him, bringing the walls in close, boxing me in.
Very cinematic. ^_^

They met, breaking after a brief second.
This is rather awkward since it implies that they met and broke away at the same time. It implies that as they were breaking away, they met. It's a sort of tricky sentence arrangement, that way. I suggest you say something more like "They met for a brief second, then broke away." You actually make this mistake a lot, but I'm not going to point out every instance because it would be tiresome for both of us. If you want me to point them out to you, just let me know.

I peeled my eyes from the table long enough to catch the steely look in his eyes.
But...but he was just looking up, wasn't he? He was just looking at Lily and Andrew, so when did he start looking at the table? This is a bit confusing.

So many thought spinning through my head – it was hard to keep track of them.
Thoughts.

I heard voices, heard noises, heard clocks and chimes, music, rhymes – everything.
"Rhymes" makes it rhyme! I love it.

I dragged my eyes up from the ground – from my dirty sock-covered feet – to the body that stood before me.
There's something really weird about "sock-covered feet," methinks. Maybe try "the dirty socks on my feet."

“He just ... doesn’t understand sometimes,” she said, her voice gaining with her anger.
Gaining what?

She no longer smiled like an angel, but that of the demons looming over my shoulder, breathing down my neck.
What of the demons? Their smiles? I'm confused.

She opened her mouth to speak; All that came out was a hushed, “Tick, tock, tick tock.”
Gosh, I love this bit! So chilling.

I didn’t understand. I could see the halo of light surrounding Lily’s thick hair; could feel the weight of her green-eyed stare upon me.

“I don’t know what you’re talking about,” I told Meredith, shaking my head. “Lily’s right there.”
I'm confused. A moment ago you said that Lily disappeared, but now you say that he thinks she's there? On the other hand, it does make for a very nice ending... I just think that flicker shortly before the end (where you say "The nurse stood beside me, Lily suddenly gone.") should be gotten rid of so it's more consistent.
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I really, really like this piece, Minister! It's wild and colorful and insane and almost ungraspable... it certainly has a feeling of madness to it. Your descriptions of the hallucinations are really quite stellar. They are frenzied and feverish and out of this world--and they kept me reading eagerly through to the end. I love the way you've melded the real and the imagined--so smoothly and elegantly. I also love your characters. When it comes to Charles, I don't know many of the normal things I'd want to know about a main character (age, looks, history, etc.) but I still have an excellent idea of who he is just by reading the narrative. Your words don't just tell me about him, they don't just make me feel like I've met him--they make me feel like I have been him. I feel as though I just spend several minutes inside his head--and let me tell you, it's terrifying and fascinating and fantastic in there. Actually, I was so comfortable in there that I started to think like him a little while I was reading... when Andrew was "killing" Lily, I really believed that she was going to die. Well done!

Lily is a great character, too. Funny enough, I know "more" about her than I do about Charles, even though I haven't been inside her head. The thing is, I don't have as good a sense of who she is as I do with Charles, but that's perfectly okay--because a big part of who she is is what he imagines her to be, and since I've been in his head I know all about the ways he imagines her. Even Andrew was an interesting character, though he's hardly in the story at all. I had a really easy time hating him.

Anyway, there is a lot to like about this piece and I could go on and on about it... but I'm not sure that would be of much help to you, would it? No, I bet you're wondering why, if one of the judges liked it so much, you got third place. Well, firstly I'd like you to know that you were and EloquentDragon were tied for second for the longest time and we had a bleeping difficult time deciding who would get it. After a lot of discussion, Lupis and I decided that your piece felt a little too confusing for us. Yes, I know, it's supposed to be confusing... but to a certain extent it felt more like a jumble of thoughts and crazy happenings than like an actual story. While I'm reading it, I'm in love with every word, but when step back and look at it as an overall piece... well, then I'm not actually all that sure what I'm looking at.

The thing is, I get the sense that Charles's mental disability (whatever it may be) is not that he feels confused all the time about what's going on around him. I more get the impression that he just has a huge, overly-active imagination and he sees lots of things that don't actually exist and he believes them all. That may not be what you intended, but it's the impression I got. Anyway, as such I don't think I should be confused about what happened. Or at least I shouldn't be as confused as I am. It may be because you didn't get around to editing this as much as you'd hoped, but there are some pretty rough transitions in this piece that make it sort of unclear as to what is happening. Take, for example, this transition section:
I dreamt of strange shadows that crept across the walls, holding blades and books. Soon I sat back in the library, with Lily sitting at her usual post. I approached her with a spring in my step, carrying the copy of Othello beneath my arm. She looked up, scepticism in her eyes.
The beginning first sentence is dream (obviously) but what about the rest? Is that real? Reading on, I think it is real, but the way you manage the transition makes it seem like it's just more of the dream.

I'm also not exactly sure I like the ending. It just sort of... fizzles off into nothing. Lily's there, yes, and Charles says he believes she's actually there... but does he really? I get the sense that he knows she's not there. And what if he goes back to the book store another day? She'll still be there, just the same as ever--and what then? This question doesn't really need to be resolved, though, even though it's something I'm very curious about. But I still feel like there could be more to the ending. The piece's voice is consistent, which is a very good thing, but it also tends to feel somewhat monotonous. It's eloquent and tense and full of suspense and beautiful, trippy imagery... but it's that way the whole way through. There doesn't really feel to be much of a climax or conclusion or any overall shape to the piece, and as such I find the ending not very satisfying--it's just more of the same. I know that this story can't really have a conclusion because it's all about his hallucinations which will keep happening to him without much change... but I think you could manage to make it feel like more of a conclusion without actually changing what happens. Since the whole thing is just about how Charles feels and what he thinks, then maybe if he feels like it's a conclusion, it would be. I'm sorry if that sounds really vague but the fact is, I'm not sure how you should "fix" the end--I just think something along those lines might help.

Overall, I really like this. I just think there are a few things that need to be addressed and, while they are subtle, they are not small and they will not be easy to change. But congratulations on some beautiful writing and thank you so much for participating in the contest!

Let me know about your prize reviews. ^_~

I hope this helps!
a




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Hmn, quite interestin story u got there. I just felt that i may had read somewhere a story like this before. I'm not saying that you copied but maybe you were inspired by another book. But, anyway nice writing style there. Not overly descriptive and just enough details for the reader to imagine the scenes. Good job.!!
When you look into the abyss, the abyss also looks into you -Friedrich Nietzsche




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Hi! First I have to apologize about how long this has taken—I promised to review all the contest pieces and saved yours for last, since I liked thinking about it. ;) Really, I love this idea. From the start, we are rooting for your MC, and, like Zils said, we feel like we've been him. What's interesting to me is that a lot of what we feel for him comes from the person he invented—the way he makes he a schizophrenic too was really interesting. At first, I thought that HE wasn't real, and so the ending surprised me.

In fact, (I just realized this now) I wasn't trying to predict the end at all when I read it, which is unusual for me. It also meant I was absorbed in the story enough that I wasn't thinking “oh great, now this is going to happen..” etc.

But aside from all this, I think my critiques are probably going to be the same as the others'. Your descriptions of his insanity are amazing, but you're losing some of your clarity in the transitions, for example here:

See?” She cried. “See? He’s going to kill me! They’re trying to kill me!” 
“Oh, calm down Mr. Hansen!” They were force fed to me. I swallowed them fitfully, and fell into a drowsy state. As my eyes fluttered closed, I could see Lily’s face floating beyond. I saw her blood-spattered state. I saw her lay down in the ground.


Where is he? What's happening? I thought they were in the bookstore, but this sounds more like a hospital. Which can work, but you can't expect us to make the jump that quickly.

Same thing for here:
She descended upon me, opening wide her jaw, revealing a set of nasty, serrated teeth – like the shark. She went to clamp them down around me. I came to with a start. 
I woke in the white room.


Though at least this time you gave us a “I woke up.”

I'm torn here, because I like how confused everything is, but it definitely could be neatened enough that we can follow the plot line easily.

Also, while she had some excellent points, I'm going to have to disagree with parigile here:
Obviously you can't show Lily having delusions or hallucinations, especially because she's a delusion in the first place. xD But she could seem a little flat or her speech could be odd. You could also have her dressing oddly or something, just to show that something weird's going on.


I agree that the transition was a little abrupt. But I don't think it's a bad thing. Why? He is also schizophrenic, and he created her. He thinks she's normal and misunderstood. And even if he did think she was odd, would he notice it? If anything, the weirdness should be from the way he observes her, and even that I would caution against—you don't really want us to think something's wrong with him until further on. Which brings me to another point. ;)

I think it might be better if you really kept his delusions alive until the very end. Like Azila said, the ending is a bit weak now. It just sort of trails off. If the point is the shattering of his illusions (and ours, since you've been dragging us into them) then the very end should be the point when even the densest of your readers knows what's really going on, even if he doesn't. Right now, it's basically obvious from about five paragraphs from the end, and the end is more about his insistance than the fact that she's not real. This is really just a suggestion, but might be something to think about.


Anyway, I doubt these ramblings are going to be very helpful, but I do want to wish you luck with revising and future works. Let me know about your critiques. ;)


See you!

Lupis




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Firstly -- thanks everyone for reviewing! I like to give my little thank-yous here. Secondly, I also just wanted to let you know that because of your great reviews, if I one day decide to get up off my lazy arse, I'm going to fit this, neaten things, maybe extend the length of it, add stuff in, take stuff out ... et cetera! Again, thanks for much for reading and taking time out of your day to let me know what you like/ disliked/ wanted changed about the story!
"Man is least himself when he talks in his own person.

Give him a mask and he will tell you the truth."

-- Oscar Wilde



Almost all absurdity of conduct rises from the imitation of those whom we cannot resemble.
— Samuel Johnson