Warmed Over

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Wrote this when I was bored. Based on a dream my friend had.
______________________________________________________________



The air was painfully clean, like the way it feels chewing mint gum on a winter day. It made the boy’s lungs burn with each heavy intake, and a cloud of steam marked every outward gust. When he was younger, younger than he was now, at all of six years old, he would pretend to smoke a cigarette, and blow smoke rings into the air with the steam his condensed breath made. Now, of course, he was too old for that. He was in first grade. That was too old for baby games. He kicked the door of the walk-in freezer. This was a baby game, one the other schoolboys would play on him often. He had almost become used to this daily time in the cold. Sometimes he would feel around and move some boxes out of the way, and pretend to be in an igloo. He did that now, and sat between boxes of frozen tuna, feeling much like he imagined an Eskimo did. He was beginning to get very cold. Usually the other boys would let him out by now. He wasn’t usually in for more than five minutes. He sat on his hands in an attempt to warm them. If he had been slightly younger, slightly less mature, he would have blown imaginary smoke rings. For now he waited, shivering. Soon, he thought. They would open the door soon.
Suzanne Vega was beginning to grow anxious. It was now three thirty, and her son was always home by three twenty-five. She ran a hand through her hair. It was thin and brown now, but she styled it nicely. She had the air of someone who had once been beautiful before the tired pains of motherhood. She hadn’t completely given up on style. A smear of lipstick coated her mouth, smudged slightly at the corners. A thin line of brown liner was on her upper lid, a tribute to her year of beauty school. Then, her blue eyes had sparkled with anticipation for the future. Now they were lined and bleary with motherly worry. Johnny was never late. She tapped her fingernails, or what was left of them, chewed to the quick, on the fake marble countertop. She looked out the window, and tried to convince herself that she was simply overreacting. Children were late. Children made mistakes. Johnny would be home, soon enough.

At exactly seven o’clock the next morning, the police opened the door to the freezer. Inside, they found a large pile of meat, the floor stained brown from their bloody juices seeping out and freezing. Under the pile was a small boy, his face bloated and purple. His ears and nose were black with frostbite, and his tongue lolled in his mouth like a dead, wet leaf. His hair was coated with a crust of blood from the meat he had employed in a desperate attempt to keep warm. A quick check of his pulse revealed that he was not dead- not yet. His small heart beat slowly, desperately, hanging on to life.
*
TWO YEARS LATER

Johnny Vega sat in a corner. This had simply become the natural way of things. Jumping Johnny, they called him. The pale, ever so pale boy, who sat in a corner every day. It was third grade, and most of the boys were making friends, and most of the girls were forming cliques. Johnny sat in his corner, and did not talk. Nobody much minded. Johnny was as odd-looking as he was queer in behaviour. His face had never fully recovered from the frostbite of before, and his nose was still always tinged with purple. His ears were unidentifiable under a tangled mass of black hair. If anyone was to see his chest, they would see that it too was covered with the scars of yesteryear. But Johnny was a ghostly lump in his corner, a large black tee shirt covering most of his skin. If anyone had cared enough to get close to him, and perhaps talk to him, they would have noticed more about the boy. His eyes were sunken, and dark. They had once sparkled brown, much like his now-gone father. They had turned to black stones in his skull, staring out emotionlessly. They showed more pain than most eight year olds should know. If one had continued in their examination, they would have noticed the marks from frost bite were ever-prominent on the boy’s fingers. Black marks ran up his hands where his veins had once nearly frozen. They stopped at the top of his wrist. If his observer had been the painfully curious type and had flipped his wrist over, they would have seen far fresher scars. Red gashes ran up Johnny’s arms, stopping just before the elbow. Every so often, tears of blood would escape the wounds when he reopened them. Every since that day- that hellish day in the freezer covered with meat- Johnny hadn’t been able to get his mind off carving knives, and blood. When he closed his dark, tired eyes, his vision was red. The red that had once covered him- had once saved him- in that freezer.

Suzanne Vega had once been glamorous, and then pretty, and after that, still a mild face to look at. She was now a ghost of her former self. Her cheeks were gaunt and splotchy; her eyes no longer sparkled with motherly concern or anticipation. They were cold, dull grey. The grey of a sky when it’s too tried to storm and too lazy to let in the sunlight. Her lips were chapped from compulsive biting, and her nails were constantly a violent shade of red from biting the cuticles to shreds. Her hair, thinner than it had ever been, was pulled back into a sad bun. It couldn’t hold the shape, but it tried to look presentable. Her husband had once been the one who made her smile, who told her to put a bit of lipstick or rouge on that pretty face of hers. He had left two months after Johnny had been locked in the freezer, tired of the screams from the boy’s bedroom at night, and sick of Suzanne’s compulsive worrying. She had told Johnny he had died. It made things easier. Johnny never spoke much anymore, and to be honest, she was glad. When she had forced him to talk before, the words out of his mouth were always vile and bloody. Now, she typically sat on the couch with a cup of weak tea, a bottle of aspirin opened next to a bottle of antidepressants. Johnny would come home, and walk upstairs to his room. At exactly six o’clock, she could place a bowl of Campbell’s low-sodium chicken noodle soup outside his door, along with a glass of water and sometimes a cookie. Most days it came back uneaten. Today was one of those days. Suzanne placed the full bowl in the sink, and ran the water into it. She stared blankly as the yellow turned to a light shade of lemon and poured over the sides, the noodles slithering over the rim so much like snakes. After the soup had all been washed down the drain, she let the water continue running. The bowl overflowed continually, and she let it. As she grew bored of this activity, she turned to the knife drawer. She pulled it open slowly, and examined the blades inside. They were lined up neatly, and she picked up a small one. It gleamed softly in the dim kitchen light. She examined her wrist. Down the river, not across the stream. She placed it back in the drawer. Not today. Not yet. She noticed a gap in the spot where the carving knife usually was. She let her hand rest on the gap for a moment, and then turned to go upstairs. As she mounted the creaky steps, she popped three red pills into her mouth. She knocked on Johnny’s door at the top, to no answer. She opened it slowly.
Suzanne realized she hadn’t seen his room in a year, perhaps more. It looked much as it had when he was young. Faded wallpaper of cowboys shooting at indians lined the walls. The blue industrial carpet was covered in a thin layer of dust. A small double bed stood in the right corner by the door, and a dresser of scratched oak was at the foot. A tiny closet took up the majority of the left wall.
“Johnny?” She whispered, shivering at how her raspy voice filled the small space so easily. The closet door creaked open, and a small dark head peered out. “Come out from there, Johnny.” She said, beckoning. “What are you doing? Are you playing hide and seek?”
Johnny stepped out, his frail arms crossed firmly over his hallow chest. “Hide and seek is a baby game. I’m not a baby. The meat can tell you so.” He whispered. Suzanne took a step back.
“What were you doing in there, Johnny? I’m looking for my knife. Do you have it?” she began to step towards the closet.
“No! You stop. You can’t take it. It’s mine. I’m not a baby.” He said, stepping in front of the door.
Suzanne took a deep breath. “Get out of my way, Johnny.” She stepped up to him and put her hands on his shoulders, trying to budge him. His arms remained firmly crossed. “Johnny. Move.” She commanded. He stayed, his eyes closed and his feet set firmly. Suzanne had had enough. She grabbed his arms and wrenched them apart. “You listen to me, you...”
Suzanne trailed off as her hands turned red. She looked at the soft undersides of Johnny’s arms. They were covered with scratches, seeping blood. She pushed him out of the way, not hearing the thump as he hit the floor. She opened the closet. Inside was a nearly empty space, save her carving knife laying in the centre in a small pool of blood and something in the corner. It hummed and quivered slightly.
As Suzanne moved closer, she realized the object was not moving. It was covered with a layer of flies, feasting. It was a slab of meat, the size of a pillow. She screamed.
“What is that? What the hell.... oh my God...”
“It keeps me warm.” Johnny whispered from the carpet where he lay. “When everything else is cold.”
Suzanne grabbed him off the floor, and closed her eyes for a minute. “We’re going to take you to the hospital. And maybe they’ll help you there.” She said. She did not see him pick up the knife and slip it into the waistband of his oversized black pants.
Soon, she had hustled him into the car. She pulled out of the driveway, peering back at him through her mirror. Johnny sat on the threadbare seat, picking at the sparse fibres. They pulled out of the driveway, leaving the tiny red house behind as the old Volvo drove down the street. The night air leaked in through the permanently broken back windows.
Both sat in silence as lights from other cars flashed by the windows. Suzanne wrinkled her nose. “What is that... smell?” she mumbled to herself. It was sickening, and smelled like rot. She peered back. “God. It’s that meat. Take off your shirt.” She commanded. Johnny turned his head to her, his black eyes showing that he didn’t care. One of the car’s back wheels gave out with a screech, and she slammed on the breaks.
“Dammit!” she screamed, hitting the dashboard. “Take it off, you little shit. I swear...”
Johnny obediently took it off. His chest was a bluish white, like milk in the bottom of a bowl of cereal. Purple marks ran up and down it. Suzanne stepped out of the car with his shirt, throwing it to the wind. A truck pulled over.
“Looks like you’re having some trouble there, missy? Need some help?” A dark figure leaned out of the window.
“Sure as hell I do. I’m trying to take this kid to the hospital.” Suzanne didn’t notice as Johnny climbed out of the car, knife in hand. “I don’t know what the hell is wrong with him. But I need to get him there and...” the knife sunk into the thin flesh of her back. Suzanne shuddered.
“And... help him. He needs help. Help. Because really, he’s a good boy.” The knife descended on her again, this time sticking in far enough to exit out the front of her chest. “Really, a good boy. And how has your day been?” she croaked, still talking as the blade sliced through the fragile skin on the back of her neck. “Lovely, I’m...sure. Mine... mine... was... cold.” She whispered, and she sunk off into the oblivion of death. The dark figure screamed.
Johnny lowered the knife, bringing the scarlet blade to his lips.
“She’s not cold anymore.”
____________________________________________________________-

Yupp. Title suggestions?
Honey, you should see me in a crown.




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OH MY DEAR LORD!!!!!!!!!!!!:000000 <------that was my mouth dropping open!!!

What can I say????!!!!! This story is my type of forte!!! I can't even tell you how wonderfully written this is!! I felt the shock of the knife actually plunging into my back!!! Standing ovation, my friend, standing ovation!!!!!!! I cannot stress this enough that you are A-M-A-Z-I-N-G!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
This better be a featured work!!!OR I SWEAR TO...ugh..
I am in love with your writing skills!!
I will tell everyone to read it and like it!!!

-RAYNE :)
BE YOURSELF. Because those who mind don't matter, and those who matter don't mind.

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I appluad you, kind sir!!! <3

Absolutely beautiful! Eerie, haunting, gripping, chilling and tense... I can't think of how else I'd describe it. I loved it from start to finish. As Rayneisthename stated earlier, you could actually feel that you were within the story! I could feel my veins freezing over, the isolation from my peers, the force when I plunged the blade into my mother's back (Wow, that sounds creepy :? ); IT'S REMARKABLE!!! You're imagination is limitless. I don't have anything evil to say to this and I have no idea how I would improve it. Though, no offense, I'm a little worried about your friend... :/
Welldone on creating such art! :D

~ Error404




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It's hard to critique soemthing when your so enveloped by it.

You transformed my current world into that which you created. I could easily picture the boy, the mother. You succesfully created two full characters while maintaining Johnny as the main one. And in such a short amoutn of space. I felt I knew both of them.

I wasn't too keen on the negative descriptions of motherhood, but that perhapsy is my own proximity to it. Personal feelings aside. I did like it.

It was haunting, the dsecription of the boy after frostbite hit was remarkable and makes me wonder if that is actually what happens (i really dont know) did you do research for that? It's a very interesting image.

My only lasting curiousity is the reaction of the trucker. I wonder how we didn't hear him scream as the child stabbed his mother?

Good job!

Keep on writing!

Deirdre




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Wow. Amazing job!! You said this was inspired by a dream? A nightmare more likely! But absolutely brilliant.

I really love how descriptive you got about Suzanne and her son, how they used to be and how they changed. Everything was very clear; it felt so real! And scary! The meat thing really kind of creeped me out, but it was a good tool. Really great work :) I don't have anything to critique!




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Thank you all so much!
Honey, you should see me in a crown.




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This was AMAZING!! You are a fantastic writer. Keep up the good work. It was mysterious and suspenseful but dark in a way that was gruesome but not gory. Well done.




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Thanks, and welcome to YWS!
Honey, you should see me in a crown.




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Thanks! Yeah, I've always been a bit too wordy in my works. I might go back and edit it a bit.
Honey, you should see me in a crown.




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Hey there, Dreamy!
Since you are featured, and you are a fellow fan of VPM, I shall take my time to review this.

I haven't found any nitpicks, but I'll work on overall grammar, characters and my view on this. Okay? Let's go.

Overall Grammar:
One thing that irritates me, and many other readers, is massive slabs of writing. It immediately turns me off from a piece. In fact, if you weren't featured in the first place, I wouldn't have taken my time to ignore my pre-judgements and read this. So basically what I'm telling you is break it up. Take this, for example:

The air was painfully clean, like the way it feels chewing mint gum on a winter day. It made the boy’s lungs burn with each heavy intake, and a cloud of steam marked every outward gust. When he was younger, younger than he was now, at all of six years old, he would pretend to smoke a cigarette, and blow smoke rings into the air with the steam his condensed breath made. Now, of course, he was too old for that. He was in first grade. That was too old for baby games. He kicked the door of the walk-in freezer. This was a baby game, one the other schoolboys would play on him often. He had almost become used to this daily time in the cold. Sometimes he would feel around and move some boxes out of the way, and pretend to be in an igloo. He did that now, and sat between boxes of frozen tuna, feeling much like he imagined an Eskimo did. He was beginning to get very cold. Usually the other boys would let him out by now. He wasn’t usually in for more than five minutes. He sat on his hands in an attempt to warm them. If he had been slightly younger, slightly less mature, he would have blown imaginary smoke rings. For now he waited, shivering. Soon, he thought. They would open the door soon.


Ack! All this action in one fat block of writing! Lazy, lazy girl. Let me break it up for you:

~~~~~
The air was painfully clean, like the way it feels chewing mint gum on a winter day. It made the boy’s lungs burn with each heavy intake, and a cloud of steam marked every outward gust.

When he was younger, younger than he was now, at all of six years old, he would pretend to smoke a cigarette, and blow smoke rings into the air with the steam his condensed breath made. Now, of course, he was too old for that. He was in first grade. That was too old for baby games.

He kicked the door of the walk-in freezer. This was a baby game, one the other schoolboys would play on him often. He had almost become used to this daily time in the cold. Sometimes he would feel around and move some boxes out of the way, and pretend to be in an igloo. He did that now, and sat between boxes of frozen tuna, feeling much like he imagined an Eskimo did.

He was beginning to get very cold. Usually the other boys would let him out by now. He wasn’t usually in for more than five minutes. He sat on his hands in an attempt to warm them. If he had been slightly younger, slightly less mature, he would have blown imaginary smoke rings. For now he waited, shivering. Soon, he thought. They would open the door soon.
~~~

Haha, well, what do you know? I found a mistake while breaking this up.
And there's another benefit: Having more paragraphs means less masses of writing, making it easier for you to detect errors.

Characters:

I'm going all out and saying it: your knowledge of psychology and psychological trauma is fantastic. But there is one critical error you seem to be missing:

Johnny's age.

So what, this kid's like, 6? And then 8? As someone who regulary spends her time researching psychological trauma, I believe this degree of scarring is for someone who is far more developed and more knowledgeable in life. I'm not saying that the kid wouldn't react like this, in fact, I agree with this entirely, and believe this is a wonderful analogy considering it spawned from a dream, however, the actions he undertakes are a little unrealistic when stated how they are. Confused?

Okay, so you have Johnny, who cuts himself. Yes, I understand that this can happen. But what I want, as a reader, is to see the thought process behind this. All you've done is give a few lines about it:

Red gashes ran up Johnny’s arms, stopping just before the elbow. Every so often, tears of blood would escape the wounds when he reopened them.


Nuh-uh. There is no way I'm going to let you get away with that, missy.

I command you to explain his actions. (Well, I don't command you as such, but I HIGHLY RECOMMEND). Because I know if you divulge his inner thoughts, the psychological trauma will become more realistic. Show us, in a 8 year old's mind, what exactly makes him tick. Be creative, and your readers will love you for it.

Maybe the cutting allows his to physically express his pain? An outlet? Maybe cutting is way for him to never let himself forget. Is it pleasurable for him? Painful? Comfortable and, knowing the world make sense when his arms bleed, is safe for him?

Thoughts/Feelings:

This piece is my style, my favourite writing theme. I'm a big fat sucker for reading and writing thrillers. So I enjoyed this, and I also loved reviewing it. Because you're good. I didn't need to tell you to describe, or stop telling, which is a relief for me. I didn't need to tell you to build suspension, or get us hooked, or anything along those lines. In fact, I grasped for straws on finding something to review about (because, of course, every reader on YWS, whether featured or not, deserves one). I also am extremely jealous that this formed from a dream. I always have dreams that could make terrific stories, but I never get my sorry ass away from Supernatural and reviewing to write them. So I applaude you. -claps-

Keep up the amazing work!
-Maddy
-If at first you don't succeed, then skydiving definitely isn't for you!
-"Careful with that light at the end of the tunnel, it might be another train coming."

This awesome post bought to you by me. :)




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I am afraid, my dear, that I shall have to be the dissident here and tell you that I did not find this piece all that good. Now, this is not to say that it was bad; it definitely has potential, however, that potential is currently mired in a rather unfortunate bog of Issues, and first and foremost among these Issues is the first sentence, or rather how it ties into the rest of the paragraph.

The air was painfully clean, like the way it feels chewing mint gum on a winter day.

Wordiness aside, this is a solid first sentence, and you have a vivid simile here. However, similes make comparisons; they do not directly state what is, but that is essentially what you make this otherwise excellent simile do with the next sentence. You tell us in this first sentence that the air felt like it was painfully cold, but then the second sentence goes on to make clear that the air actually is painfully cold.

Perhaps I am being overly-sensitive on the matter, but something cannot be both like itself and itself at the same time. Either something is, or is like something else.

Maddy and ryanke07 brought up excellent points in their reviews, and I agree with them fully. As it stands, the presence of superfluous words and massive chunks of text did not make reading this a pleasure for me and were perhaps contributing reasons as to why I did not like this piece.

The main reason I disliked this piece, however, was that it struck me as rather one-dimensional. For all the description, the characters were flat cutouts and could be easily encompassed with a single phrase. Johnny: disturbed child. Suzanne: downtrodden mother. Truck driver: random bystander. They lack motivation and a range of emotions; in short, each of the characters is portrayed in so simplistic a fashion, I could not relate to them nor make much sense of them. As a result, Johnny's overall behavior beginning from the flash forward and all the way through to the murder of his mother felt wholly contrived. In addition, while I do understand why you did not dwell on the father's leaving, the reason given is so shallow and idiotic that it made no sense to me at all.

As I mentioned at the very beginning of my review, this piece has potential, but that potential has been almost slaughtered by the flatness of the characters. This is a story about a young boy's descent into madness; do not skimp out on portraying it. What exactly leads him to cut himself? What is the rationale behind his killing his mother? Why is the truck driver a silent spectator? Even if you do not explicitly state or show such (in fact, I think doing so would harm this piece), you do need to include hints as to possible motivations and reasons for in particular Johnny's actions and behavior in this story.

As it stands, I found this piece to be far from thrilling or immersive; as a matter of fact, it bored me with its lack of dimension, and there was no depth to be drawn into.




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Hello my dear! Apologies for the delay on this, it appears I got distracted. You've an interesting piece here, though I must admit to being disapointed by the ending. It started off very strongly and I kept expecting you to find that rhythm again but it descended into a bit of a slasher. And well, a slasher is all very well but it's an ednding that doesn't suit the beginning.

I'll start with some general comments as I read through for the second time:

Very dramatic opening. I love the sense of dread the reader feels and the unspoken danger of it. I love the image of the blowing smoke rings and it's easy to imagine this boy who has been locked in the freezer and then forgotten. It's very chilling and nicely written, if a little wordy at times.

Then you've got this change in perspective. The transition is smooth enough but I found myself thinking yeah, yeah, worried mother, mother with issues, can we get back to Johnny in the freezer now? In all honesty, I'd rather you stay in his eight year old head and have him think about how his mother will be reacting. Maybe he looks at his watch - I wonder what the cold conditions would do to one, would it stop working? - and he thinks of her and we can get his eight year old view of his mother and you can keep the style, drop us a random detail like the smoke rings one that will make her feel more personal to us. That's probablly my biggest criticism, other than the first paragraph, there's not enough characterisation that goes beyond skin deep.

Third paragraph gives us aniother new perspective. That's too many. It won't be so bad if you change the second to Johnny's POV but at the moment I find myself jerked out of the story too often to really get a feel for it. Your first paragraph was gripping but these two not so much.

Arggggh kill it! That is my reaction to the great big block of text ;) Love the descriptions here but you could maybe cut back on all the yesteryear and outside observer stuff a bit. I'd also like to see more showing, less describing. How does Johnny feel huddled in his corner? What does he do? What does he think? You've got a chance for more character development here so trim the physical description a little and give us more of what really counts.

More about how Susan once was. I find her rather uninteresting I have to admit and would like to know more of her than her wasted looks. What talents does/ did she have? What about her is unique or special and just... who is she? As I have no idea right now.

I like the details of the room and this scenario with the meat and the knife but I'd like to see it from Johnny's view instead. I'd like to know his reasoning more fully and it would be a much more chilling tale if it was in his mind. I like the kid's dialogue in this section but found the mother's over done. She suspects he has the knife and yes her anger may overide her fear or her fear might manifest in this form but at the same time, there'd be caution as well, surely? Or maybe I just don't know enough of the mother.

And then there's the slasher scene and cheesy dialogue. Maybe it's just me but I found that a little cringe worthy after the start you had. I think this could be really good and hate the idea that it ends with a mother praising her son while being sliced and diced by him. It's just not realistic. No matter how much you love your son, you don't manage all those words while he's cutting into you. Maybe one 'he's a good boy really' but I think the others would follow other frantic thoughts and some screaming and general shock.

I hope this helped a little, dear. If you've got any questions or do another version, feel free to drop me a message and I'll happily take another look. I do think this could be really good, it just feels a little rushed and untidy at the moment. Thanks for the read!

Heather xx
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Thanks you all very much for the detailed reviews!

@Maddy- Thank you very much! I'll break up all that text soon. I actually have no idea if all the information I have about phsical/phsycological trauma is accurate. It was simply what I thought sounded correct from what I've picked up reading Stephen King :P.

@ArticulateOverlord- Thank you for your honesty! The character were actually intended to be fairly one-dimensional. I wasn't looking to write an extremely long piece describing them all in detail. As it was based solely on a dream they weren't really supposed to be realistic or relatable. I can see how that could make one dislike the piece. I am disappointed you didn't fin it to have much depth at all, however. Maybe I'll go back and fix it up. Thank you again. I hate it when people say they liked something when they clearly didn't.

@Kitty15- actually, what I don't think anybody has noticed was that this was actually INTENDED to be a slasher! Ha, I guess I got a bit too caught up writing the beginning. But you're very right, I could sort of feel the story going downhill as I was writing it. Thank you!

@ anyone who reviewed: The dream that inspired this piece was told to me like this:

A shirtless boy was stabbing his mum outside a car. He was really little and pale. And she didn't seem to even notice, she just kept have a conversation with me until she died. How did she not even know she was being stabbed?

Pretty much, the end of this story is the dream itself. The beginning is what I thought could have been the catalyst for the change in the mind of the boy- it was concocted purely from my own imagination. I decided to illustrate the process that drove the creepy boy to stab his mum. The meat, blood, and freezer were purely from my imagination.

So, in conclusion, thank you to everyone who has reviewed thus far! You've all helped me a lot. I don't really plan on fixing this up very much, as I wrote it purely for fun. However, I will keep all of the excellent advice I've been given in mind when I write another story.
Honey, you should see me in a crown.




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Congrats on turning a dream from ANOTHER PERSON into an enthralling, gripping story! I loved it a LOT! Sorry about the capitalization, but thats how I feel about it!
I want to know more! What happens to the boy, does he go into a ward? Does he escape and let his insanity take every bit of rationality from him?
Great job!!

MissMadHatter
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Thank you!
Honey, you should see me in a crown.



I think that was when I began to realize that reputation isn't everything. I should focus less about how others perceive me and more about what makes me happy. Because, in the end, I have to live with myself.
— Seraphina