Stanza 1:
First off, you may wanna add mroe line breaks into the poem. it already has a little poem, big prose feel. even simple things like line breaks can do great things for your poetry.
Most importantly, show and don't tell. "there is a faint afterglow from the stars just beyond
those mountains." Stay away from being verbs. You want to hit the point with your verbs. I.e. The afterglow shimmered off the reflection of the ice-capped mountain. of course, that's still kind of lame, but at least it has some action, some movement to it.
Also, this poem is in the first person. it is also addressed to someone, as in you are speaking to someone, even if they can't hear you. you have to be careful here. This can work, but you want to make it realistic, as if you were actually talking to that person. Whisper, not stage whisper. Here, you are addressing the person, but you are actually demonstrating your point to the audience, leaving an insincere aftertaste in our mouth.
Stanza 2:
"I guess
we're not all afforded that luxury. Hapiness, that is." Get rid of this line.
"Idon'tcareIdon'tcareIdon'tcare" If you are gonna use formatting like this, make it mroe pervading through your poem. Having few examples of this in a poem makes them seem like anamolies or even typos.
Nice imagery. Good work.
