Battling the Bottle

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He twiddles with the gold band on his left-hand ring finger as he stares into his empty glass, twisting the engagement ring round and round without thinking about it. He can feel the alcohol start to seep through his mind, distorting his thoughts. He wants it to move faster and let him forget. Alcohol is the only way.

“Refill, Dan?” the bartender asks.

Without thinking, he affirms it. The bartender slams down another glass of beer and leaves him alone again.

His reflection in the dark, rain-beaten window catches his attention: Exhausted, down-trodden. Several days’ worth of black stubble covers his jawbone and cheeks, and his hair is rumpled. He takes off his glasses, rubs his eyes, and sips his beer. He feels old.

Suddenly a voice rings in his head, Leah’s voice the day his brother died. He’d been drinking then, too, bottle after bottle of beer.

“Oh, sweetheart, put the bottle down,” she’d begged.

“It’s not a bottle,” he murmurs into his glass.

“Please, Dan. You can get through this.”

He shakes his head.

“I can’t,” he says, “not without you.”

Someone claps him on the shoulder. Putting his glasses back on, he looks up. It’s a paunchy man he recognizes from some of the countless parties he’s been to. The name evades him.

“Dan?” the man says. “I heard what happened to Leah, Dan. I’m real sorry. She was a good kid.”

His throat constricts. He nods but says nothing. The man pats Dan’s shoulder awkwardly and meanders off to play pool.

Dan hunches over the bar and covers his face with his hands, “guitar hands,” as Leah called them. She said hers were piano hands.

I heard what happened to Leah. He gulps down half his beer in sudden desperation. His fault. If he hadn’t gotten drunk at that last party – if she hadn’t driven to pick him up—

He remembers sitting at a table in a dimly-lit basement, long after everyone else had driven home or staggered upstairs to crash for the night, while one of his more sober friends stood over him, repeatedly asking, “Do you want me to call a cab?”

“I called Leah,” Dan said. “She’s coming.”

Over and over and over again, for three hours, he assured everyone who asked that he had a ride. Until the call came from one of Leah’s friends, he never doubted that she would be there.

“Leah’s in the hospital!” The voice on the phone sounded tinny, distant, frightened. “She’s asking for you.”

In that moment his world collapsed, spinning out of control with far more resign than it had ever done when he’d gotten wasted.

He stared at the receiver dumbly for a moment before asking in a hoarse voice, “What happened?”

Given his inebriated condition, the hospital staff were reluctant to let him in to see her, but they were finally convinced to admit him due to his obvious anguish.

Abrasions and bruises covered Leah’s face, but she smiled when she saw him. Dan fell to his knees beside her and gripped her hands. He tried to smile back at her. He couldn’t.

“Leah,” he said. His voice barely came out. He coughed and tried again. “Leah,” he said, “I love you. God, I love you, Leah! You know that, right?”

She closed her eyes.

“Jesus Christ,” he mutters, and he guzzles down the rest of his beer. He can’t get that picture out of his head, the image of Leah dying in the hospital bed. The beer isn’t helping tonight. His every thought leads back to Leah.

He remembers the way she would stand outside during thunderstorms and laugh as torrents of rain drenched her ginger hair, the way her hazel eyes brightened when she’d been crying, the way she would take his hands and make him dance with her anywhere the impulse seized her, the way she seemed to be biting back a smile whenever he was upset by something trivial. He remembers coming home from wild parties at three in the morning, sick with drinking, and how she’d suddenly be kneeling next to him, rubbing his back and singing softly to him as he puked into the downstairs toilet. He still doesn’t understand why she had done that for him. What she’d seen in him.

He asked her, once. She had been sitting at her piano, tinkering with some chords, and he’d been cross-legged on the floor with his guitar in his lap. He strummed notes at random, but his mind was on his most recent hangover. Looking up at Leah, he asked, “Why are you with me?”

She looked surprised for a moment, but then she smiled.

“Because,” she said, “I love you.”

And she twirled away to the kitchen to make lunch.

“’Nother refill?” the bartender asks.

Dan nods wearily. He stares into the new glass and sees his reflection gazing back at him from the amber liquid.

“Why?” he asks. “Why did you love me?”

He keeps staring into his glass, but it gives him no answer. He sighs and drinks again. Something inside him hurts. His lungs, maybe. Like he can’t get enough air, no matter how deeply he breathes.

“What happened?” he whispers. “What happened, Leah?”

This time he doesn’t look to his beer for any answers. He knows what happened.

Only two blocks from the party, on her way to pick him up, she’d been hit by a drunk driver – another guest from the same party, on his way home for the night. Dan went crazy waiting for a cab to come for him, though it arrived within ten minutes of his frenzied call. The cabbie, already speeding, couldn’t drive fast enough, and Dan cursed him up one side and down the other before realizing that Leah never would have done it. He spent the rest of the cab ride alternating between guilt for shouting at his driver and anxiety for Leah. By way of apology, he gave the cabbie ten dollars over what he owed for the ride before sprinting into the hospital and forgetting about everything except his injured fiancée.

He knows what happened. His fault.

“Oh my God,” he whispers. He cradles his head in his hands as tears slide down his face. He’s ashamed of them, but he can’t stop them. The feeling in his lungs is bigger now, overwhelming. He has no lungs, only a swollen heart that feels like it’s about to burst. Frantically he empties his glass, tries to drown the feeling with alcohol. The bartender leaves him another beer without asking if he’d like one. Dan swallows half of it before suddenly shoving it away and staring at it in horror.

“What am I doing?” he cries.

He needs alcohol. He needs it. It’s the only thing he knows that has the power to release him, to let him get out of his own head. The only reason he made it past his brother’s death without the help of beer was because Leah pulled him through. She can’t pull him through this. Only alcohol can. True, it hasn’t helped yet tonight, but if he can get drunk enough, if he can get disgustingly drunk and pass out—

But Leah – not only had Leah hated drinking, little though she’d ever berated him for it – Leah had died because of alcohol! He had called her, as she so often begged him to, when he was too drunk to drive himself home safely, and she’d been hit by a drunk driver, and now – what is he doing? Sitting in a bar, drinking away, and then, when he’s wasted enough to forget why he came in the first place, he’ll get in his car and drive home! What if this is him – what if he is the drunk who kills someone’s fiancée, daughter, sister?

He won’t do it. He won’t drink anymore, as long as he lives – he refuses to be put in the same class as the man who killed Leah—

For a moment, it’s easy. He is resolved. He’ll stop drinking. But then the phrase as long as he lives echoes within him, and his resolve crumbles. He can’t, he can’t – he can’t get through this without the power to forget, let alone his entire life. He can’t. He can’t, he can’t, he can’t, he can’t.

He has to. Leah would never – Leah would tell him how strong he is, she would tell him he can do it without alcohol, just like she did when his brother overdosed on heroin.

“I can’t, Leah,” he whispers miserably. “I’m not strong enough, I’m not – I can’t do this on my own—”
He hears her voice in his head, the way it sounded during their one real fight.

“Don’t you realize,” Leah cried, “how much better you could be if you’d just stop?”

He clenches his teeth and grips he sides of his glass as if his fingers are glued to it. Droplets of sweat bead on his forehead, and his brow furrows.

“You don’t get it, Leah!” he’d yelled. “I can’t just stop! It’s not that easy!”

His whole body tenses to keep dry sobs from rippling through it. He bows his head, his eyes squeezed shut. His glass of beer is cool against the palms of his hands, and tempting. It speaks to him.

This is the only way, it whispers. Dan trembles. This is all that will help you forget. This is all that will get rid of her.

His eyes fly open, and he releases the glass as if it has burned him.

“My God!” he cries.

Is this what he wants? To get rid of her? Is he so willing to put escape – forgetfulness – habit – before the best thing that ever happened to him? Take alcohol over memories of Leah, just because the memories cause him pain?

No. More exhausted than he’s ever been in his life, Dan pushes back his stool, stands up, and wipes his eyes on his sleeve. He digs in his pocket for his keys and cash. He leaves money enough on the bar counter for the three beers he finished and the one he won’t and makes his way towards the door. A dull sort of ache throbs in his chest, but he ignores it.

The first snow of winter drifts slowly down around him. Already a fine dusting of it has turned the sidewalks and streets to silver in the light of the streetlamps. He stops, almost in surprise, and stares at it for a moment. Then, closing his eyes, he turns his face to the sky and lets snowflakes fall on him.

He thinks about how it would be if Leah were here: How she would gaze at the snow with childlike wonder, how she would laugh and run out into the middle of the sidewalk and stand there with her hands raised to the sky.

“How beautiful the snow looks!” she would say.




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Pretty good. You've got a hold of your character and a logical progression of thought.

Just a thought, though. A little nitpick for believability and consistency. I imagine he's supposed to be an alcoholic type. Maybe not a true alcoholic, but at least someone who likes to drink regularly. However, you have
He can feel the alcohol start to seep through his mind, distorting his thoughts

at the VERY beginning, when he's only finished one beer. Even I, as a fair lightweight, can finish a few beers before feeling anything. For him to feel anything after one beer, he'd have to be a 100 pound girl who drinks twice a year.
So just a minor thing, just change the number that he's had by the beginning of the story. Depends on what kinda person you want him to be:
Lightweight (drinks a couple times a month): 2-3
Medium-weight (drinks 4-10 times a month): 4-5
Heavyweight (drinks 11+ times a month): 6+

Concerning your choice of tense:
There is a story taking place in the present tense, him sitting alone and thinking on the past. I'll let you get away with present tense for that.
But then you narrate the events of the past. That's definitely past tense. You can't have present tense at two simultaneous points in time. Also, you confuse yourself...the entire scene where he asks "Why are you with me?" is all in past tense, and
“Don’t you realize,” Leah cried

This would also definitely help the reader sort out present from past. Like when the stranger from the party comes up, I had to backtrack and reread to figure out where in time we were.

The whole time, your narration style is rough around the edges, the way it should be when describing a tough man in grief. But then you have
He remembers the way she would stand outside during thunderstorms and laugh as torrents of rain drenched her ginger hair, the way her hazel eyes brightened when she’d been crying, the way she would take his hands and make him dance with her anywhere the impulse seized her, the way she seemed to be biting back a smile whenever he was upset by something trivial. He remembers coming home from wild parties at three in the morning, sick with drinking, and how she’d suddenly be kneeling next to him, rubbing his back and singing softly to him as he puked into the downstairs toilet. He still doesn’t understand why she had done that for him. What she’d seen in him.

which suddenly becomes so overtly sweet that it becomes sickening. Perhaps you should rethink the things he finds important enough to remember. Or at least the way he describes them. Especially because we're "standing in the rain, dancing with impulse, smiling...then puking into the downstairs toilet." It's unbalanced and strange.

“Don’t you realize,” Leah cried, “how much better you could be if you’d just stop?”
...
“You don’t get it, Leah!” he’d yelled. “I can’t just stop! It’s not that easy!”

Okay, so he's an alcoholic. So go up there and change the number he's had. Also, you might could show us how it's not easy for him. Because so far, we've only seen how it's not easy when he's mourning. But what makes it difficult for him during normal times? Besides "it's tempting."

His eyes fly open,

You can think of a better phrase than this. The act of eyes "flying" open the 1 centimeter that they can is just undesirable.

He digs in his pocket for his keys and cash

Wait, so he still plans to drive?

He thinks about how it would be if Leah were here: How she would gaze at the snow with childlike wonder, how she would laugh and run out into the middle of the sidewalk and stand there with her hands raised to the sky.

You've cast both Dan and Leah into too much of the archetype roles. Dan the tough but loving alcoholic musician. Leah the "childlike" spontaneous sort who loves Dan for some unknown reason and is loyal until the end. Perhaps you could give them some flexibility outside of these very, VERY traditional roles.

I think you can think of a better title. While there's a nice play on words, it gives away all of your story at once and is extremely straightforward when stripped of the play on words.

The back and forth arguing in Dan's head is very nice. There's an intensity you bring in the "He can't he can't he can't" and how he catches himself thinking terrible things.

Anyway, them's my thoughts. Let me know if you have any questions.




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Thanks for the review, I really appreciate actual helpful criticism, which I mostly do not get on other sites!

I know, it's really rough, and it's also pretty obvious that I just don't know anything about drinking. I just don't drink, end of story. Alcoholism runs in my family, so it's a good reason to stay away from the stuff, plus the idea of getting drunk (and having to get through the resulting hangover the next morning) just really doesn't appeal to me.

I do like my characters, whether or not they're stereotypical...Leah is actually more or less based on my personality (not entirely, but mostly), and Dan is honestly the kind of guy I could easily fall for. (Thank heavens the guy I DID fall for is not an alcoholic!) But I see your point.

And...........

your other ideas are definitely good. Like I said, I know this one needs improvement. Specifically for me, I'm not very fond of the end when he actually does "win." I mean, I want him to "win"...I just don't hugely like how that part of the story is written, if you know what I mean. And haha, yes, I think I did think about the fact that he had his car keys, and I was like, "Hmm, that actually won't really work...maybe I should not do that," but then I kind of forgot about it.

Thanks again for the critique, I plan to rework this when I have more time!




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That is so sad!
Seriously!

One thing i really enjoyed about this piece though was the way you switched tenses through Dans memories. The one thing I'd suggest is italicizing the memories, so it's clear.
Your description and emotion are both beautiful, and you ar an amazing writer
Keep Working
~WickedWonder
'We will never believe again, kick drum beating in my chest again, oh, we will never believe in anything again, preach electric to a microphone stand.'

*Formerly wickedwonder*




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Thanks. :) I know, actually this is kind of dark for me... Most of my poetry is really dark, but the characters in my stories almost always get happy endings... I actually was kind of sorry to give Dan a not-particularly-happy ending, but it had to happen...even though technically I could've changed the story so it didn't have to happen, but it always feels like it DID have to happen, you know?




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Don't get me wrong; when I said it was "rough" I meant it as a good thing. A guy sitting alone at a bar knocking back drinks and hating himself can only be rough, so it's suitable that it shows through his first person narration.

I do like my characters, whether or not they're stereotypical...Leah is actually more or less based on my personality ...and Dan is honestly the kind of guy I could easily fall for.

It's understandable, especially when the length of the work is so short, you can only get a couple character traits across. It's pretty forgivable, really, since any short story character can be boiled down to two character traits (and that's on a good day!).




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This is very realistic, you can feel the heart brake radiating from the characters. Make sure your keep your grammar in check and try not to switch tenses. Keep up the good work x]




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Oh yeah, no problem - it's not like I was offended or anything when you said "rough"; like I said, I figure this needs editing as it is. And actually I usually don't write in present tense (most of the time I hate it), but for some reason I just needed to with this one. Go figure, right? But thanks for the comments, I find them very helpful...not like reviews where people are just like, "This sucks" but they don't tell you WHY they think it sucks. And you didn't think it sucks, you just think it needs some improvements, which is good. There is always room for improvement, as they say!




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Okay- sorry in advance. This is going to be being hypocritical, as I just recently mentioned useless reviews. But, I have absolutely nothing critical to say about this.

This actually made me cry. Sad, I know, and I don't cry often, it just struck memories of struggles with alcoholism in me(not mine), and it hit hard. Very well done. I would perhaps try to make the ending a bit more powerful, whether with snow being a more cleansing factor, or simply the phrasing. Otherwise, I thought this was flawless. There was a great struggle, and wonderfully paced introduction and rounding out of the plot.

I didn't even notice that this was written in present tense until I looked at the reviews. Small as this may seem, this is a feat. I ALWAYS notice. It drives me crazy- but you pulled it off magnificently, and allowed us to connect with the main character as a person himself. Very nicely done.


So.... altogether. Loved it. Flawless. Magnificent. Vyborne! Moc dobry! :D


-Coral-




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Thank you very much. The ending is probably my least favorite part - not the way it turned out, but, you know, the writing there is choppy.... I don't want to say I'm glad it made you cry, because of course it's not usually nice to cry (except when you just really, really need to), but I am glad that this was written well enough to move you that much.

And it's okay, I wouldn't have assumed it was yours anyways...

~Blue



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