The Spring of Life (I'm Still Here)

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There is a deep pool in the darkest of caverns of the Monolith Cave System. Very few people know of it, less even have seen or touched it. None living now have drunk of its waters…at least, not living in the sense we know it.
It’s been a year since I dipped my hands into the dark, murky waters that seemed to glow with black light. I was thirsty, parched, my tongue was swollen until it filled my mouth and stuck to my teeth.
I’d been wandering aimlessly into rock room after rock room, gazing with unseeing eyes on beauties undiscovered by man’s eyes; gleaming, glowing, green crystals that broke under my bleeding feet as I stumbled on drunkenly. Somewhere along my twisted, winding and overlapping path, a flashlight lay, the metal destined to rust away forever in the dark, the plastic destined to remain as bacteria fought in vain to decompose it, the acid from the dead battery destined to seep into the ground and spark off even more crazy crystal forms.
Somewhere along the same path, I’d thrown off my gloves and shoes, hoping to touch or step on something that would sting me and kill me quickly. It had seemed like a good idea then, forty-five-thousand steps back, but now it dawned on me slowly that cut, blistered and aching feet weren’t any better than the miserable non-existence I’d been suffering before.
But all of that was washed away the moment I entered the pool cavern. My eyes had long ago picked up the bluish-greenish glow that managed to spread and refract through the crystals five rooms away, and something dully meaningful had throbbed me into that general direction. I don’t know why black water should spread such a comforting glow around it, when the liquid itself is shrouded in the thickest, murkiest fog I’d ever seen. Perhaps it was some sort of bioluminescent microorganism in the air, surviving by drinking the water to gather enough energy to feed their molecular spark of light. Come to think of it, the light acted very much like phosphorous in the oceans above ground. Once when I was in the Pacific in a dugout canoe, I put my hands into the water and watched, amazed, as swirls of light flowed off in the wake of my hand. The boat was ablaze with light too, and the paddle as it dipped up and down, dripping living fire.
The light in the cave was much the same, except now it was all around me and swirled at my every move, my every breath. Were they drawing off energy from my body moisture and flaring more brilliantly than every? Were they excited? Was it a form of communication?
None of these thoughts flowed through my head at those moments, but in the moments afterwards, and when I was sitting safely in my own house again, writing this story. All I saw at that moment was the water, brackish, tepid, evil-looking, black as death.
But I would have welcomed even death in exchange for a single drink. In exchange for my soul.
I remember hesitating right at the waters’ edge, where the still waters seemed to ripple and lap at my knees. I hesitated again, when my cupped, trembling hands held something that was neither water nor solid, neither hot or cold, still or alive. It was if I was holding dry ice without the cold; that was the way the water slipped off my hands, not in drips, not in trickles, but like fog, melting away to nothing before it hit the ground. I hesitated as I saw the black creep up my hands, encircling my wrists and coloring the skin a dead grayness, entering my bloodstream and pumping to my heart. Within minutes every inch of my skin was gray, tingling with sensations I couldn’t describe, but still, even after all that, I hesitated from drinking something that had already entered me.
It was strange, but it was as if there was a voice in my head, telling me that if I dropped my handful and walked away now, right now, then it would all go away and let me die.
Did I listen to that voice? Well, I’m here, aren’t I? Still here after going without food for months as I wandered out of the cave, still here after getting thrown from the ambulance in a crash that killed everyone else, still here after numerous mobs hunted me down to kill the ‘demon from hell’, still here after being burned, cut, eviscerated, stabbed, poisoned and killed a million other ways.
I’m still here.

Spoiler
So...um, I'm not sure what to say about this. Perhaps a precaution against drinking from strange pools in caves *nervous laughter*. this is the typical crap you get after a writers' block, but you've heard that excuse already. Fire away.
Last edited by Jenthura on Wed Sep 15, 2010 2:41 pm, edited 1 time in total.
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I: Nitpicks.

Very little people know of it, less even have seen or touched it.


I do believe old chum that you have to add a word here. I have inserted it in {the one in red} and you can decide whether you want to keep it. Just saying; the sentence was kind of muffled without it.

It’s been a year since I myself dipped my hands into the dark


To me, the word 'myself' is not needed. The sentence works just as well without it. :P

II: Plot.

I'll start with the cons of this story.

To me, this is for the more advanced readers. This had way to much explanation in it and not to sound stupid; but flippin' huge words. I was all like; whattt? My little brain cannot comprehend this. Your explanation of things kind of put off the meaning that you were trying to place across. It was very hard to get my head around and I was constantly stopping wondering what this or that word meant. {I told you, I am not the smartest kid}

You also added to many words. This sounded like you were placeing your whole dictionary and more. I am constantly told this in business reports, it was to wordy for the type of writing you implicated within the story. You placed in words which meant the exact same as the previous. This was also very confusing; to me you should really flush them out. Also, I failed to learn about the main character.

All I got was that they were rather depressed. They didn't seem to have a life for me or a personality. They lack depth as you've placed into everything else. This can kind of happen when you have no dialogue. Maybe you should get the character talking to yourself, this will really help implement the feeling of sadness the character has.

Now for the pros:

Your peception for detail is great; to great! I could see every thing as if I was there. You must be really smart, the way you use words seems like you're Steven Hawkings. And the way you placed in little teasers or things that made us wonder, really kept the reader on the edge of their seats.

III: Overall.

It does need some work to somehow dim it down. Unless you are aiming this at more advanced readers, this really needs to be dumbed down. Ask me, I'm stupid! This was a really great; I cannot wait to read more of your work. This has a lot of potential and with a little bit of editting in can really shine; great work!
I spy!




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Ah, I see what you mean. There was no editing done, and my unedited style of writing does come out this way: wordy, stuffy and so-shock-full-of-words. :D
I don't think I want to dim it down too much, since you mentioned that less *ahem* perceptive readers might have difficulty...You see? There I go again? You summed it up perfectly with what you said:

This sounded like you were placeing your whole dictionary and more.


So yes, I will try to be less like this in the future, but it's just a part of my style, I guess. :D
Thanks for the review!
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Amazing! Amazing description, amazing story, i just loved it and its dictionary of words! I had a problem a couple years ago where i would throw completely useless words into a story just because it looked smart...and cool, but everything in this story fit! I have to admit, I'm envious, i haven't been able to write anything for a couple weeks now. Well, anything that wasn't a complete blob of nothingness. Very well written, i hope your post more! I'm horrid at grammar nitpicks so, well, bye for now!
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Thanks! I see that there certainly is a mixed view on my vocabulary, but perhaps I should just do it the way I do it and see if a little more than half the people like it. :)
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Hey there! You're a helpful reviewer, so I just thought I'd return the favor, or repay you for being a great reviewer. I don't know what I'm saying, on to the review!

Character

Wow, so little description, so little actions, and I still feel like I know the guy. I think that you could go a bit more into how he was before he became trapped in this cave. You give one flashback about the boat and the ocean. I actually had to go back and read that a few times because I couldn't figure out it's significance. I still can't really. But I would like to know if he had a family. If he has anything home that he wishes he could be with again? What is he thinking really?

You need to get more into the realism of this. You have the plot, the reason, down. Now you need to figure out why you placed this character in this scenario. Is it to teach him a lesson? What makes this man so special that he is stuck here. I would like to know if he has any ideas of why this is his fate. Did he do something wrong on earth? Cheat on his wife? Kill someone? Fail to rescue someone? He is obviously mentally punishing himself as much as his environment is punishing him (it's obvious because he's given up on life, like he has nothing to get home for). Figure that out and mention it in your story, and I think it'll be about perfect.

Plot

Like I said above, your character has given up on living, but doesn't really mention anything about getting out. Maybe I'm not grasping the story, I don't know, but it seems like there are a lot of holes in his personality you need to fill. I can understand that this is some fantasy thing, and there doesn't really have to be any realistic sense to it, but I think you could turn this story into more than just a story written on writer's block.

I really liked this. It had a lot of beautiful descriptions in it. It was like you were painting a picture for me. I could see everything happen before my eyes, but not in a movie sort of way. More like I wanted to draw it, it's so deeply cemented into my mind. You're a great writer.

Keep writing,

Classy.



It's not nice to roast people when they're out of comebacks.
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