Blue Flames and Bloodshot Eyes (Chapter 2)

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Author's Note

This is a story about vampires.

Oh, I know what you're thinking. Another Twilight fan.

No, actually, I've tried to make this story as original as possible. It shouldn't be similar to the series at all. Anyway, please do not be put off from reading/reviewing my story just because it is a vampire story.

I have not had enough time to edit this story, so please point out mistakes for me. I hope you enjoy the story! :smt003

Blue Flames and Bloodshot Eyes

Chapter 2

It was getting uncomfortable for Zachary the Vampire to sit in the car for so long. He had trusted the humans to stop soon, but he had no idea where they were headed. Though he had intended to ask, but he was feeling particularly indecisive that day.

“So tell us about yourself,” Shirley asked him as they passed a brightly colored structure. “Hey, Brett, can we get some McDonald’s for lunch?”

“Later.”

“There’s nothing to talk about,” Zachary answered Shirley’s question.

“Oh come on. I’m pretty sure there’s gotta be something interesting about you, being a vampire and all. So spill the beans – where are you from?”

Zachary folded his arms and closed his bloodshot eyes, leaning back into the seat. “I don’t know the answer to that question myself. I don’t remember my parents.”

“That sucks,” Shirley said sympathetically.

“You look odd,” Zachary burst out, unable to help asking. “It's your hair. It's a different color."

Shirley played with her dyed, bright red hair, curling her fingers into the threads. “It’s called hair dye, Zach. I might try a dark, black-brown like yours.”

Zachary opened his eyes and watched the countryside flicker passed them in a blur. “You humans have strange habits. So, what were you doing on your grandmother’s farm?”

“She passed away last month,” Shirley replied. “We inherited her farm and our mom told us that we should visit the place sometime. Actually, she told us to look for a key in her will that we just received last week."

“Shirley, don’t tell him that," Brett said. It was obvious, from his hunched demeanor and his reluctance to talk, that he still didn't trust the Vampire.

“What is this key for?” Zachary asked, intrigued.

Shirley shifted in her seat and retrieved something from the compartment in front of her. She unfolded the piece of paper and handed it over to the Vampire. Zachary scanned the odd looking key for a moment before handing it back.

“I’ve not seen a key that looks like this.”

“We don’t know what it’s for,” Shirley explained. “But Brett thinks it could be for opening a treasure chest or something.”

Brett gave her a slightly annoyed look. “Hey, you were the one who wanted to look for it in the first place,” he said.

“We went back to her farm to find it, but I don’t think we can go back there now,” Shirley said, referring to the threat of the Incubi.

“I’m sorry if I ... created an obstacle in your quest,” Zachary apologized solemnly. “I suppose it is more reason for me to leave.”

“No way, you’re our guest!” Shirley objected. “You don’t really want to go back there alone, do you? At least let us help you in your quest.”

Zachary balked firmly. “No, no. I don't. I’ve avoided the Incubi for three years, not to mention a few werewolves and witches. I think I can manage.”

The Vampire shrunk in his seat as another, larger vehicle overtook them. He feared that the large monster would simply open up its mouth and devour them hole. The window beside him had been opened slightly and the choking fumes almost made Zachary vomit. Almost. More reason to leave, he thought to himself. They were almost in the city now, judging by the tall buildings rising up on either side of them. They were heading too far into the city for the Vampire's comfort.

“Where are we going?”

“Back to our house, right Brett?” Shirley said. “We should get a bite to eat. Our mom probably just left for work or something, so there’s no one home right now.”

They entered an area with slightly smaller buildings this time. The Vampire watched in curiosity at the similar architectural designs. He wondered why humans paid so much attention to the external appearance of their homes.

Brett slowed the car and eventually stopped in front of one of the houses. It was similarly built to the houses adjacent to it, but the front “yard” had been decorated with a variety of trees. The engines stopped and the car returned to its inanimate state.

“Before we go in, I want to ask you a question,” Brett said, turning around to face Zachary.

“What is it?”

“Are you really – are you really on the good side?”

Shirley pouted at her older brother. “Oh, come on, Brett.”

“I, uh ... I don’t understand the relevance of your question,” Zachary replied. “Just to let you know, I am powerless right now. Do I have to go outside? I am afraid of being seen.”

After a lengthy lecture by Shirley that it no one would pay attention to him during the short walk to their front door, Zachary was finally persuaded. He walked slowly behind the two humans, casting his eyes downward, his head facing the ground. He was well aware that his bloodshot eyes were a dead giveaway.

He breathed a sigh of relief as Brett opened the door and they entered the cool space. The humans’ house was fairly large and the Vampire understood that they must have been quite wealthy to afford such a place.

“As soon as you are done interrogating me, let me leave,” Zachary announced.

Shirley closed the door behind her while Brett tossed the keys onto a table. They turned to face their unusual guest.

“We’re not going to interrogate you,” Shirley said bluntly.

“Okay, that's fine then," Zachary said. "But I really need to leave. Being in such, uh, a large human settlement is unhealthy for me."

In several quick motions, Shirley had pushed the unwilling Vampire into the living room and sat him down onto the couch. Before Zachary could speak, the girl put up her hand, silencing him.

“No, you are staying right here, vampire!” Shirley said, mock-scolding Zachary. She continued in a dramatic sing-song voice, “Now, let us be merry and have some sandwiches, shall we?”

“Sand witches? You keep sand witches here?”

Shirley rolled her eyes at him. “That joke is so old,” she said. “I’ll go get us something to eat.”

Shirley exited the room, leaving the Vampire and Brett alone in an awkward silence. Zachary allowed himself to relax and examined the humans’ house. He had never been inside one of their dwellings before – he had only seen them from the outside and even then, he had observed them from a distance. Shirley’s and Brett’s house was spacious, painted a clean white with high ceilings.

“So, uh …” Brett began, in an apparent attempt to break the silence.

“You're afraid of who I am, right?” Zachary asked suddenly. “I’ve observed you humans for some time now. I’ve seen those gargantuan posters you put up. You portray vampires as alien beings.”

Brett shrugged. “I suppose so – but it’s all just fictional. It’s for entertainment.”

“You don’t believe in the supernatural?”

Brett’s expression screwed up in thought. “Uh, I don’t know … I can’t answer that question.”

“How do you know that my intentions are less than altruistic?”

“Well, if you wanted to kill me or something, you’d have done so, right?” Brett said with a small laugh.

Zachary found the human’s assumption strange. “But that’s only because I don’t have my powers.”

“Right, here we go again," Brett said, sitting down on the chair opposite of the Vampire. "Powers this, Incubi that. What's up with all this, huh?"

Zachary scratched the side of his head in confusion. "I'm ... it's hard to explain."

"Is it?" Brett said, his tone almost sarcastic. "Maybe it's hard to explain because it's not real, yeah?"

"I don't understand you!" Zachary said in frustration. "You saw the Incubi. You saw what they can do. How can you not believe them?"

Shirley came back, promptly interrupting their conversation. She settled a large tray of food on the coffee table.

“I don’t know what you vamps eat, but you’ll never know until you try.”

Zachary eyed the sandwich in front of him with great suspicion. “What is this?”

“A sandwich,” Shirley replied matter-of-factly.

“Sand witches,” Zachary mumbled, sniffing at the sandwich with almost child-like curiosity. “You’ve put garlic in this sand witch.”

“Damn, how’d you know?”

The Vampire looked at the sandwich, suddenly feeling very hungry. He put a hand tentatively on his stomach and felt a tiny rumble. He had not eaten anything for at least three days. “I … I’ve eaten. I’ve eaten garlic before,” he said, his hunger slightly impairing his speech. “You’ve put fresh lettuce in the sand witch. I-I haven’t eaten fresh lettuce for a while.”

“Dude, you’re practically salivating,” Shirley commented. “Go ahead, stuff yourself.”

Zachary reached for the sandwich, his long fingers wrapping around the food carefully. Just as he opened his mouth, he turned back towards Shirley and said, “Oh, may I?”

“I said you could,” Shirley said, rolling her eyes. The Vampire took note that she used the expression quite often.

“It tastes good,” Zachary said after swallowing the first bite, his eyes closed in bliss.

Brett raised his eyebrows as the sandwich disappeared in a few more swift bites. “Vampires can eat garlic?”

“Yes, we can,” Zachary said, unable to help looking at the other, untouched sandwiches in front of him. “Why do you ask?”

“Nothing,” Brett said quickly.

Shirley noticed the Vampire’s obvious hunger. “Go help yourself, Zach.”

Zachary nodded his gratitude towards her and set off to wolf down the other sandwiches.

***


Restless, unable to stay still, the Vampire paced around the humans' living room. The human girl had foolishly suggested him to stay at their house for the night (the older one was slightly reluctant), but the Vampire knew that he couldn’t possibly comply. He had a plan though.

He had told them that he would indeed stay at their house and had volunteered to sleep on their couch. Brett and Shirley had agreed completely as long he woke up early before their mother came back from her graveyard shift.

Once he was sure that they were asleep, Zachary got up from the couch and inspected the front door. It was locked, as expected. He wondered over towards the window beside the door, pushing away the curtains so he could see the night sky.

The humans had mentioned to him about human-made device that told the time, but he was accustomed to judging the time of the day from the positions of celestial objects. It would be approximately an hour to midnight by now.

The Vampire remembered the keys that Brett had tossed away onto the table. He turned around and, using his innate night-vision, spotted the bright, metallic sheen of the keys. Before he could reach out to retrieve it, he was startled by the sudden appearance of Shirley in front of him.

“Hi Zach,” she said cheerfully. “Where are you going?”

“Oh, I was just,” Zachary said quickly, looking for an excuse. “I was just looking for the bathroom.”

Shirley nodded and pointed behind her. “Just go through the kitchen into the corridor, it’s the first door on the left.”

Zachary kicked himself inwardly. His plan had gone awry far too early. “Actually, I wanted to take a night stroll. It’s … it’s something we Vampires do.”

“Oh, alright,” Shirley said, looking slightly confused. “Well, I was just about to go out to have a midnight stroll as well. You can come with me!”

“Ah,” Zachary said, unable to argue. Things weren’t going well already.

After locking the door behind her, Shirley beckoned for the Vampire to follow her. Zachary sighed, having no choice but to follow the human girl.

The night was as cool as the night before, but the air was different here. Zachary noted that it smelled different. It felt different, as if the air had been polluted by something unsanitary. It was one of the things that he knew differentiated his environment and the human’s. He was used to living away from large human settlements.

“You humans pollute the air,” Zachary stated bluntly.

“We’re working on that, you know,” Shirley replied, pulling her jacket around her more tightly.

“Why do your vehicles, um, expel such horrid fumes?” Zachary asked. He recounted the poisonous black clouds erupting from behind the particularly large human vehicle he had seen earlier.

“It’s mostly a scientific process,” Shirley said. “But some people are working on it, to make it better you know.”

“Wouldn’t it better if you didn’t use them at all?”

Shirley laughed lightly, an expression that the Vampire found odd in the context. “We need them to get to other places quickly. It’s been proven useful, right?”

Zachary remembered how they had used the humans’ car to flee from the Incubi. “I suppose it has,” he admitted. “You lead very different lifestyles from us Vampires and the Incubi alike.”

“Talking about lifestyles, tell me about yours.”

“You humans don't really easily believe in the supernatural,” Zachary countered. “What good will it do to tell you about me?”

Shirley shrugged airily and Zachary felt annoyed that she wasn’t taking it seriously. “There’s no harm in telling me, really. Besides, you don’t really know what will happen if humans knew that vampires really do exist.”

The Vampire kept silent, so Shirley continued, “Come on. Everything begins with trust, right?”

“I’ve done a lot of things that you would consider horrible.”

“Like what? Try me.”

“I’ve kidnapped humans before. From other, smaller towns.”

Shirley frowned. “Why?”

“I needed their blood. I had to find a way to replenish my powers so that I could fight off the Incubi,” Zachary explained, silently surprised that he was telling a human this much.

“What did you to them afterwards?” Shirley’s voice had shrunk into a frightened whisper.

“I let them go. A few drops of blood can last me about a day or two, I suppose.”

Shirley’s entire body visibly relaxed. “Oh, good. I thought you ate them or something.”

Zachary grimaced in disgust. “I prefer fresh vegetables over human flesh, thank you very much.”

“Right,” Shirley said, her voice sarcastic. “So human blood doesn’t count, does it?”

“I know that you humans are cruel beings,” Zachary accused. “I’ve seen you kill each other at times. I’ve heard stories of how hundreds of innocent humans were killed over territorial disputes decades ago.”

“Hey, that’s all in the past, right?” Shirley said. “And what’s important is that we don’t kill each other now. Just like you – you don’t have to kidnap anymore humans.”

“But then how will I replenish my powers?”

“You won’t need to!” Shirley said, flailing her arms around her dramatically. “You can live with us. You won’t need your vampire powers if you live with us.”

Zachary shook his head, incredulous. “Stop suggesting such nonsensical things.”

Shirley fell silent and their conversation came to an abrupt halt. The Vampire was still upset over the foiling of his plans to escape. Maybe stealing from the Incubi had been a bad idea all along.

“You’ve never been around humans before?”

“Yes, I have,” Zachary said, sighing. “But I’ve always made myself unseen.”

Shirley laughed. “So, where’d you get your clothes from? What about food?”

“I … I procured them,” Zachary said.

“You mean you stole them.”

“You don’t have to put it that way,” Zachary said, a little sheepishly.

"Hey, you just told me you knew about our – humans' wars," Shirley said. "Where'd you hear that from?"

"I ... also procured some texts from your libraries. They were about to be thrown away, but I took them whenever I could."

Shirley gave him an appraising look. "Hmm. So that's why you use weird words. Should've known, yes."

“You ask me many questions – let me ask you one. I know that you have a mother and you have mentioned her. What about your father?”

Shirley cast her gaze downwards toward her feet. “Well, about that … see, I don’t have a father,” she said quietly.

“You don’t have a father?” Zachary repeated. “I thought humans required a male and a female to successfully copulate and procreate. Even Incubi and Succubi reproduce that way –”

“Copulate?” Shirley said, breaking into laughter. “Procreate? Who uses those words anymore?”

"You have different words for the words copulate and procreate?"

“Never mind,” Shirley replied quickly. "Those words are considered kind of taboo."

As they passed by the next block, Shirley brought up the subject of the stolen rod. “Hey, can I see that thing you stole from them?”

Zachary padded his jacket where the thin rod had been concealed. Realizing that he hadn’t had time to inspect the object thoroughly, he retrieved it from its hidden pocket. Even in the dim beacons of the streetlights, the gold metal shone lustrously in the dark, as if it was powered by some hidden, inner source of energy.

Shirley watched the object in the Vampire’s hands with great curiosity – he was taller than she was, so she had to tip-toe.

“Is there some writing on it?” she asked, trying to inspect the rod more closely.

“I hadn’t noticed that before,” the Vampire said, turning the rod over and over again. “I’ve never seen characters like these before.”

“Well, I can’t read it either,” Shirley said, tapping her chin thoughtfully with a finger. “Hey – I know a friend who knows just about every language in the world. It’s only about eleven and it’s a Saturday night, so she’d still probably be up.”

Zachary frowned at her. “This rod is of no interest to me,” he said. “Why should we have this code deciphered?”

It was a lie, of course. Ever since the Incubi had tracked him down, specifically for the rod, a little part of his curiosity kept gnawing at him. Maybe if he knew what the rod meant to the Incubi, he could use it against them to keep them away.

“Allison lives pretty close by – follow me!” Shirley said, walking ahead of the Vampire. Turning around, she called back, “Come on, there’s no harm in it. It’ll be fun – whaddya say?”

Feigning reluctance, Zachary followed Shirley down the dark streets of the human settlement.

To be continued ...

Author's Note

If you see something that's out of place, or awkward spelling or punctuation, do point it out as well, thank you! :D

Changelog
1. Edited the Author's Notes.
2. Edited certain bits of the dialogue and switched speaking roles for Brett and Shirley.
Check out my blog: Razztazztic!




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hello again!!

down to business!


I'm gonna have some fun with color if ya' don't mind [color=#BF00BF]W00TN3SS!![/color]

"After a lengthy lecture by Shirley that it no one would pay attention to him during the short walk to their front door, Zachary was finally persuaded. "

this is confusing, probably just typo.

"I'm ... it's hard to explain."

these should have spaces between each one.

“We’re working on that, you know,

“But some people are working on it, to make it better you know.”

It says "you know" twice here and it's bumpy that way.


Feigning reluctance,

hehe this bit made me laugh

enough of the nitpicks!!!

this was awesome!!!
I seriously
LOVE LOVE LOVE Zach's vocabulary!! haha it's so funny !!

this was really well written and it kept me interested.

can't wait to find out what the words are!!


Thanks for the PM by the way

great job KEEP IT UP!!!!


~Adeera~
The talent of an amazing writer, they can convey any emotion, make you feel thing's you've never felt, and help you understand that which you thought you never would.

"Not all who wander are lost."
Tolkien




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Hi Razzker, here's me for round two. I think you know what my reviewing style looks like now, so let's on to it, shall we?


It was getting uncomfortable for Zachary the Vampire to sit in the car for so long.


You don't need to reinforce the fact that he's a vampire, since we already know it by now. Artificially drawing attention to it snaps our attention out of the story.

This sentence is awkwardly phrased. There's nothing wrong with just saying "Zachary found sitting in the car uncomfortable" or something along those lines. Activate this sentence! As it is, it's very passive.

Though he had intended to ask, but he was feeling particularly indecisive that day.


I'm not sure what you mean to say here. This sentence reads like a fragment.


“So tell us about yourself,” Shirley asked him as they passed a brightly colored structure. “Hey, Brett, can we get some McDonald’s for lunch?”


Shirley has been handling the supernatural events quite well, but even this seems a little too calm for her, especially since the kids have only barely escaped death. The "McDonald's for lunch" part doesn't flow very naturally either; most people would just say, "McDonald's," and leave out the "for lunch" because it's pretty obvious from the time of day that it is lunchtime.


“Later.”


I know that Brett is speaking here, but since this is his first line in the chapter, it'd do well to add a tag to this. When I first read it, I thought Zachary was talking.


Zachary answered Shirley’s question.


Aww, now this is overstating things. Nothing wrong with a "said!" It should be clear from his words that he's answering Shirley's question. Trust the readers' judgment; we can assume a lot of things based on context alone. It's insulting to spoonfeed us information every time.


So spill the beans – where are you from?”


Eh, if I met a vampire, that would not be the first question I'd ask. I'd ask something like, do you really have to suck blood? Is Twilight accurate? (XD) That kind of stuff.


Shirley played with her dyed, bright red hair


You're writing this from Zachary's perspective, right? So, since he's unfamiliar with the concept of hairdye, the narration should make no mention of it until Shirley starts explaining. You'd do better to describe, more specifically, the shade of Shirley's hair. Prior to reading this, I assumed she was a natural redhead (a coppery, orangey shade), but it seems more apparent that her hair's an artificial bright red. Might want to make that clear from the beginning.


It was obvious, from his hunched demeanor and his reluctance to talk, that he still didn't trust the Vampire.


It's nice to finally receive some solid characteriation from Brett. I'm only hoping this will remain consistent.

Okay, to be honest, I think I'm exaggerating the inconsistency of Brett's characterization. It's pretty clear from the end of the last chapter into the next one that Brett's skeptical, more prone to playing it safe than his sister, and doesn't quite trust Zachary. Which makes his actions when he first shows up more mystifying--his behavior back then (dressing up as a priest and all that jazz) doesn't seem to connect at all to his present characterization.


“I’ve not seen a key that looks like this.”


I'd like to see what this mysterious key looks like. It seems like a copout to have a character talk about how unusual it likes, without describing it.


“We went back to her farm to find it, but I don’t think we can go back there now,” Shirley said, referring to the threat of the Incubi.


Yes, yes, I know! No need to pound it in! All facetiousness aside, you really do have a problem stating the obvious. Readers will be very happy if you treat them as if they're at least as smart as you. Trust us to make a few connections on our own, okay? A certain degree of subtlety is necessary for compelling writing. I mean, when Shirley says they can't go back to the farm, it should be pretty obvious--self-explanatory even--that the reason they can't is because of the Incubi. The events happened only in the last chaptre; we should still remember them! No need to go right out and say it.


“I’m sorry if I ... created an obstacle in your quest,” Zachary apologized solemnly.


ACK NO NOOO

May I direct to one of the most infamous lines in Christopher Paolini's fantasy "epic" Eragon? "'I'm sorry,' apologized Brom.'"

This sentence of yours is that sentence, just with a few more words added and the name changed. Stripped down to its barest elements, can you see what's wrong with it?

When someone says "I'm sorry," it's pretty damned clear--self-explanatory--that they're apologizing. Using "apologized" as the dialogue tag is just overkill.

Actually, I notice a lot more dialogue tags and "character dialogue-tagged adverbly" constructions in this chapter than there were in the previous. Maybe because there's just more dialogue overall.

He feared that the large monster would simply open up its mouth and devour them hole.


One small thing--I think you mean "whole" instead of "hole."

Other than that, aww. I'm loving Zachary more and more. In fact, I have to admit I find him kind of adorable. XD Even his formal style of speech is less grating now, perhaps because it now seems that you've settled on that as his natural voice. It was only so troublesome in the previous chapter because you were inconsistent with it.

Throughout this conversation, I find Brett remarkably quiet. Maybe he's not a talkative person, maybe he's busy driving. All the same, it is bothering me somewhat.


They entered an area with slightly smaller buildings this time. The Vampire watched in curiosity at the similar architectural designs. He wondered why humans paid so much attention to the external appearance of their homes.


I think this part could do with a lot more description. I mean, this is Zachary's first time seeing human dwellings! Surely he must be amazed. Sometimes, when it serves the purposes of the story and characterization, there's nothing wrong with indulging in a lot of detail. Might be a nice time for some compare/contrast too; have Zachary judge the human houses against the vampiric/incubus/whatever dwellings he's encountered.


but the front “yard” had been decorated with a variety of trees.


You have a tendency to do this--it's shown up before with the hair dye and the car starting. It's probably easier to use the terms that you (and your human readers :)) are used to, but does it suit Zachary's narrative voice? I mean, he has no context for any of this. He's barely interacted with humans, never has been inside a human city. Would he know to call those square patches of grass in front of houses "yards," or would he just view them as they appear to him--square patches of grass?

I have to question the description of the city, too. Most cities have an outer ring of suburbs; the only parts with tall buildings are the downtowns and financial districts and so on. Even NYC (the city I'm living in right now, and archetype of the large bustling city) only mostly has tall buildings in Manhattan. The rest of its massive population by and large live in the outlying boros and burbs.

Okay, this "good side" scene...I was nicely surprised by Brett springing the question. I hadn't expected that. But I think the scene is too short and devoid of any real tension. Zachary pretty much blows off the question, he doesn't even seem curious about it. It could've been a great chance to explore the differences between the way humans and vampires view the world. Zachary probably wouldn't understand the question at all, because he has no conception of vampires being evil--he just wants to survive. But Brett would probably be fixated on the image of vampires as mindless killers.

As it is, it passes too quickly, to the point where it seems irrelevant.

I do like Zachary's practical reaction, but I think he could stand to think a little deeper at the question, or at least find it confusing/blindsiding.

He was well aware that his bloodshot eyes were a dead giveaway.


Are the vampires' eyes literally bloodshot, and is that the most major difference between them and humans? Seems like a rather small thing. Unless you're standing really close to a people, you will never notice that their eyes are bloodshot. Zachary's fears seem rather unfounded as of now.


the Vampire understood that they must have been quite wealthy to afford such a place.


How would he understand that? Again, if he's been removed from human civilization throughout his life, he would have no context for understanding human behavior and customs.

It is hard to write from the perspective of someone outside our typical society. But when done right, it can be beautiful and convincing. Right now, I think you're preferring to take the easy route rather than the more accurate route when it comes to writing from Zachary's POV. You mention that he's confused and naive about human life, but then he makes observations that fit right in line with someone who's been around with humans all his life. You can't have it both ways! Either he has a context for understanding human culture, or he doesn't.


“Okay, that's fine then," Zachary said. "But I really need to leave. Being in such, uh, a large human settlement is unhealthy for me."


Is it literally unhealthy for him, or does he just think it's a bad idea? The way you've written it so far, it seems it could go either way. Here's a place where you could stand to be more clear.

I am wondering what the relation between humans and vampires is. Zachary doesn't seem to have any understanding of human society, but he doesn't seem to think of them as a source of food, either. It's mentioned that he needs blood, but how does he get it? It doesn't seem to cross his mind, or Shirley's mind, that he could be dangerous to the humans. Another place where you could be more clear. Without this knowledge, I'm having trouble deciphering the human/vampire interactions. At the very least, the humans should be of the opinion that Zachary is dangerous.


Shirley rolled her eyes at him. “That joke is so old,” she said.


? It wasn't a joke so much as a misunderstanding, wasn't it?


Shirley exited the room, leaving the Vampire and Brett alone in an awkward silence. Zachary allowed himself to relax


But if the silence is awkward, then why is he relaxing? These two images are rather at odds with one another. I'm thinkng this paragraph could flow more smoothly if you make it clear that he's looking around the house to distract himself from looking at Brett.

Again, more descriptions would be helpful here.


“So, uh …” Brett began, in an apparent attempt to break the silence.


Another place where you're stating the obvious.


“You're afraid of who I am, right?” Zachary asked suddenly. “I’ve observed you humans for some time now. I’ve seen those gargantuan posters you put up. You portray vampires as alien beings.”


Something about Zachary's speech here is rubbing me the wrong way. It's really only because of three words--"gargantuan" and "alien beings." Who actually uses "gargantuan" in all seriousness? And I don't think movie posters qualify as "gargantuan?"

"Alien beings" feels like Zachary's tremendously missing the point. Yes, that is what happens view vampires as--and in the context of this story, that's what they are! Ther reason that Brett is afraid of Zachary has nothing to do with that view. In fact, so far, I've seen barely any references to the fact that vampires are popularly portrayed as evil bloodsuckers. It seems almost like a deliberate ommission (the same with not mentioning at all Incubi's sexual nature), but I can't fathom why.

And you really need to answer the question of whether Zachary needs to drink human blood to survive. As it is, I'm totally confused about the nature of your vampires and that's making his interactions with the human kids come across as unrealistic.


“How do you know that my intentions are less than altruistic?”

“Well, if you wanted to kill me or something, you’d have done so, right?” Brett said with a small laugh.


Uh, maybe I'm just reading this wrong, but it feels like two different conversations are going on at once. Did something get lost in the editing? Zachary is asking why Brett thinks he has an ulterior motive; Brett responds as if Zachary's asking the opposite of question ("how do you know whether to trust me?"). So I'm confused.

I do appreciate the fact that Brett and Zachary are getting to have a conversation alone, even though it is rather short. Much as I like Shirley, her presence can be quite overbearing and does have the effect of shutting down Brett, I think. Brett and Zachary alone can discuss more serious things, even if the conversation does go nowhere.


“I don’t know what you vamps eat, but you’ll never know until you try.”


Again, why are these humans frikkin' acting like vampires aren't known to drink blood? Okay, maybe your vampires don't. But in popular culture that's what vampires do. That should be the context from which the humans are acting. It's strange that there hasn't been a single mention of this so far.


Aww, I love the "sand witch" scene. There is a bit of stating the obvious here, but I'm sure you can catch it. There's something very innocent about Zachary's characfter, and I think it comes through very clearly in the "sand witch" scene. Love when he's babbling about garlic and lettuce.


“Nothing,” Brett said quickly.


Why doesn't Brett just flat-out say it? It seems every time that your characters are about to have a difficult conversation, you stop things before they can go that far. Don't be afraid to let your characters ask hard questions and suffer a little. That's how deep, compelling relationships are forged in fiction. I know it's more fun to depict your characters having a fun time together, and that is certainly rewarding, but without the extra depth that comes from airing out everything--all secrets, all knowledge--between them, the fun scenes will quickly fall flat.

What I'm saying is that there's an opportunity for a lot of drama here. Have Brett ask the hard questions, have Zachary get confused and upset, have Shirley protest that Brett's being too rough on Zachary. As it is, all of them seem too willing to let things slide. It's ruining my suspension of disbelief.



Brett and Shirley had agreed completely as long he woke up early before their mother came back from her graveyard shift.


It's a minor thing, but it'd be nice to at least mention what their mother's job is.

I like how even now, Zachary is not willing to involve the humans too much in his problems. It's a strong, consistent aspect of his character.


“Why do your vehicles, um, expel such horrid fumes?”


He recounted the poisonous black clouds erupting from behind the particularly large human vehicle he had seen earlier.


"Recounted" isn't the right word in this instance; you're using it as a synonym for recall, but it has the connotation of telling a story to someone else, which Zachary isn't doing.

I like this conversation between Zachary and Shirley. It's the kind of question-asking that the story's been missing up to this point, and both are very in character. I can see Shirley as someone who's been interested in the supernatural throughout her life, but never had the opportunity to express her interest because of her brother's influence.


“You humans don't really easily believe in the supernatural,”


Pick either "really" or "easily," but don't use them both at the same time.


Once again, I have to bring up my disbelief/annoyance that none of the humans has seen fit to mention that vampires kind of suck on people's blood. Even if Shirley likes Zachary she must understand at least this part of vampire lore. It's kind of the central factor of a vampire!


“I let them go. A few drops of blood can last me about a day or two, I suppose.”


Ah, finally we get the explanation. It's fine that you save this until now, but the humans' complete inability to associate "vampire" with "bloodsucker" is unforgivable.

Shirley brushes off human violence rather easily, doesn't she? Even today there are wars raging across the world and an epidemic of human trafficking. Then again, I guess I can chalk that up to her being young and naive.

For what it's worth, I like your take on vampires. It doesn't hurt the brain, unlike Meyer's sparklepires, and it gives a plausible explanation for how vampires and humans can indeed get along without removing their danger factor. They're only dangerous when they suck human blood. It's an inventine way to connect vampires' dangerous factor to their bloodsucking; that connection has always existed but I've never seen it made into as direct a relationship as you do here. Then again, as a matter of course I don't read vampire stories.


Shirley said, flailing her arms around her dramatically.


Okay, this image makes Shirley look like a spaz. Or very, very immature. Please cut it.

“You can live with us. You won’t need your vampire powers if you live with us.”


It's a nice sentiment, though it seems rather selfish of Shirley. Perhaps she hasn't considered that Zachary might actually like having his powers?

I do wonder where Shirley's friendliness towards Zachary is coming from. I can understand Brett's antipathy, but so far there doesn't seem to be an explanation for Shirley's behavior. I hope you provide a solid reason soon, and not just "she likes Zachary" or whatnot.

About the wars thing--I'd expect human wars to affect vampires to a degree too, huh? Since vampires are dependent on humans for their powers. At the very least, wars should deplete the number of humans available, and since firebombing, napalm, and the scorched earth strategy are pretty popular components on modern warfare (at least from the past century on or so on), they should affect the environment on which the vampires live. So Zachary should have some passing knowledge of human wars even beyond what he's read.

Then again, he might not. He lives in the US, after all, and we've had the fortune to not have had any land wars on this country for some time.


“Copulate?” Shirley said, breaking into laughter. “Procreate? Who uses those words anymore?”


Ahh, scientists do!


"Those words are considered kind of taboo."


Would any actual teenager say the word "taboo?" Shirley would probably just say they're dirty and be done with it. Then again, she might actually say them, since she strikes me as the type to swear.


As they passed by the next block, Shirley brought up the subject of the stolen rod. “Hey, can I see that thing you stole from them?”


Haven't really been highlighting places where you overstate things, since I think that's something you can catch yourself, but this is a particularly egregious example. Cut out the "Shirley brought up the subject of the stolen rod" part. Does the sentence's meaning change? No. If anything, it's better because it doesn't feel the need to spell out everything.


Zachary padded his jacket where the thin rod had been concealed.


I think you mean "patted."

Even in the dim beacons of the streetlights, the gold metal shone lustrously in the dark, as if it was powered by some hidden, inner source of energy.


Ehh, serviceable description, but it reads rather awkwardly. You're using "beacons" in the wrong context here, and meh, not a fan of "lustrously." In this context "hidden" and "inner" mean pretty much the same thing.

Question--are you relying on a thesaurus? Because to be honest, a lot of this story reads as if you are. When you're not trying to use impressive words, the prose flows quite naturally, but you seem to be trying to impress us with SAT words and bizarre syntax at times. It mucks up this story's flow. Remember, there's nothing wrong with being simple and direct. The best prose says the most in the least words.


“Is there some writing on it?”


Something about this phrasing grates on me; it's not very natural. If you saw some writing on an object you were inspecting, I don't think you'd say "Is there some writing on it?" It'd be more natural to say something like, "Wait...is that writing?" Which has the added benefit of not stating the obvious.

“I’ve never seen characters like these before.”


That's nice, I want to see them too! Show them to me, Zachary!

Okay, in all seriousness, please do describe these symbols. It's rather lazy to have your characters say that these symbols look strange, when you can just take a sentence or two to describe what they look like. As it is, this is another example of telling instead of showing.


“Hey – I know a friend who knows just about every language in the world.


This is completely unrealistic. Unless this friend is some sort of supergenius, she shouldn't know every language in the world. There are hundreds of languages; most you've never heard of because they're dying. Maybe this friend has a good handle on a few languages, but I find it very unrealistic that a teenager would be more knowledgable than say, a linguistics professor.

Then again, Shirley could be exaggerating. Hopefully that's made clear when we meet this Allison.

Okay, this second chapter. I'll admit that I didn't like it as much as the first chapter. Part of that comes from it being very, very slow. I get that you're trying to give the characters a chance to cool down, relax, and properly interact after the action of the first chapter. It's a very valid strategy. Except it doesn't really work out in this case because the character interactions hardly lead anywhere. Any conversation that might be remotely difficult or powerful is cut short before it can begin. The resultant conversations are either stilted or excessively casual, to the point where I'm feeling no sense of danger at all. A shame, because you did a good job building up an urgent atmosphere in the last chapter. It goes to waste in this when.

What's bugging me a lot is the kids' reaction to the whole thing. They're so...remarkably blase. Why doesn't a single one of them bring up the fact that in popular fiction, vampires suck people's blood? Good God, it's not like it's obscure knowledge. Everyone with a passing knowledge of vampires knows at least that. I've gone on enough about that throughout this chapter, so hopefully you have a good picture by now what's wrong.

Another thing I haven't really addressed is that by now, I'm having difficult understanding your characters. The only one who seems to have any sort of development and background is Zachary. The two kids exist as convenient guides to the human world, but they have little in the way of personality and motivation of their own. Which is bad, because I think you wanted this to be a "three amigos" type story--which means all three need to be given an equal amount of development. I liked Shirley in the last chapter, and though I was bothered by Brett I hoped for better characterization in the future. At least Brett got some more depth and I have a better picture of what his personality's supposed to be like. Shirley...meh. She's nice to Zachary, but what is her motivation? Every character needs a motivation. It's the driving force behind what they do. Okay, maybe in real life not everyone has a motivation, but this isn't real life, it's a story, and nobody wants to read a story about people doing random things for no reason whatsoever. As it is, it seems Shirley's just being so helpful because the plot calls for Zachary to need someone to help him.

I have to ask if you've done any planning or developing of your characters before you sat down to write this. It really does read as if you're making up their personalities as they go along. I won't advise that you go the full-on Snowflake Method route of planning, since you seem to have some idea where this story's going, but a small amount of planning/background is ideal before you start writing. Especially when it comes to your main characters. Every story grows from its characters, and if the characters are poorly written, then the story itself falters. Take the time to write detailed profiles for their characters. Their pasts, personalities, motivations, goals. Develop them into real people, not ciphers who do whatever the plot requires of them. At the very least, that will allow you to keep them consistent. It seems you have a good handle on Zachary, but none of the other characters rings true. Which is frustrating, because I want to like them. I still think Shirley is badass and I love her attitude, and I always appreciate Brett's kind of practicality in a fantasy story. But I can't actually like them as people, because at this point, they aren't people.

I've noticed a higher amount of awkward phrasings, redundancy, and especially stating the obvious in this chapter. It definitely seems less edited than the previous one.

I'll still keep reading this. The more I read, the more I like Zachary, and this main plot seems interesting, even if it's barely affecting the main characters as of now. But a lot of improvements do need to made to make this as compelling a story as possible.

PM me if you have any questions.
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Zachary answered Shirley’s question.


Aww, now this is overstating things. Nothing wrong with a "said!" It should be clear from his words that he's answering Shirley's question. Trust the readers' judgment; we can assume a lot of things based on context alone. It's insulting to spoonfeed us information every time.


I see.

So spill the beans – where are you from?”


Eh, if I met a vampire, that would not be the first question I'd ask. I'd ask something like, do you really have to suck blood? Is Twilight accurate? (XD) That kind of stuff.


Some other readers requested not to have any Twilight references.

Shirley played with her dyed, bright red hair


You're writing this from Zachary's perspective, right? So, since he's unfamiliar with the concept of hairdye, the narration should make no mention of it until Shirley starts explaining. You'd do better to describe, more specifically, the shade of Shirley's hair. Prior to reading this, I assumed she was a natural redhead (a coppery, orangey shade), but it seems more apparent that her hair's an artificial bright red. Might want to make that clear from the beginning.


Hmm, I thought I had mentioned it in the first chapter. But I'll check again anyway.

Actually, I notice a lot more dialogue tags and "character dialogue-tagged adverbly" constructions in this chapter than there were in the previous. Maybe because there's just more dialogue overall.


Perhaps. I'll try to remove them then.

He feared that the large monster would simply open up its mouth and devour them hole.


One small thing--I think you mean "whole" instead of "hole."


I think it's a typographical error. D:

Other than that, aww. I'm loving Zachary more and more. In fact, I have to admit I find him kind of adorable. XD Even his formal style of speech is less grating now, perhaps because it now seems that you've settled on that as his natural voice. It was only so troublesome in the previous chapter because you were inconsistent with it.


Thank you!

Throughout this conversation, I find Brett remarkably quiet. Maybe he's not a talkative person, maybe he's busy driving. All the same, it is bothering me somewhat.


I thought I had explained it a bit earlier: "It was obvious, from his hunched demeanor and his reluctance to talk, that he still didn't trust the Vampire."

They entered an area with slightly smaller buildings this time. The Vampire watched in curiosity at the similar architectural designs. He wondered why humans paid so much attention to the external appearance of their homes.


I think this part could do with a lot more description. I mean, this is Zachary's first time seeing human dwellings! Surely he must be amazed. Sometimes, when it serves the purposes of the story and characterization, there's nothing wrong with indulging in a lot of detail. Might be a nice time for some compare/contrast too; have Zachary judge the human houses against the vampiric/incubus/whatever dwellings he's encountered.


He's seen them before, but from far away. Er, I think it's mentioned earlier, but I'll see what I can edit.

He was well aware that his bloodshot eyes were a dead giveaway.


Are the vampires' eyes literally bloodshot, and is that the most major difference between them and humans? Seems like a rather small thing. Unless you're standing really close to a people, you will never notice that their eyes are bloodshot. Zachary's fears seem rather unfounded as of now.


I will have to edit the description of his eyes, maybe. The whites of his eyes are completely red. This was mentioned in the previous chapter, and I thought that people would notice a person whose eyes have no whites.

the Vampire understood that they must have been quite wealthy to afford such a place.


How would he understand that? Again, if he's been removed from human civilization throughout his life, he would have no context for understanding human behavior and customs.

It is hard to write from the perspective of someone outside our typical society. But when done right, it can be beautiful and convincing. Right now, I think you're preferring to take the easy route rather than the more accurate route when it comes to writing from Zachary's POV. You mention that he's confused and naive about human life, but then he makes observations that fit right in line with someone who's been around with humans all his life. You can't have it both ways! Either he has a context for understanding human culture, or he doesn't.


Okay.

“Okay, that's fine then," Zachary said. "But I really need to leave. Being in such, uh, a large human settlement is unhealthy for me."


Is it literally unhealthy for him, or does he just think it's a bad idea? The way you've written it so far, it seems it could go either way. Here's a place where you could stand to be more clear.

I am wondering what the relation between humans and vampires is. Zachary doesn't seem to have any understanding of human society, but he doesn't seem to think of them as a source of food, either. It's mentioned that he needs blood, but how does he get it? It doesn't seem to cross his mind, or Shirley's mind, that he could be dangerous to the humans. Another place where you could be more clear. Without this knowledge, I'm having trouble deciphering the human/vampire interactions. At the very least, the humans should be of the opinion that Zachary is dangerous.


He's just trying to find an excuse to get away from them. Also, he only needs blood to use his powers, it's been mentioned before. He doesn't need it to support his life.

Shirley rolled her eyes at him. “That joke is so old,” she said.


? It wasn't a joke so much as a misunderstanding, wasn't it?


She knows it's an old joke. She doesn't know that Zachary is aware of the joke.

Shirley exited the room, leaving the Vampire and Brett alone in an awkward silence. Zachary allowed himself to relax


But if the silence is awkward, then why is he relaxing? These two images are rather at odds with one another. I'm thinkng this paragraph could flow more smoothly if you make it clear that he's looking around the house to distract himself from looking at Brett.

Again, more descriptions would be helpful here.


Ah, okay.

“So, uh …” Brett began, in an apparent attempt to break the silence.


Another place where you're stating the obvious.


Is it really that bad? I'll go remove these parts then.

And you really need to answer the question of whether Zachary needs to drink human blood to survive. As it is, I'm totally confused about the nature of your vampires and that's making his interactions with the human kids come across as unrealistic.


He has never mentioned that he needs blood to survive. He's only been mentioning that he needs it to use his powers. If he needed it to survive, I think I would have written it in as a description or in a dialogue.

“How do you know that my intentions are less than altruistic?”

“Well, if you wanted to kill me or something, you’d have done so, right?” Brett said with a small laugh.


Uh, maybe I'm just reading this wrong, but it feels like two different conversations are going on at once. Did something get lost in the editing? Zachary is asking why Brett thinks he has an ulterior motive; Brett responds as if Zachary's asking the opposite of question ("how do you know whether to trust me?"). So I'm confused.

I do appreciate the fact that Brett and Zachary are getting to have a conversation alone, even though it is rather short. Much as I like Shirley, her presence can be quite overbearing and does have the effect of shutting down Brett, I think. Brett and Zachary alone can discuss more serious things, even if the conversation does go nowhere.


Actually, I thought that bit was kind of confusing as well. :P I think I forgot to edit that part, so I will do so soon.

“I don’t know what you vamps eat, but you’ll never know until you try.”


Again, why are these humans frikkin' acting like vampires aren't known to drink blood? Okay, maybe your vampires don't. But in popular culture that's what vampires do. That should be the context from which the humans are acting. It's strange that there hasn't been a single mention of this so far.


He has stated that he only needs it for his powers, so Shirley assumed he didn't need it to survive.

Aww, I love the "sand witch" scene. There is a bit of stating the obvious here, but I'm sure you can catch it. There's something very innocent about Zachary's characfter, and I think it comes through very clearly in the "sand witch" scene. Love when he's babbling about garlic and lettuce.


Thank you! I didn't realize his character would appear like that to you.

“Nothing,” Brett said quickly.


Why doesn't Brett just flat-out say it? It seems every time that your characters are about to have a difficult conversation, you stop things before they can go that far. Don't be afraid to let your characters ask hard questions and suffer a little. That's how deep, compelling relationships are forged in fiction. I know it's more fun to depict your characters having a fun time together, and that is certainly rewarding, but without the extra depth that comes from airing out everything--all secrets, all knowledge--between them, the fun scenes will quickly fall flat.

What I'm saying is that there's an opportunity for a lot of drama here. Have Brett ask the hard questions, have Zachary get confused and upset, have Shirley protest that Brett's being too rough on Zachary. As it is, all of them seem too willing to let things slide. It's ruining my suspension of disbelief.


Oh, I see. I'll have to edit that then.

Brett and Shirley had agreed completely as long he woke up early before their mother came back from her graveyard shift.


It's a minor thing, but it'd be nice to at least mention what their mother's job is.


I suppose I could mention it somewhere.

“Why do your vehicles, um, expel such horrid fumes?”


He recounted the poisonous black clouds erupting from behind the particularly large human vehicle he had seen earlier.


"Recounted" isn't the right word in this instance; you're using it as a synonym for recall, but it has the connotation of telling a story to someone else, which Zachary isn't doing.


Okay. :D

I like this conversation between Zachary and Shirley. It's the kind of question-asking that the story's been missing up to this point, and both are very in character. I can see Shirley as someone who's been interested in the supernatural throughout her life, but never had the opportunity to express her interest because of her brother's influence.


Thank you!

Once again, I have to bring up my disbelief/annoyance that none of the humans has seen fit to mention that vampires kind of suck on people's blood. Even if Shirley likes Zachary she must understand at least this part of vampire lore. It's kind of the central factor of a vampire!

“I let them go. A few drops of blood can last me about a day or two, I suppose.”


Ah, finally we get the explanation. It's fine that you save this until now, but the humans' complete inability to associate "vampire" with "bloodsucker" is unforgivable.


I need to edit this bit. Zach doesn't need the blood to survive, it's just for his powers.

“You can live with us. You won’t need your vampire powers if you live with us.”


It's a nice sentiment, though it seems rather selfish of Shirley. Perhaps she hasn't considered that Zachary might actually like having his powers?


Maybe she is selfish or inconsiderate at that particular moment? :D

I do wonder where Shirley's friendliness towards Zachary is coming from. I can understand Brett's antipathy, but so far there doesn't seem to be an explanation for Shirley's behavior. I hope you provide a solid reason soon, and not just "she likes Zachary" or whatnot.


I actually wanted that bit to be a part of future chapters.

About the wars thing--I'd expect human wars to affect vampires to a degree too, huh? Since vampires are dependent on humans for their powers. At the very least, wars should deplete the number of humans available, and since firebombing, napalm, and the scorched earth strategy are pretty popular components on modern warfare (at least from the past century on or so on), they should affect the environment on which the vampires live. So Zachary should have some passing knowledge of human wars even beyond what he's read.

Then again, he might not. He lives in the US, after all, and we've had the fortune to not have had any land wars on this country for some time.


Your thoughts are going in circles. D: You have just answered your own question there.

“Copulate?” Shirley said, breaking into laughter. “Procreate? Who uses those words anymore?”


Ahh, scientists do!


Yeah, I know. But Shirley just wasn't thinking about that at that moment. :D

"Those words are considered kind of taboo."


Would any actual teenager say the word "taboo?" Shirley would probably just say they're dirty and be done with it. Then again, she might actually say them, since she strikes me as the type to swear.


Maybe I should edit this part too.

Zachary padded his jacket where the thin rod had been concealed.


I think you mean "patted."


Ah.

Question--are you relying on a thesaurus? Because to be honest, a lot of this story reads as if you are. When you're not trying to use impressive words, the prose flows quite naturally, but you seem to be trying to impress us with SAT words and bizarre syntax at times. It mucks up this story's flow. Remember, there's nothing wrong with being simple and direct. The best prose says the most in the least words.


Somebody reviewed chapter 1 and said I should use a thesaurus more often. Now you say to NOT use a thesaurus. I do use a thesaurus at times. So what should I do about these conflicting reviews?

“Is there some writing on it?”


Something about this phrasing grates on me; it's not very natural. If you saw some writing on an object you were inspecting, I don't think you'd say "Is there some writing on it?" It'd be more natural to say something like, "Wait...is that writing?" Which has the added benefit of not stating the obvious.


Now that I think about it ... you're right. Something is off too.

“I’ve never seen characters like these before.”


That's nice, I want to see them too! Show them to me, Zachary!

Okay, in all seriousness, please do describe these symbols. It's rather lazy to have your characters say that these symbols look strange, when you can just take a sentence or two to describe what they look like. As it is, this is another example of telling instead of showing.


I had wanted to keep the description of the symbols to the next chapter, but I suppose I could transfer it to this one.

“Hey – I know a friend who knows just about every language in the world.


This is completely unrealistic. Unless this friend is some sort of supergenius, she shouldn't know every language in the world. There are hundreds of languages; most you've never heard of because they're dying. Maybe this friend has a good handle on a few languages, but I find it very unrealistic that a teenager would be more knowledgable than say, a linguistics professor.

Then again, Shirley could be exaggerating. Hopefully that's made clear when we meet this Allison.


You have just answered your own question. :P

She's nice to Zachary, but what is her motivation? Every character needs a motivation. It's the driving force behind what they do. Okay, maybe in real life not everyone has a motivation, but this isn't real life, it's a story, and nobody wants to read a story about people doing random things for no reason whatsoever. As it is, it seems Shirley's just being so helpful because the plot calls for Zachary to need someone to help him.


Her motivation was to be mentioned in future chapters. This was written in Zachary's point of view, so he would not be aware of her motives. So, to Zachary, she would just be saying these things without any reason, while she does, in fact, have a motive for doing what she is doing.

Thank you for the reviews, Adeera and Bickazer!
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“There’s nothing to talk about,” Zachary answered Shirley’s question.


You should just say ‘Zachary answered’ because we know he was answering Shirley.

Shirley played with her dyed, bright red hair, curling her fingers into the threads. “It’s called hair dye, Zach. I might try a dark, black-brown like yours.”


Shirley played with her bright red hair, curling her fingers into the threads. “It’s called hair dye, Zach. I might try a dark, black-brown like yours.”

I would just let Shirley tell us it was dyed, and not let us in on that prematurely.

“I’m sorry if I ... created an obstacle in your quest,” Zachary apologized solemnly. “I suppose it is more reason for me to leave.”

“No way, you’re our guest!” Shirley objected. “You don’t really want to go back there alone, do you? At least let us help you in your quest.”

I’d leave out ‘in your quest’ because it sounds too much like she was repeating Zachary. Or at least change it to something like ‘mission’ or ‘hunt’. Also, the way you said 'apologized solemnly' sounds like an overkill.

They entered an area with slightly smaller buildings this time. The Vampire watched in curiosity at the similar architectural designs. He wondered why humans paid so much attention to the external appearance of their homes.


Maybe you could combine these two sentences. Zachary observed the architectural designs curiously, wondering why humans paid so much attention to the external appearance of their homes.

After a lengthy lecture by Shirley that it no one would pay attention to him during the short walk to their front door, Zachary was finally persuaded. He walked slowly behind the two humans, casting his eyes downward, his head facing the ground. He was well aware that his bloodshot eyes were a dead giveaway.


Maybe you could actually include the conversation instead of describing it, because the sentence here sounds a bit awkward.

“Sand witches? You keep sand witches here?”


This was hilarious XD

Restless, unable to stay still, the Vampire paced around the humans' living room. The human girl had foolishly suggested him to stay at their house for the night (the older one was slightly reluctant), but the Vampire knew that he couldn’t possibly comply. He had a plan though.


Since being restless is the same as being unable to stay still, you don’t need to say both of them. The Vampire paced around the humans’ living room restlessly.

He wondered over towards the window beside the door, pushing away the curtains so he could see the night sky.


Wondered should be wandered.

Wow this was a really great second chapter! I love Shirley; she comes off as cute and talkative, without being annoying. The dialogue with the sand witches and the copulating were hilarious, you do a really good job adding in comedy. I also thought it was funny when Zach said he wanted to take a stroll and Shirley was like ‘that’s just where I was going’; I never saw that coming!

I wish you could add in more of Brett, because most of the time I completely forget he’s even in the scene. I still don’t really know where he stands with Zachary. He seems like he’s frightened of him, and definitely skeptical of the whole vampire thing, but he never protests to Shirley’s bizarre way of believing whatever Zach tells her. If he was any kind of older brother, he would be extremely protective of her. I can’t believe he actually let him sleep in their house at night. So that was a very unrealistic to me.

I’m craving a lot more depth to your characters. It just seems like you’re not putting much effort into telling us what they are feeling. Sure, we know what’s on their minds through the dialogue, but there’s not enough emotion for me. If Brett is frightened by sitting next to a vampire, make it obvious. If Shirley gets excited when she talks to Zach, tell us how her eyes sparkled or lit up. Small details like that will give us little insights on their characters. Here’s a few times you did it right:


Feigning reluctance, Zachary followed Shirley down the dark streets of the human settlement.

It was obvious, from his hunched demeanor and his reluctance to talk, that he still didn't trust the Vampire.


More sentences like those^^

Since characters are what drive a story, I think it would benefit you tons if you sat down and created a detailed past of each character. Find their soft spots, their fears, their quirks, and everything else that makes them unique. Once you know them inside and out, writing for them will become so much more believable.

Besides that the chapter went really well, and I’m excited to read more! Any questions, send me a PM.
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The good news is we can't make any mistakes.
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Thank you for the review, TheBlackSheep! : ) I haven't had time to edit both chapters extensively, but once I do, I'll let everyone who wants to keep reading know.
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If I feel physically as if the top of my head were taken off, I know that is poetry.
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