Death's Riddle

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Smitty found himself in an odd place, or at least it was odd considering where he had been moments before. He was standing in an office, whereas he had been standing on a crowded street. This change of surroundings puzzled him a great deal. What also puzzled him was the nature of the office that he was in. It was a well-lit room with a desk, a chair in front of that desk, and posters of different animals on all the walls. The whole set-up reminded Smitty of a travel agency, though the animal posters were an obvious departure from the norm.

“He... hello?” he asked, looking around to see if there was anyone there.

There was the sound of a door opening. Smitty turned around. A middle-aged man, dressed in a nice suit, was entering the room. He had a head of blond hair and a happy expression on his face. Smitty stepped back as the newcomer shut the door and turned towards him.

“Ah, here you are again,” the other man said, holding out a hand. “You’re one of the ones I’ve always liked seeing.”

Smitty was quite confused by all this. He did not remember having ever met anyone like this man before. Nevertheless, he did return the handshake. Smitty was nothing if not a very polite man. “I beg your pardon,” he said. “But I can’t seem to recall who you are.”

“That’s quite all right,” the man in the suit said, a smile still on his face. “It’s rather impossible for you to remember me.”

Smitty frowned, still somewhat unsure of what was going on. “Just who are you then?” he asked, letting go of the other man’s hand.

“Death.”

Smitty paused. A creeping sensation traveled up the back of his neck and he swallowed down the lump of nervousness that was forming in his throat. Had he heard that right? “Death?”

The man nodded as he walked past Smitty. “The one and the only. I am Death, whom none can excel.”

Smitty tried to calm himself down as Death sat behind the desk. He had no reason to doubt that this individual was indeed who he said he was. In fact, it seemed as though doubt was impossible, as if all things in this place were as true as true could be. Smitty tried to doubt anyway, tried to tell himself that maybe all of this was just a dream. But he could not. It was a humbling feeling.

“Please, sit down,” Death said to Smitty, motioning to a chair. “Why stand when you can be seated?”

Smitty took up the offer, seating himself with trembling legs. “So... am I... have I really?”

Death nodded. “You are dead, Mister...” here he paused and looked at a folder on the desk. “Desmond Smith. But your friends call you Smitty. May I call you that?”

“Uh, yeah, sure,” Smitty said, taking a deep breath.

Death smiled, a smile that put quite a bit of reassurance into Smitty’s mind. “Thank you, Smitty.” Hearing that familiar nickname helped even more to ease the poor man’s nervousness.

Smitty nodded, taking a deep breath and relaxing himself somewhat. “Might I ask how I, erm, met my end?”

“Why not?” Death asked in return. He smiled and opened the folder. “It’s a perfectly legitimate question. Let’s see here. Ah, brain aneurysm. Blood vessel burst and, well, here you are.”

Smitty nodded as he processed the information. It wasn’t too implausible. His job, an assistant in the Ministry of Public Interest, had been quite a bit more stressful in the past few months. He had considered taking a leave of absence, but had never really acted on it. Well, as unfortunate as it was, it was much to late for that now.

“Can’t say I’m all that... surprised,” Smitty said, tapping his finger on his knee a little.”

Death nodded. “Few are.”

“Why is that?” Smitty asked, a bit of curiosity leaking through his nervousness.

“Why not?” Death asked, that smile still on his face. “After all, all things have consequences, and you don’t have to be very smart to see the connections between the two. But don’t worry. You’ve seen your end before, and passed through here just fine.”

“What do you mean?” Smitty asked. “You keep saying that I’ve been here before. “Is this some kind of reincarnation thing?”

Death pointed at the man with a smile on his face. “Bingo, Smitty,” he said. “That’s the system. And I’d be glad of that if I were you. That time with Chelsea Bridges in university? That’s intercourse outside of marriage right there. Heaven would frown on such things. If it existed, that is.”

Smitty nodded his head, turning a little red at the mention of his carnal exploits from his youth. Yes, he had dodged a bullet there, hadn’t he? “Well, thanks...” he said to Death.

Death held up his hand for Smitty to be quiet. “Don’t thank me,” he said. “I’ve got no say over this. It’s just how the system is. All I do is my job within that system.”

Smitty nodded. He looked over at Death for a moment, still somewhat in shock about all this. As he looked around the office, he noticed the conspicuous absence of something that he would have expected to be there.

“Where’s your scythe?” he asked. After all, didn’t Death always have a scythe?

Death paused, and a bit of his smile faded from his face. “I don’t keep it out,” he said. “You see, Smitty, I’m not a reaper but once in a very great while. I don’t like it. When I have to use the scythe on a soul it means that soul leaves the system forever. That means there are a great many lives that might not happen. I prefer to just help souls passing through to their next life. There’s a lot less guilt involved.”

Smitty was quieted a little. “I’m sorry.”

“It’s all right,” Death said, that little bit of smile returning to his face already. “In case you haven’t noticed, this place is all about the truth. I’m just honoring that spirit of honesty.”

Smitty nodded. “So, if you’re not a reaper, then what are you?”

“A travel agent,” Death said, holding out his hands to indicate the posters on the wall. “I’m here to help you book your destination for your next life.”

This was new. “You mean, it’s my choice?” Smitty asked. “Whatever I am in the next life, it’s my decision?”

“Why not?” Death asked, sitting back in his chair and folding his hands in his lap. “Though, and you may have already guessed this, you aren’t going to remember your former life. Things really don’t work that way.”

“So, why decide your next life if you aren’t going to remember why you wanted it/” Smitty asked. The whole thing seemed rather odd to him, and somewhat pointless as well.

Death shrugged. “Don’t know. I just do my job.” He opened a drawer and pulled out a candy bar. He slid it across the desk to Smitty, who picked it up and began to unwrap it. “So, what’s it going to be?”

“Beg your pardon?” Smitty asked as he began to eat the candy bar.

“What would you like to be in your next life?” Death asked. He took out some brochures and laid them out on the desk for Smitty to see. Dogs, penguins, snakes, cockroaches, animals of all kinds were advertised upon them.

“What if I just want to be a human again?” Smitty asked.

“No can do,” Death said, shaking his head. “Gotta pick something else. World needs variety.”

Smitty frowned for a moment as he looked at the brochures. There really shouldn’t be any problem making this decision. After all, it wasn’t like he was going to remember making it anyway. And yet, he still found that it was puzzling him. There were a great many possibilities there, and quite a few of them intrigued him greatly.

“I don’t know,” Smitty said at last.

Death looked a little puzzled at this. “You don’t know?”

Smitty nodded. “I really don’t know.”

Death grinned. This was something that Smitty was aware should be scary. After all, it was Death grinning, his white teeth perfect between his lips. And yet, instead of being frightened by this, Smitty was merely intrigued.

“Tell me, Smitty,” Death said. “How would you like to answer a riddle?”

Smitty paused. “A riddle?”

Death nodded. “A riddle. But not just any riddle. The secret to living well is tied up in this riddle. I have posed it to many souls passing through, but none yet have given me a satisfactory answer.”

At this, Smitty balked a little.”Well, I’m not really sure I could do any better than anyone else...”

“I’ll throw in some incentive,” Death added. “If you can give me a satisfactory answer, I will make it so that you keep your memories, forever and ever. You’ll still die, of course. Not even I can change that. But you’ll always remember being Desmond Smith. And, by proxy, you’ll always be Desmond Smith.”

Smitty was quiet at this. It was quite an offer that Death was giving him. “Why are you giving me this opportunity?”

“Why not?” Death asked. “You’re a nice guy, Smitty. I’ve always liked the plucky simplicity your soul has shown when it passes through here. I’d like to see what kind of answer you can come up with.”

This was of small comfort to Smitty. Still, he had to admit to himself that the offer was quite enticing. And what difference would it make if he wasn’t able to come up with a good answer? It wasn’t like he was going to be able to remember it anyway, if that were to happen.

“What’s the riddle?” Smitty asked.

Death smiled. “Why did the chicken cross the road?”

This made Smitty pause. Based on death’s description of the riddle, he had assumed it was some difficult philosophical conundrum. He had not been expecting something so mundane. Smitty opened his mouth, ready to give the first answer that popped into his head. But he stopped himself. That answer didn’t feel quite right. There was no doubt in his mind, now that he thought about it, that that it had been given before and found unsatisfactory. Smitty tried to think of another answer. But nothing that came to his mind seemed good enough.

“Need time to think?” Death asked sincerely.

Smitty nodded. “It’s a harder question than you would think.”

“Indeed. In the meantime, lets look over your choices for your next life.” Death picked up one of the brochures. “Personally, I think you ought to at least stay a mammal. You don’t seem like the cold blooded or flighty type to me.”

Smitty shrugged his shoulders. “If you say so.” He was still thinking about the riddle that had been posed to him.

Death looked at the brochure a bit longer. “How does a racing horse in Kentucky sound?”

“Eh, too much work,” Smitty remarked.

Death nodded and kept looking. “Leopard on the Serenghetti?”

“Hm. Maybe.”

Death nodded again. “Let me ask you something else. What kind of animals did you like watching?”

Smitty thought about htis for a moment or two. “Sometimes, when my family would go up to Scotland, we could see dolphins from shore. They were fun to watch. They’d jump around in the water, playing and what not, looking like they were having great fun.”

Death nodded and smiled at this. “Then I think your next life will be a dolphin off the coast of Scotland.”

Smitty opened his mouth to give a reply, but stopped. He considered the answer he was about to give, and realized in that instant that it was also the answer to the riddle. It was simple, simple enough that it could escape the notice of those who were looking for an answer of some cosmic significance. What made Smitty so sure that it was the correct answer though, was that Death had already said it.

“Why not?” Smitty said to Death. “That’s why the chicken crossed the road. Why not?”

Death paused. “Is that your answer to the riddle?”

Smitty nodded.

Death smiled. Then he began to laugh, a laugh chock-full of amusement and satisfaction. “For 5000 years I’ve been asking that riddle. Congratulations, Desmond Smith. You’re the first to give me a good answer.”

Smitty breathed a sigh of relief. He’d managed to do it. Still, there was something about it that he didn’t quite understand. “So, how is that related to the secret to living well?”

Death grinned again. “Tell me. How did you know that was the answer I was looking for?”

“Well, you kept saying it, I guess.”

“You paid attention,” Death said as he sat back in his chair. “And that is the secret.”

This really made Smitty pause. “That’s it?”

“Why not? Why should it be some complicated thing? Paying attention gets you quite a few things, as you have just discovered.” Death pointed to the door. “When you’re ready, walk through that door and you’ll go on to your new life. But you’ll remember being Desmond Smith, and you’ll remember me. And you’ll never forget going from life to life from now on. You’ve earned it.”

Smitty sat there for a bit without saying anything. He was at somewhat of a loss for what to do. Then, at last, he got up and held out his hand to death. “Thank you,” he said. After all, he was nothing if not polite.

Death leaned forward and shook Smitty’s hand. “I’ll be seeing you again, Smitty. And I’ll be looking forward to it.”

This phrase, coming from one such as Death, should have been quite frightening or intimidating. But it was no such thing. Instead, it made Smitty smile a little. Then he turned and walked to the door. Taking a deep breath, he opened it and stepped through.

Death chuckled a little as the door shut on its own. “Good man,” he remarked to no one in particular. Then he got another candy bar out of his desk and began to eat it, a satisfied smile on his face.
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Hey Conrad! I have to say, this is really good. I can't find much to critique in this, which surprises me. The dialogue is completely realistic and believable, and your characters are well played-out. I wish there was something I could say about this that might help you, but really, there isn't anything. This definitely deserves to be a featured work! *likes* Oh, but it's killing me right now...there's nothing! D:

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Hi

I like this one, because I think you have set up a very effective interplay between the two characters. The way they speak to one another is very natural, and very thorough.

I think there were only one or two things that tripped me up about the whole thing.

At the very beginning, I think the sentence structure is very formulaic. You have used the same type of clause several times, and although it is effective, it seems just a little monotonous at first. I think a little variation could be useful. Also I am having trouble visualizing the room, because you are jumping around a lot. Maybe focus on a few stand-out details.

And overall, I got a feeling that you could have gone a little deeper, philosophically, and although I think the humor is very well-placed, I also didn't feel as invested as I wanted to, if that makes sense. I think if you kept the humor a little more contained, you could have a much more effective story.

Very nice!
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Hello there! I come bearing reviews!

a happy expression on his face

This... bugged me. It's just so non-specific. What does this happy expression look like? Does Death have any other particular features that make him stand out other than his blond hair? It just seems like this is a great moment to lay out a quick first impression and instead we get something so nondescript. Liven it up a little? Specify a little more? Unless Death is supposed to have a bland, nondescript face, in which case, it's okay to say so.

Had he heard that right.

This needs a question mark, methinks.

There’s a lot less guilt involved.

Why would Death feel guilty? In this story, isn't he the be-all, end-all? Is there an authority higher than him? It seems like he's the one calling the shots and he has no reason to feel guilty at all. It's not like he owes these people anything. What happens when a soul leaves the system? Is it just gone? Where does it go? And it's not like it's going to remember anything, seeing as how no one remembers these things it seems, so why should he feel guilty?

I had a hard time with this idea of a revolving door Death. It seems like you're playing Death up to be a bit of a guide in reincarnation, rather than the end of experience. What exactly is the point of it? And why can they only reincarnate as animals? Is it like they have to work their way up to humans again? Do animals get to choose what they reincarnate as? Do animals even reincarnate? What's the point of their existence anyway if they're just going to keep going around in this cyclical existence? Smitty's happy he dodged a bullet in avoiding punishment for his sins, but what about really bad criminals and whatnot? People who feel no remorse or embarrasment? Do they get punished? Do they still get to choose another form and start over?

Also, in five thousand years, no one else came up with that answer? Seems kind of unlikely.

Smitty seemed rather unfazed by the whole thing. That, and Death's comments about how he likes Smitty, make Smitty to be almost unlikeable. Borderline Gary-Stu? I dunno, I just wasn't feeling his character. Granted, the focus of the story is on the system Death runs, but with no character to latch onto, you're stuck thinking about the system itself and that's when I came up with all the above questions.

This isn't badly written by a long shot. It just didn't draw me in. I felt distanced and jaded about it, and so was thinking too hard about things rather than letting the story carry me along. Perhaps giving Smitty or Death a little more depth as a character to give us someone to emotionally latch on to so we can enjoy the surreality of the rest of the story?

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Hey,

I read through the entire thing and well, I don't want to critique it. The plot was simple, but elegant. You expressed the characters personalities very well, and the dialog was also excellent. I loved the whole concept of a riddle, and how the people would choose their next life. Really incredible story you've got here Conrad.

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I love a good laugh, and this certainly provided it. I guess this is meant to be a humorous piece, then, which is why I reckon it's okay to be distanced about the whole turn of events somewhat. I see the characters, but I don't know the characters - but since it's the punchlines I was looking out for anyway, their 'lack' of character was perfectly fine by me. Appreciated, even, since it let you get on with the plot without beating about the bush with inanities about their thoughts and emotions. In a way, I actually preferred not knowing them well, since now it has given me time to think about the theme of the whole thing.

Yes, for all I say that it's a laugh, it does raise some fascinating questions about the nature of death. I fell off my seat laughing at the line: 'I'm just a travel agent.' Firstly, gotta mention that as an Indian, that whole idea of reincarnation is amazing and the fact that it is Death not God who continues it is likewise intriguing as well. The myths - and maybe even the hindu religion - holds that we go through something like 60000 (don't quote me on that) species before we return to the human form. The line 'World needs some variety' was great too - it makes me think of ecological problems with the lack of biodiversity created by humans overpopulating the planet. And you put it much simply than I just did!

Also, the idea of remembering your past, remembering the reason for why you chose sth as your future. There's been cases of kids in India (and, perhaps the rest of the world - I don't really know (I don't even live in India anymore and haven't for about ten years)) who can remember their 'former lives.' I'm pretty sure it's a word of mouth thing (not sth you'd find on the net, but I may be wrong), but cases where kids who were born miles away from where they died can remember the exact route to their previous home and old family. So...I guess a question I want to ask you here is - is Smitty reborn? Does he grow up like a child and live again to be an adult Desmond Smith? Or does he simply carry on his life from where he 'left off'?

Anyway, an enjoyable read. I wouldn't say it's a masterpiece - it's light humour, after all - but thanks for putting it up. Definitely deserves being featured.




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Hmmm... Interesting. Before I dive head first into this critique, I would like to point out that you did have a few errors in grammar and spelling here and there. Not enough that made reading this difficult but they were kind of annoying. If you could fix those that would be wonderful. Next I would like to say that I thoroughly enjoyed this story. I don't often find short stories with such satisfying endings. I would like to know however what your inspiration for this particular piece was. "Why not?" I simply love the simplicity of that statement. (hah) It does explain a lot about life and I completely agree with it. It seems to capture the essence of your characters as well and I love how it ties into the story line. Over all well done, well done.
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Wow, Connie xD I really enjoyed this short story. The dialogue was very believable. I liked the simplicity of it. There were a few typos in the story--a random slash "/" and I think this was spelled like "thsi."

The second thing that sort of bothered me was this paragraph:

Smitty opened his mouth to give a reply, but stopped. He considered the answer he was about to give, and realized in that instant that it was also the answer to the riddle. It was simple, simple enough that it could escape the notice of those who were looking for an answer of some cosmic significance. What made Smitty so sure that it was the correct answer though, was that Death had already said it.


I think you could've shown that Smitty knew that his answer was also the answer to the riddle without stating it. You could've used an action, or an expression, because it sort of in a way ruined the surprise.

Uh oh, I have to get off of the computer, so this review is short -.-"

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Hey Conrad! :)

Hmmm... I find myself agreeing with Gryphon. I do feel rather distanced from Smitty. As well written as it is, it doesn't really stir emotions. I feel a bit indifferent. What it does stir is questions. The biggest one for me was why did Death let Smitty's one offense slide? And honestly, is that the only offense? That aside, your take on death is interesting and your plot is well constructed. I love the title, by the way. :D

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I rather liked this peice. It was a nice creative take on death, and I particularly like the part about how paying attention is the secret to living well. That's a pretty profound truth I think. Anyways, I don't really have much to critique. I don't really get what gryphon is trying to get at with the "be more specific" thing. I think, as it's a short story, it does a pretty good job of filling that role. Not everything has to be answered. I like that it makes the readers ask questions, but doesn't necesarily give them the answer. Good for the brain. Anyways, overall I really did enjoy this story. Good work :)
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Hello Conrad!

You do realize I have been tossing this story over in my head since you posted it?

Expect lots of rambling. xD

He was standing in an office, whereas he had been standing on a crowded street.


This sentence made me stumble a bit. I keep wanting to slip "before" after "whereas." However, that would make "before" repetitive and I don't think any sort of repetition would work here. This line could stand to be reworked, as it is your only indicator in the first paragraph that this situation is odd.

The whole set-up reminded Smitty of a travel agency, though the animal posters were an obvious departure from the norm.


When I read Death say he was a travel agent later on in the story, I sighed a little bit. A character being so correct in his assumptions of the setting removes an element of surprise when the true setting is revealed later on. It can be good characterization for the character, that they just have a "knack" for this stuff, but that doesn't seem like Smitty's character to be honest. And it seems like it'd be too forced in this story, so any sort of knack Smitty had probably cut.

Not sure what else you could do with the line, though. If it's possible to come up with another analogy either now or later, I would.

He had a head of blond hair and a happy expression on his face.


The more I look at this line, the more I realize this isn't as good as it could be. By leaving Death as descriptionless as you have, you're doing a pretty good job of letting us fill in the details. Which I do like.

However, by leaving it 100% up to our imaginations you're going to have to shape Death's personality by his dialogue and mannerisms. We have not gotten dialogue for him yet, so that's ruled out, and right now you're letting both looks and mannerisms be up to us. That's a bit much for a reader to imagine all at once, especially when the character is just introduced. It was harder to get an idea on Death's personality later because his character is so open-ended at first.

I'd suggest you replace this with just a description of how his expression is happy. That way, you can still leave Death's actual look up to us (which is a wise choice, considering the nature of the character) but you'll start to describe Death's mannerisms so he's a stronger character come the end.

Smitty frowned, still somewhat unsure of what was going on. “Just who are you then?” he asked, letting go of the other man’s hand.


I tend not to be a fan of double-tags, where there is description before and after dialogue, but here you might have a long enough tag after the dialogue to make it work. The thing about double-tags is, for me, they tend to break up the flow of dialogue a bit. You do that just a little here, but I think what's gained (knowing exactly when this is said) is worth it.

Smitty paused. A creeping sensation traveled up the back of his neck and he swallowed down the lump of nervousness that was forming in his throat. Had he heard that right? “Death?”


Two questions in a row, one of them being dialogue, threw me off here. Also, "had he heard that right?" seemed a bit odd where it is. It seems to simply be restating what the description before had just said, and the description before did a good job of implying it. That line could be cut.

Your second sentence here, about the creeping sensation/him swallowing, is a bit long. I'd replace the "and" with a period.

He had no reason to doubt that this individual was indeed who he said he was.


This provides a lead in to the rest of the paragraph, but it (and the rest of the paragraph) seem to contradict your line before when he tried to calm himself down. If he had no reason to doubt, then he should have still remained pretty calm, correct?

It's also a bit of a bolt from the blue. "He had no reason" implies that there's some sort of sensation, yet with a realization (and reaction) such as this, then some explanation is needed. Get more into Smitty's head with his reasoning, to show why he would stay calm through this. And I am treating this paragraph like he would stay calm, despite your first line, because of how the story progresses. It doesn't linger on Smitty's nerves and I find that's what gives this story an otherworldly edge.

All that being said, I'd still like to see some logic in here as to why there's no doubt. Even if it's just making the first line of this paragraph slightly different, so he has no need to calm himself down because deep down this isn't a shock to him.

seating himself with trembling legs.


And why would he tremble if he's without doubt in this whole situation?

Hearing that familiar nickname helped even more to ease the poor man’s nervousness.


This whole nervousness arc needs to be woven in more, as it's only making a small appearance. The rest of the story (very early beginning and most of the end), Smitty seems to be feeling alright about this whole thing. Is he nervous because of the realization of where he is and/or who he's speaking to? If so, that needs to be mentioned. Because there is no real reason for him to be nervous otherwise.

I also dislike how this line is set up almost like a tag. I had to glance at this line a couple times to realize it was a description of Smitty.

Smitty said, tapping his finger on his knee a little.”


That quote shouldn't be there.

The gesture also seems a bit odd. He makes no gestures otherwise in the story, so having this solitary mention does nothing for the character, I find.

“Why is that?” Smitty asked, a bit of curiosity leaking through his nervousness.


Smitty's dialogue has changed from rather informal to formal, and I'm not sure I can place a reason for it. Could be the lack of nerves, but this is formal almost to the point of stiffness. I dislike this.

And you keep bringing in those nerves, and I keep wondering where they are coming from.

“You keep saying that I’ve been here before. Is this some kind of reincarnation thing?”


Bolded another extra quotation mark.

turning a little red at the mention of his carnal exploits from his youth.


"His" is repetitive in the last bit of that sentence. I'd replace the first one (his carnal exploits) with "the."

“Well, thanks...” he said to Death.


Another double-tag, and this one can most certainly be cut. We gain nothing from it.

He looked over at Death for a moment, still somewhat in shock about all this. As he looked around the office, he noticed the conspicuous absence of something that he would have expected to be there.


The transition between these two sentences is rather rough. You go from him looking at death to implying he's been looking around the room for awhile (with the as), and I find it jarring. I'd suggest saying something about there being a pause in the conversation he fills (or creates) by looking around the room.

"Looked" is also repetitive.

“So, why decide your next life if you aren’t going to remember why you wanted it/”


Question mark instead of a slash.

He opened a drawer and pulled out a candy bar. He slid it across the desk to Smitty, who picked it up and began to unwrap it.


The repetition of "he" to start the sentences here bothers me a bit. You'd already had the same sentence structure outside of dialogue right before this (Death shrugged) and this is feeling really repetitive.

I also realize Smitty's candy bar doesn't make an appearance after this. It's a small thing, but I think it should be brought in a bit more. It could be used to show how absorbed Smitty is in the riddle, that he doesn't notice it.

“Need time to think?” Death asked sincerely.


I'm not sure how I feel about "sincerely" here. First, it seems like an adverb only a handful of people will actually be able to apply to a tone of voice. Secondly, Death seems like a sincere guy in the first place. That adverb really isn't needed.

Smitty shrugged his shoulders.


I'm not sure how much I have told you "his shoulders" is redundant when using the verb "shrugged," because "shrugged" implies "his shoulders" pretty completely.

“For 5000 years I’ve been asking that riddle.


Roads were only invented about 4,000 years ago, I think. And I find myself agreeing with Gry that you've set up a pretty long timeline for people answering incorrectly. The only way such a large number of years could work is if Death had asked very few people. And if this is the case, you need to mention that.

*

My main problem is the beginning, when Smitty seems to switch between nerves and calm. Part of it is the tone of the work, which I'd rather you not change, but a lot of it was how we're not given reasons for his nerves. We're given some, the shock of it all, but he seems to be calm about the whole situation so the nerves need to be connected to the shock in one way, or being face-to-face with Death, or some other thing.

The nerves also disappear rather quickly for how much they play a part in that very small section of the story. The transition from nervous to curious could stand to be smoothed out more, so it's not just stuck in because nerves would be the natural reaction. An air about Death, the calmness of the situation, anything really, could be used to smooth out the transition.

Also, I found your opening paragraph a bit lackluster the more I read it. You keep telling us it's rather unusual, but I had to pay really close attention to see the reason why. I mentioned that sentence at the beginning of the review. I think that needs to be made a bit more prominent in the paragraph, so readers are more inclined to keep reading.

Overall, past the rocky beginning, I found this enjoyable and you could say I disliked reviewing it. :P The concept was strong and I liked the twist you took to Death and the Reaper. I'd almost like to have seen more of Death's side on that, but it doesn't fit with the story so that'll stay in my imagination. You could consider a long review a compliment, cause I had to think about this a lot.

Good work.

Drop me a line if you have any comments/questions.

~Rosey

Edit- Yay! My 650th review. :D
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This is great - really. I wasn't in the mood to read something long right now, but it flowed so well that I didn't even realise. Keep it up
:)
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Deserves the front page display :)

I also found that Smitty reminded me of Arthur Dent from the Hitch Hiker's Guide to the Galaxy Trilogy (of 5 books), so the unconcerned and slightly flat character of Smitty was quite understandable to me :P

Thanks for the entertaining read :3

- JaI
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Conradio!

So, I've been an absentee for about half a year now, and I think it's fair to say that I'm rusty in all the wrong places at reviewing. Criticizing is another story though, so if I'm overly critical, too nitpicky, or whatever, let me know, because I'm sure my critiques need refining to style and such.

Without further ado, I'll begin saying that the first thing that struck me as off in this review was your language -- it's slogging, because instead of just stating factual information you backtrace and repeat little bits here and there, which, in some cases would not be a problem, but for the opening, it dragged me back, and it made getting into this a chore. I recommend that you clean up any places that you can that live with this, dear, because it would invariably make the reading lighter.




Conrad Rice wrote:Smitty found himself in an odd place, or at least it was odd considering where he had been moments before. He was standing in an office, whereas he had been standing on a crowded street. This change of surroundings puzzled him a great deal. What also puzzled him was the nature of the office that he was in. It was a well-lit room with a desk, a chair in front of that desk, and posters of different animals on all the walls. The whole set-up reminded Smitty of a travel agency, though the animal posters were an obvious departure from the norm.


All of your bases for detail are repeated. I understand that this, in some pieces, is a wonderful way to introduce a story and set the tone (in this case, the puzzlement that the character obviously harbors), but as I mentioned in the first paragraph it drags on a little bit, and I'd recommend that you use synonyms to aerate that a little, because as far as openings go, it did little for me, dear. I hadn't much incentive to keep reading.

“He... hello?” he asked, looking around to see if there was anyone there.


Does nothing, implied already.



There was the sound of a door opening. Smitty turned around. A middle-aged man, dressed in a nice suit, was entering the room. He had a head of blond hair and a happy expression on his face. Smitty stepped back as the newcomer shut the door and turned towards him.


I don't like this paragraph, because you switch from past and present tense too freely, dear.


Smitty frowned, still somewhat unsure of what was going on. “Just who are you then?” he asked, letting go of the other man’s hand.


"somewhat" is one of the worst words you can use to narrate unless something really is that somewhat; be clear, be concise, Conrad.



Smitty tried to calm himself down as Death sat behind the desk. He had no reason to doubt that this individual was indeed who he said he was. In fact, it seemed as though doubt was impossible, as if all things in this place were as true as true could be. Smitty tried to doubt anyway, tried to tell himself that maybe all of this was just a dream. But he could not. It was a humbling feeling.


Another snippet I don't like -- I feel that this is a beating around the bush way of expressing the situation at hand, dear. Third person is that approach, but you can get a little closer, instead of just having your character try at these emotions, if you know what I'm saying. Instead, tell us what emotions and thoughts go through his mind, because this seems a little too hypothetical to be a beneficial ingredient to the story. My advice would be to cut it out and replace it with a different sort of exposition to the emotion at hand.





Smitty took up the offer, seating himself with trembling legs. “So... am I... have I really?”


I've noticed in the past half year that a lot of people, when writing, tend to do this -- include an adjective, or phrase, or whatever that's not really suited to the task at hand -- trembling legs really doesn't click well with the rest of the sentence, dearie. Instead, I think that if it were more of something he was thankful to do because of his trembling legs would sound a lot better, or gratefully accepted the offer because his legs were trembling -- be very careful of the way you organize your details, Conradio, because it's the smaller things that throw off the golden ratios of perfection. :)





Death smiled, a smile that put quite a bit of reassurance into Smitty’s mind. “Thank you, Smitty.” Hearing that familiar nickname helped even more to ease the poor man’snervousness.


Don't do that, please. :P Poor man is a slang adjective, that really doesn't fit when properly describing.

Also, I do not understand why he is relaxing at all, dear.



Smitty nodded, taking a deep breath and relaxing himself somewhat. “Might I ask how I, erm, met my end?”


Relaxing again? Tweak that. Again, somewhat is not a good word here. It's too foggy, you can't see the lighthouse that you need to reach with that.










Smitty nodded. He looked over at Death for a moment, still somewhat in shock about all this. As he looked around the office, he noticed the conspicuous absence of something that he would have expected to be there.


Somewhat again. It would be of benefit if you didn't keep telling us about shock, surprise and doubt that this character has, especially in tandem with relaxation. It rocks the boat a little too far to the left.

“Where’s your scythe?” he asked. After all, didn’t Death always have a scythe?


Nice. :D



Smitty was quieted a little. “I’m sorry.”


Was he making noise before, and did he only stop a fraction of it? Clear and concise, Conrad.

“It’s all right,” Death said, that little bit of smile returning to his face already. “In case you haven’t noticed, this place is all about the truth. I’m just honoring that spirit of honesty.”


Also, take advantage of the freedom writing gives you with description. Describe that smile more; is it creeping up to tug on the right side of his mouth? Is it sinister? We don't have a clear picture of this, and I honestly feel you could do a far better job.



“A travel agent,” Death said, holding out his hands to indicate the posters on the wall. “I’m here to help you book your destination for your next life.”


Haha, this made me laugh.


The whole thing seemed rather odd to him, and somewhat pointless as well.


Kill that.



Death looked a little puzzled at this. “You don’t know?”



------

>>> To be blatantly honest...

The story didn't quite live up to my expectations that I had of it, and even your writing. I thought it was clever and unique as far as the premise goes, but it lacked a lot as well. I thought your description failed the story on a few occasions, dear, because I feel that as a writer, and for you, even, you have the imagination and ability to make this story so much more vivid and 3-D than you did here with more detail.

Further more, your description was recurring, and that bored me partially because I wasn't getting enough out of it, and also because I know that your capability is beyond this. I kept wondering why this man's death was so disconnected from life. You mention at one point some detail or another about an event in his life, but why not more than that? It was kind of like an empty shell, dear, because I felt that his decision could've been so much more -- not arguing with the dolphin decision, but it was made almost abruptly, which I understand is a reflection of his personality, but think of the setting -- you're dying, so I'd expect that nervousness to build up some questioning and insight and thought and reflection upon what was done in this guy's life. I don't feel that you've handled that as best you could, so I kind of feel like this is a foundation for a story to grow on, dear, because it needs more.

I'd recommend giving it a shot at all the extra props and such, and reworking a little of the description. Thumbs up for having a great foundation, though. Keep writing. :)

June
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