The Clown

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The clown was a girl, but nobody knew. The circus manager never bothered to inquire, to ask whether the urinals needed to be replaced. The dancing troupe never bothered to inquire, they gossiped among themselves, content with picking lint off their synthetically bright costumes. The other clowns never bothered to inquire, they were much too interested in rehearsing their lines and dance moves. The audience never inquired-clowns were acted by men.

The clown sat in front of her mirror, gently massaging white liquid-paste into her face. Her pores had to fully absorb the white particles, and the excess glump was wiped off with a bleached piece of cloth. The makeup pencil millimeters thicker than a marker, she drew over her fair brows. The brows must be long and flat, and coasted off the natural structure of her brow bone. After a clear lubricant was applied to her lips, she sprinkled on bright red powder. She couldn’t use the Maybelline Sensual Cherry that her sister used everyday-it would be too shiny, too feminine, and too beautiful. She was, after all, to take the character of a clown.

It was almost 2 o’clock, and groups of people bored by the mundanely systematic way of life started to fill in the audience seats. A dark woman with unsightly lumps of flesh pulled along a little boy, both of his hands already greasy from the bucket of popcorn his mother carried. Two teenagers matching in their black unlaced Doc Marten boots walked to the backseats with their arms enveloped around the other’s lower middle. The girl’s hair was a spectrum of oranges and browns, and she brushed through the fiery mess with her hand, bejeweled with silver studs and gold animal heads. The boy’s eyes were not visible, for he was wearing reflective aviator shades, and he kept them on the girl anyway. Two cigarettes peeked out from his worn jean pockets. There were also two middle age men, in their elegant suits and neat side parted hair. They talked contentedly with each other, oblivious to how out of place their appearance and demeanor seemed.

The clown heard the swelling hubbub from her dressing room, but the smooth, overly reflective walls prevented her from catching any complete conversation. She finished the red cherry print on the nose and twisted the wig into place. It was thick, to cover the bulging bun of hair on the back. The clown walked slowly to the closed curtains, standing still right behind the crack. As the curtains rolled open, she leapt out into the stage.

Two hours later, the show was over. Late into the afternoon, the sky muted into a grayer blue, and outside cacophony faded into a mellifluous tune of bicycle bells and good byes from all over. The audience members, satiated from the monotony of their daily lives, left their seats content, emotionally rejuvenated, and ready for another week of ennui-until the next performance.

The clown was already washing off the white cream that had already caked on her face, and wiping off her red lips. Her male counterparts had already went home, but she had to find a good time to sneak out unnoticed by any of the employees. The clown put her ears on the door, and heard raucous laughter. The dancers might have been sharing liquor and cigarettes, forbidden in the dressing rooms. She might have to wait a long time. She got off her seat and walked to the corner of the bright dressing room, leaning onto the full-length mirror, cracked from the countless times she leaned onto it. It was cool, and she was warm. Many times when the sky deepened and she barred herself in the room, the mirror she leaned onto. It held all of the tension she felt streaming through the core of her bones, washing away the marrow that was her lifeline. The clown was afraid of the uncertainty tomorrow, and the circus troupe as a whole. The manager had told them that revenue was decreasing at a rather exponential rate, and the large number of clowns was completely unnecessary, and ever since then she was constantly apprehensive.
Outside, some of the spectators were still waiting for the scanty to find rides home. The lumpy lady’s child had long ago finished the popcorn, and the saliva on the fingers had already evaporated into the opaquely lucid reds of the sky. She dragged him from street to street, hoping to find an open cab for the trip home. The two teenagers in Docs walked away from the theatre running their hands over each other, unable to control their urge to do what should be done in privacy. His pocket was now void of the cigarettes, for both of them had spent a considerable around of time smoking and laughing at the clown through their smoky outlook.
“Damn, that boy was hilarious as hell, bit scary too,” the boy coughed. The girl didn’t reply, for she was busy publicly satiating her sexual needs, and after a slight pause the boy resumed his desultory groping.
The clown peeked out of the door, the wig cocked on the side of her head like a red unthreaded decorative hat that lived a tumultuous life of wear. The dancers were now dozing off from the substances that sped through their innards. Swiftly she closed the door, to change. She knew she had less than five minutes to leave-the manager would come and fire up at everyone who was there. The dance troupe would not be performing the next weekend.
She pulled over her slender form a cerulean tight fitting sweater, unlike the papery yellow clown uniform that she donned earlier. Half a minute later, she was already fully dressed in black hosiery, black loafers, and a stiff gray skirt. The girl walked out quickly with her shoulder bag neatly dangling off her shoulder, and slipped out into the night. Her sky blue sweater clashed beautifully with the dark nighttime sky. It made her dark features seem opaquely clear, jewels in the night. Outside, some gentlemen nodded at the young girl, and a few boys whistled. Members of the audience had laughed at her performance, but now they were already about their business. After all, the humor she provided was a temporary happiness, a pointlessly significant form of entertainment that was enjoyed but forgotten. The clown-girl’s day was far from finished. When she got home, she’d still have to cook dinner for her family members. It would be a while until she could rest.




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Hiya Mango!

Ooh, this is an interesting take on clowns. I like it. So, here are a few of my comments:

The clown was a girl, but nobody knew.
This is not a good start line. Don't start off by telling us what. Show us how the manager and other members of the circus treated her and then show us that she is female. Build something first and then show it to us.
The clown heard the swelling hubbub from her dressing room, but the smooth, overly reflective walls prevented her from catching any complete
Personally, I don't like the use of reflective here. You just used the word to describe the boy and it's here again.
As the curtains rolled open, she leapt out into the stage.
Now, I think you can add more after this. Show us her emotions as she went through the daily act. Show us how the audience reacted maybe.
You had good description at some places and others, it could do with some work.
Anyway, good read. Keep writing.

~Lava
~
Pretending in words was too tentative, too vulnerable, too embarrassing to let anyone know.
- Ian McEwan in Atonement

sachi: influencing others since GOD KNOWS WHEN.





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Hi!

So this was a solid piece-good job! Some of the descriptions were really great. I think the biggest problem for me was the transition here:


As the curtains rolled open, she leapt out into the stage.


I would have loved to have seen what she did on stage, and how the audience reacted. You did have really good descriptions of the audience, so I was eager to see their behavior. You didn't give the reader that. I suggest you put more of story after this line.

My other issue seem to be that you are a little stiff with your word use. While complex words show a good volcabulary, using flowery words overwhelmingly gives the reader the opinion that you are trying too hard. That doesn't mean that you should dumb it down, just use simpler words in the place of complex ones if the simpler ones work just as well. That way, it's an easier job for the reader to read. I believe Lava pointed everything else out, so all I can say is good job! Keep on keeping on.

-Esther
It's writing prompt week on my blog a very random pickle!:
http://veryrandompickle.blogspot.com/




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Mango tango flango!.... :? Flango? Okay! Anyways, I’m Lily and I’m going to review you...whether you like it or not.

Opening Line

The clown was a girl, but nobody knew.


See, I disagree with Lava. This had me from the start, which is really good. Like, I read this line, stopped and said to myself, “Whaaaaaa???? Where are you going with this?” And that’s a good thing because it’s making me really want to read this!

Her male counterparts had already went home


‘Went’ sounds odd here when you could say ‘gone,’ you know?

His pocket was now void of the cigarettes, for both of them had spent a considerable around of time smoking and laughing at the clown through their smoky outlook.


‘Smoking’ and ‘smoky’ are two very similar words and when they’re used in the same sentence, they sound repetitive. Why not use ‘hazy’ instead of ‘smoky?’ At least, that’s my recommendation.



Overall, I liked this. But the thing that sort of made cringe was that last paragraph. All together, it was rushed and it seems like you forced it.

But I did enjoy it and I would love to learn more about your clown.
If you have any questions, feel free to PM me and ask away.

~lilymoore
Never forget who you are, for surely the world will not. Make it your strength. Then it can never be your weakness. Armor yourself in it, and it will never be used to hurt you.




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I generally find I only bother to continue reading a piece if the first line grabs me, if it hints at a mystery, seeming to give away everything while giving away nothing, if it shows that the writer has paid real attention to the way the reader will read the story and form their first impression of it. Most of the time, I am rather disappointed, and I have to plod through the rest of it if plan on getting to the end.

However, your story not only had a brilliant opener, it also strung us along for the line from start to finish.

The character was, to say the least, absolutely fascinating. A female clown - now that's what I call imagination. But authors don't just ask the wonderful 'what if' questions - they also explore them. And the way you described the events, the difficulties of being a female clown, and the final bang on her returning to 'female form' and usual domestic life - these descriptions were sharp, detailed. Electric, even. The modern quality of writing, with the references to modern objects, synthetics, everything, just gave it that much more of an edge.

I felt like I was looking over her shoulder as I read this. One big thing I got was colours. They're used everywhere - white liq paste, white particles, red powder, black boots, oranges and browns, silver studs, gold animal heads, red cherry print....I'm sure you'll find the rest. Overuse of colour is not necessarily a bad thing, although I would generally object to overuse of adjectives in this way, wanting to get right down to the plot and the thoughts of the characters, myself. In a roundabout manner, the showiness of the whole piece of writing, with all its flash-bang descriptions (synthetically bright costumes, excess glump, unsightly lumps of flesh, mellifluous tone of bicycle bells (overkill, if you ask me), opaquely lucid reds of the sky (stunning, this), blue sweater clashed bueatifully, dark features seemed opaquely clear.......), yes, this gaudiness of description: this sor of represents the whole circus theme, doesn't it? As if you're putting on a show, as fake as it might be.

Which is not to say the writing is fake. In fact, far from it - there is enough of internal dialogue of the girl-clown for it all to feel decidedly real - no, what I mean to say is that somehow you have managed to incorporate the colours and imagery of the circus without compromising the essence of the characters and crafting of the story in the process.

So, I enjoyed this. The ending could have been better - I liked the image of her dressing as a female again and attracting the attention of the other people on the street. Just the last couple of lines seemed off - the idea is great, by the way; maybe try rephrasing? 'Family members' was perhaps too formal there.

Thanks for the read. PM me if you've got questions or discussion - I'd be happy to help - or if you post anything else. I've only given this a rough overview-type review, but I could have been more thorough if you wanted. Just let me know!



You can't blame the writer for what the characters say.
— Truman Capote