Little Blue Veins

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The grit is melding to the surface of my body and slowly finding its way in. Where I licked my lips to keep them moist is now encrusted with the dirt that continually blows in my face. It pokes at me with its sharp fingers, like an impatient child. The air seems tight; almost nonexistent. And I take great, sucking breaths at a feeble attempt for relief. But there isn’t any relief. The arid heat draws out every drop of moisture in my skin and casts me aside with nothing in return.
I’ve been walking toward the same backdrop for hours. I’m constantly moving, but what I’m moving toward doesn’t get any closer; just a dull, hazy sky thick with dust. The sun always shines, pricking at your skin. It doesn’t crawl across the sky like the sun at home did. It always throbs in the same spot, like the clock hands stuck on the eleven. There are some sparse, leafless trees here and there, half buried in sand. They grow sideways, bent from the repetitive surges of wind. As far as I can tell, that’s all there is here, except me. It’s like what you’d call a nightmare, only it’s real.
I used to come to this place sometimes. It had only been just a vague feeling back then, when I’d do a certain thing or see a certain place. A strange, warm torrent of nostalgia would come over me, and I’d feel as though I’d already done something I’d never done before. I had once tried to explain the feeling to someone, but they had given me a look that told me I had lost my mind. Sometimes I almost believed them.
Gradually, it went from being an impression to being tangible. I could often feel that heavy wind, coursing through my fingers in a way that felt like dipping my hand into a pool of water. And it felt nice. I allowed myself to slip into it—to immerse myself in the feeling completely. I liked it there because I was alone, even though sometimes the gusts got so strong that the dirt stung. I could think more clearly than I’d ever been able to before. I guess I didn’t realize that being so alone was a bad thing.
__________________


Sometimes I can still picture the cars and the airplanes and the people, moving about in that fast pace I could never seem to keep up with. But every day they seem farther away. Their faces get fuzzy around the edges, and details don’t seem so important anymore. Even the people I used to love most don’t seem important anymore. I remember how concerned my mother was for me. “Something isn’t right with him,” I could hear her say as I walked past my parent’s bedroom one night. Her voice was soft as always, quivering gently. “He’s gotten so… distant, Charles. I don’t know what to do.” Her words troubled me. I didn’t understand. What could be wrong when I was feeling better than I ever had before? I’d felt such an imponderable sadness before. I can remember the kids in school, before I was taken out. They always laughed at me, but I didn’t get any of the jokes. They said I was stupid and retarded. I don’t know why they said that, because I was getting A’s on all my essays. After a while, my grades slipped, but it didn’t seem to matter. Grades were such trivial, pointless things, yet people cared about them so much. They cared so much about everything. In this place—my place—nothing matters but me. And it had felt great.
After a while, they’d sent me to a man I’d never met before. He asked question after question, and I answered them all as honestly as I could. But I could see in his dark, depthless eyes that he didn’t care. He was just doing his job. I overheard him speaking with my mother in a business-like tone. He said the word ‘autism’ a lot, but I didn’t know what it meant. My mom explained to me that it makes me different from everyone else. But it makes me better than everyone else, too, she assured me. I kept seeing the man every week, and he’d tell me the same thing. When both my mother and I noticed that the meetings weren’t helping… that was when everything went out of control.
I let myself fall completely into this place, and now I can’t get out. That pool that I’d run my fingers through had snatched my hand before I could pull it out and then tugged me down to the bottom. That’s exactly how it feels—it feels like I’ve drowned somehow, only mentally.
I gasp for breath, risking a mouthful of the particles that flit about around me. I can feel the sand grinding in between my teeth and I find myself wishing more than ever that I could pull myself out of this. It seems as though everything I’d been running from back in that other life is coming back in full swing and there’s nowhere else to hide.
The soft, silky sand reaches up to me and drags me into its grip. I allow myself fall and curl into fetal position. I close my eyes, wondering if I’ll just turn into sand too if I lay here long enough. That seems like the best option.
I can feel the pulsing red glow of the sun in the blackness of my eyelids. I open my eyes, thinking maybe when I do, I’ll be staring at the familiar cracks of my bedroom ceiling. Instead I see a hand, outstretched toward me. I blink furiously, and a girl’s face comes into focus. She has dark, nearly black eyes that remind me of the man who asked a lot of questions. Only there is a kind of sympathy inside them that I’ve never seen before. She doesn’t say a word. Just stares at me with those eyes.
I take her hand and she pulls me up. “I thought I was alone.” The words come out of my mouth in a hoarse voice that’s unfamiliar to me.
A very small smile touches her lips. “You’re never alone.” Her voice brings back memories of the world I’d thought I’d already nearly forgotten. I don’t recall ever seeing her face before, but the way she speaks reminds me of something or someone. She reaches for my hand again, and I let her take it. It feels moist and cool against my dry, cracked skin. Maybe it’s my imagination, but the wind seems to die down with that touch and I feel like I can finally breathe. Without another word, she begins to walk, her feet making curved indentions into the sand dunes. I follow behind her. I don’t know where we could be possibly going. Everything still looks the same. But having someone there beside me keeps me from falling back into the sand hoping to be buried alive.
“Look,” she whispers, her voice full of reverent awe. She points toward the sky and when my gaze finds what she is pointing at, I catch my breath. There is an airplane in the endless expanse of blue; a small white interruption on the horizon. On that plane there are people, all going somewhere with their lives, all going at that fast pace I always wished I could keep up with. I realize that maybe I could be on that plane, with all those people. Even though I’m different. The thought is both exhilarating and frightening. I recall the kids from school again. Their words hurt, even though I didn’t know what they meant most of the time. But my mother told me I was better than them. And I’m beginning to realize that I am.
Her hand feels nice in mine. So alive and well. I can just barely see the little blue veins on her knuckles and I smile. I can see my own veins, blue and unprotected. The blood is red on the inside, but appears different on the outside. The children at school told me I was different. My mother told me I was different. The dark-eyed man told me I was different. But when I’m standing next to this strange girl, and I’m looking at the veins in her hands… I’m not different at all.
The wind ripples my clothes against my skin and the sand pelts my exposed leg. Her hair flies frantically about her face. The sun claws at my eyes with its uncomfortable, prickly feeling. But I breath it all in. And I can’t stop smiling, because I think I know a way out of here now.
Last edited by Bittersweet on Fri May 14, 2010 11:25 pm, edited 1 time in total.
eviscerate your fragile frame
spill it out in ragged form
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This story touched me, it was really great. I absolutely loved it. I had the chills! XD keep on writing
--Lisa
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Hey Bittersweet!!
I'll review your story today.

Well, first of all I have to tell you that this is a really beautiful story, inspiring and beautifully written. I liked your wording and description, you showed us and showed us that world in which he lived in in a beautiful way. something very good about your writing is that you kept the story going and still described and let us know your character.

Your setting was beautiful and you managed to bring us in, to get us inside the story and see where he was lying. The pace of your story was also really good for you kept us interested in it and didn't rush through things. Just one thing that would be nice is to know how him having autism affected his family and what reactions did his own family have towards him.

And to be honest, this was beautiful

Keep writing.
XOXO
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Monotone.

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Hey Holly, here as requested! You said you wanted me to review this because of my ever-endearing, gut-the-crap-out-of-this-thing style...so, you asked for it. :P

I am going to do line-by-line and then overall. You have a good story and a solid writing style overall, and I think a more thorough and specific critique would do you more good than me rambling about plot.

First off, nifty title.

Where I licked my lips to keep them moist is now encrusted with the dirt that continually blows in my face.


I'd suggest: The spot where I licked my lips to keep them moist is now encrusted with the dirt that continually blows in my face. I know it's a nitpick, but the sentence is kind of missing a subject, and, as the second sentence in the story, you need it to flow smoothly.

The air seems tight; almost nonexistent.


At first I was just going to point out that this semi-colon needs to be a comma, since the second phrase isn't a complete sentence. But the more that I think about the adjective choice the more I'm disliking it. "Tight" and "nonexistent" don't necessarily lend themselves to compliment each other, but you use them like they should be synonymous. Er. Does that make any sense?

Basically, rework your description here. I like that you're trying to give the air an extra quality, but this combination doesn't mesh.

The sun always shines, pricking at your skin.


Sudden second-person is a little jarring. It's just as effective to turn this into "my".

Sometimes I almost believed them.


Here, you use two indefinite adverbs, which make the sentence seem murky. Plus, your tenses are getting muddled in this sentence. The story is in present so far, but the previous sentence hints towards a past event, and this sentence is stuck somewhere in the middle. "Sometimes" indicates present, but "almost believed" indicates past. So! Clarify. Or cut this. ;D

:arrow: The recurring issue here is tense: present or past? Since the setting here is so...introspective and retrospective, for lack of better words, I understand that it's difficult to pin down a timeline. But the narrative is kind of floating all over the place, if that makes any sense. You dip back into the past and then weave elements of his present situation within it, which is pretty cool for a psychological study of his mind, but also pretty confusing. Reread this carefully and find which sentences take place now, and which are memories or recollections. Then adjust for tense discrepancies.

:arrow: The last point I'm going to make is about the overall metaphor for this mysterious place he goes to, in his mind. It seems muddled. You keep switching between referring to it as sort of a sandy, gritty desert, and a deep pool with particles and drowning. The too images don't really fit together, and I think you should stick with one: the sandy one, I'd suggest.

And, in this place of his, his motives aren't quick clear either. I can't help but wonder: is he running away from something, running to something, or not running at all? In the beginning you mention him going towards the same backdrop. That would indicate him trying to get somewhere. But then he's trying to be alone. But then he thinks the best option will be to lie down and stay forever? What does he want? Where does he want to be?

:arrow: Overall, very interesting, Holly. =D I liked it, really! I think the character's voice was chilling in a good way, although maybe a bit too cohesive and lucid for who you're trying to portray him as. I'd just clean up some of the things I mentioned, and you'll have a really nice, emotional piece.

PM me if you have any questions, dear!

~Evi
"Let's eat, Grandma!" as opposed to "Let's eat Grandma!": punctuation saves lives.




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This was really good! I think you should keep writing.




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Thank you, everyone!

Evi: As for the question you raised about his motives... you're right on all of them. Haha. In the beginning, he's running TO the place in his mind so that he can be alone, because that's all he wanted when he was in 'our world'. But then when he is completely lost in his made up land, he wants to run away from it because he realizes that it's not as great as he thought it would be. And then he realizes that there's no way out, so he just hopes he can disappear, because that's better than staying there forever. I guess I didn't make that clear enough. Thank you for your comments. Helpful as ever!
eviscerate your fragile frame
spill it out in ragged form
a thousand different versions of yourself.




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I really loved this. It's a beautiful piece. The main problem that I have it with the character having Autism. I don't know too much about it, but my mom's a psychologist so I get to hear a lot about different syndromes. People with autism have trouble relating to other people- especially with understanding emotions. You said a couple times that he looked into people's eyes and saw the emotions, but autistic people cannot understand what these mean. They have issues with eye contact. Maybe you could make him have another psychological issue, or just leave it the same. It doesn't matter much unless you know a lot about it.

The story itself was beautiful. I thought the beginning was very descriptive, you used a lot of similes and fantastic description of the setting. It drew me in. You gave insight into his mind, which can be hard to do.


The sun always shines, pricking at your skin.

The change from 1st to 2nd person is sudden, change the you to my.

It had only been just a vague feeling back then, when I’d do a certain thing or see a certain place.

This sentence just doesn't ring well with me. It's the "certain thing" part, saying thing is too abstract and certain contradicts this.

I think you used some unnecessary commas throughout, just look it over. You also seemed to flip around tenses some, it's pretty hard to do when you're having a lot of flashbacks, but it can get confusing at times.

I let myself fall completely into this place, and now I can’t get out. That pool that I’d run my fingers through had snatched my hand before I could pull it out and then tugged me down to the bottom. That’s exactly how it feels—it feels like I’ve drowned somehow, only mentally.

This is sort of confusing. Are we talking about a metaphorical pool, or a real one?

She has dark, nearly black eyes that remind me of the man who asked a lot of questions. Only there is a kind of sympathy inside them that I’ve never seen before. She doesn’t say a word. Just stares at me with those eyes.

Again, he probably wouldn't be able to recognize the emotions in her eyes.

A very small smile touches her lips. “You’re never alone.” Her voice brings back memories of the world I’d thought I’d already nearly forgotten.

This is sweet. :)

This was well written and well thought out. Keep on writing!
-- FMS
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A Hook

Right off the bat, I’m not very hooked. I would suggest switching to passive voice here. I know that’s a huge “no-no”, but you’re attempting to make the MC a victim, and passive is used for victims. “I walk forward, coated in grit…” Something like that would make me feel for the MC a little more. Also, I would lengthen the first two sentences, as they are both short, choppy ones.

The beginning sounds really self-centered. I don’t really care about the MC, but all you focus on is her body. Even having one sentence on the grit and her lips, then following with “The air, the heat, the silence: everything closes in around me” or something like that, adding a sense of the environment as well.

Wordiness

The phrase about the nightmare threw me off a bit. You’re trying to stress that it’s scary and terrible, but you add extra words. “like what you’d call…” are useless. Try something like “It’s a nightmare, and I can’t wake up.”

Actually, a lot of this is wordier than needed. For example:

"It had only been just a vague feeling back then, when I’d do a certain thing or see a certain place."

The “just” is repetitive, and the repeated “certain” doesn’t have a very strong effect. There’s not much going on in the beginning, and I’m getting bored. Keep it short, and you’ve set the scene well. Ramble like this, and your reader will quit before the action.

Cutting Paragraphs

I’d actually completely cut the third paragraph. It’s a memory that doesn’t tie in anywhere, and it feels odd. I want more information; it seems like you left me hanging. If you could find another spot for it when you can expand on the memory that’d be good, but here it’s strange.

However, I like the following paragraph. Just find a new introduction. She’s out there alone – she can begin to feel crazy. Use that feeling to add this paragraph.

Trust Your Metaphors

The metaphor about the pool is awesome. Your readers are smart enough to figure it out – ditch the following sentence. As long as you keep this seperate from the rest of the story, your metaphor is great - just don't mix this and the sand. I think you mentioned drowning somewhere in the sand; if you did, ditch it.

Out of Place Things

I don’t understand why he felt so good before being diagnosed with autism? He says that he goes to that place, but the place seems terrible. Why would he feel better with his trips there? I would expand on the reasonings for his change of emotions.

The point where he says “I’m beginning to realize that I am” feels really out of place. All that’s happened is him meeting this woman. It’s very rushed for him to suddenly feel accepted in the world with no other event or epiphany occurring.

Also, what’s with the line about blood being different on the inside? If you’re going for a metaphor about how he’s different on the inside, expand on it. If you’re trying to make him seem like he has autism (how do they act?) then add more of it. Otherwise, ditch that line.

Overall

Honestly, I was confused by this story. I was IMing you the whole time, and you told me that it was about a boy with autism. In the story, the only way I could figure that out was halfway through the story. The male part isn’t a huge problem. Most females assume “I” is female, and vice versa. But the autism bit should be emphasized a bit more. I’m not sure if you know anyone with autism, but if you do, talk to them! I honestly don’t know much about them, but this doesn’t feel right. It’s first person, but the boy sounds like he. He’s intelligent, observant, and focused. Add some more character. Do they get distracted easily? Focus on unimportant things?

Also, the ending feels rushed. I have no clue who this girl is, or why she’s there. I’m assuming that someone in the real world saved him? If so, maybe switching from the real world to his current state would help. Either way, I’m very confused as to where he is, and his “recovery” feels rushed. Expand a bit, give more of an explanation.

Overall, I did like it, despite my confusion! You have a beautiful language and the idea of him being choked down by sand, only to be saved by flying off on a plane (giving the image of possible oceans, AC, and clear air) is a very nice one.

Let me know if you have any questions. Thanks for letting me test my reviewing skills out on you! Hopefully this helped a bit and I’m not too rusty. =]

~JFW1415




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Hi! You've got a great sense of expressions which you explained well in your story. But in the starting and on some other places your words seem like changing into poetry, they give a poetic effect while reading without pause.
However, your story is explainable and people can understand it well it should be a little more explained. Like you didn't tell reason for your the feeling of the boy in your story. It is true that the stories written in first person gives expressions like this but if you add some detailed information about the boy's mentality readers would take more interest in reading because your expressions of feelings are already good.

Anyway, you your story has got a great plot but rewriting with some new word placements and some change in grammar and speech can beautify your story.
I would be glad if you review my work, How difficult life could be




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You! Hi there. xD I'll go through my thoughts by line, and give you my more in-depth thoughts later. If I have any.

The air seems tight; almost nonexistent. And I take great, sucking breaths at a feeble attempt for relief. But there isn’t any relief.


I really don't like the "And" and "But" beginnings here. They're both awkward. Those last two sentences would probably be better as one, especially if you cut the "And."

It’s like what you’d call a nightmare, only it’s real.


This seems to imply some flexibility in the definition of a nightmare. From what I can tell, usually something is a nightmare or isn't, right? I don't know if I'm making any sense here. But if I am, a better alternative is, "It's like a nightmare, only it's real."

It had only been just a vague feeling back then


"It had only been" is awkward. Maybe just "It was"?

I could often feel that heavy wind, coursing through


Deleting that comma would improve your flow. This entire part is really dense. It can be hard to get through, at times. Not difficult to read, but just - hard to concentrate on, I guess.

coursing through my fingers in a way that felt like dipping my hand into a pool of water. And it felt nice. I allowed myself to slip into it—to immerse myself in the feeling completely. I liked it there


What comes before and after "And it felt nice" renders the sentence redundant.

But it makes me better than everyone else, too, she assured me.


Do parents actually do that? That's really unsettling. xD It's started to flow a lot better since the break, by the way. Your paragraphs still seem quite long, but it's not hard to get through anymore.

I let myself fall completely into this place, and now I can’t get out. That pool that I’d run my fingers through had snatched my hand before I could pull it out and then tugged me down to the bottom. That’s exactly how it feels—it feels like I’ve drowned somehow, only mentally.


This paragraph feels off somehow. I think it's too on-the-nose? It feels like someone in that situation shouldn't be able to describe it so directly, so it comes across as someone writing about a character instead of a person actually expressing their situation.

And that's all I have. I could go back through and pull out a few more things, but I'm not that sadistic. :P We'll get to the broader review.

I think the beginning is too distancing. It's rather hard to get into when the writing is that dense at the very beginning, and without any obvious meaning to it. The reader doesn't get any real information until a third or maybe halfway through this story, so it's possible that some people will give up before they get to any of the dividends in this story. It might be necessary to edit that beginning section to draw the reader in a bit more.

I really like your portrayal of the character overall. There are a few parts like the paragraph I pointed out earlier, though, where your narration seems a bit too blunt. It reads as narration instead of something honest coming from a person, if you know what I mean. I get the feeling I'm being completely incoherent here. I did really like the last half of it, though. It seemed good, and you presented the falling away from school and things really well with the general disregard the character shows.

You have some really nice language in here, too. Like I pointed out, though, the density of them can make this somewhat difficult for the reader to get into. It becomes easier once we learn more about the character. And I really like some of your images, but it might be necessary to tone them down towards the beginning, or bring more characterisation in, in case you scare readers away.

That's all I have to say. You did a nice job here, despite a few problems. PM me if anything I said didn't make sense (I'm expecting a PM, at this rate. I feel like I just babbled about nothing for a very long time. XD) Hopefully this helped you out in one way or another. Like making you realise that I am clueless when it comes to reviewing! ;)

-Mat



MMM HYD R A T I O N
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