Medusa

10 posts
User avatar
Gender Female
Points 1030
Reviews 1260
Some said that the girl had beauty parallel to Aphrodite. Others on Olympus regarded her as polite, fine young woman. Her corn-silk, shoulder length hair smelled of lavender, and her wide eyes were a deep blue-violet shade. Her skin was lightly suntanned, and for her clothes she wore a knee-length periwinkle gown and shawl, the uniform of Athena’s priestesses.
Out of the many priestesses in her temple, Medusa was the only mortal. It had been a defect of her birth, but still she was allowed to stay on Olympus, and Athena promised her that after ten years of service she would be granted immortality. She had served four.
To the many who knew her, it wasn’t a surprise to them when they found out she was courting Poseidon, the lord of the sea. Medusa was so beautiful and charismatic it was hard for anyone, especially the men, not to notice her.
Medusa, however, was annoyed at this. In her mind, Poseidon was the only man for her, and seeking refuge furthered by the promise of immortality, she became a priestess in Athena’s temple, where men were not allowed. She was still allowed to court Poseidon as long as they made love when Medusa not inside the temple. Unfortunately this was only for three hours every other night, and soon Medusa began to grow lonely.
The hours Medusa was able to spend at home were cut in half. She deeply missed Poseidon, and after a tough week she wanted something to liven up her day. So she asked Poseidon to come and visit her.
It was a day that Athena had council with Aphrodite and would arrive at the temple a bit later than usual. Medusa waited for him by the back entrance, a place where they could not been seen for the short amount of time that Poseidon promised he would be there.
He came through the door, looking more fit than usual.
“Hello, Darling,” he said, embracing her. “It’s good to see you.”
“I wish I could quit this mundane job,” she whispered. “But only six more years and then I’ll be immortal, and I can spend eternity with you.”
They stared into each other’s eyes for at least a minute before Poseidon finally leaned in and kissed her.
“Don’t mention this to Amphitrite,” he whispered, “But you’re the most amazing girl I’ve ever met.”
Medusa laughed. “You’ve said that to me many times before.”
“That’s because it’s true!”
The two laughed in unison, and Medusa placed her head on Poseidon’s chest. He grabbed her hands and twirled her around. She accidentally tripped over Poseidon’s large foot and fell to the floor. He raised his eyebrows, concerned, but Medusa was laughing hysterically. He sat down next to her, laughing along with her.
They kissed for a second time, but it was interrupted by the sound of footsteps.
“Someone’s coming!” Medusa yelled. “Poseidon, leave!”
He made his way toward the exit, but a shadowy figure came into view.
It was Athena. Her face was bright red and her fists were clenched. Her dark brown hair seemed to fly in every direction.
Medusa shrank back, shaking. “Milady,” she managed bleakly. She’d never seen anyone look so angry before in her life. How would she explain this? Suddenly Medusa felt guilty for ever inviting Poseidon to come visit her. How stupid could she have been?
But it seemed little use trying to explain this to Athena, who looked as though she needed to punish someone to be satisfied. Medusa gulped and shrank back into Poseidon’s arms, but with a wave of her hand Athena drew them apart, creating an invisible force field so that they could not be near.
“Medusa,” she said coldly. “I’m disappointed with you.”
“Milady,” Medusa croaked, thick tears forming in her eyes. “I’m sorry.”
“You aren’t sorry,” she replied. “You know the rules of my temple. I’ll bet you’re sorry that you were caught.”
Medusa choked back more tears, gesturing towards Poseidon and hoping that he would say something that would save her. But he remained still, instead mouthing the words, don’t let her intimidate you. Medusa sighed. That would certainly not be helpful at a time like this. Athena was a goddess; immortal, whereas Medusa was not.
Help me, she mouthed back, but Poseidon did nothing. She turned back to Athena, who was closer now.
“For your behavior, you must be punished,” she said.
Medusa gulped, scared as Athena ran over and grabbed her arm and began to drag her into the darkness of the corridor from which she came.
The goddess ran so fast that the emotions Medusa was experiencing—fear and betrayal—came in a blur and meshed together violently. Once she was free from whatever punishment she faced, she would confront Poseidon for betraying her. It was his fault—the fault of her boyfriend who, for five years had made her feel that she was the most important thing in his life—that she would be punished, and Medusa had feeling that it would not be a light scolding.
Her thoughts were confirmed when they reached an old, dark room that was empty except for a long glass cabinet. Inside it shone at least a hundred tiny multicolored bottles. It was silent for the next couple of moments, and Medusa grew anxious waiting for something to happen.
That was when Athena threw her into the wall. She hit it head-first, and her silky hair grew matted with blood. Medusa cried out; the pain felt like being flattened by bricks. She began to sob, but Athena had no sympathy. She ran over and forced Medusa to sit up, chaining her to the wall and gagging her mouth with rope while she went rummaging through the glass cabinet.
“Where was that one?” she whispered to herself. “I could have sworn...”
That was when Athena paused for a moment and then grabbed a little green jar, making it clear to Medusa that she was going to have to drink it.
Medusa shook in protest, knowing that something bad was inside the bottle.
“Ssh,” Athena said. “One little sip, that’s all it takes. It won’t hurt.”
Medusa shook fiercely now, knowing that Athena’s words were false and that her calm tone seemed to mimic whatever lied in store for Medusa. Because Athena would have to take the rope off of her mouth to give her the potion, Medusa planned to scream as loud as she could in hopes that someone would hear her and come to the rescue.
However, Athena was too quick. She forced a mouthful down Medusa’s mouth, who began to feel the effects instantaneously.
It was like swallowing fire. Her head soon felt the effects, and Medusa—who wasn’t gagged anymore—cried out in fierce pain, and Athena simply smiled.
“PLEASE!” Medusa cried desperately, “HAVE MERCY!”
Medusa soon became aware that her hair was falling out in thick clumps, and within a minute she was bald, surrounded by a ring of hair. She felt somewhat relived. Being bald wasn’t so bad, as her hair would grow back eventually. Poseidon wouldn’t care, and it would deter the men who constantly flocked to her side.
That was when Medusa began to feel like hot coals were being dropped on her head. In the center, it felt like something was trapped inside. She twisted and turned but was constantly stopped by her chains, and after fifteen painful seconds something pierced through her skin and twirled around.
Hisss.
It was a snake, and every little movement it made pained Medusa as it was attached to her skull. But that still wasn’t all. Medusa felt the wiggling inside her head again and knew that another snake was coming. It hissed madly before settling itself on her head. Thick tears flew down Medusa’s face. Somehow she knew that her whole head would be covered with snakes. She also knew that Athena would not stop.
She closed her eyes and prepared herself to endure the inevitable pain.
It slowly began to happen; one snake, then another. Her whole head became covered with hissing snakes while Athena simply watched. To keep her mind off of the pain, Medusa tried to turn her mind to other things, but found she couldn’t concentrate, instead wondering what would become of her. Where would she go? She doubted she would stay on Olympus. Would she go to the mortal world, where they were ten times more prejudiced to ugliness? Could she kill the snakes and chop them off so her hair would grow back?
Finally she heard a hiss, and then it stopped. At least thirty large snakes moved in different directions, tugging at Medusa’s skull. It hurt, but the torture was over, finally over.
But Athena wasn’t done. Not yet. She moved forward and stroked Medusa’s cheek. “Now, one more little sip of the potion, and we’ll be all done.”
“NO!”
That was when Medusa realized that Athena hadn’t bothered to put the gag rope back over her mouth. She screamed as loud as she could, but this proved to be a mistake, and Athena took the opportunity to force another swig down Medusa’s throat.
This time it felt like swallowing molten lava. The feeling spread throughout her entire body, and her flawless skin slowly started peeling away. What was happening to her? Snakes for hair, her skin gone—she was turning into a monster, all because she had made love with Poseidon in the temple of Athena. It seemed so unfair that she would be doomed to spend the rest of her life without a man by side, if she even made it through this moment.
Finally the feeling had passed through her body, although she still felt very hot. “Done…” she whispered miserably.
Athena smiled. “Dear, in time you will come to realize what is like to be repelled and feared. I am hereby banishing you from Olympus, and you shall retain mortality. Until your death you will remain alone at the edge of the River Styx.”
The snakes on Medusa’s head began to hiss, and a glow of white light formed around her, and she slowly lost consciousness.

When she woke, she found that she was laying face-down on a cold marble floor. She sat up, taking in the surroundings. It was a spacious old temple with ornate pillars and steps leading up to a tiny corridor. It was a chillingly reminiscent, but much darker version of Athena’s temple. Medusa snorted. She’s put me here to mock me.
She got up and walked around, trying to ponder what she would do. If only there was a way she could kill herself, but there was nothing, just pillars and stairs. Medusa wondered what was in the corridor. Walking up, she saw it was a dark room with a chair and tiny window. Could she beat herself to death with the chair? She frowned, doubting it. That was when she saw an ocean-blue bow and quiver, filled with arrows, lying on the chair. She could have sworn it wasn’t there before. There was also a note. Medusa picked it up and read it.

Darling,

I very much apologize for what has happened to you. When your death comes, I will tell my brother to give you a place in the Elysium. I will also try to make sure that you will be returned to your true, lovely form. No human should have to endure what you did. One mistake does not make you evil. Until then, I’ve forged this for you so that you will be able to defend yourself from all those who will come.

—Poseidon


Medusa smiled, slinging the quiver over her shoulder. Poseidon hadn’t forgotten about her after all.
That was when she heard footsteps, followed by a voice that sounded eerily familiar.
“Medusa,” He yelled. “Are you here? I heard about what happened. I came down from Olympus to come and rescue you!”
It couldn’t have been who Medusa thought. She walked outside the corridor and into the main hall. There he was, surely enough, his back turned to her. He had been Medusa’s boyfriend for two years before she courted Poseidon. They had still been friendly toward each other, occasionally flirting. If Medusa hadn’t met Poseidon, there was no doubt that they would be together. She admired his nerve, but still…
“You shouldn’t have come,” she said loudly.
He heard the voice and turned, and their eyes met. He was about to say something, but he froze, his body becoming immobile. It grayed before finally crumbling into nothing.
Medusa’s mouth fell wide open. Had she been so ugly that she turned him to stone? No, why? This was absolutely unfair. All he had done was come to try and rescue her, but yet she had unwillingly killed him. Would this happen to everyone? Not just people, but any living thing? She began to cry, touching her cheek. It was ridged and creviced. Out of the corner of her eye she saw a piece of broken glass. Perhaps if I look upon myself, I’ll be turned to stone.
She did, but nothing happened. She was absolutely horrified at the sight she saw. She looked as if…she looked terrible, monstrous; there was no doubt to that. Medusa also had a feeling that others would come to seek her and slay her, like a monster. She now understood why Poseidon had given her the arrows. Come for me, she thought, and I promise you, your life will be over.

All our dreams can come true — if we have the courage to pursue them.

-- Walt Disney




User avatar
Gender Male
Points 1779
Reviews 121
Phoenix here for a review.

I find the creation of the Medusa we all know very fascinating. I like your interpretation of how she got to be her snake like self.

So to the nit picks.

.
The hours Medusa was able to spend at home were cut in half. She deeply missed Poseidon, and after a tough week she wanted something to liven up her day. So she asked Poseidon to come and visit her.


"liven up her day" seems a bit out of place.



He came through the door, looking more fit than usual.


Can you describe him in general?


They stared into each other’s eyes for at least a minute before Poseidon finally leaned in and kissed her
.

Sounds a bit awkward, you should reword. I suspect the bump comes from the at least a minute part.


They kissed for a second time, but it was interrupted by the sound of footsteps.


approaching


“Someone’s coming!” Medusa yelled. “Poseidon, leave!”


I think you should cut this. It seems unnecessary. Poseidon should already know to leave.

Her face was bright red and her fists were clenched. Her dark brown hair seemed to fly in every direction.


Come up with a more original way to show anger. Here you can be creative with metaphors or similes. For instance you could relate it to some Greek related myth.

Example: Athena's eyes blazed like (Some Greek beast of fire)

Medusa shrank back, shaking. “Milady,” she managed bleakly.


I don't think bleakly is the best word choice, Since she shrank back when saying this meekly would probably work better.


“You aren’t sorry,” she replied. “You know the rules of my temple. I’ll bet you’re sorry that you were caught.”


I suggest cutting out the rules part or putting it at the end so the sentence reads. " You aren't sorry," she replied. "You're only sorry you got caught."

And then you could add on the rule bit.



Medusa gulped, scared as Athena ran over and grabbed her arm and began to drag her into the darkness of the corridor from which she came.


She's a goddess, running over seems a bit mundane and out of place for someone like Athena. Either have her walk or instantly be in front of Medusa.



It was his fault—the fault of her boyfriend who, for five years had made her feel that she was the most important thing in his life—that she would be punished, and Medusa had feeling that it would not be a light scolding.


Seems a bit awkward and repetitive.



That was when Athena threw her into the wall.


Try to describe this scene without the word was. For future reference always try to describe a scene without was. You can of course use it on occasion, but you'll be surprised how much better things get when you try to avoid the word.


She hit it head-first, and her silky hair grew matted with blood. Medusa cried out; the pain felt like being flattened by bricks.


Again seems out of place for the setting. Connected it to their world. Say it felt like getting slapped by a cyclops, or some other description that incorporates the Greek mythology world.

She began to sob, but Athena had no sympathy. She ran over and forced Medusa to sit up, chaining her to the wall and gagging her mouth with rope while she went rummaging through the glass cabinet.


Who's point of view is this, because if it's Medusa's, she has no way of knowing that Athena is feeling no sympathy.



That was when Athena paused for a moment and then grabbed a little green jar, making it clear to Medusa that she was going to have to drink it.


How?

Medusa shook fiercely now, knowing that Athena’s words were false and that her calm tone seemed to mimic whatever lied in store for Medusa.


I don't think Athena would lie.


Because Athena would have to take the rope off of her mouth to give her the potion, Medusa planned to scream as loud as she could in hopes that someone would hear her and come to the rescue.


her would be better.


It couldn’t have been who Medusa thought. She walked outside the corridor and into the main hall. There he was, surely enough, his back turned to her. He had been Medusa’s boyfriend


Ok the word boyfriend seems out of place too, I suggest lover. For one their adults and two their gods and whatever Medusa is.


Overall I liked it. Your word choice and description could better reflect the time period, but that's no big deal. That really comes down to interpretation. For all I know this could be happening present day in which such word choice and descriptions would make sense.

Medusa's reactions to events seemed a bit teenage.
Poseidon acted like a wimp. I mean he is the god of the sea.
Athena seemed oddly vindictive.

I suppose these three are all fine since it's your interpretation, but you could flesh out the reason for their behaviors. Why isn't Poseidon standing up to Athena? Why is Athena so angry? I also think you could highlight some vanity in Medusa. I got a sense she was vain, but I think it could be better brought to the readers attention. Such a vice like vanity may be a good reason for Athena to do what she did.

It had a nice flow of events and I liked the endings description, where she realises she's going to be alone.

Hope I helped.
This is one little planet in one tiny solar system in a galaxy that’s barely out of its diapers. I’m old, Dean. Very old. So I invite you to contemplate how insignificant I find you.

Death~




User avatar
Gender Female
Points 53415
Reviews 1125
Hey Ellie, Stella here!

I. NITPICKS

Olympus regarded her as polite, fine young woman.


as a.

Her corn-silk, shoulder length hair smelled of lavender, and her wide eyes were a deep blue-violet shade. Her skin was lightly suntanned, and for her clothes she wore a knee-length periwinkle gown and shawl, the uniform of Athena’s priestesses.


This is kind of... meh. I feel like you needn't explain what she's wearing firstly. And "shoulder-length" totally pulls out any idea of classical beauty. I know you can do better than this. Remember, there's more to people than hair and eyes and skin-tone.

when Medusa not inside the temple.


when Medusa was not.

It was a day that Athena had council with Aphrodite


What do the two of them have to discuss?

He had been Medusa’s boyfriend for two years before she courted Poseidon.


Boyfriend and courted in the same sentence are hugely conflicting.

Out of the corner of her eye she saw a piece of broken glass. Perhaps if I look upon myself, I’ll be turned to stone.


And yet, she still does look at herself? Isn't this how she dies in the end?


II. THE GREEK MYTH

Right, so you know that I'm a Greek myth geek. And I actually didn't know that this was why Medusa was made a Gorgon, I thought it was just Aphrodite being all "Ew, a pretty human, KILL HER." So this was kind of cool. At the same time, though, I was wondering, is Athena's temple on Mount Olympus? That's a bit odd. Does Athena go there everyday? I always assumed that the temples were, y'know, down on the ground. I might be wrong, but that's what I thought.

Again, referring to the form of the Greek myth, believing that Poseidon actually loved Medusa is a little difficult. You know how slippery those gods were, and you seemed to not really make up your mind about whether he's loving or lusting. I'd like a bit more of a show of either. He betrays her in the temple, but then he writes her an- albeit half-hearted- love note. Clarify!

III. OVERALL

I'd like to see a lot more character showing through, they're all rather dull, senseless creatures, even Athena, who comes with tons of character already built in. Other than that, not bad!

Hope I helped, drop me a note if you need anything!

-Stella x
"Stella. You were in my dream the other night. And everyone called you Princess." -Lauren2010




User avatar
Gender Female
Points 32546
Reviews 739
First of all, I don’t know much about Greek mythology. I don’t know how to tell what parts of your story are based on mythology, or of your own imagination, so I’ll do my best with this review.

The first paragraph was a major information dump. You weren’t even describing Medusa, only ‘the girl’, so until you mentioned Medusa’s name in the next paragraph I didn’t know who you were talking about. Also, any character with their main attribute being beauty is uninteresting, and for me, annoying.

10 years of service seemed like a pretty sweet deal for immortality. Maybe you should’ve made it more like 50? Just a thought. I also would’ve liked to know Medusa’s age, because if she was born a mortal, wouldn’t that mean when she was ten she would be immortal? Or when was she supposed to start serving? That part is blurry, and since Medusa seems a little immature throughout this, it would clear a lot up.

There were tons of small grammar mistakes, and since I’m not any good with grammar myself, I won’t go over every single one with you because I might be giving you lots of bad advice. All I can say is go back and read through this very carefully and very slowly, and I’m sure you will find them.

Sorry I can’t be of more help. I’m not familiar with Greek mythology like I said, and I feel a little lost at what kind of advice I should give. Overall though this wasn’t a bad beginning. Keep at it!
The bad news is we don't have any control.
The good news is we can't make any mistakes.
-Chuck Palahniuk




User avatar
Gender Female
Points 1623
Reviews 10
Elly:

I didn't know very much about greek mythology, so this was very enjoyable to read. :) I thought it was very well-written, but, when you wrote "He entered the room", could you describe "him" a little more??? Other than that, I really enjoyed it. I thought your word- use was very well watched, and you didn't repeat words (which gets on my last nerves- thanks) If you'll take a look at this, and review it for me, that'd be great! Thanks so much!

[url][/http://www.youngwriterssociety.com/post679190.html#p679190]





Keep posting!


{elfy}
I don't have ADD, I just- SQUIRREL!!!




User avatar
Gender Male
Points 5577
Reviews 672
Hey there Elinor.

What I quite like about this piece is how you've integrated bits of Greek mythology into your story. I find your portrayal of Medusa, Athena and Poseidon kind of interesting. The prose (although it reads like an info dump sometimes) does well in keeping the story flowing.

I only have two problems with this piece: 1. The characterization and 2. The character's attachment to the situation.

I found the relationship between Medusa and Poseidon underwhelming. The way that they interact to one another is juvenile and cliche (by cliche, I mean it's like the type of dialogue that you'll find in a typical soap opera). I also don't see why they are in love (besides from the good looks of course). Any chemistry between them is lacking from the piece all together. Athena herself also falls into this category. We know little of Athena as a character and her behavior to Medusa. The only time that we do see some sort of grudge at Medusa was when she tortured her in the jail and forced her to drink the potion.

There is also this sense of detachment in the story. For example, Medusa doesn't really seem to get much of a reaction out of what she does. The only time that she does react in the piece is when she is being tortured. I actually would like to know more about what Medusa thought of her job, what she thinks of Athena and the people that she is forced to work with, why she loves Poseidon etc. This also goes for Poseidon. He seems kind of detached in this story since most of his characterization is when he talks with Medusa (and that isn't much). He does redeem himself somewhat with the ending (one of the best highlights of the piece in my opinion.

But overall, this was pretty decent. This is one of your best works so far Ely. Keep it up.

Andy.
"To the edge of the universe and back. Endure and survive."




User avatar
Gender Female
Points 13816
Reviews 563
Hey there Elinor! You have already gotten some great comments on this, so I'll try not to repeat too much of what has been said, but a lot of my comments follow along the same vein. This is very interesting--I like that you're dabbling with Greek mythology. Admittedly, I'm not an expert on the topic, so I won't be much help to you in that realm, but I do like how you have chosen to delve into some of the relationships between figures of mythology. Always a technique of interest.

So, I like the idea behind this, and some of your prose really strikes home. It has been mentioned that the characters seem far from the reader and don't shine as well as they could, but I think a lot of this is due to the conflicting tones in this piece. Namely, the shift near the beginning. The first few paragrpahs are very 'mythical'. You adopt a storytelling style that reminds me of the myths themselves, putting a lot of the characters at a fascinated distance. This can be done well, but it seems odd when coupled with the huge transition into the dialogue between Poseidon and Medusa. As has been mentioned, their relationship seems teenage and their dialogue and the prose surrounding it takes on this contemporary feel that can work marvelously well, but comes into conflict with the intro and with some of the other parts of the story that echo of the beginning.

It makes it feel like you are distancing the reader from the character while trying to make the reader relate to the character by putting things in a modern tone. The two create this odd discomfort I have when I read the story, where I feel like you're expecting me to connect with Medusa and Poseidon by talking about them in casual prose while putting them at this distance that makes it very difficult for me to view them in such a way. I think if you emphasized one tone or at least meshed them better together it would help us connect more with the characters and relieve that tension.

It can be hard to do and it will probably take a lot of experimentation, but I'm sure you can get it there. :wink: When you're revising this, just really think about what tone you are going for. Do you want to make it casual? Directed at a teenage audience? Mythical? Intimate with the characters? Seeing the characters at a distance? I think if you pinpoint what tone you want, this will flow much better and come together for you. :wink:

This is really coming along very nicely! I like this, and I'm interested in seeing where it's going. Keep writing! And please PM me if you have any questions!
~ WD
If you desire a review from WD, post here

"All I know, all I'm saying, is that a story finds a storyteller. Not the other way around." ~Neverwas




User avatar
Gender Male
Points 9561
Reviews 77
Biffle here to review.

Wow, I have never reviewed a piece this long. here we go.

He heard the voice and turned, and their eyes met. He was about to say something, but he froze, his body becoming immobile. It grayed before finally crumbling into nothing.

This part was really quick paced and not very descriptive. Explain it like it was happening really slow, or like his life being taken would surely kill her anyway. Then go on and describe that it hadnt and she needs a way to do it.

I dont think i really helpful, but yeah...

Kudos.

Biffle
Literally whatevr




User avatar
Gender Female
Points 7539
Reviews 374
Oh Ellie...Where do I start?...

Well first off, I thought the beginning was okay...It sounded sort of myth like, and that was fine. But then it turned from that into a cheesy teen romance! Ughh, I really couldn't believe it, and the
as long as they made love when Medusa not inside the temple. Unfortunately this was only for three hours every other night
Made me laugh.

"I only get laid four times a week...poor me."

I'm sorry, that's just bad. Other then the middle it was okay...

It has potential, but it just needs to be overhauled. That's my most hated part in writing, so good luck to you and keep writing!

~Hope
"I'd rather be hated for being who I am, then loved for who I'm not."




User avatar
Gender Female
Points 35199
Reviews 878
Hey Elinor, sorry for not getting on this any sooner!

I liked how you set this in a world that is already familiar for some of the readers, and that you made your own interpretations of the characters and the events. I don't know much about these myths, so I'm just assuming that this is all made up by you, and not what the myths actually tell... although I do know about the snake-headed Medusa, I just don't know how that happened in the myth.

She was still allowed to court Poseidon as long as they made love when Medusa not inside the temple.


Something is obviously missing in this sentence.


They kissed for a second time, but it was interrupted by the sound of footsteps.

“Someone’s coming!” Medusa yelled. “Poseidon, leave!”


When you're being with someone you don't want other people to see, you don't scream their name when you hear someone is coming. That's like a burglar yelling "Let's get out of this house we're robbing, my partner-in-crime!!!" when hearing the house owners open the front door.


But he remained still, instead mouthing the words, don’t let her intimidate you.


That is a bit of a lengthy sentence to be mouthed and understood by the receiver, I think.


“PLEASE!” Medusa cried desperately, “HAVE MERCY!”


This is melodramatic to say the least. Also, I think you'd better make them italicised, rather than capsed.


Well, I like the theme and how you made your own story using some of the ideas that already exist and reaching for making them your own. However, I think you should decide whether to make the style old-fashioned or modern. You use words like "boyfriend" and "darling" with words like "milady" and "court", and some of them really clash. Remember consistency! :)

Anyway, I hope I could've helped you at least a bit, even though it's been such a long time since you asked me for a review.


Demeter
x
"Your jokes are scarier than your earrings." -Twit

"14. Pretend like you would want him even if he wasn't a prince. (Yeah, right.)" -How to Make a Guy Like You - Disney Princess Style

Got YWS?



Everything’s edible if you’re immortal.
— Feltrix