Huntress(rewrite)~1

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I Have Rewritten EVERYTHING! So, comment and enjoy!
Kit.
******************

Spoiler
1



I hurt. I hurt all over. I’ve been beaten up, electrocuted and slapped all period. I force myself back up. Across the gym we use as a practice area, my best friend Josephine is laughing wickedly at me.
“Sorry, Bronwyn,” she calls. “You’re just off today.” Her white blonde hair falls into her eyes. She pushes it away impatiently. We’re practicing our stabbing technique with acting daggers. Technically, Josephine has killed me six times in the past half hour. Our teacher reminds us to act quickly and not to hesitate. Vampires wouldn’t.
Our school, The Stoker Academy, trains us to be Vampire Hunters. We are currently in Fighting Arts-207.
“Back on your feet, Bronwyn.” Our teacher calls. I get up on my feet, and position my dagger again. Josephine counts to three again. We yell and charge at each other. This time, though, I grab her free arm and sort of twirl her closer to me, stabbing her in the stomach. Josephine stages a very dramatic death, complete with coughing and falling to the floor. I nudge her with my toe.
“Very dramatic.” I tell her.
“The score is six to one.” Jos grins at me. I stick my tongue out at her. We fight again, with me winning again. I enter my fighting zone. In it, I can shut my eyes and concentrate. I don’t notice when Jos kills me again, and again.
Then a funny thing happens. I predict her move before she does it. I dodge her strike and sneak my right arm around to stab her in the back.
“Winner!” I cheer. Jos looks at me.
“How did you do that?” She asks. I shrug. I just figure it’s a preemptive strike. You know, defense instead of death. The bell rings as Jos gets back onto her feet.
“That’s my signature move.” Jo says. She is livid. Her pale skin is an uncharacteristic pink. Her brown eyes are huge.
“I don’t know how I did it.” I say. We head to lunch. Jo is staring me down. We lock eyes, gold to brown. We sit across from each other.
“Look,” I say, “I’m sorry. I’ll never mock kill you again, okay?”
Jo grins. I know that’s exactly what she wanted. Plates are passed around.
“Did you get your history homework done?” I ask. Jo shrugs. Our History class, this being a school for vampire hunters, is actually Vampire History-606.
“Nah. Were we supposed to?” Jo is notorious for not finishing homework. If she could, she’d probably skip school as well.
“I’m pretty sure, yeah.” I answer. Jo rolls her eyes.
“Goody-good.” She says quietly. We’re cut off by a light girly laugh. It’s Megan. She is the rudest, bitchest girl in the sixth year.
“Hey ladies.” She is behind Jo. Her smile is fake, toothpaste commercial. Her eyes are a shocking, fake electric blue.
“What?” I ask. It comes out surlier than imagined. Megan looks taken back.
“What?” She asks, “Can’t I just say hi?”
Jo turns to look at her, eyebrow raised.
“No.” Jo says and turns back to her lunch. Megan smirks. Picking up Jo’s glass of coke, she throws well-aimed toss of the pop onto my uniform jacket.
“BITCH!” I squeal.
“Hater!” Jo yells. I shrug out of my jacket and reached into my bag. Megan saunters away. After she leaves, Jo begins laughing. It’s a full frontal, I’m-gonna-piss-myself-laughing laugh.
“What?” I ask her.
“That was random.” Jo stops laughing to say. I eye her angrily.
“But it wasn’t funny.” I snap. I pull my blouse away from my stomach, where it’s starting to stick. From my bag, I pull out my black leather Wolverine-type jacket. I shrug it on. Jo stops laughing. She continues to eat messily. I move my chair back and away from Jo.
“We have fifteen minutes until history. You can’t really do anything.” Jo says. She’s still attempting to chew.
“Jo, you know I love you like the sister I never got, right?” I ask her. Jo shrugs. I look at her, “Then, sweetie, chew with your mouth closed.” Jo smiles slowly, and opens her mouth. I shut my eyes.
“Ladies.” The quite but strong voice breaks our giggle fest. It’s our headmistress, Janelle.
“Yes, Miss?” I ask. Jo shuts her mouth.
“Josephine and Bronwyn, I want you to come with me.” Janelle says. We look at each other. By the time we exchange nods to signal we’ll go, Janelle is already at the door. We leave our seats and follow her. I gulp. Jo looks at me with a question mark in her eyes. I have honestly no idea what’s going on.
When life hands you a BAD ROMANCE, pick up your TELEPHONE, call ALEJANDRO and JUST DANCE!




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Hello Kit!

I hurt. I hurt all over.


Laaame. ;) This is the textbook definition of telling, and not showing. And the last thing you want to do is use weak prose for your very first sentence! So either start with the next sentence, or find something else, because "I hurt" tells us absolutely nothing.

“Back on your feet, Bronwyn.” Our teacher calls.


"Back on your feet, Bronwyn," our teacher calls. Also, you just used the verb "calls" for Josephine's speech, so you might want to vary your word choice.

I don’t notice when Jos kills me again, and again.


I'm sure she notices-- no matter how into it she is, she doesn't seem so unaware not to be conscious of what's going on. Maybe, instead, she doesn't care, or it doesn't deter her. Maybe it fires her up even more.

:arrow: Overall

So, what this story needs is some stronger prose, and some more prominent characterization, which kind of go hand-in-hand. Besides dialogue punctuation (there's a tutorial by Demeter in the Knowledge Base on that, if you want to check it out) your grammar is fine, so we don't need to worry about that. And your idea seems okay so far, although I'm afraid it's going to get very cliched, very fast. I'm wary of vampire novels now, and you should be sure that you're making this story incredibly original, otherwise it's going to be swallowed by its look-alikes.

About the stronger prose. Think of each word like money. Each word you use needs to count. Each word you use needs to be worth it. That means you need to use the strongest, most descriptive words you can find to get across your meaning, so you're not throwing around weak, tell-y words, and wasting your word-count.

I shrug it on. Jo stops laughing. She continues to eat messily. I move my chair back and away from Jo.


This works, technically. But the problem is that I can't envision the scene, or your character's emotions, at all. I can't envision your characters, even though I know hair color and eye color. You're using the bare minimum description-wise: I put it on, Jo stops laughing, she eats, I move away...it gets monotonous. And the last thing you want is unimaginative prose, because that's what keeps your readers engaged in your writing. Also, your flow suffers, because these sentences are all short and choppy.

Instead, think of something like this, although certainly put your own spin on it:

I wriggle into it, trying to ignore the sticky soda spreading across my back. Jo must have seen the cold hatred in my expression, because her laugh dies down, and she spears a piece of lettuce with her fork, chewing loudly and messily. I make a face and push my chair back away from her lack of table manners.

That scene is more real. It gives a name to the food, gets into Bronwyn's head a bit, and just shows us more. Find your writing voice, and the prose will be crisper and more engaging. If you can figure out who this character is, as well, you'll be able to find her writing voice, which is even better. ;)

Best of luck, and PM me for anything.

~Evi
"Let's eat, Grandma!" as opposed to "Let's eat Grandma!": punctuation saves lives.



Don't sit down and write because you're a writer; sit down and write because you have something to say. And if the sea of ideas isn't flowing, well, just tell me about your day.
— OrabellaAvenue