Tuesday *Working Title* Chapter 1

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This is the edited version!

Chapter 1: Seeing the Cripple

Ellen Jocelyn Reno. Could my name be any worse? And please, do not call me Ellie. That one is even worse. But I refuse to be called by my hideous first name, so EJ will do. Although people are surprised I’m a girl, it’s so much better than Ellen.
Mom is at the grocery store. She leaves me here with the adopted baby twins, Hallie and Haley, and the responsibility of lunch. Thank goodness for cold cut sandwiches and baby food.
I take out two servings of baby food, and two baby spoons—the ones with the rubber over the metal, and I feed them. One at a time, with the other one sitting there, so depressed because they think they’re not going to get any. But they do.
Now it’s my turn. I take out ham and pepper jack cheese, my favorite, and put it on cheap white bread with a few vegetables and mustard. Lots of mustard, but no mayonnaise. I hate mayonnaise.
I hear a car door slam as I finish shoving the last bite of sandwich in my mouth. I put the dish in the sink and go to the window. It’s not our car, or the car of anyone who is regularly on this street.
This car is a white Chrysler Town and Country with those stickers that look like people stuck right on the back window. It also has a Finding Nemo antenna ball.
Out of the car come two middle-aged people, a man and a woman. The man has dark brown hair, while the woman’s is a very light blonde. They are definitely a couple. The woman is pregnant, and very much so. I would say she’s expecting in a few weeks.
Then come two kids, two girls. One looks a
little younger than me, but not by much. They both have their dad’s color hair and are tall.
But there’s still one figure in the van, and whoever it is, isn’t moving. Is the person hesitant about moving in?
Then it becomes clearer to me as the dad pulls a wheelchair out of the back of the van. His father lifts him out of the car and sets him in the wheelchair.
It is a boy. He has his mother’s very blonde hair. He looks tall, but it is very hard for me to tell because he is sitting down.
I hear another car door slam, and I look in our driveway to see my Mom’s silver 2008 Toyota Highlander.
“Hey, Mom.” I wave as she comes in the door.
“Did you feed Hallie and Haley?” she asks hopefully.
I roll my eyes. “Yes, Mom. I never forget,” I insist.
“You’re right, you don’t.” She sighs. “Hon, I think you need a break. Do you want to go do something with your friends?”
“My imaginary ones? Yeah, they’ll be great company,” I say sarcastically.
“You have friends,” she says, a little unsure. “What about that Molly girl from school?”
“She moved to California to live with her grandparents,” I respond. “Mom, let’s face it. I’m a loner, for lack of a better word.”
“Ha! You are not,” she protests, but then
looks back at me. “Are you?”
“Kind of.”
“Honey, I’m sorry that we moved into a neighborhood where there aren’t many kids your age,” she says, sighing.
The fact of the matter is, I’m a loner because I’m afraid that once I let people in, they’re just going to leave me all too quickly, and I just don’t want to be hurt anymore. I’ve been hurt too many times already. My dad up and left when I was six, and I haven’t seen him since. My Mom still wears the wedding ring, with some futile hope that he will come back and remarry her or something.
“We have new neighbors. I could hang out with them. I mean, they have kids that are my age,” I say, uncharacteristically optimistic.
“Girls?”
“I think they have one girl that’s my age,” I reply. “But they also have a boy. He’s a cripple.”
“EJ!”
“What did I do?”
“Honey, don’t say he’s a cripple,” she says. “That’s not polite. Say he’s in a wheelchair, or he’s disabled.”
“Mom, you know what I mean! I wasn’t trying to be impolite or rude or whatever. I’m not that bad.”
“I know, but they’re new, and good first impressions are key,” she explains. “Would you make me a sandwich?”
“Sure.” I roll my eyes when she can’t see me. I was just left alone for two hours with the twins, and now she’s asking me to do more work?
I make the sandwich and hand it to her, who is sitting on the couch. “Thanks, EJ. I really appreciate all this.”
“No problem, Mom,” I say, and then I hear crying. Hallie and Haley.
“Would you check the girls?”
“Sure.”
“Their diapers are probably dirty.”
“I know. They have a knack for that, you know,” I say sarcastically.
“Tell me about it!” she says. “Those babies are potty machines. That’s what babies do. They eat, poop, and sleep. What more can you expect, really?”
I reach their bedroom. It’s the first bedroom on the right when you get to the top of the stairs.
I take off Hallie’s diaper. A horrible stench fills the room. “Ugh! That’s awful, Hal, how do you do that?” As I remove Haley’s, the same sort of scent comes out. “How do you do that?”
I wipe them and put fresh diapers on them. Now they shouldn’t smell so bad anymore, but they’re still crying.
I take them downstairs to Mom, who knows why I’m bringing them.
“Still crying?”
“Yup,” I say. “I think it’s time for their milk, Mom. That’s up to you. I have a lot of homework to do, anyway.”
“On Saturday?”
“Well…I slacked yesterday and so now I’m waist-deep in math problems,” I admit sheepishly.
“Well, you go do it,” she says. “I’ll feed them myself.”
I run upstairs to my bedroom, backpack in hand, and take out my math textbook.
Algebra: one word that means hell on earth. I hate algebra. Variables, slope intercept form, point
slope form, and more. I hate it. Ugh.
After two hours and a lot more homework, I shut the book, and look at the clock. Five sixteen o’clock.
I look out the window. The impaired boy is sitting out in his backyard, watching his sisters toss a ball. The longing in his eyes makes me sick. I take for granted being able to run and play sports. He can’t. He’ll never know what it feels like to feel your feet pounding against the ground. He’ll never know what it feels like to have a second wind as you’re running a long distance, and you get tired. If only there was a way he could run, he could see a brand new world.
As I think, I look away from the window, looking at the picture of my deceased Grammy and me hugging. In her later years, she couldn’t walk anymore. She hated it. I know she hated it. How would it feel to be like this since you were as young as he was, and probably even younger? I make up my mind to talk to him sometime soon.
Perhaps he won’t like me, which wouldn’t be any surprise—not a lot of people do—but at least I could try. I mean, maybe he will like me. Well, I doubt it, but I guess being a little optimistic couldn’t hurt.
Last edited by Munchkinzizzles on Thu Feb 25, 2010 1:22 am, edited 1 time in total.
Writing...writing is beyond amazing. Writing is imagination on paper. I love writing more than I can express.




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Anyone? Correct me? Help me out?
Writing...writing is beyond amazing. Writing is imagination on paper. I love writing more than I can express.




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Hey Munchkinzizzles! I'd be glad to help you, not that I can say that my methods are "correct".

So first off all, the story. It's interesting, but a bit slow to be honest. I understand what is happening but don't really see the need for all the details and conversations. Granted there should be some, I'm not saying chuck all details and conversations out, or you'll be left with almost nothing. It just feels like a lot.

Out of the car come two middle-aged people, a man and a woman. The man has dark brown hair, while the woman’s is a very light blonde. They are definitely a couple. The woman is pregnant, and very much so. I would say she’s expecting in a few weeks.
Then come two kids, two girls. One looks a
little younger than me, but not by much. They both have their dad’s color hair and are tall.


The red "is" feels strange, I'm no grammar buff so I'll leave that to others, but something doesn't feel grammatically correct. These sentences are otherwise perfect, says exactly enough information to get us situated with this people. If you plan on making any distinction between the two girls at this point though I might add that any small difference between the two that is visible to the eye would be a nice detail. This rule can actually be applied to all characters you introduce. The wife for instance is set in the readers mind as a women who is pregnant, so any pregnant women in the story will generally be linked to this person, which is the sort of connection you must make with characters to keep things organized (unless they are not useful to the story of course ^^).

Whoever this person is can’t walk.


This information is a bit "common sense"-ish. The flow of the sentences around it would work fine without it and everyone would still know this person can't walk. So I'd personally just leave it out.

Now for the dialogue. Its written well and could take place tomorrow easily (realistic I mean). The only thing that bothers me is the length, for the amount of information that is packed in all those sentences are all those sentences actually necessary? The main thought in the story is obviously the new neighbors so sticking with it would greatly increases the flow of conversation.

“You’re right, you don’t.” She sighs. “Hon, I think you need a break. Do you want to go do something with your friends?”
“My imaginary ones? Yeah, they’ll be great company,” I say sarcastically.
“You have friends,” she says, a little unsure. “What about that Molly girl from school?”
“She moved to Texas to live with her grandparents,” I respond. “Mom, let’s face it. I’m a loner, for lack of a better word.”
“Ha! You are not,” she protests, but then
looks back at me. “Are you?”
“Kind of.”


You did write this, and even though it has little to do with the new neighbors it brings up something new and interesting. Any extra detail as to why she is a loner would brand that quality of this person into the readers mind a bit more. Right now it's written like it's a small detail not worth mentioning, unless that's what you want of course.

My mom has and always will be a breast-feeder.


This sentence can be interpreted in two ways. Either the mother (and I'm guessing this is what you meant) is a person who believes in breast feeding infants. Or this person will breast feed infants until the day she dies (which I'm guessing you didn't mean). A simple change like:

My mom has always breast fed her babies.


Would make the point a lot clearer without changing too much.

He’ll never know what it feels like to have the wind in your face—if only there was a way he could run, I could show him a brand new world.


I don't really see how you need to be able to run to have wind in your face, my own opinion of course, but I'm sure there are more examples of sensations you could think of that a disabled person couldn't experience. That sentence just threw me off a bit. Also I would leave out the "I could show him a brand new world" because if a disabled person could run he/she would be able to experience this brand new world on his/her own.

—if only there was a way he could run, he'd experience a brand new world.


You know, small changes like that.

Those are the main things I found in your draft (I'm guessing) that could use a little change. And just as a last tip, condense your dialogue a bit, unless it's very interesting or raises new ideas or plot changes there is little need to have a character speak. Of course there should be informal sentences so we can grasp the personality of a character better, but not much is needed, it's sort of like first impressions if you understand what I mean.

Otherwise, very well done! I know it may seem crappy after I just discussed all the not so pleasant parts of criticism, but I did enjoy your piece! It definitively has a direction the story is moving towards and you've really fleshed out your protagonist. All of your characters so far are very relate-able and the general flow of your sentences is very pleasant to read. I especially like the bits where EJ and her mother argue about calling someone a cripple, and the bits about babies pooping, as the subjects and sentences you pulled out of those topics are so realistic, and I'm sure everyone has heard or said something similar.

Anyway, I've hoped this has helped. I admit I'm maybe a bit too critical, but then again, you can only learn from it, right? Good luck with the rest of it!




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No offense taken from the corrections. I realize that no one is ever gonna get anything perfect on the first try, right?

The reason that dialogue comes into play so often is because my characters are usually expressed through dialogue and conversation. That's one of my favorite aspects of writing fiction. Getting inside my character's heads and putting what's inside outside through conversing. I almost feel like it's me talking.

I also really enjoyed writing the bits about poop and cripples. :) I try to make my characters realistic. By adding the thing about the cripple, it shows that the mom is very stuck on respect and manners, and that EJ isn't perfect.

By the way, do you like the name EJ? I did, but that's just me.
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I'm not saying you shouldn't have dialogue, just maybe a bit more to the point. If you do choose to express things using dialogue then it should be filled to the brim with information that is useful in either character development, character relations, or plot.

Definitively keep the bits on cripples and poop.

I've never heard of an EJ before, and sure it could work, as long as no other characters come into the story with a similar name like CJ. Believe me, it would get confusing.

Keep at it though, it's impossible to get anything right the first time, and if you do, it's cause you're a prodigy, and the chances of that are like 0.0002% or something.

Hope my review/critique helped.




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*This comment is not meant to be sassy, rude, or mean*

I think that the dialogue is useful in my story because it shows that EJ and her mother have a very friendly relationship, but I don't think that it's completely mother-daughter status. It's more like two acquaintances who don't know each other very well. Although it seems almost pointless, it's to show that EJ has always been very mature.

Another detail that I'm thinking about adding is that her parents are divorced, or her dad is gone to the military, or he's gone somewhere else. What do you think? I took out the bits about her dad being at work and stuff.

What do you think?
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Having her dad be gone might enhance the "Loner" element you've already introduced, so I say go for it.

*This comment is not meant to be sassy, rude, or mean*


Has was your comment any of these? :D




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I just wanted to be clear that my comment wasn't meant to be totally defensive, or rude or sassy. Some people can get pretty sensitive. When posting a harsh review or a mean comment, it can be really hurtful. So I just didn't want to be hurtful to anyone else.

And by the way, I wasn't hinting that your review was harsh. :)

Another detail that I've added is that her dad just left when she was nine, with no explanation, no reasons, so it's been hard for her to let anyone in since then for fear that that will leave her and hurt her like her dad did. And then I added that her grandmother, who became her best friend shortly after her dad left, passed away a few years ago, and she just is kind of done with relationships, because she thinks nothing good can come of them.

So, anyway, I hope that you like the ideas. :)
Writing...writing is beyond amazing. Writing is imagination on paper. I love writing more than I can express.




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Anyone other than Treem? Really, people? Is it THAT bad?
Writing...writing is beyond amazing. Writing is imagination on paper. I love writing more than I can express.




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Please?
Writing...writing is beyond amazing. Writing is imagination on paper. I love writing more than I can express.




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I'll post the edited version soon!
Writing...writing is beyond amazing. Writing is imagination on paper. I love writing more than I can express.




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Hello.
Last edited by Munchkinzizzles on Thu Feb 25, 2010 1:24 am, edited 1 time in total.
Writing...writing is beyond amazing. Writing is imagination on paper. I love writing more than I can express.




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Hi-oh! Saw the second chapter posted and figured I should read the first one... first.

Mah first suggestion: go ahead and replace the text of the old version with the new version. That way a first time reader doesn't read the first chapter at the top, then scroll all the way down to the second and realize that they read the wrong thing. It just eliminates confusion that way.

Secondly: the way it's formatted in the edited version, there is no space between the paragraphs. It makes the whole thing look like a huge wall of text that is very intimidated and hard on the eyes, especially on a computer screen. Space it out a little?

But those are just formatting things. On to the actual story!

I liked your main character. She's responsible and her relationship with her mom is interesting. I want to see more of how she deals with everyday life.

My main critique for the story is the pace. We are seeing her do every. little. thing. It can occasionally be used for great effect, but here, watching her make a sandwich and feed babies is (especially when we don't really know what the story is about yet) a little boring. It's solidly written and has a nice tone, but nothing really is happening. It's the beginning of the story: hook us with a little happenstance! It doesn't have to be car blowing up, but make something happen. Maybe open with the crippled kid moving in and what EJ thinks of that. How is it going to impact her life? Hint at it.

As is, the character voice is nice, but nothing is happening. Make something happen?

I loved the last paragraph, by the way. Not too angsty, but still wanting something. Nice way to set up your character.

*trundles off to next chapter*

~GryphonFledgling
I am reminded of the babe by you.



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