picture of an old cowboy dying in the city

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chapped stars, and a sickle-celled moon over the wide prairie
of his boyhood, where the cows are longhorned and led across the southwest
by side-spitting, bow-legged men who smell of saddle-grease and
dust, and dried sweat, and dust. where the thunderheads grow like white lies
and the desert flowers gather in the tiniest yellow orphanages
their heads hanging, like dangling participles.

when he would sit in a red pickup, disciple of the unborn day, listening,
as the sun would crack over the horizon like an adolescent voice, smelling
cigarette smoke, thermosed coffee, and the ushered, blushing scent
of cattle-dung. he eats his breakfast with the other cow-hands -- they are silent
in the blue, as the night is dusted off of the heirloom day, and the sky
creaks open overhead, and the cows think heavy, dream-dense thoughts.
in their ghosttowns, the stars are forgotten
like loose change and buttons at
the bottom of a drawer.

he thinks

of the sistine chapel of a setting sun over the mesa,
the rays of perishing sunlight fanning out
like adam's desperate fingers. of sleeping on hard ground, of dying with your
boots on, of the mexican girls with their dark eyes and their dark, fumbling hands,
of a shared cigarette, of the springbirds among the cacti, small and uttered,
like lovers' nicknames.

he thinks of these New Mexican mornings on nights like this, when he can't
sleep in his bed in the city, his old hands traced and retraced with the forgotten
deer-trails and landmarks of age. he thinks of the time that they hunted a she-wolf
that was killing cattle for the four months of winter, and when they finally caught her.
yellow eyes of the demon host, and the gummed up mash of her paw in a
trap. he watched her, squatting in front of her for hours, her swollen tits
hanging and hooping from her underside, and for those hours,
he stared into the eyes of the end of the world and
never went back.

he sleeps in a hospital gown with a pair of false snakeskin boots near the bedside
table and a cowboy hat worn and salted with sweat and sun-shrunk. he would
die for a cigarette and a shot of whiskey, and one last night on the plains,
falling asleep by an open fire, whose ditties of sparks cast skyward, and the west
glows red, a bored heart,

and hushes.
"I am beginning to despair
and can see only two choices:
either go crazy or turn holy."

- Serenade, Adélia Prado




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Your poetry is amazing and this one is no different, though it it isn't one of my favourites

Feel free to ignore me because you probably know 10 times more than me about writing a good poem xD


bow-legged men who smell of saddle-grease and
dust, and dried sweat, and dust.


If I were you I would put it as " Bow legged men who smell of saddle grease, dust and dried sweat" but thats just me.

he watched her, squatting in front of her for hours, her swollen tits
hanging and hooping from her underside, and for those hours,
he stared into the eyes of the end of the world and
never went back.


I would take out "in front of her" just to make it flow better and stop the repition of "her"

Also I would put the "and" at the end of the third line at the beggining of the fourth line. It makes it seem more dramatic.

Stanza 4 seems a teeny bit long winded in my opinion

But stanza's 1 3 and 4 are pefect in their language and description.
I don't know how you come up with half of descriptions you use xD
but really, they are amazing.

Well thats my two cents.

Keep writing

Halycon




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Very great writing! I actually liked how you emphasized the dust by repeating it. This poem gave a very strong image of the cowboy and the plains. However, it did give a kind of vague depiction of the hospital room. I think that showing a little bit more of the contrast between the two would have added more to the feeling of disappointment that the cowboy felt at the fact that he couldn't die on the plains. I thought this was a great poem over all. I'll definitely be looking forward to the next one!




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Hullo again, Kylan!

I know just a moment ago (in review times, anyway) I said that hispaniola was my favourite by you right now. This hasn't changed, but this poem is so very close to being my favourite that it isn't funny. This is a beautiful poem, as always, if you were to write an ugly poem I may just lie down and die that moment. Instead of the ending disappointing me, as with hispaniola, it is the first stanza which sticks out for me here.

It starts gorgeously, I wouldn't change your first line for worlds. However, the rest of the stanza, from "where the cows" onward, loses charm for me. It picks up again in the second stanza, easily, and your poem continues on strongly to an evocative ending.

I think part of my problem is the emotion again. In the first stanza I feel it only in the first line. The part which touches me comes only after I meet the man, in this instance. You use the perspective well, and I do like to see you talented with all point of views, but it may be this particular view point which loses me. I don't really think this is the case, but it bears mentioning. I like when your poetry touches on more specific materials, I think. I enjoy the suggested interactions between the man and his environment, and I lose it a little when we go a little off course - as with the cattle run.

My rant, perhaps, does not make sense. Feel free to Pm me, as always, if you have questions or anything.

~ Penguin.
I like you as an enemy, but I love you as a friend.




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Hey, honey. This again, like Romanov was a poem that I critiqued quite a bit of time ago. But my scanner was being evil McEvil face about stuff, so I had trouble posting this. But now it works.

You know the dealio. If you can't read it, poke me.

Image
Image

Ta,
Cal.
Fraser: Stop stealing the blanket.
[Diefenbaker whines]
Fraser: You're an Arctic Wolf, for God's sake.
(Due South)

Hatter: Do I need a reason to help a pretty girl in a very wet dress? (Alice)

Got YWS?



time was invented by clock companies to sell more watches
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