The Sacrifice [1]

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His first encounter with magic was the smoky morning of his twelfth birthday when his father took him to the city. It was a mysterious trip, as unexplained as the scars that decorated the hands of his father, or where the money came from to support their elegant country house. Back then Manchester was an immature behemoth, noisy and young, in the early thrusts of its industrial renaissance. To Jim’s childish mind it was as dark and dangerous as the night time.

It was a long walk that began with trees and ended with chimneys. The transformation was strangely imperceptible, for as they passed through the outskirts, communities retained vestiges of the country next to the tools of industry and modernity. The grass and the fields and the farms slowly faded, individuals became a throng of people, and whispers became a buzzing chatter, but it was a blurred change, rather than a jarring one.

His father barely talked or paid attention to his presence. Not until the air became hot and sweaty, until the smoke burned their nostrils, until the streets became narrow and haunted by tall buildings and all Jim could see was the waists of men after men, did his father grunt and hold his hand. Jim did not like his father’s cold and brittle hands that gripped his in such a perfunctory manner.

The city at first felt like a vicious storm, and he a small raft, drowning in the immensity of it all. Everything was aggressive. From the rancid smells to the clumsy legs of passersby, from the fat lady stood by her cart shouting her prices to the rusty clanks and grinds of the factories.

It was many minutes before he learnt to swim. Led by the stern and unforgiving grip of his father he was half-dragged through the city. A stranger to the places and buildings he saw, he had no idea of their heading or direction. At some point however the crowds thinned and he was given a break from the painful hustle and bustle of their initial entrance. They entered a side alley and his father dropped his hand and stopped.

“You are full of questions, no doubt,” he said, looking down at his son with a steely gaze.

Jim jumped at the opportunity with a quick grin. “Yes, sir, what--”

“I did not say you could ask any.” Those fierce blue eyes that Jim feared so much intensified and caught him in a harsh glare, until the young boy dropped his head and stared at the muddy cobbles. “We have precious little time for explanations. You will have to remember to open your ears, and eyes, if you want to learn anything today.”

About what? Screamed Jim’s head, but his mouth stayed shut.

His father reached into his coat pocket and fetched out a timepiece, nodded, and started walking briskly forward. “Come on, James. Larger boys than you have been devoured by this city.”

A sense of fear and unexpectedness chilled Jim to his bones. If this was an adventure, it was a perplexing one. Swallowing his confusion, he jogged forward to keep up his father’s long strides, mindful of losing himself in the alien surroundings.

The street they emerged onto was a world apart from the hostile, teeming thoroughfare they had left moments ago. They were its only inhabitants. It was a cul-de-sac with only a tiny, squashed grocers in its farthest corner, painted a dark green with golden letters that said WHITTINGHAM’S. For a moment Jim thought they had travelled all this way to purchase supplies, but it was fleeting; his father was too practical a man to waste a day so.

The door made a little jingle as they entered.

A wave of freshness poured over Jim. It was almost as if they had left the city, and entered a portal into the countryside, such was the change in atmosphere.

“Good mornin’, sir, and to you too, young master,” said the clerk, an old fellow with rosy cheeks. “And what I may do for you?”

His father smiled. “I am in need of a particular rare tea I have grown accustomed to. It goes by the title Lapsang souchong.”

The rosy-cheeked man watched Jim’s father carefully. “Expensive stuff. Ten bob n’ a sixpence at the very least, sir.”

“How about we call it two crowns?”

“Indeed, sir. If you would like to follow me.”

Jim was all at sea. The man unlocked the counter and beckoned his father towards the curtain next to the back shelves. Why were they entering the back of the store?
The scarlet curtain was pushed aside and Jim shuffled in behind the two men, breathlessly, unsure about what to expect. To his surprise they carried on past the assorted boxes and wares stocked and went through another door, which the man used a long silver key to unlock. It gave an eerie creak as it opened.

“Much obliged,” his father said, and tipped his hat.

The man bowed and gave Jim a wink as he left them to their own devices, sweeping the curtain back as he disappeared.

“What the --” Jim began, before his father’s hand shot up and covered his mouth.

“Not here, James.” The tone was calm.

Beyond the door was a room cast in an orange glow. Leather books adorned the walls like regiments of soldiers. Cigar smoke lingered and half-full glasses littered the tables.
Not until they were safely inside the room, with the door closed, did his father turn to him, clap him on the shoulder and explain. “Welcome to my workplace, James. Pardon the secrecy.”

“You work at a greengrocers?” asked Jim with mild disappointment.

His father laughed at that. “Not quite. This is not part of Whittingham’s. It’s something else entirely.”

There was truth in that. The room stood in deep contrast with the simple austerity of the grocers’ layout. It was a billiard room and library and study in one convoluted mix. Weirdest of all was the lack of windows that deprived the room of natural light.

“Father, I haven’t the faintest what is happening.”

“Splendid. I would be more worried if you did.” He took his hat off and laid it on a nearby chair, hung his coat up and took out a cigar and held it in his teeth. “Do you ever wonder what my occupation is, James?”

Jim frowned. “Mother always used to say you worked for the Government. Is this my gift? Seeing where you work?”

He lit the cigar and smoke enveloped his face. “Almost,” he said, although Jim didn’t know to which part. “The others will be here soon.”

“Others?”

“Why yes. You think I’m the only officer of Her Majesty’s Secret Police?”
Nate wrote:And if YWS ever does become a company, Jack will be the President of European Operations. In fact, I'm just going to call him that anyways.




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Wow.

I seldom read a story that has me competely and utterly hooked. As I read on I didn't stop to reread an awkward sentence, or pause and wonder syntax or grammar I just read and let myself become consumed.

You have taken a completely unoriginal idea/pretense and spun it and shone a new light on it. It's good but will only stay good if you keep away from the cliche magic/secret-society plot, it only just ticks the 'originality - box' for me now, had it not been so well written I might have had more say about this!

A couple of missed commas et cetra but I'm sure you will pick them up with another proof. The discription of he transformation from farm - city really struck a chord of recognition. Well done.

I wish I could offer more but I really didn't see much else, perhaps just give a little more weight to the boys appearence?

look foward to reading more.
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Jacke! :D

When I tell you it's bad, you believe me and give up the project and stop writing entirely and when I tell you it's good, you don't believe me and give up the project and stop writing entirely. So, just to be on the safe side, it's very intriguing and you should definitely write more of this.
Ubi caritas est vera, Deus ibi est.

"The mark of your ignorance is the depth of your belief in injustice and tragedy. What the caterpillar calls the end of the world, the Master calls the butterfly." ~ Richard Bach

Moth and Myth <- My comic! :D




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Hello, matey!

Glad to see you got round to writin' and postin' this. It's gravy! I'm just going to point out some small, nitpicky stuff -- I tend to deal mostly with flow and, with this, there's nothing else really that needs a touch-up.

it was a mysterious trip, as unexplained as the scars that decorated the hands of his father


There's nothing wrong with this phrasing, per se, but why not say -- "as unexplained as the scars that decorated his father's hands" --? There's something a little too formal about the way you arrange this sentence. I don't think you need the comma that follows either ^^

Led by the stern and unforgiving grip of his father he was half-dragged through the city


As with before, just a touch odd with the phrasing. Why not -- "Led by his father's stern and unforgiving grip, he was half-dragged through the city" --? Haha, there's nothing wrong, as I mentioned before, so it's not a must-change thing but I couldn't help think that as I read the piece. And I should be too engrossed to care. Of course, I might just an anal tard, luls. :)

About what? Screamed Jim’s head


Hm. I'm not entirely sure about this one but I would imagine mental dialogue would follow the rules of normal dialogue and so, that 'Screamed' shouldn't be capitalised.

It was almost as if they had left the city, and entered a portal into the countryside, such was the change in atmosphere.


What exactly was the change? Was it the smell? Or just an illusory sensation? A little more detail here couldn't hurt. Aaand, I know you're doing a country v city theme thing, but there's no need to be so blunt about it (by the way, I kinda just want you to stay in the city -- your descriptions of the city and city life in general are lovely and always have been. you and modernity just go hand-in-hand). In any case, instead of blithely telling us, why not give us the sensations directly. For instance:

It was almost as if they had left the city, such was the change in atmosphere. [insert sensory descriptions here, mebeh bebeh]

Jim was all at sea. The man unlocked the counter and beckoned his father towards the curtain next to the back shelves. Why were they entering the back of the store?


Jim was all at sea.

What does that mean, exactly? I understand, sorta, the sense you're trying to give -- or continue rather, of modernity being an ocean and the boy lost adrift on it -- but it felt out of place here and strange given the mundanity (is that even a word? if not, tis now XD) of the following sentence. Why is he at sea, suddenly, is what I'm asking.

It gave an eerie creak as it opened.


This, for me, was the only real weakness in the piece, the only part where I was like, cut it. Doors creak entirely too often in fiction, as I see it, and someone really needs to call a handyman already or imagine a caretaker with enough pride and professionalism to oil his hinges haha.

“Father, I haven’t the faintest what is happening.”


missing a word -- idea, I believe -- :)

Okay! That's about it, all the little bits to make your eventual redrafting (don't you dare start now, keep going!) a little easier. I'm excited! WRITE MOAR. Also, questions that need answering!

How old is James? Why is he being randomly involved here? Is there a reason for his fathers initial sense of urgency -- aside from needing to be punctual anyway--and caution? If so, why did it fade so audibly at the end of the chapter? (Mind you, lingering, unresolved tension is great so if that's what you want, leave it open)

*jumps up and down*

Me, excited? Never. But if you don't write more, I will cut you. kkthnks
Mah name is jiggleh. And I like to jiggle.

"Indecision and terror, thy name is novel." - Chiko




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All righty then.

Your story really got me hooked. I like the way you described the scenery, making us wonder about it, intriguing us. The way everything came to be and so on.

I'm guessing the MC will be described further on in the story, but if you hadn't thought about that, maybe you should. It wasn't necessary in the first chapter, but you might want to give us more to him in the next one, perhaps?

I love fantasy stories, but fantasy stories with mystery (or comedy) is much better :D . Keep at it, I'd like to read the rest. PM me when it's out!
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Thanks for the comments everyone.

This is a short story, rather than a novel or anything, I've just split it up into bite-sized sections for reviewing purposes. If I finish I'll post some more. I'm mainly concentrating on the plot & style at the moment, the characterisation isn't perfect. I'd quite like comments on characters from this part if anybody has any, because it's my weakest point.

Karina >> Do I really do that? I don't think you have ever caused me to stop doing anything.

joshuapaul >> I'm trying to spin something new on a classic secret society plot, so I hope I do.
Nate wrote:And if YWS ever does become a company, Jack will be the President of European Operations. In fact, I'm just going to call him that anyways.




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Hullo, Jacque!

My apologies on not reviewing this when I said I would. I get sidetracked too easily.

To begin, I love your word choice throughout this; simple, easy to follow and so darn interesting. You caught my interest at the beginning, and it didn't fade even after this was finished, which is a brilliant thing that I don't see enough of around here.










His father barely talked or paid attention to his presence. Not until the air became hot and sweaty, until the smoke burned their nostrils, until the streets became narrow and haunted by tall buildings and all Jim could see was the waists of men after men, did his father grunt and hold his hand. Jim did not like his father’s cold and brittle hands that gripped his in such a perfunctory manner.



- It could very well just be me, but the italicized part made me stumble because it's too long; while I like all of the information here, but and all Jim could see was the waists of men after men kind of drags this, and made me have to read back to remember what you were talking about.

- Hey, the final sentence here, Jim did not like his father’s cold and brittle hands that gripped his in such a perfunctory manner-- did Jim not like his father's hands at all, or just the way that he gripped them?



Jim jumped at the opportunity with a quick grin. “Yes, sir, what--”
“I did not say you could ask any.” Those fierce blue eyes that Jim feared so much intensified and caught him in a harsh glare, until the young boy dropped his head and stared at the muddy cobbles.


This description of the eyes comes off as a bit cliche, dear. ;)

His father reached into his coat pocket and fetched out a timepiece, nodded, and started walking briskly forward. “Come on, James. Larger boys than you have been devoured by this city.”

Fetched out sounds a little funny. :P I think "out" should go, or fetched should be changed to fished.


For a moment Jim thought they had travelled all this way to purchase supplies, but it was fleeting; his father was too practical a man to waste a day so.


Traveled. ;)





“What the --” Jim began, before his father’s hand shot up and covered his mouth.


I think "but" may sound better here instead of before; this rings as a little awkward to me.




“Father, I haven’t the faintest what is happening.”


Not sure if this is intentional, since it's dialogue, but not faintest idea?

*

I have to say, you did a wonderful job here, Jack. The fluidity of this was excellent. In some spots, the tone did sound overly formal, such as where Omzy pointed out saying the hands of his father versus [/i] his fathers hands[/i]; it's not in the least a bad thing, but on close reading it does trip the flow in some parts.

The suspense was well done! 'Grats on that-- your narration is wonderfully done. Not info dumpy, but it provides the information without going all into the showy things.

I absolutely loved this, and can't wait for the next installment. ;) (Which, needless to say, I expect soon. =D)

Two thumbs up!

June
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The ink in which our lives are inscribed is indelible.
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