"All Hope Abandon, Ye Who Enter In."

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"All Hope Abandon, Ye Who Enter In."

By: Amanda J.


My heartbeat races with each step I take toward my final destination.

This is the end—I can feel it—but, more than that, I’ve been warned. Yet with their admonition, one would think I’d be prepared for this moment. I try to encourage myself, to persuade myself that it won’t be as bad as I think, won’t hurt as much as I know it must.

My stomach isn’t buying it.

The nausea is affecting my equilibrium, tilting the world in front of my eyes. I try to swallow back the building horror but the fear does not abate; even my saliva isn’t responding to the action.

This is it.

I see the others filing in around me, in front of me, like cattle awaiting the upcoming slaughter. Don’t they recognize the danger like I do? Don’t they understand what’s going to occur when they enter that room, the inevitability of destruction looming in their very near future?

The scene in front of me morphs, becomes something different, dark. As the others pass through the portal—the gateway to misery—their appearances change, shift. Their flesh, once healthy and glowing pink, now takes on a green tint, the skin peeling apart from the muscles and bones. The stench burns my nose, strong enough to knock me to my knees. I gasp for air but the gases soon invade my mouth; I can taste the noxious air on my tongue.

The room looks harmless enough; the deception was well cultivated.

What is that they always tell us? "Don’t believe everything you see"? Yes, I can hear the moans of torment already.

I’m approaching the threshold now. The sight in front of me becomes even more menacing. The flesh that was at first merely peeling is now entirely dropping away from their bodies like dead flies. Thick, dark liquids drip from the openings, pouring down upon the white tiles—staining them.

The puddles grow larger in diameter until the entire length of the floor is covered in a crimson sheen.

Surely there is some way of escape, some other path that will lead me away from the madness converged inside. How did I end up here, on the edge of obliteration?

I try to recall the steps that I had taken in order to be at this place this moment. I remember the decision I had to make, the choice I eventually made. Yet I didn’t really know what was coming, didn’t fully comprehend the peril awaiting me.

And now that I finally understand—now that my erroneous choice is made real to me—it is simply too late to change my fate.

My heart thrashes in my chest as my feet carry me across the barrier, the final border.

There is no turning back, no such thing as pardon.

And yes, there is no hope.

The butcher comes forward to slaughter; opening his mouth, he offers us our last epitaph.

"Welcome to AP English 3."
Last edited by SilencedHope on Sun Nov 08, 2009 8:57 pm, edited 1 time in total.
Please take a long hard look through your textbook 'cause I'm history.




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Hello, Silenced. ^_^

First, some specific observations:


My heart beat races with each step I take toward my final destination.


Heartbeat.


Yet with their admonition, one would think I’d be prepared for this moment.


Admonition is a strange word to use. Don’t think I’ve ever come across it before. (Had to actually check what it meant.) I may be completely wrong, but it looks to me like an example of using a big word for the sake of using a big word … in which case, replace it with a simpler one.

Do forgive me if I’m wrong though, if you chose ‘admonition’ because it’s the best word to get across your meaning. If this is the case, keep it.


The flesh that was at first merely peeling is now entirely dropping away from their bodies like dead flies.


A strange simile to use. I can’t picture it, and it doesn’t really make much sense to me: do dead flies often drop away from things? and do pieces of flesh resemble dead flies?


And some more general comments:

Right, I like this, but I'm not too sure what to make of it. The lack of context leaves me confused. Is this a part of a longer story, or is it a self-contained piece?

The ending confuses me with its ambiguity, although I'm not too sure if that's what you're after? I can read the story in two ways:

1) It's all literal, and the 'butcher' has a strange sense of humour,

2) It's all metaphorical, it is just an English class, and the narrator is exaggerating/lying/joking.

If you want this ambiguity: great, keep it, it's done well. If you don't, then you might need to find a way to make it clearer what you mean.


Oh well, that's all from me. Happy writings. =)


-- Sureal
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xD Hey Hope! Evi here.

This was extremely well-written. It was a short flash fiction kind of thing, so this isn't going to be a long review; I don't think this needs much more.

Single flaw:

And yes, there is no hope.


Saying "yes" to a negative statement ("there is no hope") sounds and looks a bit funny. I'm not sure if you were just trying to avoid the dreaded double negative, but I think this needs to be rephrased as either:

And no, there's no hope.
-or-
And yes, all hope is gone as well.
-or, simply-
There is no hope.

:arrow: Besides that, I loved the piece. ^^ I have only one or two more suggestions. One, right here:

I try to recall the steps that I had taken in order to be at this place this moment. I remember the decision I had to make, the choice I eventually made. Yet I didn’t really know what was coming, didn’t fully comprehend the peril awaiting me.

And now that I finally understand—now that my erroneous choice is made real to me—it is simply too late to change my fate.


I'd love to hear a tiny bit more about either the steps she took to be at this place, or what had caused her to understand the terrible mistake she had made. When did she realize what she had condemned herself to, and what brought about this realization? I think throwing some words of regret in this first paragraph would help round out the overall effect, as well.

Other than that, I was very impressed with this. ;) I think you managed to create a quirky story from a funny, easy-to-relate-to idea. One more small comment, though, that I'm not how you'd fix: the ending was rather predictable. The entire narrative was very melodramatic, obviously, and so I couldn't help but figure that the last sentence would be something innocent-sounding or plot-twisting. And, it was. But changing that would change the entire idea, so that wouldn't work. Perhaps you could incorporate some lines that either (a) might hint towards a more real terror, with more serious and less ancient-sounding "the end is nigh" phrases, or (b) might be a bit more natural-sounding. You could describe the walls, or the flouresence, or something just a tad less gruesome and dramatic than rotting flesh.

^^

But PM me for anything! Great job. I loved how blown out of proportion it was.

~Evi
"Let's eat, Grandma!" as opposed to "Let's eat Grandma!": punctuation saves lives.




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I'd critique, but it seems as if everyone else has gotten to it already. I'm still in love with it, seeing as I totally felt the same way when I walked into his classroom. ^-^ It's not really a review, I know, but what can I say?

Smiles!
~Mira
"Smiles make the world go round." ~ Me




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Hey guys; thanks for all your comments(:


@Sureal;

I used the "dropping like dead flies" idiom because it means "rapidly collapse, die, or drop out in large numbers."

But truthfully I don't like it either. haha



The story is supposed to be overly dramatic.
Not that we hate our English teacher but... he is a cruel cruel man. (;
The story was to poke fun at him; plus I had to write a story about his class.


Also, the title comes from Dante's Inferno, which he made us read. The quote is at the entrance to Hell. A couple of kids from one of our teacher's other class said that they were going to make a sign with this quote on it and hang it on his door.
Please take a long hard look through your textbook 'cause I'm history.



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