The Wall

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The Wall is a low-slung, weather beaten barrier made of swirled cement. It runs from the Low Creek to the outside of town, stopping right at the chain-link fence that surrounds our school. When you walk past that border, the chain-links and The Wall, you have a weird feeling in the pit of your stomach. I have no idea how to explain it; it's kind of like when you see an abandoned prison hidden in an encircling of trees. It goes from institution and metal detectors to country, freedom, and healthy air.

Lee and I go there a lot after school. We walk down the sidewalk and skim our hands across the top, ignoring the burning until our hands go numb. And when we come to the old farmhouse nestled in a grove of trees deep in the valley, we plunk ourselves on The Wall. My jean knees open their gaping mouths and shout at the sky. My feet cross themselves and my hands fold neatly in my lap like I'm at school, in kindergarten.

Lee scoots over until his hips are touching mine. He's a lot taller than me, so his feet dangle closer to the ground. He wears his trusty Chucks, in standard black, as always. He's got shaggy warm cocoa colored hair that curls sometimes when it's humid out. He has green eyes, like emeralds, or maybe like a cat's. He's sly like a cat, too, always pulling pranks and doing something sneaky, but never something bad-sneaky. He wears jeans all the time like me, but his don't have screaming knee holes. His are put in a dryer and then folded in his chest of drawers at home, while mine endure the torture of a clothes line that stretches across the roof of my apartment building.

"So ninth grade, huh?" Lee says suddenly. He's surprised at his own voice, cutting through the chilly September air like a knife through butter. He grabs the end of my ponytail and yanks a little, but gently, like a friend and not a bully.

I stay silent for a minute letting him tug on my hair. Then I say quietly, so I don't disturb the air, "Ninth grade. Yeah. Big step."

We sit there in silence, just enjoying it. I close my eyes a little, breathing in the soft country air that washes like waves over us, cleansing us of city grime. I hate the city. Most people love it -- I despise it. It's so close and crowded and busy. I always wonder if people who live in the city ever like the quiet. When they go on vacation, do they go to another city, where it's just as crowded? Or do they go somewhere where it's silent, like here? Can they sleep without the sirens, the chatter, the car alarms: the lullaby of the metropolis?

Lee swings his leg, catching mine so it swings too. We do this for a couple of minutes, staying as silent as we were before. The Wall always makes us quiet. It's like it can silence us and let us talk just through actions. It let our thoughts wander to places that school prevented, unless it was linear equations or an essay on Shakespeare’s masterpieces. Here I could wonder if Lee was really who I thought Lee was. Or if he was thinking about me.

The Wall is our place. And when it wanted us gone, it let us know. A farm dog would bark or a bird would fly noisily past. This time, the wind begins to howl and whip our hair around. My hair sweeps into Lee's face as I jump down, reaching blindly for his hand. His hair was thrown back like mine and he snatches my hand up, squeezing it. Silently, but with wide smiles, we run down the block. I skim my hand across The Wall again, saying goodbye.

We reach the chain link fence and slow down, the wind not as bad. I reach up with my free hand and swipe my hair away from my face.

"I'm gonna miss The Wall," Lee says sullenly.

"Me too," I say, glancing back. The Wall sits there like it always has, low to the ground and weather beaten. It stares back at me like a trusted friend. It looks kind of lonely without the two of us sitting on it.






--Written a year ago. Please critique?
Yo, that's illogical. I can't have that.




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Hello, it's IR here to review your piece. I read through it, and enjoyed it. The one overall thing i felt was, an earning for more. Not like more of the story, but more about these people and i felt like it wasn't giving enough. Its not that big of a deal, so you could ignore it.

I am not going to do punctuation or grammar because i'm not that good at it, but i can give you some pointers on description and plot.

I immediately thought this wall was something of historic importance. Maybe say something about where it came from. Also,

My jean knees open their gaping mouths and shout at the sky.


this is a very original sentence, but its somewhat comical and confusing. Maybe if you reword it, it would be better.

Good luck, and keep writing.
"Ever knee shall bow and tongue confess...."
Need a review???? http://www.youngwriterssociety.com/topic54524




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First, I would like to thank-you for the review you gave my piece, so I thought I might return the favor. :D So without further ado...

The Good, The Great, and The Fantastic!

My jean knees open their gaping mouths and shout at the sky.

I really really love this line, the personification is appropriate, and really powerful.


Lee scoots over until his hips are touching mine. He's a lot taller than me, so his feet dangle closer to the ground. He wears his trusty Chucks, in standard black, as always. He's got shaggy warm cocoa colored hair that curls sometimes when it's humid out. He has green eyes, like emeralds, or maybe like a cat's. He's sly like a cat, too, always pulling pranks and doing something sneaky, but never something bad-sneaky. He wears jeans all the time like me, but his don't have screaming knee holes. His are put in a dryer and then folded in his chest of drawers at home, while mine endure the torture of a clothes line that stretches across the roof of my apartment building.

I love this description, you really get a sense of the character. I love the part where you connected his eyes and his personality, really great! One thing I would add is a transition between the 3rd and 4th sentence. I think something like, "I looked up at him, he had..." would be appropriate, and it would improve the flow.

I will not put a quote for this, but I really like the dialogue, throughout the piece, it is poignant, believable and best of all, it fits the mood of the piece. Very well done.


He grabs the end of my ponytail and yanks a little, but gently, like a friend and not a bully.

I really enjoy inclusion of this detail, it is believable, adds to the mood of the piece, and its relatable to the reader. I am sure that most of your readers have done this to someone, or experienced it themselves.


I close my eyes a little, breathing in the soft country air that washes like waves over us, cleansing us of city grime.

Again, great personification, if fact, I love that entire paragraph, particularly the "lullaby of the metropolis."

I really love how you make "The Wall," into a character. Especially the way it "lets you know when it wants you gone." I really like how you capitalize it as well. All in all, it is a really great, great part of the piece, possibly my favorite.


Nit-Picks/Possible Improvements

The Wall is a low-slung, weather beaten barrier made of swirled cement. It runs from the Low Creek to the outside of town, stopping right at the chain-link fence that surrounds our school. When you walk past that border, the chain-links and The Wall, you have a weird feeling in the pit of your stomach.

I think you need more description of where exactly the wall is, how long it is, where exactly it goes through, because I am still confused as to its location. I think if you try to include more description of what exactly is around the wall, it would help. As a side note, I love the first sentence, it really draws the reader in.


And when we come to the old farmhouse nestled in a grove of trees deep in the valley, we plunk ourselves on The Wall.

This kind of goes with above, but I thought the Wall was in a city area, seeing as it is beside a school. Again, more description of the exact location of the wall would really help here.

My feet cross themselves and my hands fold neatly in my lap like I'm at school, in kindergarten.

I think it would be best if you said, I cross my feet and fold my hands instead of "My feet cross themselves and hands fold," it is less awkward and uses active instead of passive voice.

He's surprised at his own voice, cutting through the chilly September air like a knife through butter.

I like the "He's surprised at his own voice," part, but the "like a knife through butter" simile is rather cliche and is used all the time. A more original simile would add more to the piece.


Lee swings his leg, catching mine so it swings too.

I cannot picture this action in my head, try and describe it more. What exactly does Lee do with his leg that allows him to "catch" the main characters leg? Are they intertwined? Is one of the legs on top of the other? etc.


It let our thoughts wander to places that school prevented, unless it was linear equations or an essay on Shakespeare’s masterpieces.

I know what you are getting at, but this sentence is a little awkward, and the meaning is unclear at first. I am trying to think about how to fix it. Okay, I'll give you an idea to get you started, but there are certainly, and probably better ways, to fix it. Maybe something like this - It let our thoughts wander to places prevented by the linear equations and Shakespeare essays of school. That is still a bit awkward, but you get the idea, play around with words a bit, see what what you can come up with.


Here I could wonder if Lee was really who I thought Lee was. Or if he was thinking about me.

The second sentence is a fragment, simply combine the two with a comma after was. I would also put a comma after "Here."

The Wall is our place. And when it wanted us gone, it let us know.

I would combine these to sentences with a comma, taking the place of the period.


"I'm gonna miss The Wall," Lee says sullenly.

I would reconsider the word sullenly. For me, at least, the word sullen implies resentment, and I don't think that is the feeling you want to get across. Perhaps a word like solemnly, or sadly would work better.

Overall

I really enjoyed this piece, especially the mood. Really it is not something you can put your finger on, but this piece,at least for me, evokes memories and makes you feel, really feel. I think that's one of the highest compliments I can give you. Really, fantastic job.

One thing that I would focus on for improvement is the Wall, and its specific location, it was the only part of piece that I really struggled with.


Well, there you have it, I hope it was helpful. :D I look forward to reading more from you!

Audrey




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i like this but i wish it went somewhere more. i have a question. maybe i'm stupid. but: are they leaving the wall forever? or just for the afternoon? if they are not leaving it forever (which, honestly, i can't see how they are) then why does the narrator say so solemnly "i will miss the wall"? if they were truly leaving it forever then this would be a good, dramatic ending to the piece, but since they are not, it comes up short. maybe she means, i will miss it in my future ? whatever. that is not such a big issue, anyway, i guess.

it was very teenage. but good teenage.

good job.



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