Balema - A world of many Elements

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This is the first chapter of a story/book I've been writing for a while now and would like to one day get published. I'm not finished yet so any criticism would be a great help now. Enjoy :D.

Balema Chapter 1 – The Story


In a land far from Earth, five tribes each own one out of six lands. The six lands of their kingdom, the ultimate sixth owned by a variety of persons, are connected together by Kenass Mountain, which can be seen from everywhere in the country.
To the north, a large bulky territory shaped like an apple that had been bitten into held various terrains; rings like those of a target were centred around the most significant city that belonged to all other than the treacherous eastern tribe. This land was called The Wilderness: the sixth province, unconquerable, but with an ancient beauty that captured the minds of adventurers and bards.
To the north-east there was a dry state shaped like a lick of flame that was little more than one gigantic red desert, called Fire Territory. It was the smallest of the lands, owned by short tribesmen and women with olive skin and hair bleached golden-tan by the sun.
Next there was a circular land surrounded by volcanoes and mountains that rarely saw the sun. This was the nation of the treacherous eastern tribe, the Dark Territory.
To the south, and yet not precisely so, there was a thin land whose bulk went out further than those of any of the other tribes’. It was a place loaded with crystalline Mineraltear and water in all its variety of forms that was called Water Territory. Here the people were expert guides and fishermen and they had extremely sought-after (however odd) accommodation; nevertheless, many Balemans couldn’t be bothered going to such a far-away place when crops and politics were to be tended.
In the south-west corner, there was a place shaped like a great hoof struck out into the ocean; but of course, as the whole country was raised hundreds of kilometres off sea level, the forest-covered crust of Wilds Territory with its famous jet cliffs would never touch the salt water that was unknown to this world.
To the north-west there was a realm rich in metals and stones of all values, shapes and sizes that was shaped like a handful of clay tipped onto the ground, called Rock Territory; this place was owned by a tribe with feather-textured hair. It was very rare to find one of this tribe that was not decent and honourable.
All the people in their tribes were different, but they are not the only inhabitants of the land called Balema. They share their land with objects of myth; elves, dwarves, the four-limbed wyverns, the fierce, wolf-like dackodas, soul-sucking charlies, the winged Oremi people and many more assortments of creatures.
This land was in the charge if what was considered the most beautiful and powerful goddess. She was not on her country, as she had been standing at the right-hand side of her father, the King God, Zeahous, and was the eldest of three children.
Her name was Encarata.

Life was going on as was usual in Balema. People at markets bustled, avoiding hakeen or horse-drawn carts and glaring at small pick-pocket boys that came near. In the Cadamatri Forests in Wilds Territory, hunters were being monitored by the macaw-like speckled hallows from above; should they forget to leave their customary offering to Now-or-Never, the Forest-god, the consequences would be severe.
But then, with no more than a harmonic rustle of massive wings to warn the Balemans, a great phoenix burst out of the sky, emitting a brilliant screech that almost ruptured eardrums. Its wings were of fire, its tail of water. Its feathers were of shadow flecked with purple. Tied around its neck and tail was a vine that reached down to stroke the land below in an almost amused, teasing way and its head and legs were of fire opal.
It was carrying around its neck a pouch containing six horse-sized eggs. The eggs were of varying colours – one was a mottled green-brown, like the forest floor being struck by sunlight. One was a calm blue, and had a look of summer waves upon it. One was bronze, with a bird carved on it. One was changing from red to orange to yellow and back again, like an un-focused image of a bonfire. One was black with purple slashed mercilessly across it, glowing and static. One was silver.
People stared up at the bird as it began dropping the eggs, one by one, on each of the Territories. The green was for Wilds – the blue for Water. In quick succession, the rest of the eggs were dropped on the appropriate land. Each landed with a solid thunk until there was only one left – the silver one.
Everyone was looking up at the phoenix as it circled Kenass Mountain with ease. The bird placed its pouch – egg and all – onto the flat top of the mountain, delicacy exaggerated in every move. The Balemans watched as the bird perched on a ledge below the crown of the mountain, and looked up, fiery wings flapping slowly as if the pinnacle would be flattened below its weight. The vine around its neck crawled upwards to cling to the vegetation hanging nearby. Everyone was watching.
The egg cracked.
Everyone’s eyes were drawn towards the egg and many people shrieked as their vision was magically magnified. A slender figure stepped out. It shook its long red-tinged violet hair, its silver dragon wings, and its barbed silver tail. The figure tenderly touched the egg once she had stepped free from its discarded shell, for it was indeed a she – the silver shell of the egg seemingly melted, seeping slowly down the mountain.
With a great rolling of wings, Encarata turned to face everyone on Balema at once. Since this day even the most intelligent scholars and mages have been puzzled as to how such a thing could happen - maybe everyone else was lying about it… but then again, what were the chances of that? Everyone had felt as if the goddess was looking directly into their souls.
She had glowing red eyes, intelligent and all-knowing, placed under sharp, dark eyebrows. Her face was one of beauty, heart-shaped with thin magenta lips fixed in an amused smile and high cheekbones. At her temples, two very small, grooved, silver horns swept back from her brow to gently curl themselves against her head, crowning her. Her long fingers were curled around the hilt of a sword, and what a beautiful sword it was. Along the cross-guard there were carvings of detailed dragon scales, tipped with a silver claw. The blade was perfect, sharp enough to cut through a falling feather, strong enough to smash diamond like ice.
“Hear me.” Encarata commanded, lifting her regal chin. She sounded fierce for a woman who looked like a seventeen year old, albeit a dazzlingly beautiful one. Her voice reverberated inside the heads of all, momentarily declaring them deaf.
“I am your goddess, Encarata.” She paused, and that scenic amused smile once again toyed at the corners of her lips. Her eyes changed; she turned from beautiful to breath-takingly, inexplicably gorgeous. She seemed to lean in towards the Balemans, the smile teasing the spectators as it raced across her face and over her glinting eyes.
“Meet your maker.” She whispered.

After the explosion, the people of Balema began noticing many changes –
The Water tribe, as they guessed they were now called, screeched as their fingers were pulled together by blue, living mesh and then were released to reveal their webbed fingers. Many collapsed as their very insides changed and blue-yellow tinged gills appeared on their cheeks. Their hair, which had once been blonde, now became transparent and willowy. They instantly threw the water that came to their hands instinctively onto the fires with shrieks, as they could not bear to be near their natural enemy.
The Fire tribes’ eyes became red, but not the red of Encarata’s eyes. This was the red of fire, the glowing red of a furnace slowly working up to white-hot heat. They threw fire into the lakes, dancing in delight as the water evaporated in steam. They had no need for water now; they had no need for any liquid, as they were Fire, and Fire and Water do not mix. They were never to drink water again! Their temperatures went up almost immediately to a level of warmth that would burn someone who held on too long.
The people of the Rock tribe grew until the adults were all above two metres, some surpassing three; they could coax shapes out of the rock with the merest touch. Any fingers, hands, feet, toes or limbs that had been lost were replaced by living limbs of diamond.
The Wilds all grew a claw next to each thumb, and many warriors found that their hair turned red, the brightness of the red determined by how fierce they were. Many cheeky children found that their curls had turned blonde, the colour changing to match their personality. All the people of the Wilds Tribes’ eyes brightened until they shone like gems. They could suck the life force from the trees around them – they felt a connection with the forest and still do not know how they could have possibly gone without it before.
The whites’ of the Darks eyes turned black, their irises beginning to glow purple. They can not bear the light – they hide behind their hoods, seeing out of shadows. They forbade themselves to smile – they are a deadly tribe, the Treacherous tribe. Their skin turned pale, their lips red and their hair darkened until they where little more than a stealthy shadow of their former selves.
Then the nearly-forgotten Tribe eggs cracked.
Dragons, all the same colour as their egg, mighty wings and powerful jaws, all unique creatures of extraordinary power rushed out of the cracked eggs, trampling people as they hurried to get away. There was much more than the eggs could ever have held, all rushing out in a deadly stampede. Some stopped to sniff palms and stood by their chosen human but some rushed off to forests, lakes, mountains, deserts, caves and underground tunnels. The goddess spoke over it all, calmly, directly into the people’s minds.

“In the Fifth year, in the fifth month,
With crack of chaos and snap of jaws,
They shall rise, bred by future confusion,
The Dragons, creatures of war,
Valour creatures, arise by hand of the Goddess,
Arise to your fate,
Arise to the coming,
Arise to the coming Darkness
Arise in the hands of The Tigress,
The girl with powers beyond that of time,
Of Wilds,
Of Darkness,
Of Water,
Of Fire,
Of Stone,
Follow her to the greatness,
Follow her to the Five that shall take this world from them again,
Follow the Cat Goddess.”

Now, what happened to the great phoenix nobody knows. Some say it just disappeared, like a phantom built to be dispersed into the air. Some say it stands at the right-hand side of Encarata. Some say it is the guardian of a test set near the entrance to Sojon.
Yet the true story, Encarata bless it, lies within another.





*Note: I have edited it and all the reviews were relevant.
Thanks for reading! :D
Last edited by Durriedog on Tue Dec 22, 2009 1:11 am, edited 3 times in total.
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Pretty interesting.
Five tribes stood divided on rich land. Each of the six lands were connected together by one mountain called Kenass Mountain, which could be seen everywhere[u] on the country but underground or inside a home or hovel.[/u]


1. 'on the country' to me it doesn't sound quite right. Try 'which could be seen everywhere in the country'

2. 'But underground, inside a home or hovel' this part isn't necessary, since it's quite obvious you can't see a mountain underground or in a house.

She was not on her country, as she had been standing at the right-hand side of her father, the King God, Zeahous, and was the eldest of three children.


'She was not [b]in[b] her country.'
“Fifth year, fifth month,
With crack of chaos and snap of jaws,
They shall rise, bred by the confusion,
The Dragons, creatures of war,
Valour creatures, arise by hand of the Goddess,
Arise to your fate,
Arise to the coming,
Arise to the Tenth Darkness
Arise in the hands of The Tigress,
The girl with powers beyond that of time,
Of Wilds,
Of Darkness,
Of Water,
Of Fire,
Of Stone,
Follow her to the greatness,
Follow her to the Five that shall take this world from Them again,
Follow the Cat Goddess.”



AWSOME QUOTE ^_^
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Thank you! I'm pleased that someone liked it. Thank you for your editing. It is much appreciated. :D Next Chapter to come soon.
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could you comment on my story? Just posted it. It's called "Winged Crossing" In the fantasy forum.

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Yo Dog!

After your very helpful review on part of my story Dreams of Giants, I thought I'd return the favor.

Epic Fantasy! One of my favorite genres. Let's get right onto the review then:

:arrow: Purple Prose: It's rather difficult at times to balance the actual epicness of the tale with purpleness. In other words, it is both very important to sound like this story is better than Lord of the Rings, and not sound like you're trying to do so. Achieving this balance is pretty tough, and I think that you've erred on the side of purple prose. A bit like Christopher Paolini actually.

A great fantasy writer who achieves this balance perfectly is Brandon Sanderson. I suggest you follow this link and look at the short prologue of his book "Elantris":
http://www.brandonsanderson.com/library ... s-Prologue
You'll notice that he tends to focus his prose on trying to develop a picture which isn't so vivid, with the sole intent of not allowing us to get too comfortable inside it before he rips us away. You'll usually find that vagueness is best when describing a scene from a long time in the past. Details do not make it down through the generations. I'd advise keeping this in mind to a certain extent.

:arrow: Slight inconsistencies affect the piece entirely: It's also very important to maintain a logic to each piece of your story. Nothing can look random, and everything must appear to be carefully carved out and planned. I'll give you an example to illustrate what I mean from your text:
Five tribes stood divided on rich land. Each of the six lands were connected together by one mountain called Kenass Mountain, which could be seen everywhere on the country but underground or inside a home or hovel.

Now, immediately I doubt your credibility as a narrator. Why? Because there are five tribes and six pieces of land. To me that makes no sense. It's your job to answer up for inconsistencies like this one before the reader can even ask them.

:arrow: Drive: Now, in the above sample chapter of Brandon Sanderson's piece, you'll notice that all of his description pointed to one idea. He had a focus and described things only directly connected to this focus. His sole purpose was to get to the crux of opening his actual story up as quickly as possible. This is a wise technique. Irrelevant description only burdens the story and you'll want to pull your reader into the story itself, and the characters of consequence as quickly as possible. It gives them less time to put the book down before they're hooked. Work out what your goal is, and get there as fast as you possibly can.

:arrow: Paragraphing: Big blocks of text are scary. The first paragraph of yours is one massive chunk of text that the reader is likely to cower from as opposed to trying to read your book. The more paragraphs you break it down into, the more your reader stops and contemplates what's happened. You want your reader to think about what's happened a lot. It gives him opportunity to build an emotional attachement to your story.

:arrow: Narration: There's one final point that I wanted to make specifically about your narrator. I'm going to quote another line of your story now:
With a great rolling of the wings, Encarata turned to face everyone on Balema at once – don’t ask me how, for I do not know, but at that moment everyone felt as if the goddess was looking directly into their souls.

Now in the above line, you've introduced a personal element into your narrator's character. He's gone from being impersonal with the audience to addressing the audience directly. As the writer, it's your responsibility to decide how you want to connect with your audience, and show them that immediately. To stun us with a random line addressed to us can be very put-offing and it somewhat disassociates us with the story. To keep us engrossed you'll want to start off with a line directly addressing the audience to let us know that you'll be doing this occasionally and you are indeed talking to us for the rest of the piece. You just want to remove some of the shock factor.

Your story itself is rather intriguing. You have built a fascinating world that you can place it inside and we have a good grasp of this at this stage. I'd try to tone down some of the over-description, and keep it a little natural sounding. I'd also suggest getting personal with characters as soon as you possibly can. You want your reader to invest emotionally in this world as fast as possible. This is probably the greatest lacking in your piece. I feel nothing for your world at this stage and would really like to see something more of it.

I think that those are the most important points that you need to work on. :) You have some lovely imagery and some marvelous description. Your idea seems sound to a degree, and there were parts of this story that I really loved. You've got great potential as a writer, and I hope that I've added some insight with this review.

Have a great one! :)
#TNT

The woods are lovely, dark and deep.
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.
-- Robert Frost

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Thank you very much!!! Your advice will become usefull and I will be quick to look through all chapters before posting, as sharp readers will be quick to put me in my place.
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Hello! Okay, so yes, when I asked if it was yummy, you should have said, "Affirmative." You said in chat that it would be a long review, and I agree. Here goes; I'll try to make it not boring.

Nitpicks and such:

In a land far from Earth, five tribes each own one out of six lands. The six lands of their kingdom, the ultimate sixth owned by a variety of persons, are connected together by Kenass Mountain, which can be seen from everywhere in the country.

This, the first paragraph, is in present tense. The rest is in past. It's really weird for the reader to keep up with switching tenses, because from this paragraph, we expect the rest to be describes as if it's happening at this exact moment. Then, it changes to past and weirds us out. Did I mention it's weird?

o the north, a large bulky territory shaped like an apple that had been bitten into held various terrains; rings like those of a target were centred around the most significant city that belonged to all other than the treacherous eastern tribe. This land was called The Wilderness: the sixth province, unconquerable, but with an ancient beauty that captured the minds of adventurers and bards.

This really "significant city:" Does it have a name? I want to know what the name is.

There's a part in here that bugs me a bit: "...but with an ancient beauty that captured the minds of adventurers and bards." You should probably expand, because it seems like all the other professions would look at it and just shrug. :D If you really want to mention those two, you could say something like "Adventurers came from all over to behold its wonders and bards sang of its ancient beauty--a beauty few could resist."


Next there was a circular land surrounded by volcanoes and mountains that rarely saw the sun. This was the nation of the treacherous eastern tribe, the Dark Territory.

Okay...I'm assuming the land barely sees the sun. So you can say, "Next there was a circular land, which rarely saw the sun due to being surrounded by volcanoes and mountains." It seems like this sentence is saying that the mountains and volcanoes don't get any sunlight by the way it's worded.

I also sort of want an example of how this tribe is treacherous.

To the south, and yet not precisely so, there was a thin land whose bulk went out further than those of any of the other tribes’. It was a place loaded with crystalline Mineraltear and water in all its variety of forms that was called Water Territory. Here the people were expert guides and fishermen and they had extremely sought-after (however odd) accommodation; nevertheless, many Balemans couldn’t be bothered going to such a far-away place when crops and politics were to be tended.

Here we have a thin land, yet you make it a point to describe its bulk. You should probably say it stretched, because although everything technically has *some* bulk, we seem to associate bulk with something huge. Or you could mean all of it by the term "bulk," so you may as well say it's a peninsula if that's the case.

How is the accommodation odd? As an oddball, I'm always interested in the odd things.

I like the fact that politics must be tended like crops. (Remember to water your parliament! Fertilize the dictators!) Seriously, that's a cool phrase.

In the south-west corner, there was a place shaped like a great hoof struck out into the ocean; but of course, as the whole country was raised hundreds of kilometres off sea level, the forest-covered crust of Wilds Territory with its famous jet cliffs would never touch the salt water that was unknown to this world.

You describe the inhabitants of all the other lands except this one. I'm curious. So until further notice, this is the land to which bad reality stars are banished and driven off the cliffs by angry centaurs. :D


All the people in their tribes were different, but they are not the only inhabitants of the land called Balema. They share their land with objects of myth; elves, dwarves, the four-limbed wyverns, the fierce, wolf-like dackodas, soul-sucking charlies, the winged Oremi people and many more assortments of creatures.

"All the people in their tribes *were* different, but they *are* not the only inhabitants of the land called Balema. They *share* their land..." *Tense doesn't agree. They should all be past tense.

Also, you say they shared land with objects of myth, but we assume that in this land, these creatures actually exist. Therefore, they're not of myth, because myth usually implies that something is made up.

This land was in the charge if what was considered the most beautiful and powerful goddess. She was not on her country, as she had been standing at the right-hand side of her father, the King God, Zeahous, and was the eldest of three children.

For future reference of my critique, remember that here you call her "beautiful."

"She was not *on* her country..." "In" her country? If she's the goddess that owns the whole continent, you could say *on* her continent and be okay.

In this paragraph it doesn't really matter that she's the eldest of three; that's just extra information that makes a run-on sentence. If you were talking about her family, that would be relevant, but right now, not really.


Life was going on as was usual in Balema. People at markets bustled, avoiding hakeen or horse-drawn carts and glaring at small pick-pocket boys that came near. In the Cadamatri Forests in Wilds Territory, hunters were being monitored by the macaw-like speckled hallows from above; should they forget to leave their customary offering to Now-or-Never, the Forest-god, the consequences would be severe.

Why is what's going on in the Wilds relevant? Is it not really part of Balema or what? I don't really understand that part.

I do like a god named Now-or-Never that gives severe consequences. :)

But then, with no more than a harmonic rustle of massive wings to warn the Balemans, a great phoenix burst out of the sky, emitting a brilliant screech that almost ruptured eardrums.

I can't really see a rustle being harmonic, and you can't say "With no more than *one thing*" and then follow it immediately with another action. That would mean that there was, in fact, more than the rustle.

Its feathers were of shadow flecked with purple. Tied around its neck and tail was a vine that reached down to stroke the land below in an almost amused, teasing way and its head and legs were of fire opal.

"...and its head and legs were of fire opal" should be in with the rest of the description of the bird. Then mention the vine.


The green was for Wilds – the blue for Water.

So where did the other ones get dropped?

Everyone was watching.

This is redundant because we already know everyone is watching; in the first sentence of the paragraph, you say that everyone was looking up at the phoenix.

She had glowing red eyes, intelligent and all-knowing, placed under sharp, dark eyebrows. Her face was one of beauty, heart-shaped with thin magenta lips fixed in an amused smile and high cheekbones. At her temples, two very small, grooved, silver horns swept back from her brow to gently curl themselves against her head, crowning her. Her long fingers were curled around the hilt of a sword, and what a beautiful sword it was.

You've said before that she's beautiful, so "Her face was one of beauty" is just repeating yourself. Furthermore, just describing her is enough for us to decide whether we think she's beautiful or not. Also, the sword is "beautiful." You should find another word so that you're not repeating that one over and over.
The phrase "...and what a beautiful sword it was" should probably have an exclamation mark and not a period. Otherwise, you're not making it sound as amazing as it probably is, being a sword of a goddess and all.

“Hear me.” Encarata commanded, lifting her regal chin. She sounded fierce for a woman who looked like a seventeen year old, albeit a dazzlingly beautiful one. Her voice reverberated inside the heads of all, momentarily declaring them deaf.

Here, you're describing her voice, so that when you say she looks like a seventeen year old, that seems out of place. Then you say, once again, that's she's beautiful, which is unnecessary. You follow it with another thing about her voice. The being a beautiful seventeen-year-old kind of throws off the flow the paragraph could have. You've really described her looks enough in the previous paragraph, so anything further is redundancy.

Her eyes changed; she turned from beautiful to breath-takingly, inexplicably gorgeous.

You used "beautiful" again. Also, how can she change from just beautiful to "breath-takingly, inexplicably gorgeous" just by her eyes changing? Wouldn't the rest of her have to change a little bit? You're saying that somehow she looks different, and you need to tell the readers how.

After the explosion, the people of Balema began noticing many changes –

The dash should probably just be a period.

They had no need for water now; they had no need for any liquid, as they were Fire, and Fire and Water do not mix. They were never to drink water again!

You don't need to say "They were never to drink water again!" because you've already said they don't need water. It's redundant.

The whites’ of the Darks eyes turned black, their irises beginning to glow purple. They can not bear the light – they hide behind their hoods, seeing out of shadows. They forbade themselves to smile – they are a deadly tribe, the Treacherous tribe.

Whites' -- take out the apostrophe.

"They can not bear the light - they hide behind their hoods..." and "...they are a deady tribe..." are present tense, when everything has been past. Change to past.

Also you say they're deadly and treacherous again, but I still want examples.

“In the Fifth year, in the fifth month,
With crack of chaos and snap of jaws,
They shall rise, bred by future confusion,
The Dragons, creatures of war,
Valour creatures. Arise by hand of the Goddess.
Arise to your fate.
Arise to the coming.
Arise to the coming Darkness.
Arise in the hands of The Tigress,
The girl with powers beyond that of time,
Of Wilds,
Of Darkness,
Of Water,
Of Fire,
Of Stone.
Follow her to the greatness.
Follow her to the Five that shall take this world from them again.
Follow the Cat Goddess.”

With all the commas, it didn't seem to flow right.

]Overall, it was an enjoyable read--a prologue of sorts for whatever adventures are going to go on in this realm. It was quite an interesting premise for an encounter with the goddess, but one thing is unanswered: Why did she do it? Was she mad at them, or did she just change her mind on how she wanted the creatures to look? This is something that definitely needs to be addressed in the future. Also, in the future, we need some sort of action or adventure (which I trust you will bring in time.) So things you should work on are explanations and keeping redundancy to a minimum.

Hope I didn't bore you to death!
Vanadis.
Last edited by Vanadis on Mon Jan 11, 2010 10:19 am, edited 1 time in total.
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Hi Durriedog,

I liked the writing here. It's a little overblown at times, but it's also colourful and full of detail. I also enjoyed a few of the world-building details, like the hunters who have to leave offerings to the forest god or face "severe consequences".

While you describe this as your first chapter, I feel it suffers from a number of classic prologue flaws: too much exposition, world-building and backstory, no sympathetic characters, no conflict, etc. I felt like I was being bombarded with names and places. Territories. Tribes. Forests. Mountains. New creatures. Pantheons of gods. I need a map to keep up with all the territories, and a list to keep track of all these new creatures. The reader doesn't know what is and is not important, so we're stuck trying to cram every detail into our memories, when I suspect not a lot (if any) of this information is necessary at this juncture.

My suspicion is that the last line -- "Yet the true story ... lies within another" -- is slightly more accurate than you intended. Story is about (1) a sympathetic character who (2) has to fight to achieve (3) a goal they desperately want. This piece has none of the three basic elements of story. It's world-building and backstory notes in prose form. The real story starts when your protagonist has to start fighting for something.

I also had a number of plausibility issues. It seems unlikely to me that so many different types of lands could be so close together that everyone can see the same mountain. I'm not an expert on how far away a horizon is, but I suspect that the outer edges of these lands can only be about twenty miles away from the mountain. These are tiny, tiny kingdoms, and I'm not sure I can buy that this pocket-sized patch of land includes wilderness, desert, volcanoes, mountains, water, cliffs and precious minerals. Geological features like wilderness, desert and volcanoes are all brought about by various tectonic and climatic processes: I can't imagine how they wouldn't all interfere with each other. If volcanoes are erupting so that the nearby mountains "rarely saw the sun", how is it that any of these people can see the sun? Surely the ash would spread over the entire area. If the area is arid enough to create a desert, how is there an enormous forest a stone's throw away? It felt to me a little like you were cramming all these features in together without much thought for realism.

Ultimately, while the writing was clear, I felt like I struggled to keep up with the deluge of information, and the whole piece feels dangerously like backstory and infodumping. My personal suspicion is that your story actually starts next chapter.

Hope this helps.

Cheers,
Karsten




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Thanks :D

This might sound far-fetched, but Balema is completely flat except for mountains etc. Also each territory is quite large. Just wanting to clear that up... Silly Durrie.

Durrance :smt023
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Just to be mindful. The max distance most would be able to see should still be able to see it from far away but not excessively far.

Height of mountain = possible to see over horizon.
2500 ft = 50 miles.
10000 ft = 117 miles.

So still, even very tall mountains have their limits on being seen.

The land mass would be no more then 235 miles across, completely flat except for the mountain. Though I must admit this is impossible unless some other power has decided to break typical land formation rules.




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Thankyou! That was helpful. I think I'll re-write that part... 'twould be wise.
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Jianfre wrote:Just to be mindful. The max distance most would be able to see should still be able to see it from far away but not excessively far.

Height of mountain = possible to see over horizon.
2500 ft = 50 miles.
10000 ft = 117 miles.

So still, even very tall mountains have their limits on being seen.

The land mass would be no more then 235 miles across, completely flat except for the mountain. Though I must admit this is impossible unless some other power has decided to break typical land formation rules.


Thank you! That's exactly what I was getting at. An area of land from which everybody could see a central mountain is by necessity very limited in size. 235 miles is tiny. You don't get a single mountain in the middle of a flat territory - mountains are part of mountain ranges. Volcanoes are also mountainous. Both of them tend to occur on the boundary between tectonic plates. Hot deserts are caused by rain shadows: rain being blocked by a range of mountains. And so on. It's just not possible for all these different features to be crammed into a land the size of a postcard. You don't get all these features in a continent the size of Africa.




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That's why I put Fire Territory one one side of Dark Territory and Water Territory on the other. Because you get rainforests on the side of mountain ranges that aren't desert, don't you?
Also, this world doesn't really abide by our rules... it was designed by a goddess who only used them when she wanted to. I started writing when I was in grade four, and Balema isn't meant for people 14+. I don't know if any of this matters, but just wanting to get it out there xD
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It is no problem, but I was speaking on realistic terms. If you do not want to follow standard earth-like worldbuilding that is okay. Just keep in mind that most maps and territories are separated by landform features. Such as rivers, mountains, coasts and the sort.

As for answering your comment about the issue of rainforests and desert... well that deals with storms and how they work with mountains in the way. This is called rain shadow and I think something like wikipedia works for a brief introduction:

http://en.wikipedia.org/wiki/Rain_shadow

As you can see from the diagram and the picture below, the mountain basically squeezes the moisture out of the system and leaves the dry shadow on the far side.

If you want to go your own way you probably have some other elemental factor that was put in place for dividing them up. Believability is more sci-fi then fantasy anyways. Do not overly concern yourself with it if you have made up your mind.



Maybe we're all just complex human beings with skewed perceptions of each other.
— Ventomology