Falling Below Zero - Chapter 1

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Falling Below Zero - Chapter 1

I never thought that two lives would change so suddenly simply because one girl wore pants.

It was July, possibly the hottest and worst month to live in Arizona. Pants were only for the suicidal. Sara never wore pants anyway, even in the winter, since she seemed to have an abnormally high body temperature. But there she was, standing at my door, wearing sweats and a hoodie most likely borrowed from her brother. I nearly fell over from the sight. What was going on?

“Can I come in?” Her voice hovered over the doorstep, frail and quiet. Wordlessly I let her in and led her up to my room. She nearly tripped on the stairs, but she clumsily gripped the rail just in time. I thought little of it. Sara had always been a klutz. Perhaps I should have paid more attention then. Once we got to my bedroom, she crawled into my bed. I stood in the door, almost afraid to get any closer to this girl, someone who didn’t seem like my best friend simply because she looked different.

“Sara,” I asked, “are you sick?”

“It’s cold in here.” She bundled up in my comforter. Somehow, despite her lanky five-nine frame, she looked tiny, a pale diamond ensconced in the teal-on-white patterns.

I looked around. The window was wide open, but only warm, stifling air came in. “You know our air conditioner’s broken. It should be pretty hot in here.” I really didn’t have much else to say.

She shook her head. “Not in the room.”

“Sara, seriously. This isn’t funny—“

She cut off the rest of my sentence simply by looking at me, her eyes flickering from under her dusty-brown bangs. It was one of those moments, when best friends just…knew what to do. I ambled over slowly to the bed, and gently, so gently, she cupped my hands between hers.

I screamed.

In my panic, Sara seized up some strength and pulled me down, covering my mouth. My face stung from her hand’s icy chill. For some odd reason, I felt like crying.

“Shh…just listen to me. I’m going to let go now, and you’re going to stay quiet. Promise?”

My mother called from downstairs. “Girls? Is everything alright?”

Sara repeated herself, lowering her voice another decibel. “Promise?”

I nodded. She let me go. “Yeah, we’re fine!” I shouted, my hand on my cheek in an attempt to warm it. I wondered if the quaver in my voice sounded like I was crying or giggling. Hopefully my mother assumed the latter.

Luckily, she did. “Alright, girls, just keep it down.”

I assured her we would and as soon as I heard my mother continue shuffling around the kitchen, I turned around to Sara. “The hell is wrong with you?”

“I’m sorry, I…” She fumbled for a moment, her ineloquence taking over. “I panicked.”

Sometimes I hated how sincerely honest she was, especially when it came to apologies. My anger sunk into the ground, or most of it did. What remained pushed me away from her; I sat at my desk, pulling my legs to my chest. It was silent, the two of us unable to restart the conversation. But I, ever curious, could not hold it in for much longer. Filtering through the various questions in my head, I started with the simplest. “Wh- when did it start, Sara?”

“This morning. Last night. What do you mean, exactly?” I felt strangely guilty, because it seemed like it took her very life away just to speak that much.

I sighed. “How long has your body temperature been that low?”

“Oh. This morning, then.”

“Then,” I started, suddenly realizing something, “what happened last night?”

Sara shifted around in my comforter, bundling it around her tightly. I noticed that her shivering was intensifying, and grabbed a fleece blanket from my closet. She took it gratefully.

I began again. “Sara-girl, what happened?” When she made no answer and only shifted again underneath all the layers, guilt welled up again. Was I prodding into something I shouldn’t have? I couldn’t think of any way she could get hypothermia, but I had the feeling something else had happened… “We should take you to the hospital. This is ridiculous. Why haven’t you told your parents?”

“No one will believe me. He said so.”

Her voice was nothing but a silhouette of sound, yet it sent frigid chills down my neck. For some unknown reason, I was terrified. I trembled and gripped a handful of the comforter.

Despite the fear, I persisted. “We really have to go to the hospital. You have to get checked. You know you do.”

“What can they do,” she whispered and turned to me, her brown eyes old and frail, “to someone who’s already lost? I’m done, Merrick. I just… wanted to be here with y—.” Her eyes began to flutter, and she fell backwards onto my bed, unconscious.

“Sara! Wake up, Sara-girl! Stay with me, please,” I screamed, shaking her. She didn’t respond and I was sure if I shook her any harder, her neck would snap. “Mom! Mom! I need you!”

I couldn’t take it anymore. She was my best friend, and I wasn’t going to lose her. It didn’t matter if it was the cold, or some mystery man, or insanity was pulling her away. She wasn’t going anywhere.

I stood up, grabbed the phone off of my desk, and dialed 911 with fumbling fingers.

“Hello, what’s the emergency?” A man’s voice rumbled. I bristled at the evenness of his voice. How could he possibly be calm?

“I think my friend has hypothermia and she just passed out. She needs help!”

“I have you at 563 Arlington Lane. Is this correct?”

“Yes, yes, please hurry!” I hung up on him and dropped the phone, uncaring of where it landed.

By then, my mother had found her way into my room. “Merrick, what’s the matter? Why are you crying?”

I hadn’t noticed that tears had gathered on my face. The horrid temperature of her cheek against my hand, the haunting blue of her lips: those were the only things that I could think about, the only things that registered in my mind as I waited for help. But as each tear fell, I knew. Sara was gone.

Sara Liston “officially” died in the hospital an hour later at 2:34 PM, the cause of death attributed to hypothermia. No one could figure out exactly why she would have hypothermia in the middle of an Arizona summer but it seemed like no one wanted to know anyway.

That day, I lost not only my best friend, but my sanity.

-----
So this is a work-in-progress, and I’d like to see what people think of it. Intriguing? Boring? Confusing? If you could let me know, that would be greatly appreciated.
...if you are going to step on a live mine, make it your own. Be blown up, as it were, by your own delights and despairs. ~ Ray Bradbury
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I'm interested :D
I want to know what happens ... keep writing now >D
The conversation between them seemed kinda awkward for best friends, but it might be the situation they're in ?
Well , I'll be lurking in the shadows for the next part . (:
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This story's pretty good so far. A little rough in a few areas and not quite a fantasy yet, but definitely good. I like what you do with the characters. Even though Sara is dead by the end of the chapter, we still get a lot of details on her, just from comparing her normal self to the way she is acting now.

You also include some fantasy elements and even a little dramatic irony without this being all too out of the ordinary yet. For example, as is mentioned several times, dying of hypothermia in Arizona in the summertime is very strange. Not Fantasy, exactly, as it's a real cause of death in a real place, but still absurd. Also, the mention of the "him" and the mention that things happened earlier that led up to this means that there are greater things at work here. The reader realizes that there are greater things at work here. After all, this is a fantasy novel and people don't just die from hypothermia in the summer. The protagonist, however, does not. After all, for her this is real life and apparently people do just die from hypothermia in the summer, because it sure as hell just happened. Some delicious dramatic irony, right from the get-go.

Well, lemme point out a few individual things I saw.

Falling Below Zero wrote:I never thought that two lives would change so suddenly simply because one girl wore pants.


I really liked this first line at first. It pulled me in by being just absurd enough to make me want to read more, but not revealing enough for me to understand what was going on. After rereading the story, though, I'm not so sure it fits. Saying "because one girl wore pants" suggests that the cause of all this was the pants, like they were magic pants or something. Even if this ends up being the case later on (though I doubt it), I'd still change that sentence around. Something on the order of "I never thought that the first sign that two lives would change so suddenly would be that one girl wore pants." Rough as all get-out and obviously not what you want the sentence to be, but that's the basic idea.

You go on to talk about the pants for the next paragraph, and it works well as a way to anchor the first sentence to the rest of the story.

Falling Below Zero wrote:It was one of those moments, when best friends just…knew what to do.


Nothing overly critical about this one. Just really like the wording on it. It's one of those things that everyone understands and few really mention.

Falling Below Zero wrote:I wondered if the quaver in my voice sounded like I was crying or giggling.


Dun really like the usage of "quaver". It feels a bit too archaic. I'd personally replace it with "quiver", or maybe even another word, but if you want to keep it it's up to you.

Falling Below Zero wrote:She fumbled for a moment, her ineloquence taking over.


Also dun like the "ineloquence" bit. I think you're trying to say that she's not normally eloquent and that part of her is showing through, in which case you may want to say something like "her normal lack of eloquence shining through despite her situation" or something. If you're just trying to say that she couldn't find the right words, then say so, or if you really want to use the word then say that the fact that she was not nearly as eloquent as usual just showed even more that something was wrong. "ineloquence taking over" just feels funky.

Falling Below Zero wrote:“This morning. Last night. What do you mean, exactly?”


Nitpicking a lot, especially since this suggestion only works if my impression on what she's trying to say is correct, but you may want to say "which do you mean" instead of "what do you mean", since that suggests that she's considering several different events instead of being scatterbrained and not knowing what she's being asked about.

Falling Below Zero wrote:When she made no answer and only shifted again underneath all the layers, guilt welled up again.


Another little thing. I'd do "gave" instead of "made". "making an answer" feels a bit awkward.

Falling Below Zero wrote:That day, I lost not only my best friend, but my sanity.


I don't know if this is entirely accurate. I mean, first off this is in first person perspective in the past tense, meaning that she's the one telling you the story after it already happened. Her wording is perfectly natural. She doesn't sound like she's lost her sanity in the least. If you simply mean that the death of her friends caused some mental trauma or anguish - perfectly understandable, of course - then I don't know if "losing sanity" is the best way to describe that. Losing sanity usually suggests that she's lost her grip on reality and has completely changed because of it. Her grip on reality seems pretty stable, and this is after the fact.

I dunno...but I feel like talking about losing sanity is a bit of a misunderstood cliche, since losing sanity really isn't what people make it out to be.

Besides those few nitpicks, however, this is quite good. I'm interested to see more of this story and to learn more about the parts that were deliberately left vague.
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Wow! I'm really interested. One thing I want to point out is that the conversation was sort of strange. It was like the narrator already knew what had happened to Sara but she was asking anyway. Just a thought. :?

Still really good! Can't wait for part 2! :o
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Hey, I’m Roo! So far, your story sounds pretty interesting, and I’m definitely wanting to read more when you post it. (That’s a subtle hint for you to definitely PM me when you do post more. Got it? ;) ) You’ve got a great sense of dialog, you can make it sound realistic and effortless like real people talking. You also know how to move the story along with the right amount of detail, and you take the story in the right direction without stalling on pointless junk or moving too fast. That’s so great! Good work!

Here are some of the things I noticed while reading:

I never thought that two lives would change so suddenly simply because one girl wore pants.

Great hook! Intriguing, funny, fawesome!

It was July, possibly the hottest and worst month to live in Arizona.

Okay. July in Arizona is definitely the hottest/worst month to live in Arizona, so you can’t say ‘possibly’ here. It isn’t maybe the hottest month, that isn’t just an opinion, it is fact. (Okay, so ‘the worst’ is opinion, but you can still state it like fact or take it out) But anyway, you need to phrase it as “It was July, the hottest and worst month to live in Arizona” or replace possibly with a firmer, factual word, ‘kay?

I stood in the door, almost afraid to get any closer to this girl, someone who didn’t seem like my best friend simply because she looked different.

The ‘I stood in the door’ sounds sort of discomfited, perhaps adjust it to ‘in the doorway’ or ‘by the door’. ‘In the door’ sort of sounds like she might be stuck in an awkward position halfway through a solid slab of wood, you know? ;) Also, “someone who didn’t look like my best friend simply because she looked different” --- well, duh. If she doesn’t look like her it’s probably because she looks different, you don’t have to state that. It’s obvious.

“You know our air conditioner’s broken. It should be pretty hot in here.”

This is technically okay, but when she says “it should be pretty hot in here” sort of sound like she doesn’t know, or she isn’t present in the room. If it were me, I might change it to “It’s really hot in here.” That makes her sound more worried, too.
dusty-brown bangs.

No hyphen. Dusty brown bangs works fine.

It was one of those moments, when best friends just…knew what to do.

There’s a little grammar issue here. It can be “one of those moments when best friends just… know what to do” or “one of those moments when a best friend just… knows what to do”.

I ambled over slowly to the bed, and gently, so gently, she cupped my hands between hers.

I’m not sure if it’s just me being an idiot or what, but I got a bit confused here with the hand thing. ‘Cupped my hands between hers?’ Like, is that holding hands with her, or did she stick her hands in between Sara’s or what?

I felt strangely guilty, because it seemed like it took her very life away just to speak that much.

This makes it sound like she knows that Sara is dying, in which case she should be panicking a lot more. I assume that she is just meaning her energy, and I think you should express that more because ‘took her very life away’ sounds a lot more severe of a thing to be thinking and this girl should probably be more concerned with keeping her friend alive if she’s having this thought. Just a suggestion, though. :)

Her voice was nothing but a silhouette of sound

Whoa. That’s gorgeous!

Lastly, I think you should introduce her name as ‘Merrick’ earlier, like when Sara comes in (“Merrick, can I come in?” maybe?) because I didn’t know until the very end and I was kind of frustrated.

Okay, I know I had a bunch of knit-picky things to tear up, but that was seriously excellent! I really really want to read more (PM me!!!) and I am so excited to see where this’ll go! You left us at the end of a cliff, and we have no idea where the story will take us! The ‘He’ Sara talked about is a seriously interesting mystery that I’m dying to find out about, and of course, Sara’s strange illness. (Is Sara even dead really?) I’m excited!!! Keep writing, keep posting, and keep me posted when you do! :D

<3,
-Roo

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I love your story- the first line pulled me in, the last line kept me in. But between that, there's just a few things left-
I sighed. “How long has your body temperature been that low?”

two friends won't say full long word when their worried, or even long sentences. "Since when are you freezing cold?" ,or, "How long has your body temp been that low?" would work- but if my best friend was an ice cube, I wouldn't be formal or anything.
And once Merrick realizes that she needs to be taken to the hospital, wouldn't she pull out her cell automatically? even if Sara pulls it away from her grip, it shows her rush.
:smt081 love the story, PM me when the next chapter comes out!!!!
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Hi. Its very intriguing. My need to know what happens next continued to build through the whole chapter. I don't know what it's about but i love the way you have started it.

I felt strangely guilty, because it seemed like it took her very life away just to speak that much.


Personally i would put 'because it seemed like it took her very life away just to say that much.'

Everything else possible seems to have been covered by the reviews before mine.

Anyway...sounds like MY KIND OF FICTION!
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Hi octocoffee,

This was smooth and well-written. My key problem is a realism issue. I know that the Sara character's hypothermia will turn out to have a magical cause or whatever, but the progression of her hypothermia is not convincing to me. Is a seriously hypothermic person capable of going over to a friend's house and talking to him in complete sentences before their abrupt collapse leading to death? My gut instinct (and wikipedia: symptoms of hypothermia) are telling me no - and I'm struggling to suspend my disbelief here.

Hope this helps.

Cheers,
Karsten



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