Rose of The West (pt. 1)

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A/N: A collab between Kylan and Conrad Rice.

Kylan --

[James]

pod # 43:
a deep breath and the universe contracts around us, pulled in like a lung. we hear your messages, your transmissions, desperate rattling, hearts in their cages, red spill and the scratching, scratching at the door. strings of space fall around us like the hair let down by a beautiful woman. you, on your hands and knees crawling through the tunnels of the corpses of dead gods, the rot of their mercurial flesh, eyeballs shriveled up like hives. you lay your eggs on this sorry godball and the old stories loom around you. we succor. we are a bared breast for your greedy lips. children, children we are the fraught night. we are the blinking shadows and the dull, mechanical kisses from the moon's gracious sleeve. we don't expect you to understand us. we don't expect you to –


James Carlisle wept.
They carried the coffin of his father to the graveside – pallbearers gray and shuffling, an American flag draped over the face of the rosewood lid. It was a small funeral. Not more than twenty people gathered around the wet, sucking black mouth of the grave, yawning like some satisfied housecat. They were dressed in black, hunched, pious, like dark bishops. James blotted his eyes with a handkerchief. His hands shaking, nervous. His nose was running. He did not know why he was crying. He checked his watch. The gray men with their thin lips and their suits neat and pressed like taxidermies began lowering the coffin into the hole and Taps started up like a measly coyotesong. His father had been old. It was his time. The gourdfaced old man with the talon fingers and a black, gummy mouth. The cancer was too much.
Everyone dies.
Everyone dies.
The priest began speaking well of the dead. He held his little brown bible up to his chin. He spoke slowly. His collar was yellow and his eyes were dry. The gravediggers stood nearby. Eyes closed. Heads bowed and nodding like bee-heavy white blossoms.
The trees deposited blank leaves.
James cried and didn't know why and cursed his father and cursed himself.

**

pod #3852:
particle-anitparticle! you're spinning, spinning. heavy, planetary ballet. you orbit around each other like blind nomads. a light-spawned softshoe and you don't even see it! you and your dance partner, you and your neutron. you are a fraction. canceled out, simplified. entwined, string-tied. spinning, spinning. proton-neutron. empty space, empty as babies. spinning out, spinning in. muffled, white, footfall in a new snow –


His father wilted into the bed. He was a face upheld by a spoiled pillow. Mouth partially open, floppy jowls, half-formed words on his lips. His room was dark and smelled of old clothes and an uncontrolled bowel and mold. Things grew in the darkness like fungus. He kept a carousel of pills and medication at his bedside and no longer wore his dentures, so his lips caved in around his gums. His eyes were hard and black as omens.
James sat in a chair in the corner and watched his father sleep. Papery, delicate chest rising and falling like an economy. James knew that his father wasn't really sleeping. The old man was always awake, always thinking, planning. It was the military in him. It was the apocalyptic in him. He was ready for reveille and ready for the Second Coming and good men never slept. Good men were always ready. James looked down at his own hands and listened to the clock elaborate.
The cancer had been breeding for five years. Pinchmouthed cells, the depleted marrow, bones rickety and branched. Five years of caring for the old man, standing at his side, watching him die from the inside out, until he was nothing more than a shell, crippled and folded and weightless, like a dead insect belly-up along the windowsill. James still wasn't sure why he was here. He wasn't sure of much of anything anymore. It wasn't as if he owed anything to his father. He had been given nothing. Nothing but secret bruises and split lips and long afternoons locked in the hot, old closet with the spiders and the moths. The preaching, the lectures, the failures. The square face looming through the haze, through the dark like a monument. The dead mother. The flowers on her grave every other thursday. The slender, paleskinned bottles of gin lined up on the shelf like overthrown aristocrats.
James closed his eyes.
He listened to his father breathing.
He thought about the pills in his pocket.
There was a light sea rain against the shivering windowpanes, the house creaked and spoke of important stories trapped in its beams and wallpaper. Scoopchested pelicans and disinherited seagulls flew white against the gray sky.
The dim was cold and pure as a nunnery.
His father opened his eyes. Looked at James. Opened his mouth.
“Water.”
James got up. He moved slowly to the water glass on the bedside table. His father watched. James could feel the pillbottle full of arsenic pills knocking against his thigh. His father's eyes were cold, wet, hard. He knew. He knew, he knew, he knew. James could see it on his face, daring him. Little moths of ragged light scuttled across the old man's face and his rakish fingers grew out from under the bedsheets like thirsty roots.
“It's time for you to take these, isn't it?” James asked, holding up a pillbottle, and shaking the contents. His father nodded and opened his mouth again.
“Water.”
“Alright, but you take these along with it, okay? Okay. Here we go.”
James poured a glass of water, turned away slightly and switched the pillbottle in his hand with the pillbottle in his pocket – their orange, blank faces staring as dumb and sick as fasting believers. He uncapped the bottle, tapped two pills out. They tumbled onto his palm, white buttons, ugly arsenic. Father's lips parted. The hair on his head inconsistent and sparse as tundragrass. The rain turned heavy. Rattlefingered tapping, begging at the window. Gloomy faces, the old, grumpy clock ticking on the dresser. James placed his hand under the old man's head, fragile as a paper lantern and poured the water silently down his throat. He gave his father the pills and some more water. The old man sighed and leaned back on his pillow. James swallowed. Closed his eyes. Shakily set the pillbottle on the dresser table. His father looked at him.
“Thanks.”
James didn't say anything.
The old man paused, thin motes of dust in the air and the walls creaking and gasping and breathing and green as gassed soldiers. Words on his tongue. Tasteless, hard. Difficult. He spoke finally,
“I...”
He coughed.
“I want to apologize. Godssakes, I shoulda done this sooner, kid. Jim, forgive me? Forgive a sorry, damned old man. I understand...I understand if you won't. God knows I'll understand, because I don't deserve your forgiveness – fact is, I feel like a downright bastard asking you for it, but...”
He coughed again. Licked his lips. His eyes shone in the dark, his face a plain heartland, rutted and grooved and hardworked. Fingers spindly, with bulbed knuckles, strung together like macromolecules.
He licked his lips again and whispered, so James could barely hear it over the creaking house and the ocean and the rain, “Jim...kid, I love you. And I never showed it.”
James just stared at him.
The old man grimaced, doubled over a little. His hands clutched his stomach, groaned.
“Gimme a bucket, kid. Hell, I feel sick all the sudden.”
James just stood there, cold vacuum blooming in his chest.
And the rain skimmed over the window like fingers feeling for braille.
“Jim! A bucket! Godssakes, I'm gonna be sick – ”
**

pod #541:
this vessel. ocean breath, the briny spines of dead seacreatures on the lap of the shore. the deep. the caverns and trenches yawning and you float on with your driftwood bones and your kelpskin. sun's face bright and superstitious as a sailor and the fallen gods sink around you like scuttled ships. we have not abandoned you. Abyss has not abandoned you. through the stinkrot of the clingy Choir fish, the dark rears up to hold you. there is nothing to be afraid of in the dark, in the night, in the shadow, in the prayers where the soft voices breed. there is nothing to be afraid of after the Fear –


Everyone else had left.
James stood at the foot of the humped grave, the dirt fresh and black and wet. The tombstone shoulderless and already ancient looking and the lines of gravestones stretching on all around him until the hills rounded off like bald heads. He lit a cigarette. Crouched. Thought about his father. The convulsions, the blood vomit, the jaundiced skin, yellow and hard as old, sour chemicals. The poison working through his veins, through his plumbing, dull, insubstantial words, antique, forgotten prayers. The shaking hands, the death famishing the room. Big and breathless as an atmosphere.
Jim...kid, I love you.
I love you.
The words were a curse, a damning. The ate at him, they lived inside of him, they fed his dreams. The canceled out all his hate. Voided his kept grudges, hard as unripe fruit. It left him dry, sucked, hollow. A skin. A leftover. He stared and the grave and smoked. The sky was dark and gray and unhealthy, like a chemotherapy patient. He couldn't take it. He couldn't take the emptiness. He felt as if the next breath of wind would pick him up and blow him away, like an afterthought. Kite-skeletoned, paper-skinned. James looked away. He couldn't even bear to look at the grave anymore.
But what about the beatings?
The monday nights and the belt and the hot, slinky smell of gin.
The locked doors. The absent light.
What about the bedwetting and the shrapnel words?
But who killed who?
James got up. Flicked the cigarette away and walked back towards his car.
I love you, Jim.
And I never showed it.
The trees curtsied as he left, like pretty, eligible ladies.
Kylan & Connie




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(:P)

Hi, The Brother's Rice! Welcome to YWS! I have to mention that YWS has a 2:1 ratio policy which states that before you post one piece of your work, you should complete two reviews prior to your submission. Please complete 4 reviews. Noaw.


:P
"I'd steal somebody's purse if I could google it and then download it." -- Firestarter




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*pokes* Shiny.

Hello, this would be GryphonFledgling and I am here to review this Collaboration of the Century. I come prepared to be dazzled. *has high expectations*

Not more than twenty people gathered around the wet, sucking black mouth of the grave, yawning like some satisfied housecat.


The way this sentence is structured right now, I thought for a second that the "yawning like some satisfied housecat" was referring to the people, which isn't right. Perhaps a slight rewording? For example:

... mouth of the grave that yawned like some satisfied housecat.

I liked it so far. There were a lot of similes (the comparisons using "like")... A lot of them. I found it distracting, even though they were some pretty cool comparisons. That might just be me and my writing style though. I'd see what other people have to say about them.

Interested in seeing where this goes, I am. Keep up the good work!

~GryphonFledgling
I am reminded of the babe by you.




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Hey Kylan and Conrad! I was only just going to read this (shame on me!) but your lack of reviews on this made me decide otherwise. So here I am.

On an entirely irrelevant note:
hearts in their cages


Oh, the heart beats in it's cage...

And on an entirely relevant note:
strings of space fall around us like the hair let down by a beautiful woman


I liked this simile, but I didn't like the use of 'beautiful'. Because it's the hair that's the subject of comparison, not the woman. So who cares if the woman's ugly as a troll (xD) or more beautiful than the entire world. What's the hair like? Is it course, or is it sleek? "Like the ______ hair let..." When I read it out loud with the adjective there, versus with the woman, the sentence flows better.

particle-anitparticle!


I think you mean 'antiparticle'.

empty space, empty as babies.


Empty as... babies? This struck me as odd, since babies are full of spit up and intestines and whatnot. I suppose I just don't get your point in this simile?

and good men never slept. Good men were always ready.


I wonder, is this sentence supposed to be ironic, or is there no irony here whatsoever? His father doesn't strike me as a good man, seeing as he beats his children and locks them in rooms.

The flowers on her grave every other thursday.


Seeing as you're not going for the whole not-capitalizing-anything thing here, perhaps 'thursday' should be capitalized? ;)

I love you, Jim.
And I never showed it.


I feel like this should be italicized, since Jim's remembering the words.

Anyway, enough of this. Onto the overall.

This story wasn't at all what I was expecting, with the title. But the best word to describe this is intriguing. I am very much interested to see the story unfurl between the two of you. I thought this was an excellent way to start off the story. It left us with questions, like what's with this 'pod' thing? I'm eager to read on and find out what this means. Also, the story flowed very well, beginning in the present of the story, going back to the past, and back to the present moment. I love stories with that kind of format. The scene in which Jim slips his father the arsenic distinctly reminded me of Big Fish. The conflict between the father and son, the water, and the apology all seemed very Daniel Wallace to me. I'm not sure if that's a good or bad thing, but just to point it out. I really did like that scene; the apology had so much more meaning than it might have since we knew what Jim had done. If only he had waited just a little longer! I liked that touch to the piece. Delightfully morbid.

So, overall, I'm very much looking forward to the next bit, to see what Conrad has to add to this. I can't wait to see how the story progresses. Good luck!

-Holly
eviscerate your fragile frame
spill it out in ragged form
a thousand different versions of yourself.




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Mister Kylan (and Mister Rice, if you suppose)! :D *starts review*


James cried and didn't know why and cursed his father and cursed himself.

This line just bothers me greatly, because all three of those ands make it sound very awkward. Like, I feel like it needs to be worried different have some different punctuation in there. It just sounds really weird and awkward this way.


He was a face upheld by a spoiled pillow.

Question! Spoiled pillow? Um, to me, spoiled really doesn't mean anything to me. It could be dirty, covered in drool, covered in mold, yadadada...It could be a lot of things and just having it that vague, annoys me. Like, you described the room to us, saying it was dirty and smelling bad, but the pillow is just spoiled.

It annoys me, I'm sorry.


Papery, delicate chest rising and falling like an economy.

I love this simile here. Love it.



So, this is an epic start to the beginning of the collab. Seriously, it's very good. And, I can't wait to see how it all turns out. And it's so hard to review you, Kylan. :P

Anyway, fantastic start! I love how it's written and I'm curious about the pod thingys. I'm definitely interested in this now. Epic, like I said. Keep writing this, Brothers Rice! Or else I'll send June after you! :P


Feel free to PM me if you have any questions or comments.

~Linx
"A journey of a thousand miles must begin with a single step." ~ Lao-tzu

Attack, IM, or PM me at any time. I will respond. ;)




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My dear Mr. Rices! Miss Thomas at your service!

Even if you hadn't said on your blog, I would still consider this the collaboration of the century and am still prepared to amazed. And slightly scared...

I. NITPICKS

godball


...godball? *is rather puzzled but also very amused*

we don't expect you to – [/i]


There is an italics tag here, but the paragraph wasn't italicized on YWS- technical issue to attend to Mr. Rice and Mr. Rice.

around the wet, sucking black mouth of the grave, yawning like some satisfied housecat.


I really don't think the "sucking" is necessary.

Taps started up like a measly coyotesong.


Taps? You mean that "Day is done" thing I used to do in Girl Guides? Or does it mean something else?

particle-anitparticle!


Is that supposed to be "anit" or "anti"- I don't know, just thought I should draw your attention to it all the same...

every other thursday.


Is there a reason for not capitalizing this, or...?

clingy Choir fish,


Why is Choir capitalized? I don't know, it kind of takes away from Abyss...

they fed his dreams.


On his dreams, maybe?

The monday nights and the belt and the hot, slinky smell of gin.


Again, is there a point behind the little "m"?

I love you, Jim.
And I never showed it.


Like Holly said, should this be italicized?

II. OVERALL

This was basically impossible to find any issues with. I am a bit unsure about the "pods", are they going to become clearer later? I certainly hope so.

And if you don't continue with this, Mr. Rice and Mr. Rice, I shall personally come to your front door and threaten you with a spoon.

Hope I helped- drop me a note if you need anything!

-Stella.
"Stella. You were in my dream the other night. And everyone called you Princess." -Lauren2010




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Since the nitpicks have been covered, I have two words for you: Punctuation and telling. Both need looking at in this piece. Capitalization and commas are always important. Oh, and you need spaces after periods. And where are the Italics?

As to the telling... you don't want your work to be one big info-dump. Go back over this and you'll see what I mean. Your MC did this. Your MC thought that. Get DEEPER. DESCRIBE. I do love some of your wording, but we need more enviornment. What does the air smell like? Is it cold? Is it dark? Just a few examples.

That's all I have for now. Just try to aviod pointing out the obvious. We as the readers don't want to be treated like literary infants - at least I don't. Give us some credit.

Keep writing. Good luck with all yoru writing/editing.

KJ




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Hello Kylan!

Even though Con only asked me to review his part, I read this part and had to review it.

I'm probably not going to do many nit-picks. Just the main issues that have been bugging me about this.

James could feel the pillbottle full of arsenic pills knocking against his thigh.


"Pill" is repetitive as a root word here.

their orange, blank faces staring as dumb and sick as fasting believers.


I'm not sure what "their"s antecedent is.

Shakily set the pillbottle on the dresser table.


I don't really get this. If he set the pillbottle he just used on the table, wouldn't people find out about his deed?

this vessel. ocean breath, the briny spines of dead seacreatures on the lap of the shore. the deep. the caverns and trenches yawning and you float on with your driftwood bones and your kelpskin. sun's face bright and superstitious as a sailor and the fallen gods sink around you like scuttled ships. we have not abandoned you. Abyss has not abandoned you. through the stinkrot of the clingy Choir fish, the dark rears up to hold you. there is nothing to be afraid of in the dark, in the night, in the shadow, in the prayers where the soft voices breed. there is nothing to be afraid of after the Fear –


I feel like I need to redeem myself by saying what I liked after the note above, hehe. I really liked how subtle this was the the imagery is gives. It ties into the darker actions he did before.

The canceled out all his hate.


"They"

He couldn't take the emptiness. He felt as if the next breath of wind would pick him up and blow him away, like an afterthought.


These two lines seem to cancel each other out. With the metaphors before, it seemed to give a more vacum-like feel, and then you use a wind metaphor. It really threw me off.

*

The work was pretty solid here. I needed both sides of things to really be able to see this properly. It's a pretty solid start I find.

PM me with questions.

~Rosey
A writer is a world trapped in a person— Victor Hugo

Ink is blood. Paper is bandages. The wounded press books to their heart to know they're not alone.



Those who cannot remember the past are condemned to repeat it.
— George Santayana