To Elma (1)

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I have more written, but not posting it for now... not sure if it's good enough.
___

When the divorce was finally complete, my mind ceased to fuss over all the mistakes. All the arguments, events and miscommunications had been raked through during the whole process until they frayed and blurred, becoming nonsensical under the anxious speculations. At the conclusion of the affairs, everything seemed too hazy to consider. I no longer worried about Rachel.
The last thoughts I allowed myself about her and our past occurred the morning before I was scheduled to pick up and drive down to Pennsylvania to stay at my brother’s place. Upon deciding that the city wasn’t helping me at all, he and his whisper-voiced wife offered me the guest room in their ranch house, surrounded by genuine farmland and Amish country several hills over. I wasn’t craving the cornfields, but the empty corners of my apartment were turning on me.
On the morning of my departure to his place, I was aghast searching for my keys, the teakettle shrieking like a heartbroken teenage girl. My frustration brought an unwelcomed Rachel into my mind when I finally managed to turn on the radio and sit at the kitchen table, stress plucking at old memories of morning routines in the house we once shared.
We would never turn on the radio for any morning program back then, during the first year of our marriage; I played the demo discs I picked up from quick jobs at local radio stations. She said she liked this, as it was more pleasant than the inane buzzing of radio traffic reports. There was a song I loved on a particular demo, and I played it every morning for a while: In a puckered swoon, a woman sang of profound loss and the peculiar way in which the heavy existence of love faded into nothing.
Rachel took the meaning as a personal affront. She would sit over her orange pekoe tea, arguing that not all love faded. Real love merely wavered up and down, like notes in a tune, and did not disappear. It was obvious she was speaking out of fear for my own care for her, and it was amusing at the time. She feared the message of a song, and eventually I tired of the song anyway. We started listening to the morning traffic report instead.
That morning, the memory of her at the breakfast table years ago rallied up irritation. Not quite amused anymore, I now felt unnerved at her silly argument, knowing very well now that I had never loved her, and she had been collecting comforts until things were no longer convenient. Just silly, I thought, clinking my spoon in my tea mug as I effectively pushed her out of my thoughts.
A lingering taste of waste and redundancy lingering on my tongue, I wracked through the episodes of my life as I slid into my car. Something real, that was what my thoughts searched for, my mind drifting as I pressed on the gas.
I let old memories rise up slowly, drifting past my current intentions.
Road signs floated by, the reading of them so automatic that I found myself more in tune with the empty space – the sky, the gray patterns in the road.
When she came into my mind, I read the memories of her as automatically as the speed limit, but then I faltered. This wasn’t Rachel’s face, but that of another, and it startled me more than her disapproving stare ever had. I turned on the radio in an attempt for a distraction, the banter of politics erupting like clashing cymbals. I immediately turned it off.
It had been a while since I thought of her, and the thoughts seemed new, changed, and the introspection startled me.
In silence, I let Luisa fill my head. Her thick black eyelashes. The wisps of hair that fell along her cheeks, blooms of smattered freckles on each.

---


Luisa Toohey lived two houses over from mine in the town of Elma where I grew up. Like most things from my childhood, she and my hometown had been stuffed away into a box where I didn’t linger on their existence, an attitude toward things pre-college I had sorely taken on upon graduating high school. In my search for something real, dusty memories from these times unfolded shakily, cramped from being put away for so long. She unfolded so stunningly along with them I felt a twinge in my chest that echoed through my limbs, my fingers fidgeting over the steering wheel.
My mother met Mrs. Toohey at a church dinner, and it was sometime during the following weeks it was set up that my mother would be babysitting Luisa on weekends. She was only six years old, and I was seven; the two mothers cooed and flapped their hands over the concept of playmates, as the two of us both had brothers that were in their teens and we needed companions. I wasn’t so certain about the grand plan as my mother prepared to introduce us before Sunday morning mass. She licked her fingers and slicked back my hair, dressing me in a little black jacket with a carnation in the pocket.
In front of the church before mass, our two families stood in the parking lot, our mothers talking. Luisa toddled back and forth behind her mother, her hair tied back with pink ribbons and her dress shoes clicking on the cement. She was told to say hello to me; instead, she stuck out her tongue and turned away.
Something clicked in my seven-year-old mind then, and I experienced my first epiphany, one of many awkward realizations my younger years would bring me.
As a child, I often sat on the couch and watched movies with my older brother, and concepts of love and romance were thrown about between the actors. Jack Dawson loved Rose DeWitt Butaker, Woody Allen loved Annie Hall, and I loved Luisa Toohey.
Seeing her there, the ribbons falling out of her hair and her face set into defiance; I swore I was in love with her as far as my seven-year-old knowledge of love went. I swore it to myself, and after an hour of painfully anticipating it throughout mass, I swore it to her outside the church as our families mingled.
“You’re so stupid!” she declared loudly, without any hesitation. With one weak shove of my shoulder, she walked back to her family and left me with my first pathetic broken heart, heavy and fluttering in my skinny chest. Not knowing what to do with it, I opened my mouth wide and ran crying to my mother.
I forgave her by the next weekend, when she was ushered into the front hallway of my house, her face squinted into a disapproving glare as her mother kissed her face goodbye and my mother took her little pink hand, walking her to the kitchen table. Her hair curled around her shoulders, like little loose spiderwebs, and I just wanted to sit next to her. Of course, when I did, she kicked the chair over and sent my nose right into the corner of the table.
Blood ran over my lips; I was floating in shock until my mother came in to see the red mess and Luisa, on cue, began stomping her feet and letting out a siren’s wail about how I had pulled her arm and so she had pushed me back. I was sent to the other side of the house with a tissue shoved up my nose, and the two of us didn’t see each other again for several months, our mothers quite upset with my brutishness.
This was the beginning of a long acquaintanceship, the only word she would ever let me apply to it.
Last edited by Clo on Fri Mar 06, 2009 3:59 am, edited 1 time in total.
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Hey Clo!

This story is so beautiful! I loved it!

She feared the message of a song, and eventually I tired of the song anyway. Eventually we started listening to the morning traffic report instead.


It's better to use only one Eventually per sentence. Perhaps try changing one of them to a synonym of the word.


I really couldn't find anything else wrong with it! I absolutely loved your story, and I actually believed that it happened, it was so detailed!

Tell me when you post more to the story! <3

-Princess




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Howdy Clo!

Well this written amazingly well and I couldn't stop reading it from start to finish. Usually when people write stories that don't have a lot of dialogue in it, they tend to be quite boring but this was the complete opposite. Your descriptions and figurative language was charming and I love the MC's narrative voice.
I was sent to the other side of the house with a tissue shoved up my nose, and the two of us didn’t see each other again for several months, our mothers quite upset with my brutishness.


And puh-lease post more! I loved it and if you do get around to posting it, PM me.

Have a great day!

~Angel
True love, in all it’s celestial charm, and
star-crossed ways, only exist in a writer’s
mind, for humans have not yet learned
how to manifest it.




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Hey, there, I'm Dahlia. You greeted me on the board and helped me so I hope to help you with your piece.


The last thoughts I allowed her and our past occurred the morning before I was scheduled to pick up and drive down to Pennsylvania to stay at my brother’s place. Upon deciding that the city wasn’t helping me at all, he and his whisper-voiced wife offered me the guest room in their ranch house, surrounded by genuine farmland and Amish country several hills over. I wasn’t craving the cornfields, but the empty corners of my apartment were turning on me.


Pick up what?

The morning of my departure to his place, I was aghast searching for my keys, the teakettle shrieking like a heartbroken teenage girl. My frustration brought an unwelcome Rachel into my mind when I finally managed to turn on the radio and sit at the kitchen table, stress plucking at old memories of morning routines in the house we once shared.


I don't think aghast fits here...it just sounds weird to me. It means "overcome with amazement and horror," but it just doesn't seem to fit here. I like your simile though. :D

As a child, I often sat on the couch and watched movies with my older brother, and concepts of love and romance were thrown about between the actors. Jack Dawson loved Rose DeWitt Butaker, Woody Allen loved Annie Hall, and I loved Luisa Toohey.


Aww...how cute. :wink:


I really enjoyed this. I thought it was simple and a good beginning. I also like your writing style and you make it easy for the reader to put themselves in the story. I'm sorry I don't have much to say, but I really enjoyed this and I hope I helped in some sort of way.


----Dahlia
Last edited by Dahlia on Fri Mar 06, 2009 12:56 am, edited 1 time in total.




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Hi there, Clo! June here =D.

*promises not to be harsh*


Clo wrote:I have more written, but not posting it for now... not sure if it's good enough.


First off, this is just wrong, Clo. xD I mean, this is horrible-- how could you say such a thing? I have yet to read anything of yours that isn't "good enough".

Anyway! Moving on... :P
___
When the divorce was finally complete, my mind ceased to fuss over all the mistakes. All the arguments, events and miscommunications had been raked through during the whole process until they frayed and blurred, becoming nonsensical under the anxious speculations. At the conclusion of the affairs, everything seemed too hazy to consider. I no longer worried about Rachel.


• Now! Robert Frost once said, "It's okay to be a little ungrammatical if you come from the right part of the country." So, basically, it's okay to use improper sentence structure once in a while, but! This is kind of confusing.

I know it's a semi-useless nitpick, but, I do think that in the first line, complete should be completed, dear. Having it as "complete" makes the coordination of the sentences slightly faulty. Now! I know, it's important to define his "voice"-- and that's helping us to understand better where he's coming from.

I mentioned changing it because it's slightly confusing for our minds; the narration right there is from the past, so it is in past tense; yet, it can easily be confused for present tense, dear. :)




The last thoughts I allowed her and our past occurred the morning before I was scheduled to pick up and drive down to Pennsylvania to stay at my brother’s place. Upon deciding that the city wasn’t helping me at all, he and his whisper-voiced wife offered me the guest room in their ranch house, surrounded by genuine farmland and Amish country several hills over. I wasn’t craving the cornfields, but the empty corners of my apartment were turning on me.


Pay attention to your sentence clarity, dear. In the first line here, it sort of sounds like the protagonist has control over Rachel's thoughts, and he allowed her to have those last thoughts the day he was leaving.


The morning of my departure to his place, I was aghast searching for my keys, the teakettle shrieking like a heartbroken teenage girl. My frustration brought an unwelcome Rachel into my mind when I finally managed to turn on the radio and sit at the kitchen table, stress plucking at old memories of morning routines in the house we once shared.


:twisted: So much for me not being nitpicky in this review, haha. I think you need a preposition to open the paragraph, dear. It's bringing about a little confusion without it, and if you begin with On the verse The it's slightly clearer for the audience.

• And, then, there's the tenses. I underlined "unwelcome," because I think it should be in the past tense as "unwelcomed". That's just my opinion, though, I'm pretty sure it could work as it is.

We would never turn on the radio for any morning program back then, during the first year of our marriage; I played the demo discs I picked up from quick jobs at local radio stations. She said she liked this, as it was more pleasant than the inane buzzing of radio traffic reports. There was a song I loved on a particular demo, and I played it every morning for a while: In a puckered swoon, a woman sang of profound loss and the peculiar way in which the heavy existence of love faded into nothing.
Rachel took the meaning as a personal affront. She would sit over her orange pekoe tea, arguing that not all love faded. Real love merely wavered up and down, like notes in a tune, and did not disappear. It was obvious she was speaking out of fear for my own care for her, and it was amusing at the time. She feared the message of a song, and eventually I tired of the song anyway. Eventually we started listening to the morning traffic report instead.



• I know this is a next-to-useless nitpick, but in my opinion, "during" is too heavy of a word there. "In" is more simple, and could easily replace that.

• The repetition of "eventually" is a bit too close, dear. I know that words you've chosen are part of the main character's language-- it's defining him as he speaks, letting us know more about him than you have written down, but! I'm kind of feeling like it should be replaced with a synonym, or simply removed. I know that the repetition of it can relate to the type of speech he has, but, it's seemingly not fitting in properly, dear.

That morning, the memory of her at the breakfast table years ago rallied up irritation. Not quite amused anymore, now I felt unnerved at her silly argument, knowing very well now that I had never loved her, and she had been collecting comforts until things were no longer convenient. Just silly, I thought, clinking my spoon in my tea mug as I effectively pushed her out of my thoughts.
A lingering taste of waste and redundancy lingering on my tongue, I wracked through the episodes of my life as I slid into my car. Something real, that was what my thoughts searched for, my mind drifting as I pressed on the gas.


• Faulty parallelism! :P
Basically not much of an error, just a little confusing for the audience, dear. Take a look at the first underlined part; it's seemingly too complex, and it's almost unnecessary to have it that way. Be simple, Clo! It's easier for us to understand at times. I now felt... can suit the sentence just fine, dear.

• Somehow the next underlined sentence is a little bit wordy, dear. Should his thoughts be in italics or quotation marks?


Luisa Toohey lived two houses over in the town of Elma where I grew up. Like most things from my childhood, she and my hometown had been stuffed away into a box where I didn’t linger on their existence, an attitude toward things pre-college I had sorely taken on upon graduating high school. In my search for something real, dusty memories from these times unfolded shakily, cramped from being put away for so long. She unfolded so stunningly along with them I felt a twinge in my chest that echoed through my limbs, my fingers fidgeting over the steering wheel.


Two houses over? From what? The Town of Elma itself, or two houses over from his house? :P



“You’re so stupid!” she declared loudly, without any hesitation. With one weak shove of my shoulder, she walked back to her family and left me with my first pathetic broken heart, heavy and fluttering in my skinny chest. Not knowing what to do with it, I opened my mouth wide and ran crying to my mother.



:P It kind of sounds like the main character shoved her.

This was the beginning of a long acquaintanceship, the only word she would ever let me apply to it.


xD For some reason, I like this line immensely, but! Instead of using "it" I think you should use a more descriptive word there, dear. I can't think of a better word at the moment, but, I think that a more descriptive word is needed there, dear :).

-* - *- * -* - -* -*-


Clooo! This was amazing!

I really like how clearly defined the main character's voice is. Beginning with the crisis at hand really grabbed my attention, and I was able to better understand the struggle that the main character is facing at this point in his life.

By relating to a childhood experience, we understand his background even more. We hear his voice; we can understand how he speak. We see what he is struggling with; we can see more of who he is by the way he is coping. And now, we see how he thought and felt as a child-- that really brings us to know the main character-- not just imagine him as another ordinary person.

You've chosen a catchy topic, Cloroupe. Instead of choosing a worn-out, overused topic, or a completely new idea, you chose a neutral one. It can head either in a new direction, or it can fall into the footpaths of lots of other stories. The choice is yours-- either choice you make, I have confidence that this will be a refreshing story to read. I'm basing that on the way you began, the voice you've created, the subtle description you used throughout this. I can feel the atmosphere of this, Clo.

Also! This story has the feel that you've put a lot of thought into this. It's paying off-- and as I read this, the quote from Doris Lessing, "In the writing process, the more a thing cooks, the better," came to mind.


Well done, Clo! It is Original-- the topic may or may not be; it's too early to tell that, but the way it is presented is definitely original.

It is well organized. Your transitions were rather smooth, and effective. That made it easy to read, dear.

The detail was excellent; it was subtle, but you provided enough to keep the audience satisfied, Clo. Well done!

As for clarity, that's the only place where it stumbled slightly. The way some of your sentences were worded posed a little bit of confusion. Nevertheless, your idea was presented clearly. It was easy to understand, dear.

I believe it was correct, too. I can't say that his voice sounded like someone from the city, but that's completely understandable; by highlighting his childhood a bit, we can see that he comes from the countryside; well done.

And, lastly, it was effective, dear. You managed to get the audience on the sympathetic side for your main character.

Overall, Clo, if you can't tell, I enjoyed this immensely. I'm definitely following along with this if you choose to post more.

Keep up the amazing work, dear!

I hope I wasn't too harsh :P. Well done!

June

[*goldstars*]
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Hiya Clo!

Theme: I find it a bit fuzzy. As you're moving the plot along you're not exactly explaining your metaphors properly. Since this story is about 80% metaphors, I'd take the extra time to properly explain things and go into the real emotion here. I know this MC is a guy, but dig deep to get the good emotion fiction is made of. ;)

Why? Hmm, you've got some things here that don't have a "why" to them. Mostly, his childhood memories. Why did they stir up? Why did he lock them away? You're flirtting with some metaphors, which you're doing pretty well, but again, add more stuff to it. More stuff= more emotion to the reader. :D

Another place is the very devorce itself. You've got the beginning to a great metaphor with the music, but you don't really finish it that cleanly. We're still left wondering "why"? Give us more description on the tones of the music, how things related. Part of the problem is that it's told in an obvious flash-back. Cut some of that past-perfect and make things a little easier to read, kay? :)

Backhistory: When you're talking about episode when he's seven I really liked it. The relationship was so sweet, so very perfect for the age. I would have liked to see a bit more detail in that, actually. It was just so nice. ^_^ This looks like it's going to become really interesting.

Questions? PM me.

~Rosey
A writer is a world trapped in a person— Victor Hugo

Ink is blood. Paper is bandages. The wounded press books to their heart to know they're not alone.




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I made some corrections to this part, based off the wonderful reviews I received. :)
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Hey, Clo-luff! ^_^ -huggles-

I. Small Things

At the conclusion of the affairs, everything seemed too hazy to consider.


I'm not really a fan of this sentence -- it's kind of overwrought and so becomes confusing, though you might have meant it to be vague. =P I mean, consider is generally used like considering an action or a course of action, but I think what you're trying to say here is that something is too hazy to think about, and although technically 'consider' could be used there, I don't really like it. ^_^ Maybe you could just say that 'everything seemed too hazy to think about'? Or 'dwell on'?

The last thoughts I allowed myself about her and our past occurred the morning before I was scheduled to pick up and drive down to Pennsylvania to stay at my brother’s place.


Reading, I picked up these things: thoughts occuring and pick up {what?}. Well, I suppose thoughts could occur, but wouldn't they more commonly 'assail' or 'appear' or just 'be'? =O I dunno, I suppose none of those work either, so maybe it depends on reworking the whole sentence. Also, if you mean like pick up a life and move, I think you could actually say that: 'pick up and move to my brother's place in Pennsylvania'. If the temporary-ness of the situation is really important, you can put that word in there too. ^_^

My frustration brought an unwelcomed Rachel into my mind when I finally managed to turn on the radio and sit at the kitchen table, stress plucking at old memories of morning routines in the house we once shared.


Erpz. >_<;; I think unless the character formally welcomes thoughts into their head ALL the time, then maybe you would say 'unwelcome Rachel', but even then, it's kind of an awkward label to apply. =P If it's important to the character's voice, then keep it like that. Also, this sentence gets kind of long in general and I think it would be more clear if you could find a way to break it into two or more. ^_^

We would never turn on the radio for any morning program back then, during the first year of our marriage; I played the demo discs I picked up from quick jobs at local radio stations. She said she liked this, as it was more pleasant than the inane buzzing of radio traffic reports.


>_<;; The word 'any' here just kind of gets clunky! D: Erck. I feel like a lot of these sentences are trying to jam a bunch of information in when you really need to just spread it out and let it flow a little more loosely. =P Like...

1. They didn't turn on the radio for morning programs.
2. It was the first year of their marriage.
3. They decided radio things together.
4. They played demo discs instead.
5. He had jobs at radio stations.
6. They were quick jobs.
7. The radio stations were local.

You know what I mean? That's a heck of a lot of info for one sentence. >_<;; Also, I think you meant 'that' instead of 'this' in the second sentence, otherwise it kind of bleeds out of the tense you chose.

In a puckered swoon, a woman sang of profound loss and the peculiar way in which the heavy existence of love faded into nothing.

Rachel took the meaning as a personal affront.


It's radio, darling!~ Did you mean croon instead of swoon? ALSO. That description of what the woman sings gets wayyy too long. Maybe just say she sang of the peculiar way in which love faded into nothing? ^_^ THEN, that other sentence I picked out is kind of vague and upsetting. :C The meaning of... the song? Maybe she took the LYRICS as a personal affront. And maybe you could say attack instead of affront? =/ -shrugs-

It was obvious she was speaking out of fear for my own care for her, and it was amusing at the time. She feared the message of a song, and eventually I tired of the song anyway. We started listening to the morning traffic report instead.


This was a REALLY powerful and beautiful passage though, Clo. It is really vital to the character development and to showing the relationship between the character and Rachel. ^_^ Good job!

and she had been collecting comforts until things were no longer convenient.


:C I don't get this at all.

Road signs floated by, the reading of them so automatic that I found myself more in tune with the empty space – the sky, the gray patterns in the road.


Okay, your sentence structure is getting a little stuffy here. Why not say it like this?:

Road signs floated by. I read them so automatically that I found myself focusing more on the empty spaces -- the sky, the gray patterns in the road.

Well, if that was your meaning for the second part of the sentence. xP It wasn't really clear.

---


Why do you have this separation? I don't think it's really necessary. D:

In my search for something real, dusty memories from these times unfolded shakily, cramped from being put away for so long.


=O You already mentioned the search for something real earlier in this passage, so the repetition of it so soon makes it seem over-mentioned. xD ~

She unfolded so stunningly along with them I felt a twinge in my chest that echoed through my limbs, my fingers fidgeting over the steering wheel.


Oh, you don't really need to mention the other memories here, because it just bothers the sentence! We know she's coming out with the memories, and if you really want to distinguish her from the others, perhaps just italicize 'she'. ^_^

My mother met Mrs. Toohey at a church dinner, and it was sometime during the following weeks it was set up that my mother would be babysitting Luisa on weekends.


IT WAS sometime during... IT WAS set up. =O See the repetition? Also, the phrasing of the second 'it was' is kind of annoying. =P Try to say it more simply!

Something clicked in my seven-year-old mind then, and I experienced my first epiphany, one of many awkward realizations my younger years would bring me.

As a child, I often sat on the couch and watched movies with my older brother, and concepts of love and romance were thrown about between the actors. Jack Dawson loved Rose DeWitt Butaker, Woody Allen loved Annie Hall, and I loved Luisa Toohey.


This is a cute concept, but poorly executed. Putting in the example between saying there was an epiphany and the message of the epiphany kind of breaks it up and makes it confusing. :C Try reworking it so the ephiphany is right after you say there was an ephiphany!

Seeing her there, the ribbons falling out of her hair and her face set into defiance; I swore I was in love with her as far as my seven-year-old knowledge of love went.


That semi-colon should be a comma. ^_^

and the two of us didn’t see each other again for several months, our mothers quite upset with my brutishness.


I think the second part of this could be its own sentence.

This was the beginning of a long acquaintanceship, the only word she would ever let me apply to it.


I think that comma should be a double dash {--}. =) Or put the second part in parentheses!

II. Overall Things

Well, I see that you have second part up, and that's good. This chapter seems kind of unorganized, because at this time it doesn't go back to where it started and it kind of just seems like it's diving into memories and never coming back. If you ever want to publish this or something, I would probably recommend not making a break here. xP

So far, the character development is... okay. I mean, you spent a lot of time on the story of a long time ago which might not even effect the character anymore anyways. D: The best part was that description of the radio situation -- try to put more of that in there!

=D I like it, because the concept is cute, but divorces are common, childhood crushes are common. D: You have to add something different or something to tie them together in a different way.

I'll try to read the second part soon. ^_^ I love you! Great work! <3

-Hannah-



no i prefer gay chaos
— hop