Perpetual abstinence

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We fluttered to the pavement, slowly, dipping back and forth on invisible air currents, twirling and dancing until we came to rest, feather light, in the dank grime and sludge of a snow melt-covered, impoverished alleyway. One by one by one by one, slipping through his fingers not like sand, or water, but like life blood. The last caress, tingling sentiment, lingered on our surfaces over every inky line and each single pen stroke.

One by one by one by one, sinking into the mud of the world, to be trodden on along with it, trampled by the boots of the world.

His face is a blur, as though the murky clouds have sunk below the level of the eaves to envelope him, leaning back in the wind from the railing slipping from his grasp.

The next movements are shaky like painting, cut apart, placed back in the wrong places—the wrong place. We’ve all reunited at the bottom; he fumbles for something to satisfy a desire, a release channel, to aid in the escape.

The crack, followed by the rain—of glass on the pavement. Where brown splotches seeped through us from beneath, now black liquid runs as fast as a gossiping tongue to mingle and stain. A few last drops of ink sprinkle from his fingers—our creator’s priceless, unremarkable fingers, now lifting the next bottle and releasing it, with no exerted pressure to make it fall faster. His mind’s eye doesn’t follow it down; it sees it released, and floating on air for a split second—then the crash. The violent start at the sound, and then he hurls himself down on the balcony floor, bringing his fist down after him—the third bottle.

Like arrows, quills fly, ready to pierce and tear our delicate skin. We receive not a scratch, as the soft tendrils of feathers outweigh the sharp point and cushion the fall. He sweeps them down upon us, his arm sliding in a wide arc over the place beside him, wiping away the last traces of black as he discards his instruments. His shirt, torn off in haste and permanently stained, follows all this over the edge, billowing out and blanketing our sorry pile. Perhaps he can no longer see us, his handiwork. We were perfectly white, with bold, blunt black, impossible to ignore. We were the back curtain, the set and props; his thoughts were placed against us, the actors on our sheets. Our perfection is blotted out in reality, like his mental image of us was driven to be.

One last page balances, on the back of his hand; one last pen is curled in his thumb, against the palm.

The cold is setting in. The slightest puff of air is for a second upon us, wafting down ahead of the last of us, aggravating the chill. He huddles, yet on the ground, hiding his face not from the wet fog, but hiding from us. And don’t call for him. His words, they try, and are silenced; he retook the life he gave them.

He gives us up, as others have done before him. But we will not be lifted up once again. This is perpetual abstinence.
"Half the time the poem writes me." ~Meshugenah




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Wow-this is sure impressive. It's sophisticated, quirky and different from what I usually see here. And the description is very detailed.

I wasn't moved emotionally by this, but that's not necessarily a problem-it strikes me as much more abstract and artistic.

Thanks for writing this!




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*grins goofily*
Hey Adna,
My level of profoundness epically fails to reach yours.
Though I may not entirely comprehend the story,
I didn't find any mistakes with spelling, grammar, punctuation etc...
Someone else might, though.
What I really liked, was the description. I can never write something like this.
It was detailed, vivid and simply beautiful.
*sighs dreamily*
I really, really liked it.
Short and awesome.
My apologies for an improper review though D:

~Have a nice day! :D
Meep(:

Oh, and best of luck for the contest!
*crosses fingers*
~Liverpool F.C Supporter~
"You'll never walk alone"




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Wow Adnamarine you write extraordinarily. In fact I think I had to read this about five times before I had an "ink"ling of what was actually going on. And even now that I think that I know, I might be wrong.

One minor nitpick:
The violent start at the sound, and then he hurls himself down on the balcony floor, bringing his fist down after him—the third bottle

I think this should be "he hurls himself down "onto" the balcony floor.

Two minor suggestions:
he retook the life he gave them

Perhaps you might want to say: "he withdrew the life he gave to them."

This is perpetual abstinence.

I don't think your finishing line quite does your piece justice. In fact I think you can afford to leave it out entirely, as you refer to perpetual abstinence in your title.

Anyway, this was a real treat to read. You have written an exceptional piece. I am truly envious. You can have a gold star from me ;).

Have a good one! :)
#TNT

The woods are lovely, dark and deep.
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.
-- Robert Frost

I review your reviews: viewtopic.php?f=188&t=94522




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Hello!
It's Q from Facebook. 8) I really enjoyed this, the style was beautiful and artsy. The sentences flowed really well. All the best with the contest! :smt038
Be yourself; everybody else is already taken.

I came, I saw, I conquered.

When you're being nice to your character, you're being bad to your book.




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Hello!


So, if I am understanding things rightly, this is about someone and his writing? I'm not sure I understand it correctly at all, so if this review seems to go in the wrong direction, you understand why.

Everyone else seems to be calling this abstractly artistic, but I'm not sure I'd say that something is confusing is immediatly abstractly artistic. Even if it is abstract, it has to make sense. You certainly have a conceit here, but I'm not even sure what your metaphor is. I feel like you don't give enough solid grounding for me to understand what you're writing about, and therefore I cannot gain anything from it. It's not a poem, I shouldn't have to read it several, several times to understand even the basic ideas behind it, though I feel I may have to if I would ever like to understand your plot.

I just cannot tell what is going on here, and therefore, I can't exactly say I enjoyed it. You're obviously putting your reader in a perspective their not used to, which makes this harder. When I started reading it, I thought they were skateboarders...

I think my biggest suggestion would be to try it make more sense. And, perhaps, it makes sense to you, but it didn't seem clear to me. Abstract isn't bad - but it's more challenging in writing, especially because abstract implies vagueness, and that's not real good for writing. I want all the details I can get! :D

Also, just a note on imagery: you seemed to rely heavily on visual stimuli, and here and there auditory. Try to focus on all of the sense if you can, to make your writing as vivid as possible. There are five senses, not just one or two! Best of luck.
“It's necessary to have wished for death in order to know how good it is to live.”
― Alexandre Dumas, The Count of Monte Cristo




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Hi Adna! I'm here to give you a courtesy review, because you entered this in the CIA's contest. :)

I have to say that I suspected this might be about someone and his writing, though I was never definitely for sure until I glanced at some of the other reviews. I thought it might also be about a composer and his sheet music. Both ideas are good though, and I like either one.

I also like the brevity of this piece. It sticks around long enough to tell us what's up, and doesn't overstay its welcome. I feel you could attempt at times to be a little less vague and a bit more open, but those times are few and far between.

Overall, this is a good piece. A little difficult to understand, perhaps, but a good piece nonetheless. Good job, and good luck.

-Conrad Rice
Garrus Vakarian is my homeboy.




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Here's another critique for entering CIA's contest. =]

Well, I already have Con's judging, so I thought this was going to be amazing, but I guess he was just biased. ;]

Anyways, I discussed this story with you a little in chat, and here I am trying to salvage this thing. =] Because honestly, when you say that you had a vague idea that you no longer remember and never put the idea in, that's not a good sign. =]

Basically, all I can tell you is to rewrite this. You have good imagery, but what's the point of that if it's all you have? Get a specific reason for what he's doing. Put in emotions and all five senses and reasoning and everything. Give the story life. Then slip in your imagery where you can.

I love you, but I can't understand a story that has nothing to understand. =[

PM me for anything! <3

~JFW1415



Opportunity is missed by most people because it is dressed in overalls and looks like work.
— Thomas Edison