Among the Infidels (1)

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What? Sam's posting something? It's true! This is part of the first few chunks of my NaNo that I will be posting in order to get it ready for various readers. I'm eternally grateful for any and all opinions.


AUTHOR'S NOTE: In Persian, the name "Leila" means "moon beauty".
__

Kabul

Leila’s body was a temple.

It had fallen into disrepair—sixteen years of life, seven years of war. Maybe in mathematical terms, that was a shame. But why be beautiful when your skin could tell stories? Dirt here, scars there—this script was more telling than tattoos, carved in deep where needles couldn’t reach.

She was a storyteller. Her father was a poet. He was also a banker, and a milkman, and a subversive. He was also terrible with numbers and words and milk and opposition. He may as well have been mute, but he made money, and as far as anyone was concerned, that was all a man needed to do. Like Leila, he had fallen apart—forty years of life, seven years of war, two wives, one of them deserted. That was Leila’s mother, the runaway. It was ironic that Leila couldn’t run. She wasn’t lame—not really. Wahid had put his teasing into verse:

My daughter, my lovely, lovely moon
Who trips over the sun as she rises!

It was ironic then that Leila, like her mother, would escape.

__


The Promised Land


Tuesday was the day Isaac was going to have a new sister.

His parents had been talking about it for months, counting down the days—only seventy-four days until your new sister, Isaac!—and preparing the house like they were awaiting a teething puppy: putting valuables on high shelves, buying a television remote with bigger buttons, throwing out expired sour cream. They stopped short of coating table legs with Bitter Apple, and for that, Isaac was glad. They had done that when he turned four years old. That was back when he had a Pervasive Developmental Disorder Not Otherwise Specified. As far as he was concerned, he had always been the same person. But when he began to eat bark and stopped talking altogether, he suddenly became New, Autistic Isaac—the hand-flapping monster who wandered the house and coughed up doctor’s bills that made his mother cry while she vacuumed.

It was those doctor’s bills that made him wonder whether or not he needed a new sister at all. New sisters were expensive. They warranted buying armloads of new clothes and schoolbooks and an extra jug of milk each week. This sister was particularly expensive because of where she came from—it cost money to put her in a plane and bring her all the way to Waverly. She came from a country far across the ocean, whose sandy rocks had embedded themselves in his father’s Army jackboots and fell like foreign hail when he clapped them out over the lawn. The first time he did that, he ran his thick fingers through the piles on the ground and looked almost sad.

He had known the new sister’s father when he had been stationed in Car Pool. That was the reason that Isaac had a new sister at all. Everyone seemed to think it was the work of the Lord, that two people so far away could call each other on the telephone and talk in loud voices, like people drowning in static--are you there? What? You're cutting out, are you there?

His Resource Specialist, Miss Smith, had brought a new sister home from across the ocean as well. Her new sister was tiny and had brown slit-eyes and looked nothing like Miss Smith at all. Isaac’s mother had informed him that his own new sister would be about the same age as his old sister.

But would she have slit eyes?

He pondered these questions as he dragged his backpack down to the City Transport stop on his family’s leg off the Interstate. The city had been kind enough to put up a plastic shield and graffiti-spattered benches to hold the farmers and meth addicts who took the bus into town each morning to do whatever it was they did. Isaac just liked to ride the bus. His body always felt like there was a rocket attached to his back, pushing him forward even when he was sitting down. Riding the bus was the only way to make sure the world caught up with his body.

Today, he would take the bus into the city and meet his family at the Agency. It was better than riding with his father, who took the back roads in their pickup truck. The car had bucked so hard one day when Isaac was five years old that he had bitten his tongue and tasted blood. When bad things happened to him, he took care to ensure that they never happened again. Sometimes, they happened. Statistically speaking, it wasn’t likely.

He made touchdown on the bench next to an old man in overalls and boots. Isaac’s hand made a refreshing smacking noise in the early morning fog. The air had been damp and cold in the morning recently, and it made cigarette-curls of vapor through his chapped lips—chapped even though his older sister Claire had rubbed Coconut Dream Gloss onto them. It tasted acrid, and he’d tried to wipe it off on the wall. It left a gooey pink smear that he had blamed on the cat.

The old man glanced at him. He used to glance at Isaac a lot more, but in recent months he had gotten used to his jerks, his clapping, the fact that he pulled on the strings of his hoodie because it rubbed against his neck. Sometimes there were other people at the stop, and over time, Isaac had learned this man’s name was Pete Maslowski, and he owned the corn fields two lots away from the Holdingtons, subsidized by Con-Agra. He also had a Labrador named Stacey who was more faithful to him than his wife had been—she had left him for a smooth-talking banker from Valparaiso. Pete wasn’t bitter. And besides, Stacey was expecting a litter.

Isaac shifted on the bench, pulling his Speech Cards out of his pocket and thumbing through their worn edges. Country people smelled differently than city people did. Pete and Isaac smelled like damp and thunderstorms and barn cats and rotting hay. City people smelled like perfume and exhaust and bubblegum and fresh newsprint. They also did not have to wait as long for their buses. Isaac dragged his Reeboks through the damp clay; they were black and the shoelaces were always coming untied and forming snowballs of brown along the ends. They began to peel away just as the gravel at the top of the road began to crunch. Like city people, he could always smell the bus coming—the exhaust, the slightly sweaty smell that leaked out from between windowpanes. It was white at the top but coated with mud, to the point where the sides, up close, looked like the surface of the moon. Lorn always drove on Tuesdays. Isaac could see his Cubs baseball cap from the tint on the windows.

Isaac covered his ears as the doors squealed open. Pete stuck his quarters into the slot and sat in the Priority Seating area, where only cripples and pregnant people were supposed to sit. Isaac wasn’t sure if Pete qualified, but pressed his ticket against the scanner and sat at the very back, where the heating fan licked at the tips of his hair. Lorn smiled at him in the rearview mirror. Isaac set his backpack on the seat next to him and waved back.

He pressed his cheek against the windowpane, watching out of the corner of his eye as steam snaked out from between his lips and coated the glass. His teeth rattled until the bus pulled onto the road and followed the loop all the way to the Interstate. It was still early; early enough for a pink sky and deserted stretches of thoroughfare. Haze hung over cornfields and wheatfields and pig pens, and dusted the bottom edges of directions to McDonald’s and Jesus: I Trust in You! billboards.

This was Isaac’s world.

It had the feeling of formal shoes—familiar but not fitting quite right. It had the feeling of home and of future at the same time.

He wasn’t sure if it could become his new sister’s world, at all.
Last edited by Sam on Sun Feb 08, 2009 4:02 am, edited 2 times in total.
Graffiti is the most passionate form of literature there is.

- Demetri Martin




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SAM! You've posted something! You're amazing! I rushed to this when I saw it. ^_^

Your opening line is awesome and fills me with interest. I don't experience this enough, and I love how short and simple it is while still accomplishing that.

Maybe in fractions, that was a shame

I'm not entirely sure why you say maybe here. Maybe in fractions, not definitely, when you just say it's wrecked?

Everyone seemed to think it was the work of the Lord, that two people so far away could call each other on the telephone and talk in loud voices—like angry people who weren’t actually angry.

I'm not entirely sure why there are loud voices here... why are they talking loud on the phone? A bit unclear, or I'm missing what you mean in this section. I'm thinking you mean people tend to talk loud when they're on the phone, but I don't find that, unless they're in public, so I wasn't thinking that when I first read this.

His Resource Specialist, Miss Smith, had brought a new sister home from across the ocean as well.

New daughter? Though new sister does sound childishly repetitive and cute.

This was Isaac’s world.

You sum up all that description so simply and wonderfully.

Well! As a beginning, an introduction, this is really amazing. I've been reviewing too many good things lately, and my reviews have gotten stumpy and praise-y. But really, this is cleverly written. there's a childish tone in Isaac's part, but it's wonderful for his characterization and even had me thinking of Lovely Bones by Alice Sebold, with the description and writing, though in third person.

Leila's intro I'm intrigued by at this point, as her father sounds exceptionally interesting, but Isaac has me won over as he seems absolutely adorable. =) There's such a wittiness to how you describe the world around him.

Amazing characterization and setting, Sam... as usual!

PM me for anythinggg (like when the next part comes out!)

~ Clo
How am I not myself?




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Hello, dear Sammy-Sam.

Just a few typo's I'd like to point out.

would be about the same age has his old sister.


as

Today, would take the bus into the city and meet his family at the Agency.


'he' would, or 'Isaac' would or something.

she had left him from a smooth-talking banker from Valparaiso


first 'from' should be 'for'

Aside from that this was lovely writing. Interesting, but solid, consistently written and with substance I can sink my teeth into already. The only other suggestion I have is to perhaps go a little easy on the 'had's' - you don't overdo it, not really, but its something to keep an eye on. They are very rarely necessary and generally only halt the flow.

Great stuff,
Cheers
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"Indecision and terror, thy name is novel." - Chiko




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^_^ Hi, Sam! I'm Hannah! I saw this work on the front page and I felt like seeing some of your writing. C:
I have to say, this was BEAUTIFUL! I'm really getting into pieces like this -- focusing on the characters, the setting, their normal everyday lives! I've always loved things that focus on the characters and stuff, so this is really beautiful!

I especially liked the little poem that Leila's dad made for her. It's realistic, and I could see a father actually writing some cute little thing like that for their daughter! ^_^ So, it was a really nice touch and added a lot. The only thing I had a comment on at all was this:

Her new sister was tiny and had brown slit-eyes and looked nothing like Miss Smith at all. Isaac’s mother had informed him that his own new sister would be about the same age has his old sister.

But would she have slit eyes?


I don't know exactly what culture you mean Leila to be from, but I assumed that you were referring to some middle-eastern culture? I don't know that they really have 'slit' eyes, as is a common stereotype among those from eastern Asia. So, yeah, I don't know if that is gonna mean anything at all to you, but I just wanted to point that out! ^_^

Thank you for sharing this beautiful piece. <3

-Hannah-




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Yay! You've posting something new and it was lovely!

Everyone already got to the grammatical errors and such, so I'm only here to lend compliments. This was really unique and I loved how the characters seem so developed. It's like I can sit down and have a talk with them. Ooh it's going to be nice to know more about Leila because she is a good character.
Your beginning was beyond fantastic, because it hooked me and that is always good.

Kabul

Leila’s body was a temple.

It had fallen into disrepair—sixteen years of life, seven years of war. Maybe in mathematical terms, that was a shame. But why be beautiful when your skin could tell stories? Dirt here, scars there—this script was more telling than tattoos, carved in deep where needles couldn’t reach.

She was a storyteller. Her father was a poet. He was also a banker, and a milkman, and a subversive. He was also terrible with numbers and words and milk and opposition. He may as well have been mute, but he made money, and as far as anyone was concerned, that was all a man needed to do. Like Leila, he had fallen apart—forty years of life, seven years of war, two wives, one of them deserted. That was Leila’s mother, the runaway. It was ironic that Leila couldn’t run. She wasn’t lame—not really. Wahid had put his teasing into verse:

My daughter, my lovely, lovely moon
Who trips over the sun as she rises!

It was ironic then that Leila, like her mother, would escape.


I just loved this part! It ended and began beautifully. I can't wait for more of this, but please post more of this!

Thanks for the read,

~Angel
True love, in all it’s celestial charm, and
star-crossed ways, only exist in a writer’s
mind, for humans have not yet learned
how to manifest it.




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Hey guys! I wanted to thank you so much for offering your corrections and whatnot--I made a few preliminary ones just now, but I will go back and slaughter some hads in a bit. I'm really indebted for your general views of character and setting; I'm really crazy about making them right. I'll post more as soon as it's in a proper state!
Graffiti is the most passionate form of literature there is.

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Hi Sister Awesome, ^_^

I totally owe you a review for just laying back and enjoying the last few of your things things I read. (Bad Kalli, bad Kalli!)

Sooo, here we go:

:smt039 Characters

I'm just going to note my general impression of your characters here, then you can see whether they came across the way you wanted them to.

Leila: What I can generally say about her is that I as a reader learn things about her, but not from within her. I learn some of her history, and I learn that she has taken physical damage from seven years of war. Her age, what her father does to afford a living and that her mother ran away. Figures almost from an outsider's point of view. Almost, because it's not just anonymous figures, but this girls life story and you managed perfectly to make me care.

I think your first sentence is very characteristic for this: Leila’s body was a temple.

It tells stories on the outside, but its inside is holy and therefore not accessible to everyone. Her story can be seen, her personality not. Your first sentence says so much about this girl and the idea of it is carried by this entire section. Brilliantly done.

Hence, your first part and introduction of Leila is in itself conclusive and hooks me. I love it and I'm interested in getting to know her.

Wahid: I'm not sure how big a part he will play in the rest of the story, because he seemed more part of Leila's story than developing one that is different from hers, they've went through war and his wife's escape together and he does everything he can to provide for himself and his daughter. I care about him, for that reason especially: Her father was a poet. He was also a banker, and a milkman, and a subversive. He was also terrible with numbers and words and milk and opposition.

Well characterized. The role he takes up in my head is "Leila's father Wahid" rather than "Wahid", if that makes sense. ^_^

*

Isaac: I'm a little confused concerning Isaac. First of all: How old is he? He thinks back on when he was four and five, and it is said he is younger than his new sister, who is, I strongly assume Leila, who is sixteen, so he's under sixteen. It's kind of hard to determine abut how old he is for the reason that his vocabulary when thinking varies strongly.

There are text passages where he describes getting a new sister in a very naive manner, but then there are sentences like this one: Statistically speaking, it wasn’t likely. , where he uses phrases like statistically speaking, which sound rather sophisticated.

This same thing makes me question, what "medical state he is in" (sorry, I don't know how to express this better, I hope it's clear what I mean). He describes that he had this Pervasive Developmental Disorder Not Otherwise Specified and due to the inconsistency of his level of thoughts I'm wondering how successful his medical treatment is and how far his mental abilities reach.

Just a bit confused, might partly be me, though, I'm kind of tired.

Other than that I really like him. The bench scene reminds me a bit of Forest Gump, so does his familiarity with the bus driver, but kind of like that.

Claire: I can't exactly determine why, but I like her. Maybe it's the lip gloss, I'm not sure. It's probably the fact that Isaac refers to her as big sister and draws a connection between her and the new sister. I think I'm hoping the two girls will become good friends. Yeah, that's probably it, so it's more hope and curiosity. Also I love her name. ^_^


:smt115 Plot

Okay, so far we have Leila who is "escaping" (which considering that we have the comparison to her mother, could bring on rather conflicting emotions for her, but then again we don't know a lot about the circumstances of her mother's escape.).

And then we have Isaac, who will have a new sister and is not exactly sure he wants one.

Yup, beginning of conflict, but what makes this most interesting are your awesome characters and different cultures. Awesome sauce! (To steal your phrase. :D)


:smt020 Setting & Mood

Can't, won't, shan't and don't want to complain. Well done. I love your style and you have a wonderful measure of description. The mood is consistent ('xept for Isaac's thoughts in places, but I already rambled about that.) and always suitable for the situation.

Your first and last sentences of the sections are brilliant. [Don't know if that really fits the topic, but it's true ;)]

:smt038 Overall

Awesome characters, that are so much more than your everyday people, the prospect of clashing cultures + Sam's awesomeness = I love it.

Honestly, I was being super picky and found only one thing. Can't wait for the next part, PM me when it's up?


Hope this was some help to you, PM me, if you have any questions.

All the best,
~Kalli
If you don't know where you are going, any road will take you there. - Lewis Carol (1832-98 )


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