Split personalities 2.2

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HELLO, THIS IS THE NEXT PART OF MY BOOK, SPLIT PPERSONALITIES (OPEN TO A NEW TITLE!!) ENJOY!


I was snapped out of my reverie by a tap tap tap on the door. The staccato jingle felt like nails to my ears. The only thing that made me answer was my common sense. Damn, I commented on my stupidity, why hadn’t I at least snatched something off the rack?
My heart rate boomed up again, and I felt adrenaline build up inside me. The small lock on the door wouldn’t last for long against one of the men outside, let alone two. But somehow, I didn’t think that they would knock on the door if they were just going to barge in here and kill me, or take me hostage. Inside the small enclosure started to feel claustrophobic. What if this was it? What if this was all I would remember of my life? It couldn’t happen like this, nothing like this ever happened in real life, only in TV shows and movies.
Time lost its’ meaning while I was huddled up in that small cubicle, waiting for death to arrive. It came sooner than I thought, sooner than I was ready. But when death did speak, it wasn’t in a harsh voice, rasping for breath like I had imagined in my dream, all that time ago in the hellhole of a place to wake up. Instead, it came with a warning, in a sweet but fed up voice.
“Look doll, are you just going to hide in there all day again, or are you going to come out and tell me why you keep on doing this?”
What?
She racked her knuckles on the door again, waiting for my reply.
Just like that I had another piece of the puzzle, a direction from the talking bird in the labyrinthine of my past. I was too shocked to do anything; I couldn’t even stop my hands from shaking as they quickly turned to a pale white.
My entire body had shut down, I couldn’t open my mouth to answer the sales clerk, let alone ask her my queries.
Oh, but how much I wanted to, how many times I had thought of this moment, finally finding someone who knew me, or had seen to me before the accident, if it was even an accident. How many times I had imagined this moment through and through. But it had never been like thins. Never had I imagined huddling up in the corner of a changing room, on the verge of tears, one thought rebounding, reverberating, resurfacing.
I came in here before. But what does this mean? Did I come in for a shop, and then go into hysterics and lock myself in the changing rooms, or was I doing the same thing as I was now, hiding from men that I had a hunch were about to kill me.
Had a hunch. Even I realized how pathetic that sounded. And even if it did turn out that they were from a government agency and really were out to get me, then what could I do? Would I just sit in here for the rest of my life, or would I, could I, do something? I remembered back to the fatal moment in the compound, back when I first saw myself with my new eyes. I probably could outrun those men, the mysterious figures that were coming to take me away, that was if they were. They did seem big enough that they wouldn’t be able to fit into most of the places that I might, and they wouldn’t be able to weave in and out of the crowd like I could. Maybe it was worth a try.
But then… they saw me when I was ducking into the shop, didn’t they, and that means that they could be out there, right now.
I banged my head on the mirror and groaned. It was the worst thing in the world not knowing. If I knew where they were, then I could head in the opposite direction, but being trapped in this cubby hole, I had no idea. They could be outside right now. They could be munching on my abandoned cookie for all that I knew.
A rumbling came from down low, and I cursed myself for letting my un-named passenger take control so soon.
Another second and I could be chomping my cookie in here. Thanks a lot! Deciding that the entire situation was useless, I unlocked the door, and slowly peeked through as I opened it. The shop clerk was standing there, hands on hips, but with a satisfied look on her face. Just in the background, there was a tinkle of a bell. Two men in heavy looking suits walked into the shop, and looked around.
“Finally, are you going to tell me wha-”
“Look” I whispered. “I’ll be back tomorrow, and tell you everything, but please… Don’t let those men over there know who I am, or where I went.”
She looked shocked, but I knew that time was leaving me. I ducked behind the nearest sales rack and followed it to the end. One glance up and I realized what they were doing.
Still standing at the entrance, they were scanning any sign of me, and then just as my head disappeared again, the one on the left walked back out.
They’re blocking off all of the exits! I carefully deliberated, which means that I’m going to be squared off unless I move fast…I kept low, but my feet were warmed up now, and the running shoes I woke up in were doing their job. In fewer than 3 seconds I was headed into the “staff only” lounge. No doubt the sales clerk’s going to be confused by my hasty departure, but as soon as she sees me enter this door, I was in trouble. What I hadn’t counted on was the room being filled.
Okay, it wasn’t exactly filled, but here were at least five people that were enjoying their dinner break, all of which felt some obligation to stop me. I looked around the room for a quick escape.
It wasn’t like those spy movies, where there’s a door right next to the hero and they zip through it without anyone noticing. This was real life, or as real as you can get in my situation. The emergency exit was on the far side of the room.
By the time I’d taken two steps forward, all of the workers were sanding on their feet, coffee cups down, and staring at me.
“What are you doing? You’re not allowed in here!” A bald man down the back stated.
“I was…” the words flew out of my mouth without time for thought. I took two steps forward, only ten to go now. “Looking for mum” 9… 8… 7…
I was more or less surprised that they weren’t advancing on me, like a pack of lions taking down a hyena for invading their territory.
What happened next wasn’t really a surprise; a little piece of me was expecting it to happen all along. In fact, why it took so long was a shock. I almost wanted it to happen, to save me from risking a mistake in this dreadful situation.
I decided to get one last word in before it happened, to prove that I was in control, more or less.
“I’m Sarah Cellarage. Looking for Suzanne… this is Amazon, right?” I made confused gestures towards the door, making them know that I wasn’t posing any threat. It happened then, almost perfect timing.
My legs coiled and sprung, bounding across the room in three short steps. The employees were too shocked by my sudden movement that I was halfway out the door before even one of them was within a foot of me. But I was quick and nimble; wearing tight enough clothes that when he tried to snag my shirt, his fingers slid off without purchase. I slammed the door in time to be breathing in fresh air as the alarm bell rang.
I briefly wondered why I wasn’t given the wheel, until my backseat driver turned to look up the dingy ally way.
Advancing towards me, strutting tall and proud was a man in black. It only took a quick glance the other was, revealing a wire mesh fence as tall as a two story house and I knew why there was a grin on his face.
Last edited by asxz on Sat Feb 14, 2009 6:02 am, edited 1 time in total.
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Hi there! I'm June! I don't know if I've reviewed you before, but here we go:

I was snapped out of my reverie by a [s] tap tap tap[/s] 1on the door. The staccato jingle felt like nails to my ears. The only thing that made me answer was my common sense. Damn, I commented on my stupidity, why hadn’t I at least snatched something off the rack?


• 1 - A gentle tapping on the door could work just fine :).

My heart rate boomed up again, and I felt adrenaline build up inside me. The small lock on the door wouldn’t last for long against one of the men outside, let alone two. But somehow, I didn’t think that they would knock on the door if they were just going to barge in here and kill me, or take me hostage. Inside the small enclosure started to feel claustrophobic. What if this was it? What if this was all I would remember of my life? It couldn’t happen like this, nothing like this ever happened in real life, only in TV shows and movies.


• Yucky, how can a heart rate boom up? That would be like exploding and getting all messy, right? A heart rate can easily increase, dear.


Time lost its’ meaning while I was huddled up in that small cubicle, waiting for death to arrive. It came sooner than I thought, sooner than I was ready. But when death did speak, it wasn’t in a harsh voice, rasping for breath like I had imagined in my dream, all that time ago in the hellhole of a place to wake up. Instead, it came with a warning, in a sweet but fed up voice.


• Kill the apostrophe after its.

She racked her knuckles on the door again, waiting for my reply.


• I don't know if you can actually rack knuckles? I know you can rap your knuckles, like rapping on a door, but I'm not so sure about racking.

****


Okay! You have quite an interesting story going here. I'm hooked; it's really drawn me in, and I can't wait for the next part.

However! I just want to point out that sometimes your word choice/usage gets somewhat jumbly. Make sure that the words you're using are clear, accurate, and precise so that you do not confuse your readers. The bottom line is to have a clear, fluent language so that your audience doesn't become perplexed/confused/frustrated while they read it.

I really like your main character. Those type of "outcast" people who always imagine stuff like that always win me over. I don't know why, but they do :P.

If you don't mind, may you PM me when you have the next part? I'd be more than happy to review it.

June
"I'd steal somebody's purse if I could google it and then download it." -- Firestarter




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Thanks June... Will do!
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I'm sure you had no idea that I was going to be reviewing this ;)

I'm quite fascinated by this story, which is why I'm reviewing all of the parts. So... take that as a compliment!

I was snapped out of my reverie by a tap tap tap on the door.


tap, tap, tap would be better.

The only thing that made me answer was my common sense.


Hmm, here I got the impression that she actually opened the door - which is not the case. So that got confusing.

Damn, I commented on my stupidity, why hadn’t I at least snatched something off the rack?


What kind of something? Something to eat? Something to drink? Something to defend herself with?

Inside the small enclosure started to feel claustrophobic.


Unlogical sentence.

It couldn’t happen like this, nothing like this ever happened in real life, only in TV shows and movies.


So your character knows all sorts of things, such as what happens in TV shows and movies, but cannot remember who she is? This struck me as odd. Maybe elaborate slightly, showing that she doesn't recall where she saw movies or TV shows, etc.

Time lost its’ meaning


[s]Its'[/s] its.

all that time ago in the hellhole of a place to wake up.


A place to wake up in.

labyrinthine
[s]Labyrinthine[/s] - labyrinth. I know it's an actual word, but labyrinth would fit nicely into the sentence, whereas labyrinthine stands out too much.

I couldn’t even stop my hands from shaking as they quickly turned to a pale white.


"pale white" is a pleonasm.

Side note: The voice seems unusually quiet right now. Where did it go?

I remembered back to the fatal moment in the compound,


How was that a "fatal" moment?

What happened next wasn’t really a surprise; a little piece of me was expecting it to happen all along. In fact, why it took so long was a shock. I almost wanted it to happen, to save me from risking a mistake in this dreadful situation.


To me, this is confusing.

I briefly wondered why I wasn’t given the wheel, until my backseat driver turned to look up the dingy ally way.


Wheel? Backseat? Is she in a car? This confused me.
It only took a quick glance the other was,


Typo: [s]was[/s] way

^_^ I'm still curious where this is going, so I'm going to go review the next part. I'm definitely enjoying your story.

Good job.

PM me if anything in the reviews is unclear!

XxxDo




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Almost done! I think I'll make the three-day guarantee after all! :wink:

Damn, I commented on my stupidity,


All the other thoughts are in italics; why isn't this one? Consistancy is awesome. Really. :lol:

My heart rate boomed up again, and I felt adrenaline build up inside me.


See June's review here. You've been asking us all for reviews, posting in a million Will Review for Food threads...but are you editing according to our suggestions? So far, I haven't seen anything changing from review to review. People will be more likely to give you longer crits if they know you will be considering their comments.

She racked her knuckles on the door again, waiting for my reply.


Since this is the first time 'she' appears, you might want to elaborate more on who she is. Otherwise, we just imagine this generic woman outside.

finally finding someone who knew me, or had seen to me before the accident, if it was even an accident.


Whoa! I didn't realize this sales clerk lady knew her speicifically; I figured she just called everyone 'doll'. If you want it to be obvious that this woman is another piece to the puzzle, you might want her dialogue to be a little more revealing. Maybe she could say something like, 'How did that dress work for you?' Or 'I'm sorry, hun, we're out of your size today.' Just to show that she's a regular customer.

I carefully deliberated


More like, 'I realized, panicking.' Your character still needs more emotion. She's so...calm. So calm that it's unnatural. It's one thing to make her level-headed, or brave, but it's another to make her inhumanly fearless. Ya? :wink:

This was real life, or as real as you can get in my situation.


Why does her specific situation seem less real? I don't really get this, sorry.

I briefly wondered why I wasn’t given the wheel, until my backseat driver turned to look up the dingy ally way.


'Given the wheel' and 'backstreet driver' gave me the impression that they actually were in a car. And then I thought, what the heck? So, although these are good analogies, they aren't clear enough. I assume you're talking about Ms. Voice controlling MC's body to make her look up? If so, I'd suggest reprasing it a bit more clearly. If not, you've got to do some major rephrasing so that I can understand what you mean. :wink:

:arrow: Okay! I'm not going to go too in-depth; I'll save that for the last review you asked me for. I'll just tell you here that I liked this section a lot, especially about the abandoned cookie. That was awesome, really. :D I still think you could add emotion (mainly fear and confusion) to balance out your spunky MC's bravery and stubborness.

:arrow: A looming issue....

Soon, you need to slow down. Right now it's been GO GO GO, and that's terribly exciting and everything, but it's just fluff. You have chase scenes and escapes and whatnot, but you need to settle down for a chapter or two and focus on the plot. You won't lose readers if you don't give them cliffhangers and action scenes every section; in fact, they'll like it that you're working to improve on the important stuff: plot and characters.

Your story, as of now, is very egotistic. :wink: It's all 'I did this, me me me', and that can get a little tiring. All your character is thinking about is herself. While that's okay for the first couple of chapters, you're going to want to introduce some other characters pretty soon for her to care about. A story isn't a story if it's all about your single main character-- then, it's a biography. But, once you add minor characters, accomplices, love interests, betrayal, friends, enemies...then it's a story.

:wink:

Good luck! Onto chapter three!

~Evi
"Let's eat, Grandma!" as opposed to "Let's eat Grandma!": punctuation saves lives.




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Hey Evi, Thanks for the review, I have made changes according to peoples comments, but I didn't post them here, Sorry! I'll do that next time, and go back and edit my other chapters. Thanks for all of the reviews everybody!
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Hmmm...

So it seems all the nit-picking has been done already by Evi and xxXDo.

I suppose I will review on your overall appeal.

Le Main Character

MC needs a name and a gender -- fast. The reader can't even picture the main character, and due the Mysterious Voice, they don't even know when it's the character thinking or the Mysterious Voice. This means the reader isn't invested the character.
A book needs a strong main character.
Think of best selling books such as Harry Potter or Eragon -- within the first few pages, the main character is given a name and a backstory -- they are interesting and already have emotional appeal. In otherwords, the reader already cares about that is happing to the MC.

In your book, they don't.

MC needs:

-- a name
-- a backstory
-- a gender
-- a problem we care about

The Mysterious Voice

Where'd it go?

Pacing

Once again... slow down.

It's great to start out with an action-packed prologue, but the first few chapters should be for introducing the plot and characters.
Like Evi said, this all "GO, GO, GO!"

Don't be afraid to do a little bit of telling.

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nescio, sed fieri sentio et excrucior.
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Some glaring location nit-picks only, seeing as most here have been covered:

I was snapped out of my reverie by a tap tap tap on the door.


Watch that your parts tie together nicely. Last we knew, she was at the shop window. Now, she's in a change room. Put some paragraphs between the location changes.

I briefly wondered why I wasn’t given the wheel, until my backseat driver turned to look up the dingy ally way.


You never mention her jumping into a car....

It only took a quick glance the other was, revealing a wire mesh fence as tall as a two story house and I knew why there was a grin on his face.


Break it up! Give us the man, the fence in a new sentence, and in a new sentence again, say that she's happy. By slowing this down, you can have the reader draw some conclusions on their own.

~

Language- Really, cut back when it comes to language. I've mentioned that your MC tends to talk with a philosopher's air about things. In an action-novel, that's rather out of place in every-day life.

Just, in general, watch your thoughts. Your own head is the best place to come up with realistic description.

Here's a general rule of thumb when it comes to showing action: The shorter the sentences, the more things feel panicked or rushed. So, with your non-stop action (I'll get to that in a moment), you should, in theory, use shorter sentences when describing things. Some long ones just for variety are good, but, that's a general rule.

Action- Ever read a really well-done, so-called action packed novel? Usually the action only explodes periodically. The rest of the time, there are some breaks. This does not mean that you should have your character wandering around with nothing to do just so readers can have a break. What you should do is have tension present, but not full-blown action. To give a quick example of how this might look in a play-by-play:

John has just escaped from a maximum-security prison (action)
He runs as much as he can, to a small town (action, and a tie-in to the first bit of action)
He then disguises himself as a traveler and checks into a hotel using some old ID he'd swiped (tension)
He proceeds to get a job, using the same swiped ID (tension)
The cops catch up to him, and he has to run again (action)

By doing a play-by-play like that and interspersing action with scenes were John is sweating bullets that he might be found, you put readers on the edge of their seats as they wonder what's going to happen next.

Feel- Really, this feels like you've edited out some paragraphs and haven't put the information back in. It makes things very confusing for us, and it speeds things along to mach 1. Go through this and flesh out some location changes and some background information.

If you have any questions, PM me.

~Rosey
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Ink is blood. Paper is bandages. The wounded press books to their heart to know they're not alone.



Parentheses I'm walking back home now though so( Ellipsis Ellipsis ellipsis
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