Eleven Days in Hell #6

6 posts
User avatar
Gender Male
Points 3762
Reviews 201
The alarm clock buzzed at 6:00 AM, on August 29. Arnold groggily reached over and punched the snooze button. He got off of the bed and went to the bathroom. He looked at himself in the mirror, and groaned in displeasure. Not sleeping for over two days tore his face apart: the deep violet bags under his eyes drooping with fatigue, his eyes bloodshot and sunken, his face showing evidence of worry and stubble, his cheekbones prominent, his hair matted and oily. Looking back at him was not a former detective on vacation; it was a man afraid to eat, sleep, or shower.
Arnold yawned and sighed, peeking around the corner to his perfectly neat bed. Even though he had switched room two days ago, he still had this nagging, paranoid feeling that they managed to bug every room in the motel, just in case. He was afraid to sleep, in case they burst through the door without his knowing; he was afraid to eat, in case anything that came to his room was poisoned; he was afraid to shower, in case the water was hydrochloric acid, or someone entered his room while he was his most vulnerable.
Now, looking at his disheveled self in the mirror, a new set of worries bombarded him: what if he had reached the point of sleep deprivation where one starts hallucinating? The idea of poison in his food seems preposterous, while at the same time entirely feasible. How easy is it for a spy to be working at a pizza joint and poison the pizza while delivering it? It was so simple that Arnold started to scare himself at an entirely new level: what if everything he had eaten since getting the text message had been poisoned and he had no idea if there was an antidote? That would mean his Cognac, any fast food he ordered, anything he prepared himself, and anything out of the vending machine at the station—anything was fair game at this point.
Arnold glanced at the clock. 6:12 AM—exactly seven days, twelve hours, and forty-eight minutes left on his life. Maybe that’s what’s meant by the text message: you only have eleven days to live because I made you ingest a slow acting poison that will gradually deteriorate you from the inside out, making you hideous and repulsive, so much so that even if you’re given the antidote and you just need someone to inject it into you, no one will want to help you, because your skin is falling off of your face, or you’re reduced to nothing but bones thinly enveloped with skin.
He was safe nowhere. He had never been able to trust anyone after declaring his disbelief in God, and he sure as hell wasn’t going to trust anyone with his life on the line. He pulled a dime out of his pocket and started to unscrew the cover to the air vent on the far wall. He threw the cover down, and peered inside with his flashlight. He wasn’t sure what he was looking for, but he knew that there was something inside of this vent. He found no hidden cameras, no microphones, and nobody crouched inside. He jumped off the chair he was standing on, and started to pull apart the air conditioning unit in the corner, looking for cameras, microphones, or midgets holding either of them. In the back of his mind, he knew it as impossible, but a mixture of paranoia and sleep deprivation told him otherwise. The air conditioning was safe as well, so he moved on to the floor vents, flashing his light everywhere—twice—just to be safe. He even went so far as to check all of the drains, outlets, sockets, wires, doorknobs, and drawer handles—everything, in case they were able to access state of the art surveillance equipment.
Arnold stared at the clock. 6:15 AM—seven days, twelve hours, and forty-five minutes left of his life. The room started to spin around him—the beds looked like they were underwater, ripples flowing from the pillows out across the sheets and down to the floor; neon splotches of light flickered on the walls in patterns he couldn’t describe; the lamp jumped from the nightstand onto the floor and ran around in circles. Arnold couldn’t believe what he was seeing—the television behind him seemed to be mumbling in Aramaic or Hebrew or some other foreign language; the drawers on the nightstand gently shifted colors from its dull brown to a vibrant orange back to a muted forest green—but he couldn’t take his eyes off of the alarm clock. Slowly the minutes ticked by, and the alarm clock looked more menacing every time Arnold blinked. But even when he tried to keep his eyes open, the alarm clock seemed to grow fiercer as time passed. Arnold shrieked out loud when the alarm clock sprouted arms and legs, and ripped the plug holding it back right out of the socket.
“So, Arnold, you yellow bastard,” said the demon alarm clock from Hell. “Hiding out here in this shitty motel room, huh? I knew you wouldn’t last.”
Arnold blinked. “What are you talking about?” he asked.
“Don’t give me that bullshit,” said the alarm clock. “You knew your whole life that you’d never make it in the real world. Hell, your father told you that you wouldn’t make it. But you decided to go on a little ego trip after he was killed. Kind of a ‘Fuck you, Dad, watch me prove you wrong’ sort of thing. But where did it get you? In a dead end!” The alarm clock cackled at its own joke. “Get it? A dead end! Because you’re gonna die, shitbag!”
Arnold’s face turned a deep shade of purple. “Take it back,” he said. “You know that’s not true, take it back!”
“Oooh, I’m so scared!” The alarm clock started dancing around, jumping from bed to bed, taunting Arnold in a sing-song voice. “Take it back!” it shouted mockingly. “Take it back! Take it back!”
Arnold lunged at the alarm clock and grabbed it by the throat. The clock coughed and sputtered. “Let me go!” it choked out.
“Let me go! Let me go!” Arnold mocked. “Listen here, you piece of crap, there’s no way you’re going to make me freak out on you. I know this isn’t real, I know this is just some freaky trip I’m on, and I know that choking you to death isn’t going to solve anything. You take back everything you said about me and about my father, and I promise that you won’t be a big steaming pile of electronic shit. Understand?!”
The alarm clock stopped choking and grinned. “Everything is a hallucination?” it asked.
“Yeah, everything. Now take back what you said!”
“Oh, I wish I could, but I regret to inform you that not everything is as trippy as it seems.”
Arnold cocked an eyebrow. “How so?”
“Well, just take a look outside.”
Arnold dropped the alarm clock and peeked out of his blinds. Parked out in front of his previous motel room were three sleek black cars, and six men in black suits stood facing the door, with a seventh man kneeling down at the window, setting up what looked like a VCR. Suddenly, the kneeling man jumped up and shouted something, and every man piled into the three cars and sped off. Arnold turned to say something to the alarm clock, but saw that it was still sitting in its place on the nightstand, which remained a steady dull brown color. The walls were their normal dingy yellow, the television remained silent, and the beds were once again solid.
At 6:23 AM, on August 29, a charge detonated under the window of room 153. Had Arnold still been in that room, he would have jumped between the two beds in his room, curled up in the fetal position, and hoped like hell that the glass didn’t maim or kill him or that he wasn’t trapped in a burning motel room.
However, Arnold was moved to room 120 and was in no immediate danger. Nevertheless, he burst out of his motel room and sprinted down the highway toward Lorendo. It was over 100 miles back to town, but this sudden burst of adrenaline overtook his fatigue, and he knew he could make it back by nightfall. He had no choice—he was safe nowhere.




User avatar
Gender Male
Points 15698
Reviews 369
Doing good here so far. I thought that Arnold's conversation with his alarm clock was hilarious and well done, though you might have him wonder if he is insane a bit to keep it a little more real. Description was once again very good, so I won't hang too long on that subject. Overall, this is shaping up to be a very involving story. I think that I'm going to be waiting for the next installment of this story just to see what happens. A little sorry about the brevity of these two reviews, but when I don't find a lot wrong I don't tend to post a lot. Anyway, kudos!
Garrus Vakarian is my homeboy.




User avatar
Gender Male
Points 890
Reviews 24
In my opinion, that was the best chapter so far. You don't seem to have stumbled into any problems with your dialogue like in some of the previous chapters, partly helped by the fact that the dialogue was pretty limited in this chapter, and it did involve a talking alarm clock :D

Again, your description was fantastic in places, and I particularly liked your longer sentences:

Not sleeping for over two days tore his face apart: the deep violet bags under his eyes drooping with fatigue, his eyes bloodshot and sunken, his face showing evidence of worry and stubble, his cheekbones prominent, his hair matted and oily.


You use these longer sentences sparingly enough so that the whole piece reads with a good rhythm and flow, and the sentences themselves serve a good purpose in their description.

Overall, another good chapter, and nice to see some other aspects of the plot developing.

Josh




User avatar
Gender Female
Points 890
Reviews 24
i love the fact that arnold is going mad! the alarm clock was a good touch- talking to the furniture!

i think you could have added more detail about the people in black, but it was OK
and maybe you could add something about arnold thinking that he might be going insane-that would make it seem more realistic
The pupil who is never required to do what he cannot do never does what he can do.

Always forgive your enemies. Nothing annoys them as much.




User avatar
Gender Male
Points 890
Reviews 25
The alarm clock part was quite a good touch here - it gave the story a touch of humour, which is good in any story. It might be good if he's more worried about his sanity, though - it would make things more realistic for the story.
The corpses are piled high around. Blood carpets the floor and flames scorch away the last remnants of humanity. The screams of the damned echo in my head. I smile. I am home.




User avatar
Gender Female
Points 2154
Reviews 119
Hello, Roon once again! Wow… erm, I think this is the least believable of all your chapters, if I’m honest… I’ll start with nitpicks, and then explain why.

Not sleeping for over two days tore his face apart: the deep violet bags under his eyes drooping with fatigue, his eyes bloodshot and sunken, his face showing evidence of worry and stubble, his cheekbones prominent, his hair matted and oily.

He wouldn’t look that bad after two days without sleep, I don’t think.

He was afraid to sleep, in case they burst through the door without his knowing; he was afraid to eat, in case anything that came to his room was poisoned; he was afraid to shower, in case the water was hydrochloric acid, or someone entered his room while he was his most vulnerable.

I’m pretty sure the reader was able to work this out for themselves, cut this bit out.

Now, looking at his disheveled self in the mirror, a new set of worries bombarded him: what if he had reached the point of sleep deprivation where one starts hallucinating?

Not even close I’m afraid…

The idea of poison in his food seems preposterous, while at the same time entirely feasible.

Erm… make up your mind.

How easy is it for a spy to be working at a pizza joint and poison the pizza while delivering it?

Just say they could have spies everywhere, we don’t need everything to be explained, when it’s intuitive.

It was so simple that Arnold started to scare himself at an entirely new level: what if everything he had eaten since getting the text message had been poisoned and he had no idea if there was an antidote?

On an entirely new level. Also, comma after poison.

That would mean his Cognac, any fast food he ordered, anything he prepared himself, and anything out of the vending machine at the station—anything was fair game at this point.

You don’t have to list them.

minutes left on his life.

Of his life.

Maybe that’s what’s meant by the text message: you only have eleven days to live because I made you ingest a slow acting poison that will gradually deteriorate you from the inside out, making you hideous and repulsive, so much so that even if you’re given the antidote and you just need someone to inject it into you, no one will want to help you, because your skin is falling off of your face, or you’re reduced to nothing but bones thinly enveloped with skin.

Loooooong sentence, also, you don’t need to tell all of this. The will deteriorate you, doesn’t make sense. You can’t deteriorate someone. Try you will begin to deteriorate from… it just doesn’t make sense. You could chop a lot of this out, it would still mean the same thing, but in fewer words.

He was safe nowhere.

It’s better to have the negation on the verb, rather than the noun, he wasn’t safe anywhere. See, it sounds better.

He jumped off the chair he was standing on, and started to pull apart the air conditioning unit in the corner, looking for cameras, microphones, or midgets holding either of them.

Lots of commas. Not good.

The air conditioning was safe as well, so he moved on to the floor vents, flashing his light everywhere—twice—just to be safe.

I would not use hyphens and say repeatedly rather than twice.

He even went so far as to check all of the drains, outlets, sockets, wires, doorknobs, and drawer handles—everything, in case they were able to access state of the art surveillance equipment.

So many commas and lists in one paragraph.

Arnold stared at the clock. 6:15 AM—seven days, twelve hours, and forty-five minutes left of his life. The room started to spin around him—the beds looked like they were underwater, ripples flowing from the pillows out across the sheets and down to the floor; neon splotches of light flickered on the walls in patterns he couldn’t describe; the lamp jumped from the nightstand onto the floor and ran around in circles.

I’m sorry, but two days without sleep is just not long enough to cause this. Also, huge sentence fever is going round again here.

Arnold couldn’t believe what he was seeing—the television behind him seemed to be mumbling in Aramaic or Hebrew or some other foreign language; the drawers on the nightstand gently shifted colors from its dull brown to a vibrant orange back to a muted forest green—but he couldn’t take his eyes off of the alarm clock.

Very long sentence, break it up!

But even when he tried to keep his eyes open, the alarm clock seemed to grow fiercer as time passed.

I’ve yet to see an alarm clock be accurately described as fierce.

“So, Arnold, you yellow bastard,” said the demon alarm clock from Hell. “Hiding out here in this shitty motel room, huh? I knew you wouldn’t last.”

This was just bizarre!

“Don’t give me that bullshit,” said the alarm clock. “You knew your whole life that you’d never make it in the real world. Hell, your father told you that you wouldn’t make it. But you decided to go on a little ego trip after he was killed. Kind of a ‘Fuck you, Dad, watch me prove you wrong’ sort of thing. But where did it get you? In a dead end!” The alarm clock cackled at its own joke. “Get it? A dead end! Because you’re gonna die, shitbag
!”
What’s with all the swearing? I’m not sure why an alarm clock would be swearing… If you use swearing, you should have a valid reason.

Arnold lunged at the alarm clock and grabbed it by the throat.

Last time I checked alarm clocks didn’t have throats…

Parked out in front of his previous motel room were three sleek black cars, and six men in black suits stood facing the door, with a seventh man kneeling down at the window, setting up what looked like a VCR.

Lists again!

He had no choice—he was safe nowhere.

Again, he wasn’t safe anywhere.

Okay, I think this failed on the realism front. He hadn’t been sleep-deprived for long enough to have an argument with an alarm clock and try to strangle it. I found myself bemused reading this. Maybe you should build up the idea first before using it as well.

What I do like is your ability to keep us hooked, even when the circumstances aren’t overly realistic. Your writing style, as I’ve said before, is wonderful! Keep it up. And remember to make sure you work on description and character development.

The tone, though the content doesn’t fit, is still wonderful, and it’s one of the main attributes of your writing. Thank you, once again for your time.

~ Roon
The worst tragedy for a poet is to be admired through being misunderstood.

~ Jean Cocteau



Prometheus, thief of light, giver of light, bound by the gods, must have been a book.
— Mark Z. Danielewski, House of Leaves