Contagious

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Contagious

The young tourist, high with the excitement of her first big city, is gaping and gleeful as she is swept along in the tide of native pedestrians. Standing giddily before a crosswalk waiting for the light to change. She beams defiantly at the gray sky, daring it to rain on her parade. Looking around at eye-level once more, the softer aftermath of her cheerful challenge is intercepted by startled eyes, into which she looks full on, causing them to crinkle endearingly in return. The light changes.



A gruff businessman charges ahead across the street, by habit, while a far-from-habitual childish smile is playing across his face. He slows his pace once across, forget to check his watch and his pockets, too preoccupied by the keeping up of this strange use of his facial muscles. Glancing around, he becomes more aware of his surroundings, passing through a small cobblestone square. Music is playing, and a few people are sitting around with books or phones. He tries to catch someone’s eyes and finally meets a seeking pair above full, pouting lips. They curl upward slowly, roguishly. A cobblestone trips him up and he looks down to catch his balance.



Still grinning, the small street musician strikes a preliminary chord on his guitar, rock-star style. He begins an irrepressible raucous jumble of chords arranged in a pleasant array. He closes his eyes at times, breathing in deeply the pure pleasure of his music as he hadn’t remembered it feeling in a long time. Unaware, he gathers an audience; his eyes remain unopened. When the crowd cheers he looks about him, smiling ever wider, gazing only at the outskirts of the group, making eye contact with hurrying hazel. He hears a jangle of coins, looks down.



A buxom dame, looking put-upon, drags her waifish bawling babes by the hands. They’re complaining something about music and a boy… with that contact, the proficient mommy’s face is transformed. She pauses on her march to lift one toddler into her arms and kiss her curly chestnut head, leans over the other—“Is baby hungry dear?”—let’s go that one’s wrist to cling to the pudgy hand—“Love, you feel chilly”—and sidles through the pressing bodies toward hot chocolate and a cheeseburger with a toy, taking sighing breaths of clammy city air through a beatific, distinctly non-fixed beam. She’s brushed past on her way in the door turns to look into the apologetic façade.



He’s an aspiring lawyer-turned-student, working an unpaying internship, haggard and prematurely graying, lugging a case of weighty, learned volumes, thick sheaves of reports, and a cup of strong coffee—for his boss. With that slight encounter is restored his old toothy grin, a manly confident—not arrogant—swagger, and an air about him declaring him at peace with the world—so far as the part that surrounded him at the moment. He had a significant look for everyone he saw. One person looked back with particular notice ‘til the crisp suit carried on lifted shoulders moved out of site.



This lonely, scruffy, homeless man, huge pack on his shoulders, crouched in a damp stairwell and staring frequently at his watch to be reminded that it was dead, was without bitterness, and when gazing at someone significantly better-off than himself and having the gaze returned cheerily, felt himself warm up and melt. His sad eyes took on a shine, his lips cracked with winter’s kiss softened and his stooped shoulders bore their burden with a certain dignity. Passerby looked shocked at the attractively gleeful visage of the otherwise quite ugly mug of this person they were to openly pity and secretly scorn, It brought an odd kind of satisfaction to them, to see him bearing up so well, and they moved in with happier thoughts than before, ready to pass it on to the future strangers in their paths…
"Half the time the poem writes me." ~Meshugenah




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The young tourist, high with the excitement of her first big city, is gaping and gleeful as she is swept along in the tide of native pedestrians. [Standing giddily before a crosswalk waiting for the light to change.] This sentence is just kind of there. Get rid of it or join it up with the previous one, because it doesn't make sense on it's own. She beams defiantly at the gray sky, [daring it to rain on her parade.] Love that bit. So funny. Looking around [s]at[/s] eye-level once more, the softer aftermath of her cheerful challenge is intercepted by startled eyes, into which she looks full on, causing them to crinkle endearingly in return. The light changes.

Interesting beginning. A lot of it seems pretty stereotypical, but I'm enjoying it. It's very light, which I like.





A [s]gruff[/s] businessman [s]charges[/s] ahead across the street, by habit, while a far-from-habitual childish smile is playing across his face. I would get rid of the 'gruff' and 'charges', because they don't fit in with the rest of the sentence. He slows his pace once across, forget to check his watch and his pockets, too preoccupied by the keeping up of this strange use of his facial muscles. Weird sentence here. You need to add in some things, because it doesn't make sense. Glancing around, he becomes more aware of his surroundings, passing through a small cobblestone square. Music is playing, and a few people are sitting around with books or phones. He tries to catch someone’s eyes and finally meets a seeking pair above full, pouting lips. They curl upward slowly, roguishly. A cobblestone trips him up and he looks down to catch his balance.

I don't like it a much as the first bit, but I'm liking your story so far. It's short, sweet and very different.





[s]Still[/s] grinning, the small street musician strikes a preliminary chord on his guitar, rock-star style. We don't know the street performer or that he was grinning, so get rid of the still. He begins an irrepressible raucous jumble of chords arranged in a pleasant array. He closes his eyes at times, breathing in deeply the pure pleasure of his music as he hadn’t remembered it's feeling in a long time. The sentence is still a little awkward, even with the 'it's'. I'd re-write it. Unaware, he gathers an audience; his eyes remain unopened. When the crowd cheers he looks about him, smiling ever wider, gazing only at the outskirts of the group, making eye contact with hurrying hazel. He hears a jangle of coins, and looks down.

Not my favourite bit so far, but I definitely like the style.





A buxom dame, looking put-upon, drags her waifish bawling babes by the hands. They’re complaining, something about music and a boy… with that contact, the proficient mommy’s face is transformed. She pauses on her march to lift one toddler into her arms and kiss her curly chestnut head, leans over the other—“Is baby hungry dear?”—let’s go that one’s wrist to cling to the pudgy hand—“Love, you feel chilly”—and sidles through the pressing bodies toward hot chocolate and a cheeseburger with a toy, taking sighing breaths of clammy city air through a beatific, distinctly non-fixed beam. She’s brushed past on her way in the door turns to look into the apologetic façade.

You lost me on this. After the first sentence, I was staring at the screen thinking why the hell is going on here? You should re-write it completely, because I've got no idea what I'm reading.





He’s an aspiring lawyer-turned-student, working an unpaying internship, haggard and prematurely graying, lugging a case of weighty, learned volumes, thick sheaves of reports, and a cup of strong coffee—for his boss. With that slight encounter is restored his old toothy grin How old his he? Because you said student, I assumed he was still in uni, probably in his twenties, but now I'm not so sure., a manly confident—not arrogant—swagger, and an air about him declaring him at peace with the world—so far as the part that surrounded him at the moment. He had a significant look for everyone he saw. One person looked back with particular notice, ‘til the crisp suit carried on lifted shoulders moved out of site. The ending is a bit iffy. Again, I'm not really sure what you're saying.

So far, I think you writing was better at the beginning.





This lonely, scruffy, homeless man, huge pack on his shoulders, crouched in a damp stairwell and staring frequently at his watch A homeless man who can afford a watch? to be reminded that it was dead, was without bitterness, and when gazing at someone significantly better-off than himself and having the gaze returned cheerily, felt himself warm up and melt. His sad eyes took on a shine, his lips cracked with winter’s kiss softened and his stooped shoulders bore their burden with a certain dignity. Passerby looked shocked at the attractively gleeful visage of the otherwise quite ugly mug of this person they were to openly pity and secretly scorn, It brought an odd kind of satisfaction to them, to see him bearing up so well, and they moved in with happier thoughts than before, ready to pass it on to the future strangers in their paths…




Overall, I like the style of this piece and I like the message, I just think you need to work on your actual writing a bit. There were a lot of parts I didn't understand and needed to read many times over.

Good luck!
*Don't expect to see me around much in the next couple of weeks. School has started again, and it'll be a couple of weeks before I've settled in. If you've asked me for a critique, you will get it, but not for a little while. Sorry*




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Hmm...this one threw me off at first, because I'm not used to reading something in the present tense. Not that I'm going to hold that against the work, of course.

Anyway, I like the format, each paragraph focusing on a different person. By the end of the second paragraph I realized what the story was about, which is very good, because if I had reached the end and still didn't get it, well, that wouldn't have been very effective, would it?

To be honest, this kind of short, innocent thing isn't my cup of tea, but I did think it was good regardless. About the only thing that bugged me was your constant use of words that tried to be poetic, but tripped me up a few times. I think I had to go back and reread about three lines because the amount of adjectives made me forget what the heck I was reading. I see that most of your works here are poetry, though, so I suppose you'd be inclined to write that way, and this story sort of blurs the line between fiction and poetry anyway, so maybe it doesn't matter.

Good work.
“The most powerful weapon on earth is the human soul on fire.”
– Marshal Ferdinand Foch



Poetry lies its way to the truth.
— John Ciardi