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A Lively Conversation Between Two Corpses (2) • Young Writers Society

A Lively Conversation Between Two Corpses (2)

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Sorry it's taken so long! I'm lazy, so if you want the link to part one, it's above the post. ^_~

___

(2)

He said, “Oh, yes you can.
Just hold my hand—
I think that that would help.”

When Miles awoke, the compartment was empty and there was an attendant shaking his shoulders, saying, “Your stop, sir, your stop!” Miles didn’t really care whose station it was; his eyelids were thick with sleep and the tips of his fingers were numb. He took his trunk and stumbled off the train and onto the station dock, where it was just beginning to snow. The place was strangely empty, and the flakes lumped into drifts where they willed. He shuffled past the turnstile down the steps out front in a lethargic daze, his eyes unfocused and unsure.

If Margot dreamt too little, Miles dreamt too much. He dreamt when he was sleeping and when he was awake; of sailboats and prophets and pretty boys, though he told no one of the latter. He knew that a boy who liked other boys was a dead boy.

It wasn’t as though it mattered. He could kiss every girl in the city and there wouldn’t be any more blood in his veins to show for it—what was running through the passageways was thick and black, pushed along by a bruised heart too tired to do its job any longer. Beating was an apt word for the pulsings of his ventricles, for the dull ache behind his ribs. When Margot’s tablet began to diffuse through his bloodstream, he didn’t dream. His mind was black and empty.

The last time he’d slept like that, he’d woken up tangled in his French teacher.

Alexei was confused and foreign; more Russian than French, though why he chose to teach en français more more of a mystery to him than anyone else. What was said in English was translated in his brain from English to French to Russian, and so it took him three times as long to respond. It was usually worth the wait. He exuded nothing but elegance and disillusioned grace—he did as the Romans did, questioned nothing, and smiled cheerfully throughout.

Miles knew nothing of love beyond the dictionary definition: (n) a deep, tender feeling of affection toward a person. He was one of those people who often forgot just how to loop the laces when he bent down to tie his shoes; let alone someone who actually knew what love was and whether or not he was submerged in it. He thought he might be in love with Alexei, but it seemed too vast, too devastating a statement to make without approval.

He’d asked for the necessary second opinion on a Tuesday, when Alexei came home early and brought him cookies from the bakery downstairs. After he had asked it and felt frustrated tears well in his eyes, Alexei had pulled him into his lap in one of the kitchen chairs. Miles pretended it was big enough for both of them and that the hinges didn't shriek in protest when they sat down. “I love you,” he said, slowly. “Is this enough?”

“Uhm. Maybe.”

Miles felt lips brush against his ear, a hand against his stomach. The chair groaned. Miles had a newfound appreciation for furniture and its clairvoyant properties. “You are not so sure?”

“I’m not so sure of anything.”

“You can be sure of this: I love you, you love me, hmm?”

Miles was sure of that for a long, long time. He’d been sure of that until one day he’d come home and found his French teacher tangled in someone else—a woman he didn’t know, a woman who looked filthy and dirty and didn’t appear to love Alexei at all.

But which of them was wrong?

Miles had shouted something he didn’t remember and run back out onto the street. He’d sat there for a long while, his elbows propped up on his knees. The snow was falling then, too, falling hard enough to begin to collect on his shoulders and down his back. It was the first time in his life that he’d been homeless. His father was into petroleum—even if they’d gone hungry, they’d have had warehouses upon warehouses of Vaseline to line their bellies. But there, sitting on the sidewalk, Miles felt a small growl of hunger for the first time in his life.

He couldn’t go back to his family’s house. Everyone knew he was a filthy dirty sodomite who didn't deserve to live—he’d nicked one of his mother’s Christmas letters from a stranger in a coffee shop, and he wasn’t mentioned. Not even He's growing so fast! like she always put for Robert, whom nobody loved. He couldn’t go back to the dormitories, because sleeping with your French teacher was worse than sleeping with your mother. Boys’ law. Miles had an all-consuming, petrifying fear of blood, especially if it was his own.

He could do nothing but sit and stare at the road.

When Miles got off of the train, it had been three months since the void. Alexei hadn’t spoken to him. It was as though they had never existed together—all that remained were lonesome artifacts; folded love notes and candy wrappers in his desk drawers, in his wallet.

He dipped his fingers in his pocket, just to see. There was nothing there.

Panic-stricken, he began to walk faster. His tickets back to the city were in there, stolen…by whom? Margot? Margot in the blue gown?

Given his record of sleeping pills, it wasn’t entirely impossible.

He’d go to Alexei’s, apologize, beg for a train ticket back to his hostel room, to his bank account. If Alexei wasn’t there, he would simply use his key and do a little stealing of his own. For all the grief inflicted, the least Alexei could do was let him take a little money and something to eat.

With slight panic rising in his throat, Miles shoved his hands into his empty pockets and half-walked, half-jogged the sixteen blocks to the apartment above the bakery, where Alexei lived next door to an old blind woman who rolled the dough for rolls in the morning. His boots clicked and the strangers on the sidewalk stared, at the school boy with his cheeks reddened with strain.

The knot in his stomach tightened as he looked up and saw the red brick, the planter-boxes out the window with the roses that he had leaned out over the sidewalk to plant. They were withered in the sun, now, but they were still there.

The roses were not the only thing in front of the bakery. There was a milkman, and an ambulance. The sirens were off and it simply sat open. A nurse in snagged pantyhose sat in the back with her legs dangling halfway down to the asphalt, waiting.

“Ma’am?” He cleared his throat. “Did something happen to…to Mrs. Feinstein?”

“Mrs. Feinstein?” She stepped down from the ambulance and looked him up and down, her eyes lazy and brown. Miles shifted uncomfortably—he was well aware he was skinny and ghastly sick and not much to look at. “Well, well. Alexei’s little boy-toy.”

He gulped. “What?”

She crossed her arms over the chest and looked into the back of the milk truck. “We were supposed to be married, you know. That pervert—I don’t know what my mother was thinking, marrying me off to some pedo. The marriage would have been next month.”

Miles’ head was spinning. He pressed his hand flat against the milk truck to steady himself. “What…what happened? Did you—“

“You killed him.”

“…what?”

She laughed. “Don’t pretend like you don’t know, darling. You tried to poison him. It didn’t work, so you stabbed him. You followed your word—you did what you said you’d do.”

“I haven’t said anything, I...I came back to—“

“The last thing you said to him was, ‘I’m going to kill!’ And you did, so. You’re a trustworthy boy—I’m sorry he wasn’t better to you.”

“That…that’s not true! I didn’t mean it. I don’t mean anything I say, I was just angry, I didn’t—“

There was a rattle as a gurney, carrying a figure wrapped in white, lurched over the bakery doors. The rubber on the wheels had worn away in places, and it made a loud scratching noise as it rolled down the concrete.

Miles stared, horrified, at the red stain spreading through the fabric. His heart started to palpitate, making sweat run through his palms like a sprinkler head.

“Your handiwork, hmm?” The nurse said, smiling. She said it deep and slightly nasal—just like Alexei.

Miles felt the last of the color drain from his cheeks as a policeman in a dark blue cap stepped from the bakery doors, a pistol in his holster and handcuffs swinging nonchalantly from his fingers. Miles’ fingers began to tremble. He dropped his trunk, and ran to the milk truck, hopping in through the open side and fumbling for the key in the ignition.


It was then, in his rush, that he realized he’d never learned to drive.
Last edited by Sam on Wed Jun 25, 2008 6:13 am, edited 1 time in total.
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Hiya, Sam! I enjoyed this part quite a lot!

The last time he’d slept like that, he’d woken up tangled in his French teacher.


I find this confusing. I think it's because I don't know if he literally woke up "tangled" with his teacher, or if he was just tangled in a situation with the teacher.

Miles had an all-consuming, petrifying fear of blood, especially if it was his own.


I may just be dim or missed something, but, er... when where we talking about blood?

“Ma’am?” He cleared his throat. “Did something happen to…to Mrs. Feinstein?”


Wait... so is Alexei Mrs. Feinstein? That's what I gathered, but it was rather vague and unclear whether he was or not.

“Your handiwork, hmm?” The nurse said, smiling.


'hmm?" the nurse said...'

She said it deep, slightly nasal—just like Alexei.


I suggest putting an "and" in between "deep" and "slightly".

Anywhoo, that's all of that! I liked this one very much, Sam! I'm very curious to put all these pieces together. You captured emotions/moods/yada yada very well and it was just as sophisticated as the last. Two thumbs up!

Holly
eviscerate your fragile frame
spill it out in ragged form
a thousand different versions of yourself.




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'Wonderful, wonderful, wonderful!!!

First off, can I just compliment you on your title. Offbeat, yet accurate, just how I like em! You are an established writer. I can see that you know who you are as a writer and where you want this peice to go. This second installment doesn't equal to the grandeur of the first, but considering the first was off the charts, that's not really a big deal for you.

Also, I loved you from the beginning on song choice alone.

Now, let me stop raving in happy lunacy, and start being a little more helpful around here, eh?

When Miles awoke, the compartment was empty and there was an attendant shaking at his shoulders, saying, “Your stop, sir, your stop!”


I'm not sure that its entirely necessary to have the "at" after shaking. I kind of of ignored it on my first read-through anyway.

It wasn’t as though it mattered. He could kiss every girl in the city and there wouldn’t be any more blood in his veins to show for it—what was running through the passageways was thick and black, pushed along by a bruised heart too tired to do its job any longer. Beating was an apt word for the pulsings of his ventricles, for the dull ache behind his ribs. When Margot’s tablet began to diffuse through his bloodstream, he didn’t dream. His mind was black and empty.


Now. This is a little unclear. At first I was like, "Is this a vampire thing?" It wasn't till the end of the paragraph that I realized WHY something was wrong with his blood, and then I of course have to go back and reread with my new information. I'm not cool enough to have a suggestion, but I think you are, so go at it!

Alexei was confused and foreign; more Russian than French.


Takes a moment to realize that Alexei was the French teacher just mentioned. Unless he wasn't the french teacher, in which case you have a real problem.

He’d asked the question on a Tuesday, when Alexei came home early and brought him cookies from the bakery downstairs. After he had asked it and felt frustrated tears well in his eyes, Alexei had pulled him into his lap in one of the kitchen chairs. Miles pretended it was big enough for both of them and that the hinges didn't shriek in protest when they sat down. “I love you,” he said, slowly. “Is this enough?”


Okay. Maybe I'm slow, but I wasn't entirely sure what the question was. Maybe some articulation would be helpful?

“The last thing you said to him was, ‘I’m going to kill!’ And you did, so. You’re a trustworthy boy—I’m sorry he wasn’t better to you.”


So, I'm thinkin she was the 'other woman', although that phrase obviously doesn't work well here. The 'other person' then?

Miles stared, horrified, at the red stain spreading through the fabric.


Earlier when you said he was terrified of blood, I thought you meant he'd faint at the sight. This was probably just a misconception on my part, but if others agree, you might want to consider clarification.

Well that's all she wrote.... for now. Thanks for quelling my boredom and enriching my life. Looking forward to anything else from you in the future.

~Laeken




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Okay, wonderful. Nothing extremely wrong that I noticed. I only have on suggestion.

He exuded nothing but elegance and disillusioned grace—he did as the Romans did, questioned nothing, and smiled cheerfully throughout.


I think this could be written with a colon instea of a comma after "did". But I'm not sure if that is right if you do that so maybe just ignore this suggestion :?

Characters

Miles He is the MC in this chapter. He has a murky past and a glum future for a person in his position, being unaccepted in society. And yet, the whole part about Alexei dying and he being the one that stabbed him....WHAT?? I was really really confused. I didn't really get if the lady was messing with his head or what. And then, how could he kill him when he has been traveling the world for the past three months....so yeah, maybe that is just me being slow but I am really not comprehending.

Margot Minor minor, basically absent in this chapter. None existing. So I really have nothing to say about her.

Alexei We only get a view of him from Miles' head, so we can't really form our own opinion yet.

Mrs. Feinstein or Nurse lady?? Yeah, I'm not sure yet. Very confused still :?

Plot

Basically the whole life challenges thing. So far, fairly developed and interesting! :D

Well, that's all I got.

Hopefully this helped!
"Woe to the man whose heart has not learned while young to hope, to love—and to put his trust in life."
~ Joseph Conrad


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“The last thing you said to him was, ‘I’m going to kill!’ And you did, so. You’re a trustworthy boy—I’m sorry he wasn’t better to you.”


I'm going to kill you perhaps? I don't know, but it doesn't quite sound right.

Anyway, you know how I feel about this piece, and this character just becomes more lovable each time. Not in the traditional way, but lovable nonetheless because he's just so hapless. One thing that I have to point out, which is truly representative of how wonderful you are:

The chair groaned. Miles had a newfound appreciation for furniture and its clairvoyant properties.

Absolutely spectacular.

Thankyou for being a writer. :wink:
Gone, gone from New York City,
where you gonna go with a head that empty?
Gone, gone from New York City,
where you gonna go with a heart that gone?




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Sam,

This was in my 'To Critique' box for way too long, me thinks.

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DESTINATION ANYWHERE

One of the things I adore about this story is that all the characters have direction. They all have a purpose and you can clearly see in the text what that is.

LOST OBJECTS

Ohio already pointed this out; The 'I'm going to kill!' statement is missing its direct object. I vote for a change to 'I'm going to kill you!' or 'I'm going to kill something!'.

Ta,
Cal.
Fraser: Stop stealing the blanket.
[Diefenbaker whines]
Fraser: You're an Arctic Wolf, for God's sake.
(Due South)

Hatter: Do I need a reason to help a pretty girl in a very wet dress? (Alice)

Got YWS?



I'm all in favor of keeping dangerous weapons out of the hands of fools. Let's start with typewriters.
— Solomon Short