Swapping Your Blood with Formaldehyde (Part 5)

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If you're six foot tall and east coast bred
some lonely night we can get together
and I'm gonna tie your wrists with leather
and drill a tiny hole into your head

Andrew Bird, “Fake Palindromes”

Part 5; 020. Death


The hotel room reeked of cheap scotch and whorehouse sex.
The floorboards were fermenting.
Bedsheets, nightstand, and desk were pinstriped with slats of light, filtering through the second-story window from slumped streetlights with firefly mouths. Above Matthew as he sat on the bed choking the neck of a bottle of gin, little invisible moths of sleep fluttered in the air.
Matthew was growing a beard.
His clothes were soot-smeared and looked as if they had been caught in the gear shaft of an engine.
And all he could think about was the fact that he wouldn't be able to pay for another night at the hotel. All of his money – his dollar bill rags and moon-sized quarters – were hiding in the pockets of bootleggers down the street and tucked underneath sweat-stained mattresses of the whorehouse next door. His pockets were empty. His bank account was collecting dust.
He swilled the gin with his head bowed. It sloshed like rice oil and kisses in stomachs.
The dreams were the worst. With little scalpels they tore wounds in his brain, in his memory, and smeared them with salt. Over and over, every night, Lena was resurrected. Every night, he was delivered back to that moment. Back to the bills scattered on the floor like onion peels, back to his wife's head sprinkled with plaster, back to little paper boats. It didn't matter where he was, how drunk he was, who he was with. She was always there.
Godssakes, she was haunting him!
And secretly, he wanted her back.
He wanted the old life again.
Matthew leaned back and the bed creaked whispers that flirted with the moths busily tracing cursive flight paths in the air. He tried to push those thoughts out of his mind. Alcohol did that to him. It sent him into nostalgic tailspins that almost always ended up in heavier hangovers and an emptier billfold. It didn't do any good to dwell in the past, he reminded himself. You were too good for her. You've moved on to better and bigger things, Matt.
His consolations lost carbonation like old champagne.
He glanced around the room and sipped out of the bottle.
Bigger and better things.
Someone knocked on the door.
Swearing, Matthew glanced at his pocket watch as it dripped tics onto the floor and placed the bottle on the bedside table. Who the hell was bothering him at one in the morning? His legs seemed to hiss like iron lungs as he got to his feet and crossed the room. If it was the proprietor, he wasn't sure that he would be able to restrain himself from strangling the man then and there. His fingers twitched. The dim zebra-striped light seemed to paint handfuls of varicose veins all over the door.
Matthew rubbed his eyes and opened it.
“Yes?”
“Hello, darling.”
Matthew's mouth went cotton-dry.
It was Lena.
She stood tall and elegant and skeletal almost in the doorway, her face hollow and regal. She was smiling, but it was an insincere, political smile. Something she wore for dinner parties and church. Her hair glistened in the hallway light instead of being crop-dusted with bits of plaster and her eyes were placid. As serene as deep-sea coffins.
“How – ”
She planted a hand on his chest, pushed him into the room, and closed the door. The smile turned skylit. “No one is invisible these days, darling. It took some time and money, but really, you didn't use much imagination in establishing...your new life.”
“But – ”
“Don't talk, Matt. You were never good at it.”
“Lena, I'm sorry.” The words tumbled out of his mouth.
She was silent for a moment. Little spiral staircases of hair twisted down her face. And then she looked back up at him. “Really?”
He shook his head. “Absolutely.”
That automaton smile again. She reached up, touched his face, and drew a little closer to him. Her fingers were like snowflakes. And her dress rustled richly. It rustled like new dollar bills in fresh leather billfolds. He realized that her parents had probably started supporting her financially as soon as he had left. He realized that her skin felt like beer bottle glass and that her eyes glittered like expensive, imported scotch.
Bigger and better.
“Do you love me?”
He smiled. “More than ever, doll. Absence makes the heart grow stronger, right?”
Lena bit her lip. She whispered, “Hold me, Matt.”
As tenderly as he could, his hands cemented into cinderblocks by the gin, Matthew received her in a firm, violent embrace. He nestled his face in her hair. It smelled like Turkish baths and blossoming pear orchards.
It smelled like wheat germ and brew hops.
“Did you miss me, doll?”
A musical, lyrical laugh bubbled out of her mouth and he heard a gun cock by his ear.
“How about a kiss, doll?”
"I am beginning to despair
and can see only two choices:
either go crazy or turn holy."

- Serenade, Adélia Prado




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ok, that was er, um, good.

What you need to do, is sit down, and write.

Plot where this will go, and the like.

I read it, but you need less disc. and more action, same with all the talk.

Then, AND ONLY THEN, can you really do it.

Not trying to be harsh!
MATT
if you can dream YOU CAN DO IT!




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Again I love the way you think and I liked this part but I'm kinda sad. Is it the end? Hopefully not because I really want to read more, but I think Matt's got what he deserved and life is life. But Lena, she...and I thought...wow...she really had it out for him didn't she.
At first I thought he was hallucinating but all in all, I liked it.
Good job,
Angel :D :D :D
True love, in all it’s celestial charm, and
star-crossed ways, only exist in a writer’s
mind, for humans have not yet learned
how to manifest it.




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K-K-K-kylan!

Okay, so. That was amazing. XD I really have nothing to say beyond: I love Lena. The most kickass ending in the history of ever, I would deem it.

THE MICHAEL PELT

Michael seems to me what I call a Pelt Character. Pelt Characters are characters that are all skin but have no innards--that is to say, motivation or reasoning. We know that they're good/bad/pretty, but we don't know anything that's going on in their brains besides the obvious. We don't know why they act the way they do, besides overwhelming despair/joy/obvious reasons.

Answer a few questions for us. Why is he a drinker, instead of a cutter? Why does he think of Lena? Why does he mourn his newfound lifestyle? Little glimpses into his underlying morality are things that need to be explained, majorly.

INTROSPECTION

Godssakes, she was haunting him!
And secretly, he wanted her back.
He wanted the old life again.


This feels kind of odd to me, in conjunction with the Michael Pelt. He's a very introspective person for someone who likes to drown his sorrows in alcohol. He seems much more reactive than that--he feels something flutter, he squashes it.

You do a good job of showing us how he's feeling, through the comments on his new "lifestyle"--thus, you don't really have to sum it up for us. It's kind of an odd thing to do, especially with a character who is a little vague in motivation. :wink:

__

Kylan! You're amazing. Let me know the second you even think of writing something more, okay?
Graffiti is the most passionate form of literature there is.

- Demetri Martin




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spaced_out >> Perhaps you would understand the story better, my friend, if you read parts 1-4. Whether you were well-meaning or not in your critique, groundless advice is not appreciated.

Angel of Death >> I'm glad you enjoyed it, Angel! Unfortunately, this is the end. Do you think that it left too many questions to be answered? Do you think it was a successful conclusion?

Sam >> Dahling, your comments made me smile. And I understand the concept of a pelt character completely. I do agree that Matthew is one, and I'll go back and add some good motivation if I find the time. Do you think this could be continued? I just can't see where it would lead after this...

Thanks everyone,

-Kylan
"I am beginning to despair
and can see only two choices:
either go crazy or turn holy."

- Serenade, Adélia Prado




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I really think was a good conclusion to the story. It was definitely unexpected and brilliant beyond words but if you ever decide to add another part PM me,
:D :D :wink:
True love, in all it’s celestial charm, and
star-crossed ways, only exist in a writer’s
mind, for humans have not yet learned
how to manifest it.




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I just found this last enstallment!

He swilled the gin with his head bowed. It sloshed like rice oil and kisses in stomachs.

This is my favourite line because it refers back to the beginning when they are getting married (you used a similar description). This is particularly effective because it shows the reversal of roles. However, I think the line might sound better if you changed it to:

He swilled the gin with his head bowed. It sloshed like rice oil and kisses in his stomach.


I also liked the ambiguity of the ending. We can guess at how it ended, but we are never really sure.

Another great piece! Keep writing!

SishBee
"We are all in the gutter but some of us are looking at the stars."
-Oscar Wilde



You can cut all the flowers, but you cannot stop Spring from coming.
— Pablo Neruda