Killing For Colour (re-make)

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You walk quickly, head tucked into your coat, eyes downcast. Flashes of grey and black pass your sullen form; you have no time to look at that which provides no interest. The slight jingle of the doorbell rattles you as you slide into the dark doorway. It is unexpected. The man behind the counter moves, as if to pull himself from his chair, and then settles once more with a grunt. Without a glance to the cashier, you turn to survey the store.

From the counter you can see the object of your hunt, the crowns peeking over the shelf-top. With a resolute nod you begin. As you walk down the first aisle the thick tangle of silk wraps around you, suffocating, enticing. The hundreds of dresses are lined carefully, but tightly, next to one another, pressing together. You wonder, vaguely, if any will be of use before continuing your fast pace around to the next aisle. Your gaze roams the shelved isle, flicking over each specimen as you stalk forward. You halt abruptly and turn your head slightly to the side. There she stands.

The pristine blue of her eyes shine, encased in the pale porcelain of her skin. Cold perfection stretches across her face, broken only briefly - by those eyes. Yet it is her mouth, those two shimmers of blushing ruby, which draw your gaze.

An urge hits, a sudden compulsion, to reach out and glide your fingers over the tangled auburn of her hair. Yet you feel, you know that if you hand comes in real contact with that beauty, you will taint it. Even as you think of this unforgivable sin, your body betrays you. Your hand reaches forward, brushing past the tip of her ear, only to have it retreat; hanging frozen in the air, never touching the glossy temptation. You are pleased with your restraint.

Grinning at yourself, jade eyes sparkling in bitter mirth, you look her over, roaming her petite form. She is but a child in looks, wide eyed and innocent as she stares out at you. The small cherub pout smiles outward, leading you closer. She will be the prize. Your grin slips, suddenly transforming into the half-formed twitch of a well-used smirk, both sensual and dangerous on your shadowed lips.

Your hand slips back, grazing down the silky yellow of her dress. It is a stunning yellow – one might take it for the essence of a pure sunflower – it is not the hue you would chose for this immaculate figure. You feel that blue, the blue of a cloudless sky, would be more suited to rival that of her haunted eyes. It is of no consequence; there are many suitable outfits that you can have made, or bought, for her. She will be all the more precious for it.

She is, of course, an imperfect specimen. Others in the room can easily surpass her. The beauty behind you, in particular, has eyes a solid green that challenge your own. You are attracted to those tumbling blonde tresses that fall, swiftly twisting, to her waist. She has a milkmaids complexion; cheeks rouged by exhaustion, lips pouting in pink seriousness. Her crimson dress contrasts brilliantly, throwing her pale skin into the forefront, and highlighting those features she commands with grace.
Yet, you feel your smirking Madonna to be superior. She holds a grace, a secret glimmer that makes her unique, separate from all the others. You know it is not perfection that you seek, that has been achieved time over; it is the experience you crave. You barter for voice, pay for shape, steal for personality, for intellect. For this feeling, you will do more; you will travel to the world’s ends.

This is why you stand here, in the corner of this poorly lit room, surrounded by the glassy eyes of hundreds of dolls, identical in make and separate in looks. Beneath your feet the floor shrieks at your every move, rubber on linoleum. You wonder, just a second, why you are here. Then you look up, your hand jerking a moment, lifting from your side as if moving to touch her once more. You still it, and know. Hard blue eyes stare back at you and she watches your dark complexion from her stand, above you. She is what holds you here. They flicker now, your eyes, as they are caught in the empty expanse of her solidity and you flinch back.

As if moving in a separate sphere to the rest of your body, your hand lifts once more. You eyes widen in horror, following your wayward limb, while your mouth moves without sound. Quietly a small puff of air slips from the tight lines of your lips, and you squeak. Your hand lands behind you, hard.
The crash is shocking, and you step forward as if to distance yourself from this new destruction. Standing without motion she stares out at you, eyes locked with your own, whispering silent curses as the tumbling continues, the smash of glass mingling with the dull hush of silk.

The milkmaid is dead, lying broken at your feet, and her sisters, all of whom had stood regal beside her, now lie at her side, torn. Crumbling faces from countless bodies glare up at you. Small hands reach upward, towards your stunned face, brushing against the simple fabric of your pants leg. Horrified, you step back again, trying to outrun the sightless eyes that pierce you. Your smirk is gone, with it the beauty of your face.

You are just a scared child, watching as your toys fly from the shelves to break on the hard floor. As you watch the fear creeps back, “mother will hear, father will know.” That was when the trouble did begin, and you remember their faces, the anger and the disappointment. A guilty face for a guilty conscious, your skin loses all natural colours, dulling to a bleak grey as your fingers beat a tattoo on your right thigh.

Even as you stand amongst the wreckage, she watches you, and you watch her. Those fierce sapphire orbs, the tangled fire that is her hair, and most of all; the half-formed smirk of blooming ruby that inexplicably draws your gaze. These features that make her, that draw you, define the utopia that comes with sight. Without her he would be blind to the fading beauty of the world. For this sensation, this overwhelming feeling of peace, of being undeniably right, you would go to the end of your restraint.

You look down, once, fixing the memory of those emotionless glares and ripped colours into your mind. As you do, you realise, raising your bent neck ever-so slightly so that you can see the fraying threads of her skirt, for her, you would do the most you ever could. For her, you would kill.
Last edited by PenguinAttack on Mon Mar 31, 2008 4:59 am, edited 6 times in total.
I like you as an enemy, but I love you as a friend.




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Ok, Pingi...

As I mentioned before, it isn't really defined. My first opinion was that there was some sort of crazy bus crash or something. I know that you want to keep what it really is secretive (and I'm trying not to mention what it is), but you still need to make it seem more distinct so you don't confuse your readers. Just what I think, because I struggled to find what you described as what happened.


Also, you mention the term "Madonna" too many times.

Yet he felt his smirking Madonna to be superior. The Madonna held a grace, a secret glimmer that made her unique, separate. He knew it was not the perfection that he sought; he had achieved that time over, but rather, it was the experience that he needed. He had bartered for voice, paid for shape, stolen for personality, for intellect. For this wondrous feeling he would do more, he would travel to the world's ends.

His hand jerked a moment, lifting from his side as if moving to touch the Madonna once more.



I understand what you are trying to tell us by saying it so much, but it's irritating.

Other than that, this was a very... poetic piece. And I understand poetry is your specialty. I enjoyed this. Just needs a bit of fine tweaking.




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Awesome job! I love the description used throughout the piece. The beginning really drew me in to the story and reading it left me wanting more. I love it! :D

I just have one suggestion: the last line of the piece,
He felt that without her he would be blind to the world's faded beauty and not mourn.
was kind of unclear- either the "and not mourn" part could be taken out, or more clearly defined. :)

But besides that, I felt that it was a wonderful story! Keep it up!
Surely I am with you always, to the very end of the age.
~Matthew 28:20

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Hi, Penguin!

Nitpicks first:

Cold perfection stretched across her face, broken only briefly, by those eyes.
Either you should delete the comma after "briefly" or you should make it into a dash, methinks.

Grinning to himself, his jade eyes sparkled with bitter mirth as he looked her over, eyes roaming down her petit form
I don't like the repetition of "eyes." Maybe you should make the second one "gaze?" Also, where I live we spell it "petite" not "petit." But that might just be a British vs. American English thing. *shrug*

It was of no consequence, there were many suitable outfits he could have made for her.
Shouldn't the period after "consequence" be a semi-colon?

As his hand pushed against the solid fabrics, he took a large step back, as if to distance himself from the new problem. As he moved back he thudded into the shelving behind him, rattling the long planks.
I don't like the repetitive shape of these two sentences ("as [action],[action]") try changing one of them. Also, there should be a comma after "back" in the second sentence.

As he watched the fear crept back; "mother would hear, father would know".
The period should be inside the quotes. ^_~
-------

I think that rather than go into soooo much detail about a few things, t would be stronger if you would go into a little less about a lot of things. For example: rather than describing one other doll (the milkmaid one) I would prefer that you go into a little less detail, but show us a few more dolls. I understand that you want to go into a lot of detail about the MCs, and that's fine, but I didn't get the feeling that there were lots of dolls until the end. i think if you describe the thousands of little glass eyes staring at him, and the thousands of little hands reaching towards him from the shelves, it would get the image across better.

Overall:
Wow. This was really... interesting. I'm not saying that, as some do, for lack of a better word; this is really and truly interesting--intriguing. The descriptions of the colors are really quite stunning, and I like the vague-ness of the plot. I still don't quite understand it, but after a second read it makes much more sense than at first, when I was just like "whaaa...?" XD After the first read, I was wishing that you had said more about the size difference between the man and the "girl," but now I love it as it is.

I hope this helps! Please feel free to PM me if I was unclear about anything, or if you just want to talk. :D

Keep up the great work, dear!
~Azila~




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I thought it confusing and I really had no idea what was going on.




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I'm sorry but I don't think that this 're-make' is as good as the original piece. Obviously that one needed work, but this one simply doesn't come across as well. Try reverting to the original as much as you can in the parts mentioned in both.
It was good, but having read the original version, I must admit that I am disappointed with this.
Keep writing,
Bkwrm




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Hrm... Still trying to figure it out, but taking it literally --> a boy is messing with a set of collector dolls? At first I thought it was a guy choosing a prostitute or something in all honesty. I wasn't sure where you were going with it.

Truly, I didn't really like this. Your descriptions were masterful, but there was far too many of them. I think the point of this piece was for you to write descriptions, but otherwise, there really is no story. I just feel drowned in description.

You did write it very well, however. I think that in this case, it is all about taste, rather than mistakes.

*thumbs up*

Kudos to you, even though it's not my thing.

~GryphonFledgling
I am reminded of the babe by you.




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Hey Pingu. :D

The hundreds of dresses are lined carefully, but tightly, next to one another, pressing together. You wonder, vaguely, if any will be of use before continuing your fast pace around to the next aisle. Your gaze roams the shelved isle, flicking over each specimen as you stalk forward. You halt abruptly and turn your head slightly to the side. There she stands.


I think there's too many adverbs here and it really clogs the flow up somewhat.

Yet, you feel your smirking Madonna to be superior.


Repetition of smirking.

Her crimson dress contrasts brilliantly, throwing her pale skin into the forefront, and highlighting those features she commands with grace.
Yet, you feel your smirking Madonna to be superior. She holds a grace, a secret glimmer that makes her unique, separate from all the others.


Repetition of the idea of the doll's gracefulness.

You know it is not perfection that you seek, that has been achieved time over; it is the experience you crave. You barter for voice, pay for shape, steal for personality, for intellect. For this feeling, you will do more; you will travel to the world’s ends.


This strikes me as only a minor nitpick, but I think it seems a bit telly.

This is why you stand here, in the corner of this poorly lit room, surrounded by the glassy eyes of hundreds of dolls, identical in make and separate in looks.


You wonder, just a second, why you are here.


Since these two sentences are in the same paragraph, they actually strangle some of the power of the paragraph. This is because you repeated yourself as to why we are even meant to be standing here in the first place.

Hard blue eyes stare back at you and she watches your dark complexion from her stand, above you. She is what holds you here. They flicker now, your eyes, as they are caught in the empty expanse of her solidity and you flinch back.


Horrified, you step back again, trying to outrun the sightless eyes that pierce you. Your smirk is gone, with it the beauty of your face.


Why is the description of the eyes keep reappearing in the piece?

You look down, once, fixing the memory of those emotionless glares and ripped colours into your mind. As you do, you realize, raising your bent neck ever-so slightly so that you can see the fraying threads of her skirt, for her, you would do the most you ever could. For her, you would kill.


Excellent.

Overall impressions:

This was good on the whole, and I quite enjoyed this. It's like playing a first person horror game where you are like going to this shop and investigating it and you find the item that the main character needs. I like the concept of incorporating colours with the theme of murder, as it is quite original and intriguing. All this is due to your vivid imagery and diction. Kudos to you on that.

The main problem of the piece is that certain ideas or words are repeated. One example would be the description of eyes. You keep bringing the eyes back up and kept on describing them in various different ways. It got a bit boring just reading similar sentences. Another example would be some of the words, like "stare, gaze etc". I think I saw similar words like those a few times. Also, a small handful of sentences also went about the route of repetition.

Personally, I think you can remedy this by actually having more plot in between the 30%-70% completion mark. Maybe give more of a back-story to the narrator? Maybe have some character interaction? More action perhaps? (not like with the doll, but maybe some grandma would accidently bump into him or maybe the shop owner's dog is barking) Dialogue? Flashbacks could also help. Have a think about it. By having more plot around there, it will make this more entertaining to read for other readers in my opinion.

This is also a nitpick, but try to keep the wording of your descriptions to a minimum. I think it took a bit too long for the actual meaning of the sentence to be tangible in my mind. I'm thinking that you might want to cut down on some of the adverbs, but it's the adverbs that add some suspense into the piece. Hrmm you might want to experiment on that too.

But on the whole, I quite liked this, and I hope my critique has helped. Good luck in your assessment.

Andy.
"To the edge of the universe and back. Endure and survive."




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I have to top Andy's critique? T_T

As you walk down the first aisle, the thick tangle of silk wraps around you, suffocating, enticing.


You wonder, vaguely, if any will be of use before continuing your fast pace around to the next aisle.


No commas around vaguely.

Cold perfection stretches across her face, broken only briefly - by those eyes.


I'd say no dash here. It makes a fine sentence without it. ^_^

Yet you feel, you know, that if your hand comes in real contact with that beauty, you will taint it.


She has a milkmaid's complexion; cheeks rouged by exhaustion, lips pouting in pink seriousness.


She holds a grace, a secret glimmer, that makes her unique, separate from all the others.


Beneath your feet, the floor shrieks at your every move, rubber on linoleum.


Hard blue eyes stare back at you and she watches your dark complexion from her stand, [no comma] above you.


Your eyes widen in horror, following your wayward limb, while your mouth moves without sound.


As you watch, the fear creeps back, “mother will hear, father will know.”


This confused me when you threw in that quote at the end. Are you using creeps as another tag like said? Or should that comma be a period?

A guilty face for a guilty conscious, your skin loses all natural colours, dulling to a bleak grey as your fingers beat a tattoo on your right thigh.


I'm pretty sure it's conscience... :wink: Conscious means you're awake or unconscious [sleep]. Conscience is what you're going for, I'm pretty sure. ^_^

Those fierce sapphire orbs, the tangled fire that is her hair, and most of all; the half-formed smirk of blooming ruby that inexplicably draws your gaze.


You don't need that semicolon, but a comma might work. :D

Without her, he would be blind to the fading beauty of the world.


As you do, you realise, raising your bent neck ever-so slightly so that you can see the fraying threads of her skirt, for her, you would do the most you ever could. For her, you would kill.


...threads of her skirt. For her, you would do... Keep the structure the same. I woulda commented on this anyway, but look at your last sentence then look at the previous one. :) Parellel structure is always fun. ^_^

I really liked this. I was drawn into it, and your use of second POV was well done. :) Nothing to comment on, seeing as it was all said above. Bravo! Keep writing!

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People find it far easier to forgive others for being wrong than being right.
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