In the Deep Blue - Prologue (Edited)

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Prologue

“Hey, Dad, where are the keys?” I shout up the stairs. He ignores me, probably trying to pretend that he’s not there. He gets so deep into his work that he actually forgets he has a wife and kids sometimes. “Dad!”

“It’s in the kitchen drawer where I always put it! How many times have I told you not to bother me?” He slams the door to his office. I sigh and move to the kitchen. They’re right where he said they were. Oops. I don’t bother going up and apologizing, because Mom is waiting in the car and Dad would just yell at me again anyway.

“Later, moron,” I hear my brother say. I turn to see Matt sneer at me. He’s flopped on the couch and has a bag of Cheeto's in his hand. There’s a circle of orange around his mouth from the food and I grimace.

“Yeah, later, disgusting fatso,” I say, making a revolted face for him. I leave before he can come up with a comeback.

“Did you find them?” Mom yells from the car. I open the door and sit in the driver’s seat, dangling the keys in front of her face. I put them in the ignition.

“I want to drive!” RaeAnn whines from the backseat. I roll my eyes.

“You always drive.”

“So?” she retorts. “I can actually park—”

“So where are we going to shop?” I ask Mom, shifting the gear into reverse and backing down the driveway. RaeAnn leans back to pout.

“Well, just to warn you girls, I want to get the cheapest we can for school supplies. You know Dad and I are trying to cut back—”

“We don’t care, Mom,” I say impatiently. RaeAnn gasps and leans back forward so her head is between the two seats.

“Of course we care, Lissa! I can’t go around the school carrying neon orange folders that will rip when I put them in my locker!”

“We won’t get ugly supplies, honey,” Mom soothes. RaeAnn frowns.

“Mom, you don’t get it. This is a private school! All the other kids will be wearing designer clothes and the girls will have manicures—”

“Who cares?” I moan, driving nowhere. “Where do you want to go, Mom?” I ask again.

“I guess we can just go to the mall for your clothes," she says wearily. RaeAnn squeals.

“Goody! The mall!” She laughs, the sound ringing through the car prettily, like a bell. Mom smiles at RaeAnn fondly. I ignore the tightening in my chest.

“Sure,” I say. “Now do you have any idea where it is?”

Mom shrugs. “Can’t be that hard to find.”

“Lissa, can I pick out some of your clothes?” RaeAnn asks excitedly.

“No,” I answer flatly. RaeAnn’s face crumples.

“You’re going to look like a vampire again? In this school?”

“I guess so.”

“Mom!” RaeAnn wails. Our mother sighs.

“Lissa, please, can’t you—”

“No way!” I protest. “She’ll turn me in Malibu Barbie!”

“I will not!” RaeAnn snaps. I just vehemently shake my head. RaeAnn purses her lips.

“Great. I’m going to be known as the freak’s sister again," she says sarcastically. Stung, I don’t say anything. Mom doesn’t either. RaeAnn groans and sit back again. I turn up the radio, turning it to a rock station.

“Oh gawd!” RaeAnn shrieks. “Turn it! Right now! My ears are falling off!” I ignore her, and turn it up. “Mom!” she squeals again. God, how could we have shared the same womb?

“Lissa, for Pete’s sake, just turn the station!”

“Are you kidding?” I demand. “Mom, do you really want to listen to that whiny, disgusting oh-shoot-me-we-broke-up crap she listens to?”

Mom hesitates.

RaeAnn’s mouth drops in indignation. “My music is not—”

“Your music is stupid,” I tell her matter-of-factly. “It should be destroyed and labeled as an insult to the music world.”

RaeAnn’s angry expression suddenly changes to a wounded look. “Why do you always have to be such a—”

“Why do you have to be my sister?” I shoot at her, wanting to get back at her for managing to hurt me. Mom sighs again, and RaeAnn’s eyes well up with tears. I purse my lips.

“Forget it. Go ahead and listen to what you want,” she mumbles, turning to face out the window. I roll my eyes and turn up the volume, trying to ignore the feeling of guilt. But I can’t and I turn around to face her.

“Look, I’m—”

“Lissa, look out!” Mom shouts. I look at the road, jerk my hand back from the radio and turned the wheel sharply to the right to avoid the pickup coming at us head-on.

RaeAnn screams. Mom gasps in horror. It’s the last thing I hear before we crash, and then there's nothing.

* * * * *

Beeping. There’s an annoying beeping in my right ear. Someone make it stop. Beep. Beep. Beep. Why isn’t anyone turning it off?

I’ve got a headache. Oh, wow, it’s a massive headache. Pain. Pain. It’s all I’m aware of. I squeeze my eyes shut tighter, trying to figure things out.
Okay. I’m lying in a bed. Yeah, it feels like a bed. But not my bed. No, definitely not my bed. It’s not as soft. And why am I laying on my back? I never lay on my back. And why is that beeping still so loud?

Ow. Ow, my hands hurt. It feels like there’s needles embedded in them. I try to open my eyes now, to look at my hands. But they won’t open. Why won’t they open? They’re so heavy… I start to panic. I don’t like this. I try to move my leg to swing it over the side of the bed, but pain shoots up it and I gasp.

“Lissa?” someone whispers, putting their hand on my cheek. I jerk my head away, and pay for it. I whimper with the pain.

“Is she awake?” someone else asks. I am dimly aware of the sound of heels clicking across a floor, but I soon am focusing on my pain again.

“Make it stop,” I manage to say. The hand smooths back my hair comfortingly.

“Okay, honey. Don’t worry, we’ll make it stop,” they croon. Then, to the other person, “I think she needs more meds.”

“Meds?” I croak. “Why?”

“It’s going to be okay, honey. It’s all going to be all right.” I don’t answer; I’m falling into a large black hole.

* * * * *

It’s raining. Good. Rain is always appropriate on days like this. I faintly hope I catch pneumonia. In the distance I hear a rumble of thunder. It’s in the rules that there should be thunder on days like this, isn’t it? When I was little I used to think that thunder was the sound of God’s great sobs. So yeah, today thunder is appropriate. It’ll be appropriate any day from now on, in fact.

Who gets to make up all the rules? I curse the one who does. Who gets to decide who stays and who goes? I curse them with everything I have. Why, why would that Maker of All the Rules let this happen? Why? I pound the questions around and around in my mind, wanting an answer.

My head begins so throb. I grit my teeth so hard that my jaw aches. Good. I want the pain. I deserve the pain. Anger forms a heaviness in my stomach. I clench my fists as I glare down in to the hole in the ground, and I do not move even when the men start shoveling dirt into it.

I don't feel the rain dripping off the end of my nose. I just watch as the rain starts to fill up the space around the casket. The men continue to fill the hole, every pile of dirt in their shovels turning into mud when they throw it in. I want to scream at them. I want to run at them and beat their faces into unrecognizable pulps.

But at the same time, I want to drop to my knees and cover my face and cry my eyes out. I want to jump into the ground with her and let them bury me. It could have been me. It should have been me.

“What will I do without you?” I whisper.

She doesn’t answer.

It’s so final that I blink in realization. She’s gone. She’s really gone. I cross my arms as goose bumps begin to form on them.

“RaeAnn?” I whimper. “Can you hear me?” She remains silent, maybe punishing me for my cruelty to her. “RaeAnn?” My voice breaks. “Please? Please, answer me?”

One of the men gives me an odd look. I don’t care.

“RaeAnn, I need you!” I say louder, leaning over her. Part of my mind tells me to shut up, and stay cool. But I’ve never listened to anything or anyone that well. Panic now sets in as I picture a life without her. A life without my twin.

“No, please, please,” I beg, “just come back. I promise, I’ll do anything. I’ll let you drive all the time. I’ll let you have control of the radio. I’ll let you pick out all of my clothes. I’ll let you sleep in my bed when you get scared of a storm. I won’t insult your boyfriends anymore. I won’t steal the bathroom from you… just please, please come back!” I lose control of everything and I actually do drop to the ground. “Come back!” I sob, tears running down my cheeks. “Come back!”

One of the men mutters something to his friend, and they approach me.

“Where are your parents?” a bearded man asks me. I hiccup, staring hard at RaeAnn’s remains.

“Does she know I love her?” I whisper. “Does she know I wouldn’t trade her as a sister for anything else in the world?” I tear my gaze away from her and look up at him. “Does she know?” I ask him desperately. He draws back.

“I think they’re over by that car in the parking lot,” another man says, pointing. I don’t look. I turn back to RaeAnn.

“I love you,” I tell her brokenly, clutching the skirt of my black dress until my knuckles turn white. “Please, RaeAnn, I said it. You were always bugging me to say it. I said it. I’ll say it as many times as you want. Please. I love you.”

One of the diggers runs over to my parents. I bend over my knees, sobbing, letting my hair trail in the mud.

“RaeAnn!” I cry. “Please, don’t leave me. Please. I don’t think I can do this...” I feel like I am going to throw up. I just sob into the mud, crying out her name.

Gentle hands circle me, pull me close.

“I think it’s time to go, sweetie,” Mom says in my ear.

I shake my head.

“No!” I shout. “She’ll come back! She won’t leave me!” Mom looks helplessly at Dad.

“She would want you to get dry and be warm if she was here,” she tells me quietly. I just shake my head again. Mom glances at the crowd of watching diggers.

“She’ll come back,” I repeat firmly, not taking my eyes off of RaeAnn.

“Steven?” Mom asks. He sighs, and, before I know what is happening, scoops me up in his arms, carrying me away from my sister.

No!” I scream, beating at his chest. “No, we can’t leave her! She’s coming back. She’s coming back!”

“Oh, Lissa,” Mom says tearfully, following.

“RaeAnn,” I sob, reaching out to her with my arms as we abandon her in the cold, uncaring ground. “RaeAnn…”
Last edited by KJ on Wed Feb 03, 2010 10:40 pm, edited 9 times in total.




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The beginning is too cliched, in my opinion. The whole perfect-twin, less-perfect-twin thing is overdone. But it probably annoys me more than most people because I'm a twin. The characters seem too stereotypical. The beginning seems like too much telling not enough showing so you might want to just start with the accident instead of giving all that background. I like the conversational tone of the story, though.

As far as I could tell the grammar is good except at the end of dialogue you tend to use a period and start a new sentence with "She said" or whatever, when you should use a comma.

For example:

"I guess we can just go to the mall for your clothes." She says wearily.


should be:

"I guess we can just go to the mall for your clothes," she says wearily.


You might want to check out this thread on dialogue grammar.

The only typo I noticed was:

She’s won’t leave me!”




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Hello KJ!

First of all, welcome to YWS. If you have any questions or need help finding something on the site feel free to PM me!

I edited your title so it wasn't so strange and not in caps. It's polite not to blind people. ^_~ You may also want to take a look at the Before You Post thread.

Again, welcome to YWS!
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I also say welcome.

I tried to read this, i really did, but you should put more space between the paragraphs, then PM me so I can read it. Okay? :) The words just kind of blurred together while I was reading it.


Keep writing,

Risa
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Hey there.

Personally, I don't like starting with an "I." You might, but I can think of many other ways to begin a story.

You could use a participial phrase: "Darting through the woods, his breath heavier with every step..."

Or an adverb: "Gingerly creeping through the silent cave, Sasha thought she heard something."

Or onomatopoeia: "BOOM! The explosion rippled through the city."

The description at the beginning seems long-winded and unnecessary, as if you're explaining everything to us. That's not the job of the opening. An opening must GRIP us - it should hit the ground running. Work your description into your narrative or through taglines. For instance:

" 'You just don't try hard enough,' my mum yelled, her blonde hair bursting with rage."

That sort of thing.

The story would work much better if you started with the exchange between the dad and the narrator:

" 'Hey, Dad, where's the keys?' I shout up the stairs. I want to go back to my old school, I thought. I hate this new house."

Gradually you could introduce RaeAnn, Harriet and the narrator's mum, without having to spoonfeed us everything in the first section. Integrate the plot with the character building and development. In fact, the first time we meet RaeAnn could be after she's died. The reader wants to know why she means so much to the protagonist and so they're hooked!

Double spacing between paragraphs would also help - much easier on the eye that way.

The dream sequence - is that really necessary? What does it show about the protagonist?

The last section turned out to be much better than the first few lines. Good work overall - a few revisions and you'll have created a powerful prologue that really sets the atmosphere for the rest of the story.
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I think that this is a really powerful prologue to the story. I especially thought the whole part where Lissa is sobbing for her sister to come back was well done. I don't have a twin, but you really showed the reader how Lissa felt and it seemed like something someone in that situation would actually do.

There was just one phrase that I thought could be changed:
"who are simply watching the drama unfolding before them"
This phrase, while 'drama unfolding' is a cool concept, felt a bit over-dramatic, it took away from the whole air of upset-ness in the scene, and it didn't make a whole lot of sense coming from Lissa's point of view. In this section, she's obviously beside herself with guilt and sadness, and so she wouldn't think of what's happening as a 'drama' even though it was a drama, if that makes any sense at all.

Other than that, the prologue was captivating and I liked how you used the present tense.




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Wow, Your story left me in tears. I love it. It was amazing. I have never read anything like this before. Very well done. I didn't see anything wrong. I was so into the story. I haven't got a chance to read the first chapter yet. I will read it though.

Keep Writing.

-steph




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Kels, I really liked this, as I like all your other work. I don't think I've ever read this one and I'll be wanting to read more. The end left me really feeling for the main character. How she just lost her sister and her twin no less. The only thing I think you could change would make the hook of your story more catching. Describe something or someone feeling something. Starting with a person talking might make the reader loose interest.

Besides that, keep writing. I'll be asking to see more of this!
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This... was... amazing... *wipes away tear and runs to read the others* I can't believe I didn't read this earlier! I don't know what else to say other than it was great. I was glued to the screen!
Our happiness here is all vain glory,
This false world is but transitory,
The flesh is weak, the Fiend is slee
Timor mortis conturbat me.
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I just want to say one quick thing: "where's the keys" is wrong. Keys is plural, "where's" is singular. Where's the key or Where are the keys.

Otherwise, I loved it! I politely disagree with the first critiquer, because I thought the twin sister relationship was really realistic. Neither of them were perfect, and they had a sort of love/hate relationship, and I imagine it would be just like that.

The ending, when she's crying and yelling for her sister, was so sad it made me cry! Literally, and I never cry when I'm reading. Very well done.

Au revoir ~ mademoiselleKool 8)
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Very sad. It was a great turn of the wheel, showing just how much the annoying sibling will actually be missed when they are gone. The emotion just poured off the page. Very, very nice.

Wow. I really have nothing to say. This was a great piece of work. *scurries off to go read the others*

*thumbs up*

Great job!

~GryphonFledgling
I am reminded of the babe by you.




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This was great. It really made me feel horrible for the main character. You did a great job with showing relationships.

Read through it once aloud on your own, though. You will find a few awkward sentences.
How hard can it be to just let go and drift away with the wind?




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For beautiful eyes, look for the good in others; for beautiful lips, speak only words of kindness; and for poise, walk with the knowledge that you are never alone.
— Audrey Hepburn