Assisted Suicide

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The mind expands.

“Confused? Of course I’m confused.”

“I will be there.”

“I won’t be there.”

“Which will it be [there] then?”

“I can no longer accept the terms of the agreement.”

“Your commitment to change is impressive, Mr. Goldman.”

“William’s report breaks the law in three places: here, here and here.”

“There is a two point deduction for late papers.”

“Spring falls like fall springs like…”

“Remember: no quizzes in April!”

“Showers, showers, showers,

water, showers, showers.”

“The hands of the clock strike twelve.”

“… and it never stopped raining.”

“The air is clear and blue.”

“Streams of flowers formed hair.”

“The air is clear and blue and

I

love

you.”

“Sexless eyes bleed carbon monoxide.”

“Please forget you ever had me. Mom, please forget me.”

“I want to believe that this is the right thing. That I’m here now and I was somewhere else, now I’m here, with the cigarette smokers and their ideas, and the room is black like nowhere else. I want to believe I am a human being. I want to believe I have human feelings. Someone talks to me, I talk to them. This exchange of words means something I don’t know. The feeling is vague. (I disappear in the air; later, I materialize.) I think it has to do with emotions. Emotions, not words, fill the spaces between humans. Good, bad, good and bad. Euphoria, despair, euphoria, despair.
There is a humming in the back here. People are dying in this country. The air sends planes. The water sends ships. The land sends soldiers. Each element kills, each element destroys. My friends get blown up everyday. If you think there’s a purpose, there isn’t one. They work their lives at clothes shops, shoe shops, ice cream shops thinking about money and girls and kicks and the clock turns to zero and suddenly they have no lives. Nobody tells them you’re going to die today and never say goodbye to your family or friends but all for good reason, this is the reason.
The humming—it’s from a bomb. The room we’re in, black like nowhere else, doors sealed shut, I feel general trepidation, a trembling of knees. The humming is in the back somewhere, here, here, closer, closer, closer… a red beating heart. Time is blood. In the shadow, Bill tries telling me about the report but seems listless, aloof, as if anticipating the blood of time spilling, disintegrating, the life of his existence obliterated forever in fire and smoke and black ashes. Pulsating. Pulsating. The heart vibrates. Bill’s report will be seen as a great achievement, a milestone in analytical research. In dying, in greeting death with open arms, he will become a voice stronger than any his living body could offer."

“Her crystalline body breaks on the surface.”

“There was no explanation.”

“Have you seen my glasses? They keep… disappearing.”

“Pieces of her everywhere.

Everywhere.

Everywhere.”

“There was no whole.”

“Tell me what to feel now. I need a signpost.”

“If ever the report existed, if ever Bill was a real person, it wouldn’t have saved him.”

“Because they brainwash you. They feed you lies from the television screen.”

“She walked into the sun.”

The mind decays.

“The bomb blew up at half-past eight. I killed myself at quarter-past nine. They found thirty-eight bodies in the room, countless more charred remains. Terrorist involvement was suspected. I turned the TV off when the principal came on. I didn’t want her face to be the last thing I saw. I’d rather see nothing. So I didn’t see anything, I just walked to the tall dormitory, whistled, sang, waited for somebody to let me in, took the elevator to the roof, smiled, waved, and jumped off.”
Last edited by lin night on Wed Feb 27, 2008 12:55 am, edited 1 time in total.




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That was strange...

The first part is seemingly disjointed dialogue, the meaning of which I am quite unsure. Full of sentence fragments and utterly confounding bits of trivial fact. I didn't get it.

From there, we moved to an abstract room/place/area where a bomb goes off and kills a bunch of people, including Bill who had a report of some nature.

After some more meaningless dialogue, the narrator jumps from the top of a building.

Perhaps I'm just narrow-minded and lack perception, but I did not understand at all what this is supposed to mean.
'Merikuh!




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At the moment, this does not grip me. It's not best to start out with dialogue. Use more description to set the scene and give the action some context, before introducing your characters.

Show us the bomb going off, etc., don't tell us it through dialogue. That way, the event will be much more powerful and effective. In fact, you could start with the viewpoint character experiencing it before moving to the psychiatrist's clinic.

The characters need to be more fully formed. They need a life of their own - shape, description. The situation should also be made clearer. Description will really help with both these.

You need to think carefully about exactly what you want to put across in the most dramatic, effective manner. Good luck. :D

4/10 AT THE MOMENT. DON'T LET MY SCORING PUT YOU OFF. KEEP WORKING AT IT!!




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Lin, I've always thought your abstract writing style was brilliant. ;)

This... is one of those pieces. It really sets the mind in motion, which is something I've been looking for a while. You take a step back as the author and make your reader do the hard thinking -- a sight rarely seen in the more popular linear, lay-all-your-cards-on-the-table here-and-now type of contemporary writing. It's refreshing to see someone as abstract as you.

O'course, you're not flawless (Haha, I'm not letting you get away with a scot-free crit). Personally, the giant paragraph towards the end bugs me. It's just the stark contrast between it and the rest of the piece that is kind of painful on the eye, aesthetically speaking. Maybe you could find a way to break it up into a couple smaller paragraphs?

Other than that, I have no huge complaints to register. I really like your work -- subtle and thought-provoking. Very creative. ;)

PM me if you ever have anything you'd like me to take a look at! :D

Much love.

-Saint Razorblade
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thank you for the kind words.
Last edited by lin night on Thu Mar 20, 2008 7:13 am, edited 1 time in total.




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This seems pretty vague to me...maybe I'm just not reading it right. Either that or you might want to ease back on the distorted images of the dialogue, and let more than the dialogue tell the tale..unless the dialogue is a collection of thoughts running through the protagonists head...
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