Aurelix (WIP)

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Reflecting his image in the polished black onyx surface, Janus Aurelix smiled to himself, revealing gold flecked teeth. They were sharpened, but this was more for ceremony than any practical purpose as all his food was cooked by the finest chefs in the Empire now, and there had not been a war in seventeen years. His eyes, usually red, were covered with smoked glass, as befitted the current fashion. His head was all but shaven, with only a thin band of hair around the back of his head to symbolise his semi-divinity. Janus checked himself in the polished stone again, his gaze traveling from his hooked nose, down past the heavy golden sun around his neck to the purple robes he wore. Something about them bothered him, some small detail which distressed him slightly. A speck of dust! He brushed it off his shoulder, muttering to himself irritably as he did so.
A harsh wind blew through the open window in his study, causing his fire to cast strange shadows about the darkened room, making them dance in time to the ghastly moan of the cold winter wind. That same harsh wind blew again, stronger this time, making several of the books in his personal library shift, their pages rustling. A slim dark red book fell from the furthest end steeped in shadow, and landed with a soft sigh in the darkness.
Janus paused in his preening at this sound which intruded upon his personal universe. He removed his glasses and stared into the darkness, attempting to find the source of the noise. His red eyes could not penetrate the darkness however, and he padded over to where the book had fallen, with only his robes making any noise as he walked. He picked up the book, and started as recognition hit him. His stance instantly lost it's composure, it's grim purpose. He wandered over to his dark red velvet armchair in front of his fire, his fingers tracing the once familiar design on the cover with his long gnarled fingers. Echoes of deeds long since past played through his mind. Sounds, images, smells. His hands shook with eager anticipation as forbidden arts once again called to him through the pages.
“My, my, my,” he said to himself, staring unseeing at the cover of the Liber Hereticarnum. “Where have you been all these years?”
With that, question in his mind, Janus opened the book, and re-read the words he had once known by heart, that were even now awakening in his memory.

Fifty miles away from where Emperor Janus Aurelix's fortress city stood, a young man by the name of Kaspar Ash pushed his boat through the quasi marshland delta of the river Iyx. Blood red reeds dominated the landscape, and had done so since the Battle of Calebni seventeen years previously. Kaspar had been young then, too young to feel the effects other citizens of the Empire had. The sights of that battle had driven many of the army insane, and wounded more. Now the people were subdued, knew no joys. They lived in eternal fear of the God-Emperor who had re-established himself on that night. They lived in the knowledge that what had happened could happen once more. The scarring ran deep. Even the land had not escaped the pain, and although it had been hurt in the past, it had always recovered quickly. Not so this time. It had still not healed.
Kaspar did not give this much thought however. He was too concerned with his current plight, that of his master and his fiancé. He sighed and cast his mind back two days, back to when he was simply a fisherman, engaged to be wed to a beautiful woman. His days had consisted of simple pleasures, like the rising of the sun, and the warmth of the wind from the sea. He loved, and was loved by the members of his village, called St. Narsine. It had a small population, maybe fifty people, and was spread out over a pleasant landscape. It was a classic farm village, with a crossroad in the center, and a small inn, which was named “The Pale Stag”.
He had memories of the place, but they were were fading, images turning gray in his mind, feelings dying. He remembered the midsummer festival, the flowers and the games, but they meant nothing now. Not since the ritual. The ritual that had turned the village into a smouldering wreck, the ash of the human occupants mixing with that of the wooden houses. He shuddered, even now, remembering the Bloodening, which had been different this time, his own Bloodening.
The memories which had been fading suddenly came back now as he tried to remember them, like a dam bursting. His wife to be, Ionæ, smiling, dancing with him. The grim look on his master's face when he informed Kaspar of his being chosen, of his path. Fire. Blood. Lights and finally, screaming.
Kaspar felt dizzy, and the boat shook beneath his unsteady feet, making him to fall down, lest he fall into the red, murky waters the the delta. He sighed and pressed his face into his hands, rubbing his eyes. Though it was dark, the full moon provided enough light to see by, and as Kaspar looked up, he saw movement in amongst the reeds. Panic crossed his features, and he scrabbled in the base of the boat for his knife. His hand quested in the darkness, his eyes flickering from boat to reeds and back again. The plants were still now, however, and so was Kaspar. He stopped in a half crouched position, straining his ears, trying to identify the slightest sound, but also avoiding making any himself, for even the whisper of his very breath could alert whatever was out there to his presence. After a minute, maybe two, Kaspar relaxed and sat down - and it was at this point the creature attacked.
It burst into the air behind him, spraying claggy marsh water everywhere. A scream accompanied it, a harsh, guttural scream which pierced Kaspar's soul and sent icy shivers down his spine. So shocked was Kaspar, that he fell backwards to the bow of the small boat. By the full moon's light he could dimly make out fins, and scales. A smell arrived at his nostrils, that of decaying flesh, and oozing hatred. The creature's eyes caught some of the light, glinting in his direction with only one emotion clear, murder. It crouched, and began moving towards him. The thing from the marsh was drawing short, spluttering breathes, as though it was unused to the air of the land. Kaspar was frozen with fright, millions of pictures in his mind describing exactly what this creature could do to him, the tortures it would purvey upon his tender, warm flesh. The abomination's balance was not, however, good, and it slipped, rocking the boat again. Kaspar suddenly found his dagger touching his hand, and the shock of the cold metal sent him into action. He grasped the knife, and jumped up, further shaking the boat and spraying water everywhere. He slashed the knife – once, twice, three times at the fish-thing, each time drawing it backwards. Kaspar finally caught it with the keen edge of the dagger, cutting a deep hole in it's chest, and forcing an explosive scream from the creature. Now he was closer, he could clearly see gills, and the shape of the eyes, so unnatural, so alien to him. It was obviously not a thing of this world. Kaspar slashed once more, and finally the creature hissed, slashed out with it's claws, and leapt back into the marsh from whence it came. Kaspar sat down, exhausted, and sighed. He did not sleep that night, nor for the rest of the time he was on that marsh.




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Ok, so here I am... again. ^_^ But, uhh, you might want to space this out or else it makes your piece look a bit sloppy and overwhelming to the reader. :wink: I'll crit it either way, but just a head's up. There are some people who won't even bother to read someone's work if it's clumped together. Not good. :?

I'll be back tomorrow to give your critique; it's late right now and I have school tomorrow. Night!

~*Sydney*~
Formerly known as Silly Sydstix... as well as Aquarius Angel.




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Kaspar felt dizzy, and the boat shook beneath his unsteady feet, forcing him to sit down, lest he fall into the red, murky waters the the delta.

I think that what you meant. If not, the phrase needs a little reworking.

Silly Sydstix is right, you definitely need to space out your paragraphs. You have a very interesting story here and I'd hate to see people turned off just because it's too squeezed together.

So shocked was Kaspar, that he fell backwards to the bow of the small boat.


I don't actually think you can say "so shocked was -", it sounds awkward. Try "Kaspar was so shocked that" or "Kaspar's shock make him fall..." or something like that.

Otherwise the story looks great! I look forward to more. ^_^




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Okay, I see what you mean about the spacing. Really should look at stuff before I post, willy nilly at 12:30 at night or whenever I posted that...

Anyway, I've done a bit of spacing, so here it is. Plus those edits from Sleeping Valor - cheers for those btw :).

*******************************************************

Reflecting his image in the polished black onyx surface, Janus Aurelix smiled to himself, revealing gold flecked teeth. They were sharpened, but this was more for ceremony than any practical purpose as all his food was cooked by the finest chefs in the Empire now, and there had not been a war in seventeen years. His eyes, usually red, were covered with smoked glass, as befitted the current fashion. His head was all but shaven, with only a thin band of hair around the back of his head to symbolise his semi-divinity. Janus checked himself in the polished stone again, his gaze traveling from his hooked nose, down past the heavy golden sun around his neck to the purple robes he wore.

Something about them bothered him, some small detail which distressed him slightly. A speck of dust! He brushed it off his shoulder, muttering to himself irritably as he did so.

A harsh wind blew through the open window in his study, causing his fire to cast strange shadows about the darkened room, making them dance in time to the ghastly moan of the cold winter wind. That same harsh wind blew again, stronger this time, making several of the books in his personal library shift, their pages rustling. A slim dark red book fell from the furthest end steeped in shadow, and landed with a soft sigh in the darkness.
Janus paused in his preening at this sound which intruded upon his personal universe.

He removed his glasses and stared into the darkness, attempting to find the source of the noise. His red eyes could not penetrate the darkness however, and he padded over to where the book had fallen, with only his robes making any noise as he walked. He picked up the book, and started as recognition hit him. His stance instantly lost it's composure, it's grim purpose. He wandered over to his dark red velvet armchair in front of his fire, his fingers tracing the once familiar design on the cover with his long gnarled fingers.

Echoes of deeds long since past played through his mind. Sounds, images, smells. His hands shook with eager anticipation as forbidden arts once again called to him through the pages.
“My, my, my,” he said to himself, staring unseeing at the cover of the Liber Hereticarnum. “Where have you been all these years?”
With that, question in his mind, Janus opened the book, and re-read the words he had once known by heart, that were even now awakening in his memory.

*****************************************************

Fifty miles away from where Emperor Janus Aurelix's fortress city stood, a young man by the name of Kaspar Ash pushed his boat through the quasi marshland delta of the river Iyx. Blood red reeds dominated the landscape, and had done so since the Battle of Calebni seventeen years previously. Kaspar had been young then, too young to feel the effects other citizens of the Empire had. The sights of that battle had driven many of the army insane, and wounded more. Now the people were subdued, knew no joys.

They lived in eternal fear of the God-Emperor who had re-established himself on that night. They lived in the knowledge that what had happened could happen once more. The scarring ran deep. Even the land had not escaped the pain, and although it had been hurt in the past, it had always recovered quickly. Not so this time. It had still not healed.

Kaspar did not give this much thought however. He was too concerned with his current plight, that of his master and his fiancé. He sighed and cast his mind back two days, back to when he was simply a fisherman, engaged to be wed to a beautiful woman. His days had consisted of simple pleasures, like the rising of the sun, and the warmth of the wind from the sea. He loved, and was loved by the members of his village, called St. Narsine. It had a small population, maybe fifty people, and was spread out over a pleasant landscape. It was a classic farm village, with a crossroad in the center, and a small inn, which was named “The Pale Stag”.

He had memories of the place, but they were were fading, images turning gray in his mind, feelings dying. He remembered the midsummer festival, the flowers and the games, but they meant nothing now. Not since the ritual. The ritual that had turned the village into a smouldering wreck, the ash of the human occupants mixing with that of the wooden houses. He shuddered, even now, remembering the Bloodening, which had been different this time, his own Bloodening.

The memories which had been fading suddenly came back now as he tried to remember them, like a dam bursting. His wife to be, Ionæ, smiling, dancing with him. The grim look on his master's face when he informed Kaspar of his being chosen, of his path. Fire. Blood. Lights and finally, screaming.

Kaspar felt dizzy, and the boat shook beneath his unsteady feet, forcing him to sit down, lest he fall into the red, murky waters the the delta. He sighed and pressed his face into his hands, rubbing his eyes. Though it was dark, the full moon provided enough light to see by, and as Kaspar looked up, he saw movement in amongst the reeds.

Panic crossed his features, and he scrabbled in the base of the boat for his knife. His hand quested in the darkness, his eyes flickering from boat to reeds and back again. The plants were still now, however, and so was Kaspar. He stopped in a half crouched position, straining his ears, trying to identify the slightest sound, but also avoiding making any himself, for even the whisper of his very breath could alert whatever was out there to his presence. After a minute, maybe two, Kaspar relaxed and sat down - and it was at this point the creature attacked.

It burst into the air behind him, spraying claggy marsh water everywhere. A scream accompanied it, a harsh, guttural scream which pierced Kaspar's soul and sent icy shivers down his spine. Kaspar's shock was so great, that he fell backwards to the bow of the small boat. By the full moon's light he could dimly make out fins, and scales. A smell arrived at his nostrils, that of decaying flesh, and oozing hatred. The creature's eyes caught some of the light, glinting in his direction with only one emotion clear, murder. It crouched, and began moving towards him. The thing from the marsh was drawing short, spluttering breathes, as though it was unused to the air of the land.

Kaspar was frozen with fright, millions of pictures in his mind describing exactly what this creature could do to him, the tortures it would purvey upon his tender, warm flesh. The abomination's balance was not, however, good, and it slipped, rocking the boat again. Kaspar suddenly found his dagger touching his hand, and the shock of the cold metal sent him into action. He grasped the knife, and jumped up, further shaking the boat and spraying water everywhere.

He slashed the knife – once, twice, three times at the fish-thing, each time drawing it backwards. Kaspar finally caught it with the keen edge of the dagger, cutting a deep hole in it's chest, and forcing an explosive scream from the creature. Now he was closer, he could clearly see gills, and the shape of the eyes, so unnatural, so alien to him. It was obviously not a thing of this world. Kaspar slashed once more, and finally the creature hissed, slashed out with it's claws, and leapt back into the marsh from whence it came. Kaspar sat down, exhausted, and sighed.

He did not sleep that night, nor for the rest of the time he was on that marsh.

*******************************************************

There, hope that's a bit better!




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...but this was more for ceremony than any practical purpose since all his food was cooked by the finest chefs in the Empire now.


...his gaze traveling from his hooked nose to down past the heavy golden sun around his neck to the purple robes he wore.


A slim dark red book fell from the furthest end which was steeped in shadow, and landed with a soft sigh in the darkness.

Not sure about this one, you could leave it the way it was and it would be okay too.

However his red eyes could not penetrate the darkness [s]however[/s], so he padded over to where the book had fallen, [s]with[/s] only his robes making any noise as he walked.


He wandered over to his dark red velvet armchair in front of his fire, his fingers tracing the once familiar design on the cover with his long gnarled fingers.

Not so sure you have to tell us it's his fire, unless you are empahsizing his dominion...but consider that you say his three times in a short period of time and it sounds a bit redumdant.
Also, no need to repeat fingers. Pick one and get rid of the other (I'd say keep the gnarled fingers, it's nicer).

With that, question in his mind, Janus opened the book, and re-read the words he had once known by heart, that were even now awakening in his memory.

Uneeded punctuation. =P

>.< Sorry about the nit-picking. =P Just noticed little things as I read it again. Lemme know if you want me to do the rest. =P

Still looks good! :D




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First things first; there really isn't any purpose to the description of Aurelix. Describing characters by having them study their reflections is kind of cheesy, and it's a bad way to start something. You would do better to have the important parts of their appearance revealed gradually within the text, rather than as the quasi-preface you have, and leave whatever doesn't come up naturally in the flow of the story to the readers' imaginations. An example; you could let us know about his teeth by having him run his tongue along the points, or biting into a steak or something (the sun medallion could be swinging as he walks, just a detail thrown into an already present sentence).

"Janus paused in his preening at this sound which intruded upon his personal universe." This sentence is really unclear; he's preening at the intruding sound? At the very least it needs a comma, but the latter clause should really be rewritten. "Janus paused, turning to see what intruded on his preening." Notice the difference?

"His red eyes could not penetrate the darkness however..." Given that you already described his eyes as red, this is unnecessary. Since I suggested getting rid of that part, though, this is more along the lines I was talking about. The only thing is, the way it is now, it gives the impression that he couldn't see in the dark specifically because his eyes were red. There should also be a comma before "however."

You do this a lot, and I'm not sure exactly what it's called (I want to say it's a passive voice, but I'm fairly certain that it isn't); at the end of the sentence I was talking about above, you wrote, "with only his robes making any noise as he walked." Take out the "with." And the "any," come to think of it.

Liber Hereticarnum should be italicized. Maybe you had it right in Word or whatever you used, but when you C&P it I guess you have to manually add the tags. Also, I don't speak Latin, but is that r supposed to be there? Hereticanum sounds more...ominous.

Moving on to the aquatic adventures of one Kaspar Ash, "quasi marshland delta of the river Iyx" is...bad. It's too...chock-full of whatever. Disregarding the fact that it should be "quasi-marshland," it's just way too specific...in its vagueness, I guess. I would suggest telling us it's a delta of Iyx (out of curiosity, how is that pronounced? Ix? Ikes?), then giving us a description of its marshiness from the character's perspective.

One thing about this entire thing is that you give way too much information about the history of the world and characters. As with the physical descriptions, try to let us discover the intricate details of your world in a natural way; don't just lump them in a paragraph or two at the beginning. You could effectively cut the first paragraph in half; "blah blah pushed his boat down the river Iyx, stained red during the Battle of Calebni." Rather than telling us that life sucks for the people now, show us; let us see the depressed and fearful atmosphere for ourselves. Rather than outright saying "there were afraid of the God-Emperor," show us some people invoking his name, or chastising someone for doing so, or something like that.

The part about Kaspar's past is especially heavy on the needless and out of place exposition. When you say he's concerned about his master and his fiance, I'm not sure what you meant; his master and his master's fiance, or his fiance and his master? Clarify that. And definitely get rid of or drastically but down on the description of his hometown. If you want to keep it in there, give it in the form of memories, and try not to be so specific; "he remembered dancing/drinking with friends/family at the inn, yada yada etcetera." Working from there, you can expound upon this Bloodening business; rather than saying "it wrecked the town," say that those other memories are being replaced by memories of ash and flame, or somesuch terribleness. I'd also change the æ in Ionæ to just a plain old ae,
just for simplicity's sake.

As for the whole attack scene...I'm not sure it's necessary at all, but regardless of that, it's not really very well written. I would start it from scratch and try to rewrite it. I'll try to throw out some pointers based on what you have written now.

"Though it was dark, the full moon provided enough light to see by, and as Kaspar looked up, he saw movement in amongst the reeds." Just say that he saw something in the reeds. Maybe throw a "in the pale moonlight" or "in the dim light" in front of it. Try to be as succinct as possible when writing, especially action.

"Panic crossed his features, and he scrabbled in the base of the boat for his knife." Try "panic took (hold of) him," and "scrabbled" should be "scrambled," I'm pretty sure.

"...straining his ears, trying to identify the slightest sound, but also avoiding making any himself, for even the whisper of his very breath could alert whatever was out there to his presence." This can be shortened significantly. "Straining his ears to pick up the slightest sound." As for him being silent, just throw a "silently" in at the beginning (after "stopped," I'm thinking).

"After a minute, maybe two, Kaspar relaxed and sat down - and it was at this point the creature attacked." Instead of the after a minute nonsense, try to give the impression that he's confident there's nothing there anymore. Hell, you could even say "when he was confident that there was nothing there." What's really wrong with this, however, is the last part. That is absolutely the worst way you could have described the monster's attack. Basically, instead of telling us it attack ("it attacked"), describe it from Kaspar's perspective. Maybe start with the sound of it leaping from the water, the splash and the scream, and instead of the "so shocked was Kaspar" crap, say something like "shocking Kaspar from his seat." Once he's safely on his back, describe the dark, scaly shape flying over his boat ("reeking of dead flesh and hate"). Rather than "with only one emotion clear, murder," which is pretty awkward, try using some adjectives; "from the edge of his boat, it glared murderously at him" (you get the idea). I'd take out the line about him imagining what it's going to do completely, or replace it with a much shorter one; "Kaspar stood, paralyzed with fear, scenes of gruesome death flashing through his mind..."

"The abomination's balance was not, however, good," is incredibly awkward. I'm thinking more along the lines of "the rocking of the boat saved him..." or "its wet feet slipped..." or even just "it had poor balance out of the water."

"Kaspar suddenly found his dagger touching his hand, and the shock of the cold metal sent him into action." It's just the "touching his hand" part that I didn't like about this, but it's definitely not as big a deal as anything else; it's mainly because I had gotten the impression that he stopped looking, I guess. I would also consider changing "shock" to "feel," but then again that implies that he's grabbing it by the blade...maybe the feel of the hilt or something?

"...each time drawing it backwards." What do you mean by this?

"...cutting a deep hole in it's chest, and forcing an explosive scream from the creature." He's slashing at it, so I don't really think there would be a hole. More of a gash, I would expect. And "explosive" may not be the best adjective for a scream. Maybe hideous, or monstrous.

"It was obviously not a thing of this world." This can be added onto the end of the sentence before it. Maybe reword it to "something not of this world."

"Kaspar sat down, exhausted, and sighed." I dunno. I feel like the word "pant" should be in there somewhere. Maybe something more about his quest and how he has no choice but to complete it? Eh.

It sounds like you're building a decent adventure here, but it could use some work. Iron out the kinks and, as a side note, edit your first post with your reformatted edition, because I didn't see it until I had already read the first one.
We were somewhere around Barstow on the edge of the desert when the drugs began to take hold...



But what about second breakfast?
— Peregrin Took