"Have Faith"

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She got up and walked over to the balcony edge, leaning over as far as she could. Mist covered the horizon line, muffled blues and purples merged as one. The sound of the sea loudly lapping against the rocky shoreline and closing her eyes her imagination flew across the ocean, onto a deserted beach, somewhere far away from the town she so regretfully lived in. Mid thought the girl was interrupted by a voice, shouting, although he was sat almost right beside her,
“It’s getting late, I’ve gotta be in soon Faith” Pause.
“Ok, you can go if you want. I’m not really very good company today am I? Sorry.” She sighed, without looking at him. Tears filled her distant blue eyes as she stared far out to sea.
“Well, do you mind if I go now?” came the answer, he now stood right beside her, no longer needing to shout above the crashing of waves.
“No, don’t worry. I’ll see you tomorrow.” As the boy walked he turned, outstretching his arms ready to embrace her. A moments hesitation then he slipped his arms round her waist, yet hers stayed by her side.
“Proper hug!” exclaimed the boy, a trace of hurt in his voice. She wrapped her arms round him, resting her head on his shoulder and wishing never to let go. Finally she let her arms fall down to her side and smiled gently at the boy who she has once adored and loved with all her heart.
“See you tomorrow,” he stated,
“Maybe.” And with that he was gone.
Hidden by the dark evening sky she walked, cautious of every movement around her. Silhouettes of people ahead became visible as they walked under street-lights, most with frozen hands stuffed into pockets as they tried to warm them. Faith continued, staring downwards at the darkened pavement beneath her feet, occasionally looking up to check she was still going the right way. The sound of the waves echoed louder than before, yet it seemed to ease her fear as she passed dark alleys and doorways along the seafront. Slowing down she carefully placed each foot in front of the other, stumbling slightly. She stopped directly under a street-light and rolled back her jacket sleeve,
“6. 45” she spoke aloud, then hid the watch back. Embarrassed that someone heard her she looked around, turning a whole 360 degrees. No-one was there. No-one except a homeless tramp, sleeping in a near by shelter, but to her, and everyone else in the world that was all he was….a no-one, unimportant and insignificant. There was a bench a few meters away, she inspected it with her hands. It’d been raining most of the day so the bench was soaked but she didn’t care. As the girl sat and listened to the sea, leaning back against the hard stone wall behind, old memories filled her thoughts making tears fall from her closed eyes. Happier times, laughter and unforgettable smiles. Times with friends she had long forgotten, or those she still knew but had changed so dramatically that she barely knew them at all anymore. Small raindrops fell onto her head, startling her. Checking her watch again the girl realised that she only had a few minutes to reach the bus stop. Picking up her pace she almost ran to the roadside, waiting for a kind driver to stop and let her cross. Finally the road became deserted as she went over and sat in the bus shelter. Only a few days before she had sat in the very same shelter mocking her friends and giggling like the immature school girl she often tried to hide. At last the bus came, showing her ticket she sat on the third seat back. Depression came sweeping over her, sucking out her energy, making her unable to move. Staring out the window for the whole of the journey, tears fell silently down her reddened cheeks as thoughts turned back to old memories.




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This was alright, but, you've really have got to make the font black. I'm seeing stripes everywhere.

When she says the time, unless you meant that it was about 6:27, it needs to be 6:45.




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I think the problem here is that you either don't know your story well enough, or you're trying to hard to be vague and mysterious. It's not making much sence, and besides, people generally don't want to read about nameless people whom they know little or nothing about.
Please, sit down before you fall down.
Belloq, "Raiders of the Lost Ark"




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Arse wank! This was a small clipet from my novel that Ive been working on for 3 years straight! I dont want it to go anywhere coz its too personal....but this scene actually happened. Stories always have roots...mine just begins with me. Fiction never sways fact.
Point.




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Something can be rooted in fact but that doesn't automatically mean that it's going to translate well onto the page. Since we're not you and we're not in your life we don't know who these people are or the context that the story is in, and if you want to write a readable novel then some details need to be given. the second half of this snippet makes sense, but the beginning is unintelligable as far as story goes - I mean I can tell she's talking to this boy, she has to leave, she's sad, but I don't know who either person is or why any of this is happening.

I know that your work is personal, especially if it's based on your life, but the comments of reviewers are there to help you. So, please, take a deep breath and distance yourself a bit. You can convey "the truth", tell a story "from the heart", and still do it artistically and so other people can enjoy it. Criticism is not meant to be an insult and it's not meant to be criticism of you as a person, just of the writing.




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No offense, dear, but you've really got to set it back to black. :? I'm seein' stripes, even though I'm using Chimped Out.

Bolded letters/words are my inserted words, underlined words are my comments, and striked-out words/letters are what I think you should take out. Any spacing I added was for Text-Chi and my own sanity.

She got up and walked over to the balcony edge, leaning over as far as she could. Mist covered the horizon line, muffled blues and purples merged as one. Muffled? How? Toned-down? I would suggest re-writing this. The sound of the sea loudly lapping against the rocky shoreline and closing her eyes her imagination flew across the ocean, onto a deserted beach, somewhere far away from the town she so regretfully lived in. Wow! You should cut this long sentence down a bit. "The murmuring ocean's voice calmed her, and she closed her eyes, imagining a far-away, deserted beach." or something. Mid- thought I would chance this for, "Through her daydream came the call of her friend, his [adjective here] voice shouting, blah blah blah" the girl was interrupted by a voice, shouting, although he was sat almost right beside her,



:attacks: Good heavens! For the love of all that is paragraphed, space this! It will make it much easier for others to read. Unbelievably easier.
The typical YWS dialogue paragraphing technique is simple:

"[Dialogue]" [Dialogue tag]

[Action/Dialogue Paragraph]

"[Dialogue]" [Action]

See? That makes it so much easier to read.

“It’s getting late, I’ve gotta be in soon, Faith.” Pause.

Okay, you can go if you want. I’m not really very good company today, am I? Sorry.” she sighed, without looking at him. Tears filled her distant blue eyes as she stared far out to sea. Distant? How? Explain and clear this up, please.

“Well, do you mind if I go now?” came the answer, he [s]now[/s] stood right beside her, I suggest writing a little bit about how he walked to stand next to her. It suits the tense. no longer needing to shout above the crashing of waves.



“No, don’t worry. I’ll see you tomorrow.”

As the boy walked he turned, HUH?! This doesn't work with the above! Re-write! RE-WRITE! :flails outstretching his arms ready to embrace her. You're messing with the tenses again! Yargh! A moment's hesitation, then he slipped his arms round her waist, yet hers stayed by her side.

“Proper hug!” exclaimed the boy, a trace of hurt in his voice. She wrapped her arms round him, resting her head on his shoulder and wishing never to let go. Ump? She refuses to hug him and then doesn't want to let go? Finally, she let her arms fall down to her side and smiled gently at the boy who she has once adored and loved with all her heart.


OK, three major problems so far:

1. You keep switching tenses
and it's detracting from the story. First it's in present tense, ("now") and then it's in past tense. ("hugging", "wiped", "ed" and "ing" words in general)Please stick with one tense!

Actually, considering the story, I suggest ditching this text and re-writing it in 1st person. I think you'll reach a lot farther that way.

2. The Characters
are lifeless, cardboard and "emotional" --that is to say, they're showing emotions-- for no apparent reason. They don't have names, we have no backstory on them, no reason to care for them, and we have little/no feelings for them. (Nick, personally, hopes that no-name-girl will fall off a cliff...)

We need much more than just this scene to make a story.


3. Useless details

You have a lot of 'em in here. Why do we need to know which bus seat she took, or how many degrees she turned?

Overall, this calls for a whole re-write. Just scrap the text and start again.

I also agree wholeheartedly with Rei.

Gambatte, PM me if you have any questions on my review,
Sumi
ohmeohmy




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I agree with B, I've written very emotionally charged pieces about events in my own life before, and its not hard to get caught up in the memory when you're writing it. And because of your personal affinity with the piece, it can be hard to take criticism and hard to tell when a piece, or parts of it, aren't working. You really need to value an outsiders opinion in these instances, as they can view these pieces in a way as we, the writers and participants in the story, can't.

In saying that, I did like this piece. The imagery and emotion throughout are good. But towards the end in particular, it gets confusing - you mention how "Only a few days before she had sat in the very same shelter mocking her friends and giggling like the immature school girl she often tried to hide." We really need to know what's changed to understand this statement, because something quite pivotal has clearly taken place with the character to cause such a change in temperament/self-identity.

This piece has a lot of potential. Don't be disheartened because its something you've been working on for so long - fiction is not a short process, and you haven't wasted your time. There's just more work to be done yet :)




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This was ok, interesting in that it's pink. straighten out the grammar and punctuation.



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