Farewell --EDITED

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A feeble sun shines down on an old man waiting at the abandoned railroad station. The brown leaves from the dying trees bristle stiffly, occasionally fluttering down around the old fashioned station building like wounded bats. Though there are many benches, he stands facing the old, rotting tracks, discolored carpet bag in hand and wilted walrus mustache swaying gently in the gloomy wind.

His loosely woven, baggy clothes hang tenderly from his forlorn form –thin pants, tied at the waist; long loose shirt; grass sandals; and a hand made sunhat – all of varying shades of sandy brown. His carpet bag, too large for his few possessions, hangs wearily from his veined hand, flowery patterns faded and leather handles threadbare.

A long, sharp nose is angled down over his drooping mustache as if to anchor it from the weak wind in which it swings. His cheeks are hollow caverns over which are draped copious amounts of sagging skin. And his eyes are a secretive, sorrowful dark green buried deep in radiating wrinkles; creviced mementos of past troubles and triumphs.

There is something undeniably pitiable in his drooping shoulders, sagging carpet bag, and limp mustache. Something that makes the cloud-shrouded sun seem lonesome and the gentle wind in the brown leaves seem like the whispered farewell to a beloved homeland.

A murky memory surfaces in those shadowy eyes: a middle aged woman and a small girl, tears coursing down their faces, lingered at the back of a crowd bustling onto a train. The plump little girl clung to his leg and he could feel her warm tears through his pants. He had plucked her from the ground and, holding her out at arms length, twirled around. He had then flung her still wet head to his shoulder where his tears had sunken into her dark curls and hers into his shirt. A train whistle had sounded. The woman had gently peeled the child from the man’s chest and brushed a hurried but heartfelt kiss onto his cheek. Then, carrying the child, she leapt onto the train and was whisked away.

Would he see them again?

A train whistle sounds: faint at first, but growing in volume as the foreboding inside the man grows in ferocity. Eventually, the large, powerful train rolls into view and stops in front of the old man, its glistening newness overwhelming the dilapidated station.

The old man hesitates, even takes a frightened step away from the gleaming monster. But then a wave of determination crashes up against him and he squares his shoulders, hitches his bag into a comfortable grip and, without looking back on the land he is leaving, steps onto the train and is whisked away.

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So... do you think the flashback is confusing and makes it more than just a scene or do you think that it adds? I just thought that there wasn't enough background the other way...
Last edited by Azila on Mon Aug 25, 2008 12:35 am, edited 7 times in total.




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The brown-leaved trees around the ramshackle old-fashioned station building bristle stiffly, leaves occasionally fluttering down to the ground like wounded bats.


Don't like the repetition of the root word "leaf" in this sentence. Also, "brown-leaved" and "old-fashioned" -- ah, similar forms of description; again, sounds repetitive. Vary it.

Though there are abundant benches


The word "many" will do just fine here.

All of varying shades of sandy brown.


This sentence shouldn't be standing alone. Merge it into the preceding one.

swaying


And two paragraphs down...

sway


In a story this small, try and vary your words as much as possible -- the reuse of too many words can be jarring.

His long, sharp nose is angled down over his drooping mustache as if to anchor it from the weak wind in which it sways. His cheeks are hollow caverns over which are draped copious amounts of sagging skin. His eyes are a secretive, sorrowful dark green, buried deep in radiating wrinkles; creviced mementos of past troubles and triumphs.


Every sentence in this paragraph starts the same way. Variety is the spice of life.

Nice job on the italicized part. ;)

There is something undeniably pitiable in his drooping shoulders, sagging carpet bag and limp mustache –something that makes the cloud-shrouded sun seem discouraged and faded and the gentle wind in brown leaves seem like the whispered farewell to a beloved homeland.


This sentence strikes me as clumsy; that last part is hard to read. Restructure it, or split it up into two sentences.

A train whistle sounds, faint at first, but growing in volume as the foreboding inside the man grows in ferocity.


I would replace the first comma with a colon. I'm not sure if it's more grammatically correct, but it's my personal opinion that it reads better that way.

Eventually, the large, shiny, powerful train


Ew. No.

shining monster


Yeah, cut out the shiny stuff.

Well, this was an alright attempt. I know that the main focus of this story is to paint a picture -- and I think you're on the right track -- but I can't help but feel that the whole thing gets bogged down with way too many adjectives. That, and little actually happens here. The story is him stepping onto a train. In trying to compensate for lack of action, your description pulls the story down.

Description is good. But when it isn't complimented by any sort of actual narrative, it's pointless.

By the way, nice alliteration throughout. That was fun. ;)

Prokaryote




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Thank you so much Prokar! I will definitely fix the repetition stuff you mentioned when I get a chance (not now, unfortunately). And about nothing happening: I didn't want anything to happen. It's just a scene.

Thank you again, my friend!
~Azila~




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Hmm, I think prokaryote got most of the technical issues covered. It started out a bit rough, though it definitely smoothed out towards the ending. Very nice portrayal of emotion, you captured the man's personality very well. I do kind of object to the repetition of "old man" and I suggest you find at least one other term to alternate it with.

The last thing I found was the very VERY long sentences you use. While I'm pretty sure they are actually correct grammar wise, they still feel awkward and I suggest you break them more often.

Very moving piece in total though, I really liked this.




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Hi Azila,

a middle aged woman and a small girl, tears coursing from down their faces, lingered at the back of a crowd bustling onto a train. The plump little girl clung to his leg and he could feel her warm tears through his pants. He had plucked her from the ground and, holding her out at arms length, twirled around. He had then flung her still wet head to his shoulder where his tears had sunken into her dark curls and hers into his shirt. A train whistle had sounded. The woman had gently peeled the child from the man’s chest and brushed a hurried but heartfelt kiss onto his cheek. Then, carrying the child, she leapt onto the train and was whisked away.


I don't think all those "had"s are needed since you preface the paragraph and say it's a flashback. They make it awkward to read.

That having been said, I think I like this better with the new addition. It lends the piece a tangible mood, and not just vague hints at one.

About it being "more than a scene," I'm kind of confused -- a scene can be an unchanging picture, or it can be something like a short series of actions. I looked at the contest you're entering this piece into, and it seems that it could be either? "Farewell" seems like the latter; it strikes me as trying to be flash fiction, not just a description. If you ask me, this is a good thing! I think treating this like a painting would be a bad idea.

So I guess I'm confused at what this is trying to be, or what you want it to be: picture or story (series of actions)? Sorry if I'm not being very clear. >.<

Keep it up. :)

Prokaryote




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-salutes- Reporting for duty!

mustache ... Hmm I could have sworn it was moustache, but I was wrong! xD

Anyway, all that's really left to say is that it was good...

I am a bit curious about it though, the wife and child get on a different train to him right?

-ponders-

(Yes. I have lots more reading to do!! xD)
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Thank you everyone for reading and commenting on my work!

Prokaryote-- Thank you so much for looking at it again!

+1-- I do have a whole story behind the man, his wife, his daughter, his people and his land... I'm thinking of making it into a story/short story sometime. If I do write it and post it, I'll PM you :wink: You are dismissed!

Thanks again!
~Azila~




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Azila wrote:
The brown leaves from the dying trees bristle stiffly, occasionally fluttering down around the old fashioned station building like wounded bats.
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I couldn't help but laugh at the 'wounded bats' part. Nothing wrong with the sentence though ^^
Azila wrote:His loosely woven, baggy clothes hang tenderly from his forlorn form –thin pants, tied at the waist, long loose shirt, grass sandals and a hand made sunhat; all of varying shades of sandy brown. His carpet bag, too large for his few possessions, hangs wearily from his veined hand, faded flowery patterns threadbare.
-----------------
Lovely descriptions there! :D The only thing that bugged me was the lenght of the first sentence.


Overall:
Very nice!
I'm not sure what it's from, but the descriptions were excellent and it flowed quite nicely. You went into great detail about the old man -maybe a bit of purple prose- but other than that it was fantastic!
everything i loved
became everything i lost.


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Thanks Ayra!

What's so funny about wounded bats? *doesn't get it*

Oh, and what's "purple prose"??

Thanks for the review, though :D



~Azila~




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Azila wrote:Oh, and what's 'purple prose'??


Purple prose.

=)

Prokaryote




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Wikipedia wrote:A term of literary criticism, purple prose is used to describe passages, or sometimes entire literary works, written in prose so overly extravagant, ornate or flowery as to break the flow and draw attention to itself.


Oh. Do you think this piece is too purple? I thought that since it was so short (and maybe even a prologue of sorts) it was ok to be a tad purple... what say ye?


~Azila~




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I think it's fine.

The whole point of this piece is to give the reader a clear picture of the scene. The purpleyness works well in this kind of piece, at least in my opinion. :D




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Hi Azila! Cool story. I really liked reading this!
Excellent descriptions, I am wowed. Off to read some of your other work now, ta ta!

Let me know if you win the contest! Good luck.
:D




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I have nothing bad to say! You have a talent for creating a mood and time period with your desciptions. I could totally see this old man. :D Oh, and I loved the part about his nose anchoring his mustache down. That was a stroke of genius.

The flashback wasn't out of place at all; if anything, it added to the potency of this story.

So good job! Keep it up!
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Thanks everyone!

I actually won Jenna's contest (much to my surprise). Here's her beautiful watercolor of it.

Thanks!
~Azila~



I didn't want to slow time, I just wanted to make a little rock.
— MomoMajesty's brother