Weighty for Worthless [Free-Write]

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Note: On whim and in ten minutes...the idea's been tweaking my thoughts. Make any sense?

--


‘But sin’s old world ----.’ The man sat in his chair like a bruised Buddha, shoulders hunched and roundness crumpled in a dusky grey suit and creased tie. ‘You know?’ he asked, as if to clarify, ‘----.’

Damien had disliked him the moment his flaccid features had lifted: a petty, uneducated face with its half-open mouth and wan eyes; and a voice to match. Rasped, caught-up under double-chin to mutter with a self-effacing front - he spoke in bursts, and fell silent.

But one didn’t get to pick associates in this line; mostly when it came to humanity, there wasn’t much to pick. The higher-ups got the truly interesting - and Damien, dear Damien in shirt-cuffs and bland-faced diffidence, got Buddha in his stained tie and creased suit.

Carefully, he arranged his napkin beneath bent silver. A restaurant to match its patrons, Devil take it all.

‘Sin’s Dark Ages - so what’s it to you?’ stuttered Buddha, ‘Got this game going, even in the parish. You know?’

‘I didn’t,’ remarked Damien lightly.

‘Right, well - even in the parish. Fr. O’Connor’s a damn good modern man. Real friendly. We get on great when I’m not drunk. ‘Nother sin, isn’t it?’ he snorted into his collar, reaching for his iced-water and knocked it across the table in his fumbling.

It seeped into Damien’s neatly arranged linen and trickled over the table lip where Damien had been seated - he shifted slightly to avoid the spill. It pooled on cheap plastic-booth seat covers until he was forced to the far corner.

Buddha didn’t seem to realise the pity it would be to stain, wet or otherwise disheval his companion’s deft appearance.

A waitress was called. Damien thanked her with vaguely more interest than he showed in his companion.

‘It’s not the game I’m so very intrigued by,’ he said as his long fingers idly rearranged his new napkin and damp cutlery - Buddha fell oblivious beneath the mildly sardonic tone. ‘I was wondering if you’d like to do something…more interesting?’

‘Interesting,’ echoed Buddha dully, ‘How like?’

‘Yes. Much more interesting than a plethora of other things I can currently account for on my itinerary. Interesting, my friend - which is, I hope you’ll admit, is more than you can say of your current situation.’

‘Like Hell.’

Damien smiled. ‘No.’

‘And how is sin got to do?… You said sin, Mister.’

‘No such thing, naturally,’ Damien brushed it away in a breath, ‘All accounted for by mental ills and madness. We know half the murders on the Continent come of a mental imbalance and obfuscation of the question of human life, value, definition and applicability.’

Buddha took this monologue with amazing savoir-faire, spoiled by a hicough and sudden belch.

‘God’s sakes, that’s a mouthful. Say what?’

‘Personal responsibility - can’t be blamed,’ Damien said sourly, and to the floor - ‘as if intellectual is too much to ask!’

The food arrived, all greasy American and working-class - cheese, beef, French-fried potatoes in cheap baskets of red-painted wicker. It would have looked chintzy in a fortune teller’s bead-hung parlour.

What was there to do in an atmosphere like this?

Apparently, eat - as Buddha set to in a manner distinctly divorced from any Buddhist temperance. Gluttony was no object then. He could only wonder at the latent tendency to homocide that he had been told to uncover. Perhaps stealing the man’s food and denying him the comfort of shabby clothes and badly-knotted neckties would break through slothful indifference?

‘Good food,’ mumbled Buddha, ‘yeah? Not eating?’

‘I think I give up,’ said Damien, ‘Entirely and completely. White flag. Surrender. Devil take me, even admit I may have been an idiot.’

‘Hngh?’

Damien stood, dropping the pleated napkin from his lap, knocking the table as he knocked his chair back. The refilled, unspilled glass of water tipped sideways, flooded Buddha’s grease and pawed French-fries.

‘Hey - you said you got something’ for me. something good, you know?’

‘Oh?’

Buddha blinked.

Without another pause, Damien laughed - an awful, careless, dry laugh, catching on his lips. It fell as quickly as gravity - somberness always heavier than levity.

‘Tell me, man, what’s worthwhile in this weary world of yours?’

It took a long time; a heavy, brow-crushed moment of masticating thought. Buddha small, wan eyes looked dark.

‘Fun,’ he said, ‘you know? and then Hell! what matters? all die.’

‘I would rather serve in heaven,’ remarked Damien, ‘Than reign here in this madhouse hell of idiots; it’s terribly dull. And you can quote me.’
ex umbris et imaginibus in veritatem

"There is adventure in simply being among those we love, and among the things we love -- and beauty, too."
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Ha! I loved this! Very interesting and very clean with great descriptions. Awesome job on the whole thing I had a fun time reading about Buddha. lol.

Keep at it!
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"uneducated face with its half-open mouth and wan eyes; and a voice to match"

I don't think there should be a colon there, a comma instead.


"It seeped into Damien’s neatly arranged linen and trickled over the table lip where Damien had been seated"

You repeat Damien, it sounds a bit awkward.


"We know half the murders on the Continent come of a mental imbalance"

Should be "come from".


"spoiled by a hicough and sudden belch"

Should be "hiccough"


"knocking the table as he knocked his chair back."

Seems odd using "knocking" and "knocked" so close together.


I thought this was brilliant, very amusing. I'd love to read more of it.
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Hm. Interesting. The descriptions were very nice. They felt unforced and although some were long, they were all relevant and kept the scene going.

I loved the use of Buddha to describe the other man. And I also really loved the description of the food. It seemed like an insult to the food perhaps, but it made me hungry. ^_^

The monologues were engaging and amusing to be sure. I was rather confused by the end. How is he reigning? The whole time it seemed as though he were somehow responsible for the man in front if him, but is that truly 'reigning'? And I believe the "you can quote me on that" is meaningless unless something in their conversation brings up the fact that quoting someone (or not quoting) is of importance. Otherwise it felt like you were trying to end with something witty, yet fell short of the mark.

I always enjoy reading your work IMP!
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Trident wrote:The monologues were engaging and amusing to be sure. I was rather confused by the end. How is he reigning? The whole time it seemed as though he were somehow responsible for the man in front if him, but is that truly 'reigning'? And I believe the "you can quote me on that" is meaningless unless something in their conversation brings up the fact that quoting someone (or not quoting) is of importance. Otherwise it felt like you were trying to end with something witty, yet fell short of the mark.

I always enjoy reading your work IMP!


Thanks Tri. ^_^

The 'quote me on that' was an allusion to Milton. In Paradise Lost, the oft-repeated - 'I'd rather reign in Hell than serve in Heaven'? So, somewhat a play on that remark.

Thanks again very much.


IMP
ex umbris et imaginibus in veritatem

"There is adventure in simply being among those we love, and among the things we love -- and beauty, too."
-Lloyd Alexander




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Ah, I see. I guess I'm a little behind on my Milton. ^_^
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I enjoyed this, I liked the sort of ambling pace. I made me think of Neil Gaiman's American Gods, the patter and feeling of the writing.

the first paragraph drew me in from skimming the YWS homepage. I like how dramatically and believably the two character's dialogue differ from one another.

fascinating on-shot that feels like it was part of a bigger world.




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Sabine wrote:I enjoyed this, I liked the sort of ambling pace. I made me think of Neil Gaiman's American Gods, the patter and feeling of the writing.

the first paragraph drew me in from skimming the YWS homepage. I like how dramatically and believably the two character's dialogue differ from one another.

fascinating on-shot that feels like it was part of a bigger world.


Oy, thanks Sabine - you couldn't have said anything much better than that. ^_^ To have drawn someone in from the first scrap visible on the front page... - I'm glad you liked it.



IMP
ex umbris et imaginibus in veritatem

"There is adventure in simply being among those we love, and among the things we love -- and beauty, too."
-Lloyd Alexander




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*bows to Imp's well-read-ness* I attempted to read "Paradise Lost" once. It was good for a laugh.

...I later wrote an impression of Milton writing in drama class, a rambling old fool using too many confusing allegories and such ("Thy cooking is like the ascenscion of Gabriel" and "Bwahaha, let's see if the little prats can sift through this!"). Of course, they didn't know who it was- but it is a good example of how mature I am as a reader, no?

But! Enough trivialities- you want this ripped apart, no doubt? :wink:

ATMOSPHERE: I most often equate your writing with the sword duels and foggy alleyways of some Old World country, so it was nice to read the pretty vocabulary in an Applebee's or some other roadside food source. So! A suggestion- bring out the setting more. With the allusions made by the speakers, it's easy for your readers to slip back into picturing two men in Russian tunics smoking pipes and discussing literature over tea. Not good.

A greasy dose of American reality would be appreciated- an extra helping, if you will.

WE'RE ALL PHILOSOPHISING 'ROUND POUGHKEEPSIE: So, the diner setting is good-your dialogue is good, too. What's my problem, then?

...they both sound sort of the same (the characters, that is).

This might be explained if they were both university professors or something such, but there's no mention of that in the piece (that I know of- perhaps I wasn't paying close attention :wink:). Don't get me wrong- the speakers are both eloquent and funny, but I get the impression that Damien and the Buddha have distinct personalities.

I also get the impression taht Damien's younger- it might be even more funny if he were the one usin' them fancy words, and the Buddha was there to laugh and comment on his precociousness. It would also add a bit more conflict, something restless readers like quite a bit. It can only make the piece better, right?

Ah, good bit, Impness...do feel free to ask me if you've got any questions on my ramblings. :D
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Thanks almost inexpressibly, Sam. ^_~ All points good, and to be considered - just questions on a free-write are good; but you've gone deeper even than that. ^_^

ATMOSPHERE: I most often equate your writing with the sword duels and foggy alleyways of some Old World country, so it was nice to read the pretty vocabulary in an Applebee's or some other roadside food source. So! A suggestion- bring out the setting more. With the allusions made by the speakers, it's easy for your readers to slip back into picturing two men in Russian tunics smoking pipes and discussing literature over tea. Not good.


Ah, and you've got me there. At least, on question of atmosphere/'setting'. It was the only thing that really irritated me about it, when I reread... (Though I don't think Russian tunics could be pictured! They have got description of clothing. Though the point is valid about dialogue influencing perception...)

...they both sound sort of the same (the characters, that is).


Ach...too much the same? !_!'' I think I see the similarity in diction. I'll have to go over that if I ever get to rewriting and/or expanding.

And the suggestion as to Damien's age is brilliant. In something a bit longer, or if this could be continued, that aspect ('whippersnapper', etc.) could be hilarious.

Thanks again, Sam. (Your critiques are fun to read even when not directed at me. ^_~)

IMP
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It seeped into Damien’s neatly arranged linen and trickled over the table lip where Damien had been seated - he shifted slightly to avoid the spill. It pooled on cheap plastic-booth seat covers until he was forced to the far corner.


Really, I envy you. You've made something like the spilling of a liquid graceful, the way it "trickled over the table lip" is so much more beautiful than, "spilled onto the booth seat." Is there any way I can consume some of your brilliance, just for one moment?

Buddha small, wan eyes looked dark.
Er, Buddha, possessive?


Still, you continue to amaze me. I loved how it was a conflict of good and evil, and stuck in what only can be inferred an American diner-ish setting. And then it was so much more modern and...American? then I would expect from you that I loved it even more, but it still had your beautiful word work.

I think I will make it a goal to be, at the least, half as good as you are. Publish something, so that I can purchase it, will you?
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Thank you, Clau - very much, in all honesty. It seems I need reminding of the worth of writing; I've been thinking lately my words are rather dull and useless.

But I'll finish something and polish it for publishers. ^_~ You had better be doing the same; you have talent and determination. ^_^






IMP
ex umbris et imaginibus in veritatem

"There is adventure in simply being among those we love, and among the things we love -- and beauty, too."
-Lloyd Alexander




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Firstly I address some issues ne?


"Buddha didn’t seem to realise the pity it would be to stain, wet or otherwise disheval his companion’s deft appearance."

Comma after "wet" or "disheval" (I think?) hehe.


The refilled, unspilled glass of water tipped sideways, flooded Buddha’s grease and pawed French-fries.

Comma again, after "unspilled."

‘Hey - you said you got something’ for me. something good, you know?’

Middle speach quote is unnecessary.



Now I continue to say that I absolutely loved this ^.^ The juxtaposition of Buddha and Damien is lovely, very well done. As are the descriptions and the concept. Fantastic work ^.^

*Hearts* Le Penguin.
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Awesome :) I loved the description, keep up the good work. :)



so many languages have fallen / off of the edge of the world / into the dragon's mouth.
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