I feel a part of me is dying
Yet nothing's being born anew.
I just want the gift backI once had(finish here),
The one I got from you.
The second line is awkward. The conjunction of nothing is making it seem like there are too many syllables, though I can tell you were trying to hide that.
It fades away like the day tide
But it's not coming back up.
Why is this thing rubbing away?
I can't write well with blind luck.
Yeesh, this is also awkward.
The remedy: better wording.
It runs away like a child
Having nowhere to go.
I wish I could coax it back,
But how, I don't know.
(The comma adds an unspoken syllable. It sounds better than having "to" there.)
And I can feel its mark,
The emptiness it left.
I need to fill the spot
Where I can feel its death.
I don't feel like very much creative thought has gone into this stanza especially. I know you're having trouble, that's just something to think about when you get your spark back.
I need to save you
Don't leave me please.
I cannot stay sane,
Cannot release.
Now, you've already made the point that it's dead, so logically, it cannot be saved. The creativity with your words is also lacking.
Stay with me sense,
I love you.
I can't say goodbye
Don't bid me adieu.
Hm, here's a thought: Chop off the last line?
You are mine,
I am yours,
A slave to you,
And your lores.
I don't like the first line or the last line. They don't fit with the rest. You got a bit comma-crazy, too.
Dying
Please
Don't go,
Sieze.
I like the fading. It emphasizes the fading in the second stanza. I don't understand the use of the word seize, though, because seizing is "to take possession of" (Merriam-Webster Dictionary) and that doesn't seem to emphasize your meaning.
Overall, good idea, okay execution. The diction and the balancing of the syllables are a little off, but the idea of a fading skill that is augmented by the number of words in each line is great. Good luck with your setbacks, my friend.
-Clara

