Hellfire

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This is definitely better, description-wise; I've got a concrete vision of what the house looks like (and it sounds lovely...plus I love the little details you put in, like "Spanish flair". It's the tiny concrete details that make writing pop), and it sounds lovely. Also, I like the passage where Larara's seeing Malibu for the first time, and trying her hardest not to like it. Not only did it provide a description of her settings, but it also helped show a little more of Larara's character, and endeared me a little more to her, because I've felt the same before. :)

Actually, I think that you should keep Larara's argument with her mother; it helps set up from the beginning that Larara and her mother have a contentious relationship. The crying, to me, it just felt a little...I don't know...it kind of makes Larara seem overly emotional? Having them argue is fine; just be careful not to make Larara too bitchy or toughen her mom up a bit. Yeah...I feel an argument would be a more emphatic start to this piece. But she is much less bitchy in this piece, which is good.

Though again, I'd suggest actually starting the story off with a scene of Larara with her friends. :) Nothing else could quite drive home how much Larara's going to be losing by moving.

One last nitpick--one time, you used the word "acceptions" instead of "exceptions".

This is much better than before, especially with the description. Just now try to find a balance between bitchiness and weepiness for Larara's character...I know it's tough, but keep on working. :) There's definitely potential in the piece.

Best of luck in your endeavors!
Ah, it is an empty movement. That is an empty movement. It is.



In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort.
— JRR Tolkien