Hey there! I like the idea you have started off with here. It's cool how you used the subject of chocolate as the vehicle for kicking off the story. It works well to transition into the real issue you bring around by the end: this narrator's parents don't care. The sentence where you wrote, "I wish I still could have chocolate" really brings the illustration to a climax and makes a significant point.
It seems to me like we have somewhat of an "info dump" here. What I mean is, it's a lot of telling and not showing. If this is fundamental information that absolutely has to be established before launching into the main part of the story, it might work. However, I'd suggest trying to work these details into the story so that the reader gets their questions answered little by little. The presentation used here leaves little room to wonder or imagine. While it important to be in the driver's seat with your own story, it also benefits the narrative a lot if you can weave the backstory in a little at a time.
Along that line, I think it would be helpful to see some more examples rather than just vague statements that the narrator had done "something" destructive every week. I think it would also be cool if you introduced us to the narrator's friends by letting us see them in the story. Show us the confident, sneaky, smirking klepto. Show us the shy, insecure, shrinking social outcast who sits alone all the time and avoids eye contact. You have a good start with this where you describe the "dark, musty corner of the library" where they sit and read their poetry. Take hold of this sort of visual showing, expand it, and work it into your story.
I think you've got a great story starting out here. You've set the theme that you want to convey by establishing that the narrator feels invisible.
Thanks for sharing this with us.
Points: 13629
Reviews: 215
Donate